�ݺ�ߣshows by User: AnantNautiyal

�ݺ�ߣshows by User: AnantNautiyal / http://www.slideshare.net/images/logo.gif �ݺ�ߣshows by User: AnantNautiyal / Thu, 15 Sep 2016 11:25:15 GMT �ݺ�ߣShare feed for �ݺ�ߣshows by User: AnantNautiyal Postmodernism, Neo Modernism /slideshow/postmodernism-neo-modernism/66053844 postmodernism-160915112515
Postmodern architecture is a reaction and evolution to the modern architecture that came before it. Not only did designers begin to make use of new innovations, but at the same time they appropriated design elements from the past. Buildings became an eclectic mix of old and new as the old "Form follows function" mantra was forgotten. One of the iconic postmodern examples is the Sony Building in New York City. As with many cultural movements, some of postmodernism's most pronounced and visible ideas can be seen in architecture. The functional and formalized shapes and spaces of the modernist movement are replaced by aesthetics: form is adopted for its own sake, and new ways of viewing familiar styles and space abound. Classic examples of modern architecture are the Lever House and the Seagram Building in commercial space, and the architecture of Frank Lloyd Wright or the Bauhaus movement in private or communal spaces. Transitional examples of postmodern architecture are the Portland Building in Portland, Oregon and the Sony Building in New York City, which borrows elements and references from the past and reintroduces color and symbolism to architecture. ]]>
Postmodern architecture is a reaction and evolution to the modern architecture that came before it. Not only did designers begin to make use of new innovations, but at the same time they appropriated design elements from the past. Buildings became an eclectic mix of old and new as the old "Form follows function" mantra was forgotten. One of the iconic postmodern examples is the Sony Building in New York City. As with many cultural movements, some of postmodernism's most pronounced and visible ideas can be seen in architecture. The functional and formalized shapes and spaces of the modernist movement are replaced by aesthetics: form is adopted for its own sake, and new ways of viewing familiar styles and space abound. Classic examples of modern architecture are the Lever House and the Seagram Building in commercial space, and the architecture of Frank Lloyd Wright or the Bauhaus movement in private or communal spaces. Transitional examples of postmodern architecture are the Portland Building in Portland, Oregon and the Sony Building in New York City, which borrows elements and references from the past and reintroduces color and symbolism to architecture. ]]> Thu, 15 Sep 2016 11:25:15 GMT /slideshow/postmodernism-neo-modernism/66053844 AnantNautiyal@slideshare.net(AnantNautiyal) Postmodernism, Neo Modernism AnantNautiyal Postmodern architecture is a reaction and evolution to the modern architecture that came before it. Not only did designers begin to make use of new innovations, but at the same time they appropriated design elements from the past. Buildings became an eclectic mix of old and new as the old "Form follows function" mantra was forgotten. One of the iconic postmodern examples is the Sony Building in New York City. As with many cultural movements, some of postmodernism's most pronounced and visible ideas can be seen in architecture. The functional and formalized shapes and spaces of the modernist movement are replaced by aesthetics: form is adopted for its own sake, and new ways of viewing familiar styles and space abound. Classic examples of modern architecture are the Lever House and the Seagram Building in commercial space, and the architecture of Frank Lloyd Wright or the Bauhaus movement in private or communal spaces. Transitional examples of postmodern architecture are the Portland Building in Portland, Oregon and the Sony Building in New York City, which borrows elements and references from the past and reintroduces color and symbolism to architecture. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/postmodernism-160915112515-thumbnail.jpg?width=120&height=120&fit=bounds" /> Postmodern architecture is a reaction and evolution to the modern architecture that came before it. Not only did designers begin to make use of new innovations, but at the same time they appropriated design elements from the past. Buildings became an eclectic mix of old and new as the old "Form follows function" mantra was forgotten. One of the iconic postmodern examples is the Sony Building in New York City. As with many cultural movements, some of postmodernism's most pronounced and visible ideas can be seen in architecture. The functional and formalized shapes and spaces of the modernist movement are replaced by aesthetics: form is adopted for its own sake, and new ways of viewing familiar styles and space abound. Classic examples of modern architecture are the Lever House and the Seagram Building in commercial space, and the architecture of Frank Lloyd Wright or the Bauhaus movement in private or communal spaces. Transitional examples of postmodern architecture are the Portland Building in Portland, Oregon and the Sony Building in New York City, which borrows elements and references from the past and reintroduces color and symbolism to architecture.

