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The visual effects supervisor is hired as early as possible in the pre-production phase, and immediately meets with the director and producer to discuss the script breakdown and specific VFX needs. With a firm understanding of the director’s expectations, the visual effects supervisor turns to his or her crew of concept artists, modelers, and animators to design rough sketches, environment paintings, animatics, or 3-D models. These materials will provide illustration for the director and producer and help to further solidify the visual effects aesthetic. The supervisor will collaborate with production department heads like the director of photography, first assistant director, and product.

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