際際滷shows by User: Nexus6it / http://www.slideshare.net/images/logo.gif 際際滷shows by User: Nexus6it / Mon, 15 Dec 2014 12:55:31 GMT 際際滷Share feed for 際際滷shows by User: Nexus6it 3D Acquisition and Modeling in Cultural Heritage /slideshow/3d-acquisition-and-modeling-in-cultural-heritage/42728510 3dacquisitionandmodelinginculturalheritageiuedition-141215125531-conversion-gate01
Gabriele Guidi is responsible for the Computer Vision and Reverse Engineering Laboratory at Politecnico di Milano (Italy). Since the late 1990s, it has focused on 3D acquisition and modeling techniques of cultural heritage artifacts on very small to very large scales. An interesting quality of a polytechnic institution like the one in Milan is to have in its DNA both a technical mind, coming from the Engineering departments, and a humanistic soul, linked to its departments of Architecture and Design. This dual point of view is critical when applying advanced technologies such as 3D data capture, opto-electronics, image processing, metrology and computer graphics to 3D documentation of a cultural artifact in a way that is useful for archaeologists, architects and officers of institutions responsible for the conservation of cultural heritage. This presentation introduces the research group at Politecnico di Milano and presents an overview of the technological evolution of 3D capturing techniques since 2000. Several major examples of the researches done are shown, as well as how such discoveries have been applied to concrete problems of cultural heritage documentation and visualization. In the conclusion some of the major challenges we intend to confront in the near future are mentioned.]]>

Gabriele Guidi is responsible for the Computer Vision and Reverse Engineering Laboratory at Politecnico di Milano (Italy). Since the late 1990s, it has focused on 3D acquisition and modeling techniques of cultural heritage artifacts on very small to very large scales. An interesting quality of a polytechnic institution like the one in Milan is to have in its DNA both a technical mind, coming from the Engineering departments, and a humanistic soul, linked to its departments of Architecture and Design. This dual point of view is critical when applying advanced technologies such as 3D data capture, opto-electronics, image processing, metrology and computer graphics to 3D documentation of a cultural artifact in a way that is useful for archaeologists, architects and officers of institutions responsible for the conservation of cultural heritage. This presentation introduces the research group at Politecnico di Milano and presents an overview of the technological evolution of 3D capturing techniques since 2000. Several major examples of the researches done are shown, as well as how such discoveries have been applied to concrete problems of cultural heritage documentation and visualization. In the conclusion some of the major challenges we intend to confront in the near future are mentioned.]]>
Mon, 15 Dec 2014 12:55:31 GMT /slideshow/3d-acquisition-and-modeling-in-cultural-heritage/42728510 Nexus6it@slideshare.net(Nexus6it) 3D Acquisition and Modeling in Cultural Heritage Nexus6it Gabriele Guidi is responsible for the Computer Vision and Reverse Engineering Laboratory at Politecnico di Milano (Italy). Since the late 1990s, it has focused on 3D acquisition and modeling techniques of cultural heritage artifacts on very small to very large scales. An interesting quality of a polytechnic institution like the one in Milan is to have in its DNA both a technical mind, coming from the Engineering departments, and a humanistic soul, linked to its departments of Architecture and Design. This dual point of view is critical when applying advanced technologies such as 3D data capture, opto-electronics, image processing, metrology and computer graphics to 3D documentation of a cultural artifact in a way that is useful for archaeologists, architects and officers of institutions responsible for the conservation of cultural heritage. This presentation introduces the research group at Politecnico di Milano and presents an overview of the technological evolution of 3D capturing techniques since 2000. Several major examples of the researches done are shown, as well as how such discoveries have been applied to concrete problems of cultural heritage documentation and visualization. In the conclusion some of the major challenges we intend to confront in the near future are mentioned. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/3dacquisitionandmodelinginculturalheritageiuedition-141215125531-conversion-gate01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Gabriele Guidi is responsible for the Computer Vision and Reverse Engineering Laboratory at Politecnico di Milano (Italy). Since the late 1990s, it has focused on 3D acquisition and modeling techniques of cultural heritage artifacts on very small to very large scales. An interesting quality of a polytechnic institution like the one in Milan is to have in its DNA both a technical mind, coming from the Engineering departments, and a humanistic soul, linked to its departments of Architecture and Design. This dual point of view is critical when applying advanced technologies such as 3D data capture, opto-electronics, image processing, metrology and computer graphics to 3D documentation of a cultural artifact in a way that is useful for archaeologists, architects and officers of institutions responsible for the conservation of cultural heritage. This presentation introduces the research group at Politecnico di Milano and presents an overview of the technological evolution of 3D capturing techniques since 2000. Several major examples of the researches done are shown, as well as how such discoveries have been applied to concrete problems of cultural heritage documentation and visualization. In the conclusion some of the major challenges we intend to confront in the near future are mentioned.
3D Acquisition and Modeling in Cultural Heritage from Gabriele Guidi
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Il depotenziamento delluniversit italiana /slideshow/il-depotenziamento-delluniversit-italiana/5413426 ildepotenziamentodelluniversititaliana-101011080721-phpapp01
Sintesi delle iniziative governative degli ultimi due anni, mirate a depotenziare l'universit pubblica Italiana. Presentato in occasione dell'iniziativa Design NO Stop, presso la Facolt del Design del Politecnico di Milano.]]>

Sintesi delle iniziative governative degli ultimi due anni, mirate a depotenziare l'universit pubblica Italiana. Presentato in occasione dell'iniziativa Design NO Stop, presso la Facolt del Design del Politecnico di Milano.]]>
Mon, 11 Oct 2010 08:07:18 GMT /slideshow/il-depotenziamento-delluniversit-italiana/5413426 Nexus6it@slideshare.net(Nexus6it) Il depotenziamento delluniversit italiana Nexus6it Sintesi delle iniziative governative degli ultimi due anni, mirate a depotenziare l'universit pubblica Italiana. Presentato in occasione dell'iniziativa Design NO Stop, presso la Facolt del Design del Politecnico di Milano. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/ildepotenziamentodelluniversititaliana-101011080721-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Sintesi delle iniziative governative degli ultimi due anni, mirate a depotenziare l&#39;universit pubblica Italiana. Presentato in occasione dell&#39;iniziativa Design NO Stop, presso la Facolt del Design del Politecnico di Milano.
Il depotenziamento delluniversit italiana from Gabriele Guidi
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https://cdn.slidesharecdn.com/profile-photo-Nexus6it-48x48.jpg?cb=1682067891 Gabriele Guidi received his M.S. degree in Electronic Engineering in 1988 from the University of Florence, and Ph.D. in 1992 from the University of Bologna, Italy. He joined the University of Florence as researcher in 1995 and moved to the Polytechnic of Milan in 2005 where he is now Associate Professor at the Department of Mechanical Engineering. His research interests, originated from medical imaging, are in the field of active and passive 3D sensors, geometric processing, reverse engineering and 3D metrology. Since the end of the 90s he started to apply range imaging technologies to Cultural Heritage documentation by: digitizing important statues by Donatello (Maddalena, 2000 and Davi... https://cdn.slidesharecdn.com/ss_thumbnails/3dacquisitionandmodelinginculturalheritageiuedition-141215125531-conversion-gate01-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/3d-acquisition-and-modeling-in-cultural-heritage/42728510 3D Acquisition and Mod... https://cdn.slidesharecdn.com/ss_thumbnails/ildepotenziamentodelluniversititaliana-101011080721-phpapp01-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/il-depotenziamento-delluniversit-italiana/5413426 Il depotenziamento del...