Postmodernism, Neo Modernism from Anant Nautiyal

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0 Neo- futurism , Tropical modernism , Sustainable architecture /slideshow/neo-futurism-tropical-modernism-sustainable-architecture/66053695 neofuturism-160915112039
Neo-futurism is a late 20th–early 21st century movement in the arts, design, and architecture. It is a departure from the cynical attitude of post-modernism and represents an idealistic belief in a better future and "a need to periodize the modern rapport with the technological". This avant-garde movement is a futuristic rethinking of the aesthetic and functionality of rapidly growing cities. The industrialization that began worldwide following the end of the Second World War gave wind to new streams of thought in life, art and architecture, leading to post-modernism, neo-modernism and then neo-futurism. In the Western countries, futurist architecture evolved into Art Deco, the Googie movement and high-tech architecture, and finally into Neo-Futurism. Neo-futuristic urbanists, architects, designers and artists believe in cities releasing emotions, driven by eco-sustainability, ethical values and implementing new materials and new technologies to provide a better quality of life for city-dwellers. Neo-futurism has absorbed sоme оf the high-tech architecture’s themes аnd ideas, incorporating elements оf high-tech industry аnd technology іntо building design: technology and context is the focus of some architects of this movement such as Buckminster Fuller, Norman Foster, Kenzo Tange, Renzo Piano, Richard Rogers, Frei Otto, and Santiago Calatrava. ]]>
Neo-futurism is a late 20th–early 21st century movement in the arts, design, and architecture. It is a departure from the cynical attitude of post-modernism and represents an idealistic belief in a better future and "a need to periodize the modern rapport with the technological". This avant-garde movement is a futuristic rethinking of the aesthetic and functionality of rapidly growing cities. The industrialization that began worldwide following the end of the Second World War gave wind to new streams of thought in life, art and architecture, leading to post-modernism, neo-modernism and then neo-futurism. In the Western countries, futurist architecture evolved into Art Deco, the Googie movement and high-tech architecture, and finally into Neo-Futurism. Neo-futuristic urbanists, architects, designers and artists believe in cities releasing emotions, driven by eco-sustainability, ethical values and implementing new materials and new technologies to provide a better quality of life for city-dwellers. Neo-futurism has absorbed sоme оf the high-tech architecture’s themes аnd ideas, incorporating elements оf high-tech industry аnd technology іntо building design: technology and context is the focus of some architects of this movement such as Buckminster Fuller, Norman Foster, Kenzo Tange, Renzo Piano, Richard Rogers, Frei Otto, and Santiago Calatrava. ]]> Thu, 15 Sep 2016 11:20:39 GMT /slideshow/neo-futurism-tropical-modernism-sustainable-architecture/66053695 AnantNautiyal@slideshare.net(AnantNautiyal) Neo- futurism , Tropical modernism , Sustainable architecture AnantNautiyal Neo-futurism is a late 20th–early 21st century movement in the arts, design, and architecture. It is a departure from the cynical attitude of post-modernism and represents an idealistic belief in a better future and "a need to periodize the modern rapport with the technological". This avant-garde movement is a futuristic rethinking of the aesthetic and functionality of rapidly growing cities. The industrialization that began worldwide following the end of the Second World War gave wind to new streams of thought in life, art and architecture, leading to post-modernism, neo-modernism and then neo-futurism. In the Western countries, futurist architecture evolved into Art Deco, the Googie movement and high-tech architecture, and finally into Neo-Futurism. Neo-futuristic urbanists, architects, designers and artists believe in cities releasing emotions, driven by eco-sustainability, ethical values and implementing new materials and new technologies to provide a better quality of life for city-dwellers. Neo-futurism has absorbed sоme оf the high-tech architecture’s themes аnd ideas, incorporating elements оf high-tech industry аnd technology іntо building design: technology and context is the focus of some architects of this movement such as Buckminster Fuller, Norman Foster, Kenzo Tange, Renzo Piano, Richard Rogers, Frei Otto, and Santiago Calatrava. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/neofuturism-160915112039-thumbnail.jpg?width=120&height=120&fit=bounds" /> Neo-futurism is a late 20th–early 21st century movement in the arts, design, and architecture. It is a departure from the cynical attitude of post-modernism and represents an idealistic belief in a better future and "a need to periodize the modern rapport with the technological". This avant-garde movement is a futuristic rethinking of the aesthetic and functionality of rapidly growing cities. The industrialization that began worldwide following the end of the Second World War gave wind to new streams of thought in life, art and architecture, leading to post-modernism, neo-modernism and then neo-futurism. In the Western countries, futurist architecture evolved into Art Deco, the Googie movement and high-tech architecture, and finally into Neo-Futurism. Neo-futuristic urbanists, architects, designers and artists believe in cities releasing emotions, driven by eco-sustainability, ethical values and implementing new materials and new technologies to provide a better quality of life for city-dwellers. Neo-futurism has absorbed sоme оf the high-tech architecture’s themes аnd ideas, incorporating elements оf high-tech industry аnd technology іntо building design: technology and context is the focus of some architects of this movement such as Buckminster Fuller, Norman Foster, Kenzo Tange, Renzo Piano, Richard Rogers, Frei Otto, and Santiago Calatrava.

Neo- futurism , Tropical modernism , Sustainable architecture from Anant Nautiyal

