ºÝºÝߣshows by User: BirgittaSundstrmJans / http://www.slideshare.net/images/logo.gif ºÝºÝߣshows by User: BirgittaSundstrmJans / Sun, 16 Dec 2012 16:29:02 GMT ºÝºÝߣShare feed for ºÝºÝߣshows by User: BirgittaSundstrmJans No Title, 110x140cm, 2012 /slideshow/no-title-110x140cm-2012/15662302 4-110x140cm2012-121216162902-phpapp02
Birgitta Sundström Jansdotter Acrylic on canvas]]>
Birgitta Sundström Jansdotter Acrylic on canvas]]> Sun, 16 Dec 2012 16:29:02 GMT /slideshow/no-title-110x140cm-2012/15662302 BirgittaSundstrmJans@slideshare.net(BirgittaSundstrmJans) No Title, 110x140cm, 2012 BirgittaSundstrmJans Birgitta Sundström Jansdotter Acrylic on canvas <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/4-110x140cm2012-121216162902-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Birgitta Sundström Jansdotter Acrylic on canvas
No Title, 110x140cm, 2012 from Von Fraunberg Art Gallery
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]]> Sun, 16 Dec 2012 16:27:53 GMT /slideshow/no-title135x105cm-2012/15662293 BirgittaSundstrmJans@slideshare.net(BirgittaSundstrmJans) No Title,135x105cm, 2012 BirgittaSundstrmJans <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/3-notitle135x105cm2012-121216162753-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br>
No Title,135x105cm, 2012 from Von Fraunberg Art Gallery
]]> 86 2 https://cdn.slidesharecdn.com/ss_thumbnails/3-notitle135x105cm2012-121216162753-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 No Title, 200x 170cm, 2011 /slideshow/no-title-200x-170cm-2011-15662275/15662275 2a-200x170cm2011-121216162520-phpapp01
Birgitta Sundström Jansdotter Acrylic on canvas]]>
Birgitta Sundström Jansdotter Acrylic on canvas]]> Sun, 16 Dec 2012 16:25:20 GMT /slideshow/no-title-200x-170cm-2011-15662275/15662275 BirgittaSundstrmJans@slideshare.net(BirgittaSundstrmJans) No Title, 200x 170cm, 2011 BirgittaSundstrmJans Birgitta Sundström Jansdotter Acrylic on canvas <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/2a-200x170cm2011-121216162520-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Birgitta Sundström Jansdotter Acrylic on canvas
No Title, 200x 170cm, 2011 from Von Fraunberg Art Gallery
]]> 88 2 https://cdn.slidesharecdn.com/ss_thumbnails/2a-200x170cm2011-121216162520-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds document Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Birgitta Sundström Jansdotter /slideshow/birgitta-sundstrm-jansdotter/15660236 slideshare50st-121216115722-phpapp02
Birgitta Sundström Jansdotter (1966, Sweden) Through a variety of emotions and expressions, lines and patterns of the backgound, the portraits of Birgitta Sundstrom Jansdotter appear as central to any composition. The figures seem isolated and removed from their original context, as characters set to play their predefined roles recreating scenes of a predefined theatre. Making an obvious allusion to the movement of Pop-art, these portraits are taken away from images of the modern culture. Set at each time in different situations, the women looking down from the paintings make a distant referece to the modern way of publicity and advertisement through the use of the female icon, – idealized and beautified. Thereby, the familiar images of popular culture are being translated into the language of painting. But unlike pop art, mainly associated with the artists’ use of mechanical means of reproduction or rendering techniques, her images are carefully painted and the motifs of repetition are at each time given some new and exclusive traits. The intriguing and imperfect repetitions are either mirroring each other, either slightly differ from their original. While color adapts certain physicality allowing the figures to merge into the background and the background to contrast the figures. Through the means of this painterly reduction, Birgitta Sundstrom Jansdotter takes out the depth and profoundness of paint. However, through the hard-edged compositions, the collage of layers of paint, minimal pattern, and simplified shapes, the eyes gain the most prominent value. Centralized in the painting, they contrast the flatness of composition and seem to be mirroring the spectator. Often finding recourse in irony, she approaches subjects of popular culture and the sometimes banal and mundane elements of life. Missing her native country, she incorporate parts of the swedish landscape rendered by imagination and her memories. Jansdotter began her career in Sweden and lives since 2001 in the Netherlands . She has exhibited in galleries and art fairs in South Korea, China, Sweden, Italy, Belgium, Spain, Germany and the Netherlands. In 2007 she recived the Dutch Jacob Hartog ArtAward in The Hague. ]]>
