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VOLUME
by United Visual Artists
Intro to Interactive Media Arts
Assessment Task 1

by Yulia Besplemennova 3406397
Successful both in the
design practices with cli-
ents commisions and own
artworks and installations

Explore the spatial and tem-
poral relationships between
site, work and audience

Work in the public spaces

Long-lasting collaborations
with the musical collectives
brought the sound to all the


                                 UVA
installations, adding the syn-         Established in 2003, United Visual Artists
esthetic experience of the             are an art and design practice based in
environments                           London. UVA produce work at the inter-
                                       section of sculpture, architecture, live per-
                                       formance, moving image and digital instal-
                                       lation.
Audience influences the in-
stallation but the reaction is
not direct, artwork has its own
behaviour

Both subjective and intersub-
jective. Collective actions in-
fluence the environment,
bringing shared experience

When engaging with the
work there is a prevailing
sense of there being an inter-
                                    http://vimeo.com/15260133
dependent relationship be-
tween individual presence and       London/Hong Kong/Taiwan/ Melbourne/St Petersburg
the emergent quality of the         2010
system
                                                          consists of a field of 48 luminous, sound-emitting
They create a special atmo-        VOLUME                columns that respond to movement. Visitors weave
sphere inviting people to ex-      a path through the sculpture, creating their own unique journey in light
                                    and music.
plore the built relationship with
                                    The result of a collaboration with Massive Attack, Volume won theD&AD
the environment and each            Yellow Pencil
other.                              in 2007 for Outstanding Achievement in the Digital Installation category.
Monolith, John Madejski    Triptych was designed      Volume, Londons V&A    Origin, part of The Cre-
  garden at the V&A       for the Nuit Blanche art   museum in 2006, Hong     ators Project, New York,
  museum in 2006            event in Paris, 2007      Kong, Taiwan, St. Pe-             2011
                                                     tersburg and Melbourne
Mark Rothkos                      James Turrells                  Jim Campbells
       colour studies                      light studies                     Public Art


Roots of UVAs works could be found in the studies of other modern artist both traditional and
digital. Installations minimalistic appearance actually hides advanced hardware technology and
complex interactive software
Mobile Interactions
Brings people to play to-
gether

Explores the social landscape
of the environment

Expands the virtual and digital
dimensions to the real physi-
cal environment




                                       http://vimeo.com/38413062



As part of a commission for the audiovisual festival CROMAfest, Mexico-based interactive agency Hotpixel
created a digital sculpture by visualizing tweets with the hashtag #CROMAfest. When users send a tweet,
their avatar tumbles into view on the screen, which in turn generates a unique sound. The users can then fur-
ther interact with the sculpture by changing the background color of the piece, which is done by tweeting
hashtag then a color
http://vimeo.com/21046519                       http://vimeo.com/1976994


              Peptone at Place des Arts                             Boom Bench
      Nuit Blanche Montr辿al, February 26 2011            by Michael Schoner of NL Architects,
              Produced by Departement                                Netherlands

   Brings people to play together                Expands the virtual and digital dimensions
                                                   to the real physical environment
References:
1. Anxious Atmospheres, and the Transdisciplinary Practice of United Visual Artists
    Vince Dziekan, The Fibreculture Journal, issue 18 2011: Trans

2. The code breakers: United Visual Artists see the beauty in binary. Their fusion of
    art and science creates some genuinely unique work. Creative Review [0262-
    1037] Sinclair, Mark yr:2004 vol:24 iss:3 pg:50

3. PROFILE: United Visual Artists. Design week [0950-3676] yr:2008 pg:13

4. www.uva.co.uk

5. http://www.creativeapplications.net/

6. http://thecreatorsproject.com/

7. http://vimeo.com/

More Related Content

UNSW, Intro to Interactive Media Arts 2012, Research

  • 1. VOLUME by United Visual Artists Intro to Interactive Media Arts Assessment Task 1 by Yulia Besplemennova 3406397
  • 2. Successful both in the design practices with cli- ents commisions and own artworks and installations Explore the spatial and tem- poral relationships between site, work and audience Work in the public spaces Long-lasting collaborations with the musical collectives brought the sound to all the UVA installations, adding the syn- Established in 2003, United Visual Artists esthetic experience of the are an art and design practice based in environments London. UVA produce work at the inter- section of sculpture, architecture, live per- formance, moving image and digital instal- lation.
  • 3. Audience influences the in- stallation but the reaction is not direct, artwork has its own behaviour Both subjective and intersub- jective. Collective actions in- fluence the environment, bringing shared experience When engaging with the work there is a prevailing sense of there being an inter- http://vimeo.com/15260133 dependent relationship be- tween individual presence and London/Hong Kong/Taiwan/ Melbourne/St Petersburg the emergent quality of the 2010 system consists of a field of 48 luminous, sound-emitting They create a special atmo- VOLUME columns that respond to movement. Visitors weave sphere inviting people to ex- a path through the sculpture, creating their own unique journey in light and music. plore the built relationship with The result of a collaboration with Massive Attack, Volume won theD&AD the environment and each Yellow Pencil other. in 2007 for Outstanding Achievement in the Digital Installation category.
  • 4. Monolith, John Madejski Triptych was designed Volume, Londons V&A Origin, part of The Cre- garden at the V&A for the Nuit Blanche art museum in 2006, Hong ators Project, New York, museum in 2006 event in Paris, 2007 Kong, Taiwan, St. Pe- 2011 tersburg and Melbourne
  • 5. Mark Rothkos James Turrells Jim Campbells colour studies light studies Public Art Roots of UVAs works could be found in the studies of other modern artist both traditional and digital. Installations minimalistic appearance actually hides advanced hardware technology and complex interactive software
  • 7. Brings people to play to- gether Explores the social landscape of the environment Expands the virtual and digital dimensions to the real physi- cal environment http://vimeo.com/38413062 As part of a commission for the audiovisual festival CROMAfest, Mexico-based interactive agency Hotpixel created a digital sculpture by visualizing tweets with the hashtag #CROMAfest. When users send a tweet, their avatar tumbles into view on the screen, which in turn generates a unique sound. The users can then fur- ther interact with the sculpture by changing the background color of the piece, which is done by tweeting hashtag then a color
  • 8. http://vimeo.com/21046519 http://vimeo.com/1976994 Peptone at Place des Arts Boom Bench Nuit Blanche Montr辿al, February 26 2011 by Michael Schoner of NL Architects, Produced by Departement Netherlands Brings people to play together Expands the virtual and digital dimensions to the real physical environment
  • 9. References: 1. Anxious Atmospheres, and the Transdisciplinary Practice of United Visual Artists Vince Dziekan, The Fibreculture Journal, issue 18 2011: Trans 2. The code breakers: United Visual Artists see the beauty in binary. Their fusion of art and science creates some genuinely unique work. Creative Review [0262- 1037] Sinclair, Mark yr:2004 vol:24 iss:3 pg:50 3. PROFILE: United Visual Artists. Design week [0950-3676] yr:2008 pg:13 4. www.uva.co.uk 5. http://www.creativeapplications.net/ 6. http://thecreatorsproject.com/ 7. http://vimeo.com/