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0 Mid centurymodernism /slideshow/mid-centurymodernism/66053607 midcenturymodernism-160915111741
MODERNISM FIRST EMERGED IN THE 1920.THE PROMINENT FIGURES OF THE MOVEMENT ARE LE CORBUSIER ,WALTER GROPIUS AND LUDWIG MIES VAN DER ROHE. HOWEVER IT WAS NOT UNTIL AFTER THE SECOND WORLD WAR THAT IT GAINED MASS POPULARITY, AFTER MODERNIST PLANNING WAS IMPLEMENTED AS A SOLUTION TO THE PREVIOUS FAILURE OF ARCHITECTURE AND DESIGN TO MEET BASIC SOCIAL NEEDS. IN THE POST WAR ERA, THE AMBITIONS OF THE MODERNIST AND THEIR” STRONG SENSE OF SOCIAL RESPONSIBILITY IS THAT ARCHITECTURE SHOULD RAISE THE LIVING CONDITIONS OF THE MASSES”. CHARACTERISTICS OF MODERNISM: THE NOTION THAT "FORM FOLLOW FUNCTION”, EXPRESSED BY FLW,S EARLY MENTOR LOUIS SULLIVAN, MEANING THAT THE RESULT OF DESIGN SHOULD DERIVE DIRECTLY FROM ITS PURPOSE. SIMPLICITY AND CLARITY OF FORMS AND ELIMINATION OF “UNNECESSARY DETAIL”. MATERIALS AT GO DEGREES TO EACH OTHER. VISUAL EXPRESSION OF STRUCTURE (AS OPPOSED TO THE HIDING OF THE STRUCTURAL ELEMENTS) THE RELATED CONCEPT OF” TRUTH TO MATERIAL”, MEANING THAT THE TRUE NATURE OR NATURAL APPEARANCE OF MATERIAL OUGHT TO BE SEEN RATHER THAN CONCEALED OR ALTERED TO REPRESENT SOMETHING ELSE. USE OF INDUSTRIALLY PRODUCED MATERIALS; ADOPTION OF THE MACHINE AESTHETICS. PARTICULARLY IN INTERNATIONAL STYLE MODERNISM, A VISUAL EMPHASIS ON HORIZONTAL AND VERTICAL LINES. ]]>
MODERNISM FIRST EMERGED IN THE 1920.THE PROMINENT FIGURES OF THE MOVEMENT ARE LE CORBUSIER ,WALTER GROPIUS AND LUDWIG MIES VAN DER ROHE. HOWEVER IT WAS NOT UNTIL AFTER THE SECOND WORLD WAR THAT IT GAINED MASS POPULARITY, AFTER MODERNIST PLANNING WAS IMPLEMENTED AS A SOLUTION TO THE PREVIOUS FAILURE OF ARCHITECTURE AND DESIGN TO MEET BASIC SOCIAL NEEDS. IN THE POST WAR ERA, THE AMBITIONS OF THE MODERNIST AND THEIR” STRONG SENSE OF SOCIAL RESPONSIBILITY IS THAT ARCHITECTURE SHOULD RAISE THE LIVING CONDITIONS OF THE MASSES”. CHARACTERISTICS OF MODERNISM: THE NOTION THAT "FORM FOLLOW FUNCTION”, EXPRESSED BY FLW,S EARLY MENTOR LOUIS SULLIVAN, MEANING THAT THE RESULT OF DESIGN SHOULD DERIVE DIRECTLY FROM ITS PURPOSE. SIMPLICITY AND CLARITY OF FORMS AND ELIMINATION OF “UNNECESSARY DETAIL”. MATERIALS AT GO DEGREES TO EACH OTHER. VISUAL EXPRESSION OF STRUCTURE (AS OPPOSED TO THE HIDING OF THE STRUCTURAL ELEMENTS) THE RELATED CONCEPT OF” TRUTH TO MATERIAL”, MEANING THAT THE TRUE NATURE OR NATURAL APPEARANCE OF MATERIAL OUGHT TO BE SEEN RATHER THAN CONCEALED OR ALTERED TO REPRESENT SOMETHING ELSE. USE OF INDUSTRIALLY PRODUCED MATERIALS; ADOPTION OF THE MACHINE AESTHETICS. PARTICULARLY IN INTERNATIONAL STYLE MODERNISM, A VISUAL EMPHASIS ON HORIZONTAL AND VERTICAL LINES. ]]> Thu, 15 Sep 2016 11:17:40 GMT /slideshow/mid-centurymodernism/66053607 AnantNautiyal@slideshare.net(AnantNautiyal) Mid centurymodernism AnantNautiyal MODERNISM FIRST EMERGED IN THE 1920.THE PROMINENT FIGURES OF THE MOVEMENT ARE LE CORBUSIER ,WALTER GROPIUS AND LUDWIG MIES VAN DER ROHE. HOWEVER IT WAS NOT UNTIL AFTER THE SECOND WORLD WAR THAT IT GAINED MASS POPULARITY, AFTER MODERNIST PLANNING WAS IMPLEMENTED AS A SOLUTION TO THE PREVIOUS FAILURE OF ARCHITECTURE AND DESIGN TO MEET BASIC SOCIAL NEEDS. IN THE POST WAR ERA, THE AMBITIONS OF THE MODERNIST AND THEIR” STRONG SENSE OF SOCIAL RESPONSIBILITY IS THAT ARCHITECTURE SHOULD RAISE THE LIVING CONDITIONS OF THE MASSES”. CHARACTERISTICS OF MODERNISM: THE NOTION THAT "FORM FOLLOW FUNCTION”, EXPRESSED BY FLW,S EARLY MENTOR LOUIS SULLIVAN, MEANING THAT THE RESULT OF DESIGN SHOULD DERIVE DIRECTLY FROM ITS PURPOSE. SIMPLICITY AND CLARITY OF FORMS AND ELIMINATION OF “UNNECESSARY DETAIL”. MATERIALS AT GO DEGREES TO EACH OTHER. VISUAL EXPRESSION OF STRUCTURE (AS OPPOSED TO THE HIDING OF THE STRUCTURAL ELEMENTS) THE RELATED CONCEPT OF” TRUTH TO MATERIAL”, MEANING THAT THE TRUE NATURE OR NATURAL APPEARANCE OF MATERIAL OUGHT TO BE SEEN RATHER THAN CONCEALED OR ALTERED TO REPRESENT SOMETHING ELSE. USE OF INDUSTRIALLY PRODUCED MATERIALS; ADOPTION OF THE MACHINE AESTHETICS. PARTICULARLY IN INTERNATIONAL STYLE MODERNISM, A VISUAL EMPHASIS ON HORIZONTAL AND VERTICAL LINES. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/midcenturymodernism-160915111741-thumbnail.jpg?width=120&height=120&fit=bounds" /> MODERNISM FIRST EMERGED IN THE 1920.THE PROMINENT FIGURES OF THE MOVEMENT ARE LE CORBUSIER ,WALTER GROPIUS AND LUDWIG MIES VAN DER ROHE. HOWEVER IT WAS NOT UNTIL AFTER THE SECOND WORLD WAR THAT IT GAINED MASS POPULARITY, AFTER MODERNIST PLANNING WAS IMPLEMENTED AS A SOLUTION TO THE PREVIOUS FAILURE OF ARCHITECTURE AND DESIGN TO MEET BASIC SOCIAL NEEDS. IN THE POST WAR ERA, THE AMBITIONS OF THE MODERNIST AND THEIR” STRONG SENSE OF SOCIAL RESPONSIBILITY IS THAT ARCHITECTURE SHOULD RAISE THE LIVING CONDITIONS OF THE MASSES”. CHARACTERISTICS OF MODERNISM: THE NOTION THAT "FORM FOLLOW FUNCTION”, EXPRESSED BY FLW,S EARLY MENTOR LOUIS SULLIVAN, MEANING THAT THE RESULT OF DESIGN SHOULD DERIVE DIRECTLY FROM ITS PURPOSE. SIMPLICITY AND CLARITY OF FORMS AND ELIMINATION OF “UNNECESSARY DETAIL”. MATERIALS AT GO DEGREES TO EACH OTHER. VISUAL EXPRESSION OF STRUCTURE (AS OPPOSED TO THE HIDING OF THE STRUCTURAL ELEMENTS) THE RELATED CONCEPT OF” TRUTH TO MATERIAL”, MEANING THAT THE TRUE NATURE OR NATURAL APPEARANCE OF MATERIAL OUGHT TO BE SEEN RATHER THAN CONCEALED OR ALTERED TO REPRESENT SOMETHING ELSE. USE OF INDUSTRIALLY PRODUCED MATERIALS; ADOPTION OF THE MACHINE AESTHETICS. PARTICULARLY IN INTERNATIONAL STYLE MODERNISM, A VISUAL EMPHASIS ON HORIZONTAL AND VERTICAL LINES.