Birgitta Sundström Jansdotter (1966, Sweden) Through a variety of emotions and expressions, lines and patterns of the backgound, the portraits of Birgitta Sundstrom Jansdotter appear as central to any composition. The figures seem isolated and removed from their original context, as characters set to play their predefined roles recreating scenes of a predefined theatre. Making an obvious allusion to the movement of Pop-art, these portraits are taken away from images of the modern culture. Set at each time in different situations, the women looking down from the paintings make a distant referece to the modern way of publicity and advertisement through the use of the female icon, – idealized and beautified. Thereby, the familiar images of popular culture are being translated into the language of painting. But unlike pop art, mainly associated with the artists’ use of mechanical means of reproduction or rendering techniques, her images are carefully painted and the motifs of repetition are at each time given some new and exclusive traits. The intriguing and imperfect repetitions are either mirroring each other, either slightly differ from their original. While color adapts certain physicality allowing the figures to merge into the background and the background to contrast the figures. Through the means of this painterly reduction, Birgitta Sundstrom Jansdotter takes out the depth and profoundness of paint. However, through the hard-edged compositions, the collage of layers of paint, minimal pattern, and simplified shapes, the eyes gain the most prominent value. Centralized in the painting, they contrast the flatness of composition and seem to be mirroring the spectator. Often finding recourse in irony, she approaches subjects of popular culture and the sometimes banal and mundane elements of life. Missing her native country, she incorporate parts of the swedish landscape rendered by imagination and her memories. Jansdotter began her career in Sweden and lives since 2001 in the Netherlands . She has exhibited in galleries and art fairs in South Korea, China, Sweden, Italy, Belgium, Spain, Germany and the Netherlands. In 2007 she recived the Dutch Jacob Hartog ArtAward in The Hague. ]]> Sun, 16 Dec 2012 11:57:22 GMT /slideshow/birgitta-sundstrm-jansdotter/15660236 BirgittaSundstrmJans@slideshare.net(BirgittaSundstrmJans) Birgitta Sundström Jansdotter BirgittaSundstrmJans Birgitta Sundström Jansdotter (1966, Sweden) Through a variety of emotions and expressions, lines and patterns of the backgound, the portraits of Birgitta Sundstrom Jansdotter appear as central to any composition. The figures seem isolated and removed from their original context, as characters set to play their predefined roles recreating scenes of a predefined theatre. Making an obvious allusion to the movement of Pop-art, these portraits are taken away from images of the modern culture. Set at each time in different situations, the women looking down from the paintings make a distant referece to the modern way of publicity and advertisement through the use of the female icon, – idealized and beautified. Thereby, the familiar images of popular culture are being translated into the language of painting. But unlike pop art, mainly associated with the artists’ use of mechanical means of reproduction or rendering techniques, her images are carefully painted and the motifs of repetition are at each time given some new and exclusive traits. The intriguing and imperfect repetitions are either mirroring each other, either slightly differ from their original. While color adapts certain physicality allowing the figures to merge into the background and the background to contrast the figures. Through the means of this painterly reduction, Birgitta Sundstrom Jansdotter takes out the depth and profoundness of paint. However, through the hard-edged compositions, the collage of layers of paint, minimal pattern, and simplified shapes, the eyes gain the most prominent value. Centralized in the painting, they contrast the flatness of composition and seem to be mirroring the spectator. Often finding recourse in irony, she approaches subjects of popular culture and the sometimes banal and mundane elements of life. Missing her native country, she incorporate parts of the swedish landscape rendered by imagination and her memories. Jansdotter began her career in Sweden and lives since 2001 in the Netherlands . She has exhibited in galleries and art fairs in South Korea, China, Sweden, Italy, Belgium, Spain, Germany and the Netherlands. In 2007 she recived the Dutch Jacob Hartog ArtAward in The Hague. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/slideshare50st-121216115722-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Birgitta Sundström Jansdotter (1966, Sweden) Through a variety of emotions and expressions, lines and patterns of the backgound, the portraits of Birgitta Sundstrom Jansdotter appear as central to any composition. The figures seem isolated and removed from their original context, as characters set to play their predefined roles recreating scenes of a predefined theatre. Making an obvious allusion to the movement of Pop-art, these portraits are taken away from images of the modern culture. Set at each time in different situations, the women looking down from the paintings make a distant referece to the modern way of publicity and advertisement through the use of the female icon, – idealized and beautified. Thereby, the familiar images of popular culture are being translated into the language of painting. But unlike pop art, mainly associated with the artists’ use of mechanical means of reproduction or rendering techniques, her images are carefully painted and the motifs of repetition are at each time given some new and exclusive traits. The intriguing and imperfect repetitions are either mirroring each other, either slightly differ from their original. While color adapts certain physicality allowing the figures to merge into the background and the background to contrast the figures. Through the means of this painterly reduction, Birgitta Sundstrom Jansdotter takes out the depth and profoundness of paint. However, through the hard-edged compositions, the collage of layers of paint, minimal pattern, and simplified shapes, the eyes gain the most prominent value. Centralized in the painting, they contrast the flatness of composition and seem to be mirroring the spectator. Often finding recourse in irony, she approaches subjects of popular culture and the sometimes banal and mundane elements of life. Missing her native country, she incorporate parts of the swedish landscape rendered by imagination and her memories. Jansdotter began her career in Sweden and lives since 2001 in the Netherlands . She has exhibited in galleries and art fairs in South Korea, China, Sweden, Italy, Belgium, Spain, Germany and the Netherlands. In 2007 she recived the Dutch Jacob Hartog ArtAward in The Hague.
Birgitta Sundstræ—¦m Jansdotter from Von Fraunberg Art Gallery
]]> 192 2 https://cdn.slidesharecdn.com/ss_thumbnails/slideshare50st-121216115722-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds document Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 https://cdn.slidesharecdn.com/profile-photo-BirgittaSundstrmJans-48x48.jpg?cb=1526689815 28 Soloexhibitions, selected: 2014 Galerie Katuin, Granada, Spain---2013 Galerie Katuin, Granada, Spain ---2011 Edsvik Konsthall,Stockholm ---2011 Galerie Katuin, Granada, Spain ---2009 Galerie Noordeinde, Den Haag--- 2008 2nd Seoul New Internationaal ArtFair, Seoul, SouthKorea, ---2008 Pulchri Studio, The Hauge, The Netherlands--- 2007 Galerie Houses of Art, Marbella, Spain--- 2005 Galerie van Duyse, Antwerpen, Belgium---2000, 1998 Väsby Konsthall, Upplands Väsby, Sweden---2000 Stockholms Läns Museum, Sweden 126 groupsexhibitions,selected: 2014 "De donkere kant van de Schoonheid",NOCTURNE, Museum Gouda---2013 DAK Podium, Geldrop----2013 Von Fraunberg Art Gallery, Düsseldorf---- www.zweedsekunst.nl https://cdn.slidesharecdn.com/ss_thumbnails/4-110x140cm2012-121216162902-phpapp02-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/no-title-110x140cm-2012/15662302 No Title, 110x140cm, 2012 https://cdn.slidesharecdn.com/ss_thumbnails/3-notitle135x105cm2012-121216162753-phpapp01-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/no-title135x105cm-2012/15662293 No Title,135x105cm, 2012 https://cdn.slidesharecdn.com/ss_thumbnails/2a-200x170cm2011-121216162520-phpapp01-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/no-title-200x-170cm-2011-15662275/15662275 No Title, 200x 170cm, ...