Mid centurymodernism from Anant Nautiyal

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0 Late modernism /AnantNautiyal/late-modernism-66053549 latemodernism-160915111601
Late Modernism encompasses the overall production of most recent architecture made between the aftermath of World War II and the early years of the 21st century. The terminology often points to similarities between late modernism and post-modernism although there are differences. Late Modernism, also known as High-tech architecture or Structural Expressionism, is an architectural style that emerged in the late 80s, this style became a bridge between modernism and postmodernism. Architecture in which the images, ideas, and motifs of the Modern Movement were taken to extremes, structure, technology, and services being grossly over stated at a time when Modernism was being questioned. In the year 1980s the high tech architecture started to look different from the post modern architecture. Many of the themes and ideas which originated during the post modern times were added to the high tech architecture. Modern architecture is primarily driven by technological and engineering developments, and it is true that the availability o f new building materials such as iron, steel, and glass drove the invention of new building techniques as part of the Industrial Revolution. ]]>
Late Modernism encompasses the overall production of most recent architecture made between the aftermath of World War II and the early years of the 21st century. The terminology often points to similarities between late modernism and post-modernism although there are differences. Late Modernism, also known as High-tech architecture or Structural Expressionism, is an architectural style that emerged in the late 80s, this style became a bridge between modernism and postmodernism. Architecture in which the images, ideas, and motifs of the Modern Movement were taken to extremes, structure, technology, and services being grossly over stated at a time when Modernism was being questioned. In the year 1980s the high tech architecture started to look different from the post modern architecture. Many of the themes and ideas which originated during the post modern times were added to the high tech architecture. Modern architecture is primarily driven by technological and engineering developments, and it is true that the availability o f new building materials such as iron, steel, and glass drove the invention of new building techniques as part of the Industrial Revolution. ]]> Thu, 15 Sep 2016 11:16:00 GMT /AnantNautiyal/late-modernism-66053549 AnantNautiyal@slideshare.net(AnantNautiyal) Late modernism AnantNautiyal Late Modernism encompasses the overall production of most recent architecture made between the aftermath of World War II and the early years of the 21st century. The terminology often points to similarities between late modernism and post-modernism although there are differences. Late Modernism, also known as High-tech architecture or Structural Expressionism, is an architectural style that emerged in the late 80s, this style became a bridge between modernism and postmodernism. Architecture in which the images, ideas, and motifs of the Modern Movement were taken to extremes, structure, technology, and services being grossly over stated at a time when Modernism was being questioned. In the year 1980s the high tech architecture started to look different from the post modern architecture. Many of the themes and ideas which originated during the post modern times were added to the high tech architecture. Modern architecture is primarily driven by technological and engineering developments, and it is true that the availability o f new building materials such as iron, steel, and glass drove the invention of new building techniques as part of the Industrial Revolution. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/latemodernism-160915111601-thumbnail.jpg?width=120&height=120&fit=bounds" /> Late Modernism encompasses the overall production of most recent architecture made between the aftermath of World War II and the early years of the 21st century. The terminology often points to similarities between late modernism and post-modernism although there are differences. Late Modernism, also known as High-tech architecture or Structural Expressionism, is an architectural style that emerged in the late 80s, this style became a bridge between modernism and postmodernism. Architecture in which the images, ideas, and motifs of the Modern Movement were taken to extremes, structure, technology, and services being grossly over stated at a time when Modernism was being questioned. In the year 1980s the high tech architecture started to look different from the post modern architecture. Many of the themes and ideas which originated during the post modern times were added to the high tech architecture. Modern architecture is primarily driven by technological and engineering developments, and it is true that the availability o f new building materials such as iron, steel, and glass drove the invention of new building techniques as part of the Industrial Revolution.

Late modernism from Anant Nautiyal

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0 HITECH ARCHITECTURE /slideshow/hitech-architecture/66053427 hitech-160915111129
High-tech architecture, also known as Late Modernism or Structural Expressionism, is an architectural style that emerged in the 1970s, incorporating elements of high-tech industry and technology into building design. High-tech architecture appeared as a revamped modernism , an extension of those previous ideas helped by even more technological advances. This category serves as a bridge between modernism and post-modernism ; there remain gray areas as to where one category ends and the other begins. In the 1980s, high-tech architecture became more difficult to distinguish from post-modern architecture. Some of its ideas were later absorbed into the style of Neo-Futurism art and architectural movement. ]]>
High-tech architecture, also known as Late Modernism or Structural Expressionism, is an architectural style that emerged in the 1970s, incorporating elements of high-tech industry and technology into building design. High-tech architecture appeared as a revamped modernism , an extension of those previous ideas helped by even more technological advances. This category serves as a bridge between modernism and post-modernism ; there remain gray areas as to where one category ends and the other begins. In the 1980s, high-tech architecture became more difficult to distinguish from post-modern architecture. Some of its ideas were later absorbed into the style of Neo-Futurism art and architectural movement. ]]> Thu, 15 Sep 2016 11:11:29 GMT /slideshow/hitech-architecture/66053427 AnantNautiyal@slideshare.net(AnantNautiyal) HITECH ARCHITECTURE AnantNautiyal High-tech architecture, also known as Late Modernism or Structural Expressionism, is an architectural style that emerged in the 1970s, incorporating elements of high-tech industry and technology into building design. High-tech architecture appeared as a revamped modernism , an extension of those previous ideas helped by even more technological advances. This category serves as a bridge between modernism and post-modernism ; there remain gray areas as to where one category ends and the other begins. In the 1980s, high-tech architecture became more difficult to distinguish from post-modern architecture. Some of its ideas were later absorbed into the style of Neo-Futurism art and architectural movement. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/hitech-160915111129-thumbnail.jpg?width=120&height=120&fit=bounds" /> High-tech architecture, also known as Late Modernism or Structural Expressionism, is an architectural style that emerged in the 1970s, incorporating elements of high-tech industry and technology into building design. High-tech architecture appeared as a revamped modernism , an extension of those previous ideas helped by even more technological advances. This category serves as a bridge between modernism and post-modernism ; there remain gray areas as to where one category ends and the other begins. In the 1980s, high-tech architecture became more difficult to distinguish from post-modern architecture. Some of its ideas were later absorbed into the style of Neo-Futurism art and architectural movement.

HITECH ARCHITECTURE from Anant Nautiyal

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0 EARLY MODERN ERA /slideshow/early-modern-era/65879055 earlymodernera-160910025426
EARLY MODERN ERA culmination of iron-frame architecture (Crystal Palace, Eiffel Tower),Chicago school: skyscrapers (Jenney), functionalism (Sullivan) international style (Gropius, Corbusier, Mies),Wright (organic architecture]]>
EARLY MODERN ERA culmination of iron-frame architecture (Crystal Palace, Eiffel Tower),Chicago school: skyscrapers (Jenney), functionalism (Sullivan) international style (Gropius, Corbusier, Mies),Wright (organic architecture]]> Sat, 10 Sep 2016 02:54:26 GMT /slideshow/early-modern-era/65879055 AnantNautiyal@slideshare.net(AnantNautiyal) EARLY MODERN ERA AnantNautiyal EARLY MODERN ERA culmination of iron-frame architecture (Crystal Palace, Eiffel Tower),�Chicago school: skyscrapers (Jenney), functionalism (Sullivan) international style (Gropius, Corbusier, Mies),�Wright (organic architecture <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/earlymodernera-160910025426-thumbnail.jpg?width=120&height=120&fit=bounds" /> EARLY MODERN ERA culmination of iron-frame architecture (Crystal Palace, Eiffel Tower),�Chicago school: skyscrapers (Jenney), functionalism (Sullivan) international style (Gropius, Corbusier, Mies),�Wright (organic architecture

EARLY MODERN ERA from Anant Nautiyal

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0 DECONSTRUCTIVISM AND CRITICAL REGIONALISM /slideshow/deconstructivism-and-critical-regionalism-65878575/65878575 deconstructivism-160910021000
It is a development in POST-MODERNISM that started in late 1980s. It views architecture in bits and pieces. It has no visual logic. Buildings may appear to be made of abstract forms. The idea was to develop buildings which show how differently from traditional architectural conventions buildings can be built without loosing their utility and still complying with the fundamental laws of physics. The ideas were borrowed from the French philosopher, Jacques Derrida. Architects involved – Zaha Hadid Bernhard Tschumi Rem Koolhaas The term ‘Critical Regionalism’ was first coined by Alexander Tzonis and Liane Lefaivre and later more famously and pretentiously by Kenneth Frampton in “Towards a Critical Regionalism : Six points of an architecture of resistance” According to Frampton, critical regionalism should adopt modern architecture critically for its universal progressive qualities but at the same time should value responses particular to the context. Emphasis should be on topography, climate, light, tectonic form rather than scenography and the tactile sense rather than the visual. According to Tzonis and Lefaivre, critical regionalism need not directly draw from the context, rather elements can be stripped of their context and used in strange rather than familiar ways. Critical regionalism is different from Regionalism which tries to achieve a one-to-one correspondence with vernacular architecture in a conscious way without consciously partaking in the universal. It is considered a particular form of post-modern response in developing countries, not to be confused with postmodernism as architectural style. ]]>
It is a development in POST-MODERNISM that started in late 1980s. It views architecture in bits and pieces. It has no visual logic. Buildings may appear to be made of abstract forms. The idea was to develop buildings which show how differently from traditional architectural conventions buildings can be built without loosing their utility and still complying with the fundamental laws of physics. The ideas were borrowed from the French philosopher, Jacques Derrida. Architects involved – Zaha Hadid Bernhard Tschumi Rem Koolhaas The term ‘Critical Regionalism’ was first coined by Alexander Tzonis and Liane Lefaivre and later more famously and pretentiously by Kenneth Frampton in “Towards a Critical Regionalism : Six points of an architecture of resistance” According to Frampton, critical regionalism should adopt modern architecture critically for its universal progressive qualities but at the same time should value responses particular to the context. Emphasis should be on topography, climate, light, tectonic form rather than scenography and the tactile sense rather than the visual. According to Tzonis and Lefaivre, critical regionalism need not directly draw from the context, rather elements can be stripped of their context and used in strange rather than familiar ways. Critical regionalism is different from Regionalism which tries to achieve a one-to-one correspondence with vernacular architecture in a conscious way without consciously partaking in the universal. It is considered a particular form of post-modern response in developing countries, not to be confused with postmodernism as architectural style. ]]> Sat, 10 Sep 2016 02:10:00 GMT /slideshow/deconstructivism-and-critical-regionalism-65878575/65878575 AnantNautiyal@slideshare.net(AnantNautiyal) DECONSTRUCTIVISM AND CRITICAL REGIONALISM AnantNautiyal It is a development in POST-MODERNISM that started in late 1980s. It views architecture in bits and pieces. It has no visual logic. Buildings may appear to be made of abstract forms. The idea was to develop buildings which show how differently from traditional architectural conventions buildings can be built without loosing their utility and still complying with the fundamental laws of physics. The ideas were borrowed from the French philosopher, Jacques Derrida. Architects involved – Zaha Hadid Bernhard Tschumi Rem Koolhaas The term ‘Critical Regionalism’ was first coined by Alexander Tzonis and Liane Lefaivre and later more famously and pretentiously by Kenneth Frampton in “Towards a Critical Regionalism : Six points of an architecture of resistance” According to Frampton, critical regionalism should adopt modern architecture critically for its universal progressive qualities but at the same time should value responses particular to the context. Emphasis should be on topography, climate, light, tectonic form rather than scenography and the tactile sense rather than the visual. According to Tzonis and Lefaivre, critical regionalism need not directly draw from the context, rather elements can be stripped of their context and used in strange rather than familiar ways. Critical regionalism is different from Regionalism which tries to achieve a one-to-one correspondence with vernacular architecture in a conscious way without consciously partaking in the universal. It is considered a particular form of post-modern response in developing countries, not to be confused with postmodernism as architectural style. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/deconstructivism-160910021000-thumbnail.jpg?width=120&height=120&fit=bounds" /> It is a development in POST-MODERNISM that started in late 1980s. It views architecture in bits and pieces. It has no visual logic. Buildings may appear to be made of abstract forms. The idea was to develop buildings which show how differently from traditional architectural conventions buildings can be built without loosing their utility and still complying with the fundamental laws of physics. The ideas were borrowed from the French philosopher, Jacques Derrida. Architects involved – Zaha Hadid Bernhard Tschumi Rem Koolhaas The term ‘Critical Regionalism’ was first coined by Alexander Tzonis and Liane Lefaivre and later more famously and pretentiously by Kenneth Frampton in “Towards a Critical Regionalism : Six points of an architecture of resistance” According to Frampton, critical regionalism should adopt modern architecture critically for its universal progressive qualities but at the same time should value responses particular to the context. Emphasis should be on topography, climate, light, tectonic form rather than scenography and the tactile sense rather than the visual. According to Tzonis and Lefaivre, critical regionalism need not directly draw from the context, rather elements can be stripped of their context and used in strange rather than familiar ways. Critical regionalism is different from Regionalism which tries to achieve a one-to-one correspondence with vernacular architecture in a conscious way without consciously partaking in the universal. It is considered a particular form of post-modern response in developing countries, not to be confused with postmodernism as architectural style.

DECONSTRUCTIVISM AND CRITICAL REGIONALISM from Anant Nautiyal

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0 Works Of Gustave Eiffel,Tony Garnier, Auguste Perret Development Of New Art & Architecture , Art Nouveau & Art Deco Works Of Antonio Gaudi & Victor Horta. /slideshow/works-of-gustave-eiffeltony-garnier-auguste-perret-development-of-new-art-architecture-art-nouveau-art-deco-works-of-antonio-gaudi-victor-horta/65878554 anant-160910020752
Works Of Gustave Eiffel,Tony Garnier, Auguste Perret Development Of New Art & Architecture , Art Nouveau & Art Deco Works Of Antonio Gaudi & Victor Horta. ]]>
Works Of Gustave Eiffel,Tony Garnier, Auguste Perret Development Of New Art & Architecture , Art Nouveau & Art Deco Works Of Antonio Gaudi & Victor Horta. ]]> Sat, 10 Sep 2016 02:07:52 GMT /slideshow/works-of-gustave-eiffeltony-garnier-auguste-perret-development-of-new-art-architecture-art-nouveau-art-deco-works-of-antonio-gaudi-victor-horta/65878554 AnantNautiyal@slideshare.net(AnantNautiyal) Works Of Gustave Eiffel,Tony Garnier, Auguste Perret Development Of New Art & Architecture , Art Nouveau & Art Deco Works Of Antonio Gaudi & Victor Horta. AnantNautiyal Works Of Gustave Eiffel,Tony Garnier, Auguste Perret Development Of New Art & Architecture , Art Nouveau & Art Deco Works Of Antonio Gaudi & Victor Horta. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/anant-160910020752-thumbnail.jpg?width=120&height=120&fit=bounds" /> Works Of Gustave Eiffel,Tony Garnier, Auguste Perret Development Of New Art & Architecture , Art Nouveau & Art Deco Works Of Antonio Gaudi & Victor Horta.

Works Of Gustave Eiffel,Tony Garnier, Auguste Perret Development Of New Art & Architecture , Art Nouveau & Art Deco Works Of Antonio Gaudi & Victor Horta. from Anant Nautiyal

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0 Building envlope /slideshow/building-envlope/65878438 buildingenvlope-160910015857
The building envelope is physical separator between the exterior and the interior of the building and fenestration systems. Envelope design strongly affects the visual and thermal comfort of the occupants, as well as energy consumption in the building. ]]>
The building envelope is physical separator between the exterior and the interior of the building and fenestration systems. Envelope design strongly affects the visual and thermal comfort of the occupants, as well as energy consumption in the building. ]]> Sat, 10 Sep 2016 01:58:57 GMT /slideshow/building-envlope/65878438 AnantNautiyal@slideshare.net(AnantNautiyal) Building envlope AnantNautiyal The building envelope is physical separator between the exterior and the interior of the building and fenestration systems. Envelope design strongly affects the visual and thermal comfort of the occupants, as well as energy consumption in the building. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/buildingenvlope-160910015857-thumbnail.jpg?width=120&height=120&fit=bounds" /> The building envelope is physical separator between the exterior and the interior of the building and fenestration systems. Envelope design strongly affects the visual and thermal comfort of the occupants, as well as energy consumption in the building.

Building envlope from Anant Nautiyal

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0 Taj & birbal's house /slideshow/taj-birbals-house/47447451 tajbirbalshouse-150427020414-conversion-gate02
The Taj Mahal of Agra is one of the Seven Wonders of the World, for reasons more than just looking magnificent. It's the history of Taj Mahal that adds a soul to its magnificence: a soul that is filled with love, loss, remorse, and love again. This man was the Mughal Emperor Shah Jahan, who was head-over-heels in love with Mumtaz Mahal, his dear wife. She was a Muslim Persian princess and he was the son of the Mughal Emperor Jahangir and grandson of Akbar the Great. It was in the memory of his beloved wife that Shah Jahan built Taj Mahal ,a magnificent monument as a tribute to her. The construction of Taj Mahal started in the year 1631. Masons, stonecutters, inlayers, carvers, painters, calligraphers, dome-builders and other artisans were requisitioned from the whole of the empire and also from Central Asia and Iran, and it took approximately 22 years to build what we see today. which was brought in from all over India and central Asia. Taj Mahal was finally completed in the year 1653.]]>
The Taj Mahal of Agra is one of the Seven Wonders of the World, for reasons more than just looking magnificent. It's the history of Taj Mahal that adds a soul to its magnificence: a soul that is filled with love, loss, remorse, and love again. This man was the Mughal Emperor Shah Jahan, who was head-over-heels in love with Mumtaz Mahal, his dear wife. She was a Muslim Persian princess and he was the son of the Mughal Emperor Jahangir and grandson of Akbar the Great. It was in the memory of his beloved wife that Shah Jahan built Taj Mahal ,a magnificent monument as a tribute to her. The construction of Taj Mahal started in the year 1631. Masons, stonecutters, inlayers, carvers, painters, calligraphers, dome-builders and other artisans were requisitioned from the whole of the empire and also from Central Asia and Iran, and it took approximately 22 years to build what we see today. which was brought in from all over India and central Asia. Taj Mahal was finally completed in the year 1653.]]> Mon, 27 Apr 2015 02:04:14 GMT /slideshow/taj-birbals-house/47447451 AnantNautiyal@slideshare.net(AnantNautiyal) Taj & birbal's house AnantNautiyal The Taj Mahal of Agra is one of the Seven Wonders of the World, for reasons more than just looking magnificent. It's the history of Taj Mahal that adds a soul to its magnificence: a soul that is filled with love, loss, remorse, and love again. This man was the Mughal Emperor Shah Jahan, who was head-over-heels in love with Mumtaz Mahal, his dear wife. She was a Muslim Persian princess and he was the son of the Mughal Emperor Jahangir and grandson of Akbar the Great. It was in the memory of his beloved wife that Shah Jahan built Taj Mahal ,a magnificent monument as a tribute to her. The construction of Taj Mahal started in the year 1631. Masons, stonecutters, inlayers, carvers, painters, calligraphers, dome-builders and other artisans were requisitioned from the whole of the empire and also from Central Asia and Iran, and it took approximately 22 years to build what we see today. which was brought in from all over India and central Asia. Taj Mahal was finally completed in the year 1653. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/tajbirbalshouse-150427020414-conversion-gate02-thumbnail.jpg?width=120&height=120&fit=bounds" /> The Taj Mahal of Agra is one of the Seven Wonders of the World, for reasons more than just looking magnificent. It's the history of Taj Mahal that adds a soul to its magnificence: a soul that is filled with love, loss, remorse, and love again. This man was the Mughal Emperor Shah Jahan, who was head-over-heels in love with Mumtaz Mahal, his dear wife. She was a Muslim Persian princess and he was the son of the Mughal Emperor Jahangir and grandson of Akbar the Great. It was in the memory of his beloved wife that Shah Jahan built Taj Mahal ,a magnificent monument as a tribute to her. The construction of Taj Mahal started in the year 1631. Masons, stonecutters, inlayers, carvers, painters, calligraphers, dome-builders and other artisans were requisitioned from the whole of the empire and also from Central Asia and Iran, and it took approximately 22 years to build what we see today. which was brought in from all over India and central Asia. Taj Mahal was finally completed in the year 1653.

Taj & birbal's house from Anant Nautiyal

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0 CLIMATIC ZONES /slideshow/climatic-zones/47421003 climatologyppt-150426040307-conversion-gate01
CLIMATOLOGY TROPICAL, EQUATORIAL and TEMPERATE CLIMATIC ZONES]]>
CLIMATOLOGY TROPICAL, EQUATORIAL and TEMPERATE CLIMATIC ZONES]]> Sun, 26 Apr 2015 04:03:07 GMT /slideshow/climatic-zones/47421003 AnantNautiyal@slideshare.net(AnantNautiyal) CLIMATIC ZONES AnantNautiyal CLIMATOLOGY TROPICAL, EQUATORIAL and TEMPERATE CLIMATIC ZONES <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/climatologyppt-150426040307-conversion-gate01-thumbnail.jpg?width=120&height=120&fit=bounds" /> CLIMATOLOGY TROPICAL, EQUATORIAL and TEMPERATE CLIMATIC ZONES

CLIMATIC ZONES from Anant Nautiyal

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0 Bricks /AnantNautiyal/brickppt brick-150423063903-conversion-gate01
A brick is a block or a single unit of a ceramic material used in masonry construction. Typically bricks are stacked together or laid as brickwork using various kinds of mortar to hold the bricks together and make a permanent structure. Bricks are typically produced in common or standard sizes in bulk quantities. They have been regarded as one of the longest lasting and strongest building materials used throughout history.]]>
A brick is a block or a single unit of a ceramic material used in masonry construction. Typically bricks are stacked together or laid as brickwork using various kinds of mortar to hold the bricks together and make a permanent structure. Bricks are typically produced in common or standard sizes in bulk quantities. They have been regarded as one of the longest lasting and strongest building materials used throughout history.]]> Thu, 23 Apr 2015 06:39:03 GMT /AnantNautiyal/brickppt AnantNautiyal@slideshare.net(AnantNautiyal) Bricks AnantNautiyal A brick is a block or a single unit of a ceramic material used in masonry construction. Typically bricks are stacked together or laid as brickwork using various kinds of mortar to hold the bricks together and make a permanent structure. Bricks are typically produced in common or standard sizes in bulk quantities. They have been regarded as one of the longest lasting and strongest building materials used throughout history. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/brick-150423063903-conversion-gate01-thumbnail.jpg?width=120&height=120&fit=bounds" /> A brick is a block or a single unit of a ceramic material used in masonry construction. Typically bricks are stacked together or laid as brickwork using various kinds of mortar to hold the bricks together and make a permanent structure. Bricks are typically produced in common or standard sizes in bulk quantities. They have been regarded as one of the longest lasting and strongest building materials used throughout history.

Bricks from Anant Nautiyal

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0 Cement /AnantNautiyal/cement-47328039 cement-150423063701-conversion-gate02
Cement is a building material for binding bricks, stones or aggregates. Used for making mortar or concrete. Cements natural and artificial. Natural cement-burning and crushing of stones and lime. Artificial cement-burning at high temperature and gypsum is added.]]>
Cement is a building material for binding bricks, stones or aggregates. Used for making mortar or concrete. Cements natural and artificial. Natural cement-burning and crushing of stones and lime. Artificial cement-burning at high temperature and gypsum is added.]]> Thu, 23 Apr 2015 06:37:01 GMT /AnantNautiyal/cement-47328039 AnantNautiyal@slideshare.net(AnantNautiyal) Cement AnantNautiyal Cement is a building material for binding bricks, stones or aggregates. Used for making mortar or concrete. Cements natural and artificial. Natural cement-burning and crushing of stones and lime. Artificial cement-burning at high temperature and gypsum is added. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/cement-150423063701-conversion-gate02-thumbnail.jpg?width=120&height=120&fit=bounds" /> Cement is a building material for binding bricks, stones or aggregates. Used for making mortar or concrete. Cements natural and artificial. Natural cement-burning and crushing of stones and lime. Artificial cement-burning at high temperature and gypsum is added.

Cement from Anant Nautiyal

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0 Sand /slideshow/sand-47327992/47327992 finalpptsand-150423063539-conversion-gate01
Sand is a naturally occurring granular material composed of finely divided rock and mineral particles. the most common constituent of sand is silica (silicon dioxide, or SiO2), usually in the form of quartz.]]>
Sand is a naturally occurring granular material composed of finely divided rock and mineral particles. the most common constituent of sand is silica (silicon dioxide, or SiO2), usually in the form of quartz.]]> Thu, 23 Apr 2015 06:35:39 GMT /slideshow/sand-47327992/47327992 AnantNautiyal@slideshare.net(AnantNautiyal) Sand AnantNautiyal Sand is a naturally occurring granular material composed of finely divided rock and mineral particles. the most common constituent of sand is silica (silicon dioxide, or SiO2), usually in the form of quartz. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/finalpptsand-150423063539-conversion-gate01-thumbnail.jpg?width=120&height=120&fit=bounds" /> Sand is a naturally occurring granular material composed of finely divided rock and mineral particles. the most common constituent of sand is silica (silicon dioxide, or SiO2), usually in the form of quartz.

Sand from Anant Nautiyal

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0 WOOD USED IN ARCHITECTURE /slideshow/wood-used-in-architecture/47327953 woodsbyanant-150423063415-conversion-gate02
The terms “hardwood” and “softwood” are often misleading because they have no direct relation to the actual physical hardness or softness of the wood, so that a hardwood may actually be softer than a softwood.]]>
The terms “hardwood” and “softwood” are often misleading because they have no direct relation to the actual physical hardness or softness of the wood, so that a hardwood may actually be softer than a softwood.]]> Thu, 23 Apr 2015 06:34:15 GMT /slideshow/wood-used-in-architecture/47327953 AnantNautiyal@slideshare.net(AnantNautiyal) WOOD USED IN ARCHITECTURE AnantNautiyal The terms “hardwood” and “softwood” are often misleading because they have no direct relation to the actual physical hardness or softness of the wood, so that a hardwood may actually be softer than a softwood. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/woodsbyanant-150423063415-conversion-gate02-thumbnail.jpg?width=120&height=120&fit=bounds" /> The terms “hardwood” and “softwood” are often misleading because they have no direct relation to the actual physical hardness or softness of the wood, so that a hardwood may actually be softer than a softwood.

WOOD USED IN ARCHITECTURE from Anant Nautiyal

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0 Romanesque architecture /slideshow/romanesque-architecture-47327775/47327775 romanesquearchitecture-150423062831-conversion-gate02
The term Romanesque ("Roman-like") was first used to designate a style of architecture that used Roman arches and had thick, heavy walls, based upon the basilica. The style is pervasive throughout Europe.]]>
The term Romanesque ("Roman-like") was first used to designate a style of architecture that used Roman arches and had thick, heavy walls, based upon the basilica. The style is pervasive throughout Europe.]]> Thu, 23 Apr 2015 06:28:31 GMT /slideshow/romanesque-architecture-47327775/47327775 AnantNautiyal@slideshare.net(AnantNautiyal) Romanesque architecture AnantNautiyal The term Romanesque ("Roman-like") was first used to designate a style of architecture that used Roman arches and had thick, heavy walls, based upon the basilica. The style is pervasive throughout Europe. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/romanesquearchitecture-150423062831-conversion-gate02-thumbnail.jpg?width=120&height=120&fit=bounds" /> The term Romanesque ("Roman-like") was first used to designate a style of architecture that used Roman arches and had thick, heavy walls, based upon the basilica. The style is pervasive throughout Europe.

Romanesque architecture from Anant Nautiyal

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0 Greek architecture /AnantNautiyal/greek-architecture-1 greekarchitecture1-150423062651-conversion-gate01
Our word “architecture” comes from the Greek architecture which means “master carpenter.”]]>
Our word “architecture” comes from the Greek architecture which means “master carpenter.”]]> Thu, 23 Apr 2015 06:26:51 GMT /AnantNautiyal/greek-architecture-1 AnantNautiyal@slideshare.net(AnantNautiyal) Greek architecture AnantNautiyal Our word “architecture” comes from the Greek architecture which means “master carpenter.” <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/greekarchitecture1-150423062651-conversion-gate01-thumbnail.jpg?width=120&height=120&fit=bounds" /> Our word “architecture” comes from the Greek architecture which means “master carpenter.”

Greek architecture from Anant Nautiyal

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0 Gothic architecture /slideshow/gothic-architecture-47327645/47327645 gothicarchitecture-150423062459-conversion-gate01
Gothic architecture, architectural style in Europe that lasted from the mid 12th century to the 16th century, particularly a style of masonry building characterized by cavernous spaces with the expanse of walls broken up by overlaid tracery. In the 12th–13th centuries, feats of engineering permitted increasingly gigantic buildings The rib vault, flying buttress, and pointed (Gothic) arch were used as solutions to the problem of building a very tall structure while preserving as much natural light as possible. Stained-glass window panels rendered startling sun-dappled interior effects.]]>
Gothic architecture, architectural style in Europe that lasted from the mid 12th century to the 16th century, particularly a style of masonry building characterized by cavernous spaces with the expanse of walls broken up by overlaid tracery. In the 12th–13th centuries, feats of engineering permitted increasingly gigantic buildings The rib vault, flying buttress, and pointed (Gothic) arch were used as solutions to the problem of building a very tall structure while preserving as much natural light as possible. Stained-glass window panels rendered startling sun-dappled interior effects.]]> Thu, 23 Apr 2015 06:24:59 GMT /slideshow/gothic-architecture-47327645/47327645 AnantNautiyal@slideshare.net(AnantNautiyal) Gothic architecture AnantNautiyal Gothic architecture, architectural style in Europe that lasted from the mid 12th century to the 16th century, particularly a style of masonry building characterized by cavernous spaces with the expanse of walls broken up by overlaid tracery. In the 12th–13th centuries, feats of engineering permitted increasingly gigantic buildings The rib vault, flying buttress, and pointed (Gothic) arch were used as solutions to the problem of building a very tall structure while preserving as much natural light as possible. Stained-glass window panels rendered startling sun-dappled interior effects. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/gothicarchitecture-150423062459-conversion-gate01-thumbnail.jpg?width=120&height=120&fit=bounds" /> Gothic architecture, architectural style in Europe that lasted from the mid 12th century to the 16th century, particularly a style of masonry building characterized by cavernous spaces with the expanse of walls broken up by overlaid tracery. In the 12th–13th centuries, feats of engineering permitted increasingly gigantic buildings The rib vault, flying buttress, and pointed (Gothic) arch were used as solutions to the problem of building a very tall structure while preserving as much natural light as possible. Stained-glass window panels rendered startling sun-dappled interior effects.

Gothic architecture from Anant Nautiyal

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0 Ar. FRANK LLOYD WRIGHT /slideshow/ar-frank-lloyd-weight/47326855 franklsw-150423060228-conversion-gate01
Ar. FRANK LLOYD WRIGHT ]]>
Ar. FRANK LLOYD WRIGHT ]]> Thu, 23 Apr 2015 06:02:28 GMT /slideshow/ar-frank-lloyd-weight/47326855 AnantNautiyal@slideshare.net(AnantNautiyal) Ar. FRANK LLOYD WRIGHT AnantNautiyal Ar. FRANK LLOYD WRIGHT <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/franklsw-150423060228-conversion-gate01-thumbnail.jpg?width=120&height=120&fit=bounds" /> Ar. FRANK LLOYD WRIGHT

Ar. FRANK LLOYD WRIGHT from Anant Nautiyal

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0 Ar. CHARLES CORREA /slideshow/ar-charles-correa/47326810 charles-150423060049-conversion-gate02
CHARLES CORREA]]>
CHARLES CORREA]]> Thu, 23 Apr 2015 06:00:49 GMT /slideshow/ar-charles-correa/47326810 AnantNautiyal@slideshare.net(AnantNautiyal) Ar. CHARLES CORREA AnantNautiyal CHARLES CORREA <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/charles-150423060049-conversion-gate02-thumbnail.jpg?width=120&height=120&fit=bounds" /> CHARLES CORREA

Ar. CHARLES CORREA from Anant Nautiyal

]]> 6423 24 https://cdn.slidesharecdn.com/ss_thumbnails/charles-150423060049-conversion-gate02-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post

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