ºÝºÝߣshows by User: PedroJorge5 / http://www.slideshare.net/images/logo.gif ºÝºÝߣshows by User: PedroJorge5 / Sun, 27 Aug 2017 16:57:20 GMT ºÝºÝߣShare feed for ºÝºÝߣshows by User: PedroJorge5 A ARQUITETURA POPULAR COMO TRANSI??O ENTRE O VERN?CULO E O ERUDITO https://pt.slideshare.net/slideshow/a-arquitetura-popular-como-transio-entre-o-vernculo-e-o-erudito/79193367 ciapartigo-170827165720
O presente artigo nasce, em primeiro lugar, da necessidade de confrontar a realidade idealizada com o real constru¨ªdo, e por outro, de criar um l¨¦xico no dom¨ªnio da "Arquitetura sem Arquitetos" que distinga entre esta categoria dois registos diversos. Estes consistem na arquitetura n?o contaminada por influ¨ºncias externas, por oposi??o ¨¤quela que, tendo herdado sinais exteriores ¨¤ cultura onde ¨¦ gerada, n?o pertence ¨¤ categoria da denominada "Arquitetura Erudita".]]>
O presente artigo nasce, em primeiro lugar, da necessidade de confrontar a realidade idealizada com o real constru¨ªdo, e por outro, de criar um l¨¦xico no dom¨ªnio da "Arquitetura sem Arquitetos" que distinga entre esta categoria dois registos diversos. Estes consistem na arquitetura n?o contaminada por influ¨ºncias externas, por oposi??o ¨¤quela que, tendo herdado sinais exteriores ¨¤ cultura onde ¨¦ gerada, n?o pertence ¨¤ categoria da denominada "Arquitetura Erudita".]]> Sun, 27 Aug 2017 16:57:20 GMT https://pt.slideshare.net/slideshow/a-arquitetura-popular-como-transio-entre-o-vernculo-e-o-erudito/79193367 PedroJorge5@slideshare.net(PedroJorge5) A ARQUITETURA POPULAR COMO TRANSI??O ENTRE O VERN?CULO E O ERUDITO PedroJorge5 O presente artigo nasce, em primeiro lugar, da necessidade de confrontar a realidade idealizada com o real constru¨ªdo, e por outro, de criar um l¨¦xico no dom¨ªnio da "Arquitetura sem Arquitetos" que distinga entre esta categoria dois registos diversos. Estes consistem na arquitetura n?o contaminada por influ¨ºncias externas, por oposi??o ¨¤quela que, tendo herdado sinais exteriores ¨¤ cultura onde ¨¦ gerada, n?o pertence ¨¤ categoria da denominada "Arquitetura Erudita". <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/ciapartigo-170827165720-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> O presente artigo nasce, em primeiro lugar, da necessidade de confrontar a realidade idealizada com o real constru¨ªdo, e por outro, de criar um l¨¦xico no dom¨ªnio da &quot;Arquitetura sem Arquitetos&quot; que distinga entre esta categoria dois registos diversos. Estes consistem na arquitetura n?o contaminada por influ¨ºncias externas, por oposi??o ¨¤quela que, tendo herdado sinais exteriores ¨¤ cultura onde ¨¦ gerada, n?o pertence ¨¤ categoria da denominada &quot;Arquitetura Erudita&quot;.
from pedro fonseca jorge
]]> 887 5 https://cdn.slidesharecdn.com/ss_thumbnails/ciapartigo-170827165720-thumbnail.jpg?width=120&height=120&fit=bounds document Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 ARGUMENT AND CRIME /slideshow/argument-and-crime/79193327 eaaepedrofonsecajorge-posterpresentation-170827165448
More than ever, there¡¯s the subconscious idea, among the architects and aspiring architects¡¯ community, that the practice of architectural design is a separate entity from its theorization, with the depreciation of the latter. The reasons behind the implementation of this idea are several and derive from different origins. The most common one is the very aspiration of the architecture student who ¡°wants to fit into a studio, not analyzing other possibilities¡± (Cruz, p. 56). In this field, there are multiple statements I may quote, from my experience as an architecture student (1995-2001), in which a given theory teacher was despised ¡°for only having designed a gate in his life¡± or an architectural design one was despised for ¡°being a theoretician¡±. More than being a merely empirical (but critical) verification of a generalized idea, certain thinkers reinforce it, mentioning that the researcher architect is regarded derogatorily as if he didn¡¯t have the skill to design, while the ideal architectural design teacher is the one who has professional success as an architect (G?nshirt, 2007, p. 7). ]]>
More than ever, there¡¯s the subconscious idea, among the architects and aspiring architects¡¯ community, that the practice of architectural design is a separate entity from its theorization, with the depreciation of the latter. The reasons behind the implementation of this idea are several and derive from different origins. The most common one is the very aspiration of the architecture student who ¡°wants to fit into a studio, not analyzing other possibilities¡± (Cruz, p. 56). In this field, there are multiple statements I may quote, from my experience as an architecture student (1995-2001), in which a given theory teacher was despised ¡°for only having designed a gate in his life¡± or an architectural design one was despised for ¡°being a theoretician¡±. More than being a merely empirical (but critical) verification of a generalized idea, certain thinkers reinforce it, mentioning that the researcher architect is regarded derogatorily as if he didn¡¯t have the skill to design, while the ideal architectural design teacher is the one who has professional success as an architect (G?nshirt, 2007, p. 7). ]]> Sun, 27 Aug 2017 16:54:48 GMT /slideshow/argument-and-crime/79193327 PedroJorge5@slideshare.net(PedroJorge5) ARGUMENT AND CRIME PedroJorge5 More than ever, there¡¯s the subconscious idea, among the architects and aspiring architects¡¯ community, that the practice of architectural design is a separate entity from its theorization, with the depreciation of the latter. The reasons behind the implementation of this idea are several and derive from different origins. The most common one is the very aspiration of the architecture student who ¡°wants to fit into a studio, not analyzing other possibilities¡± (Cruz, p. 56). In this field, there are multiple statements I may quote, from my experience as an architecture student (1995-2001), in which a given theory teacher was despised ¡°for only having designed a gate in his life¡± or an architectural design one was despised for ¡°being a theoretician¡±. More than being a merely empirical (but critical) verification of a generalized idea, certain thinkers reinforce it, mentioning that the researcher architect is regarded derogatorily as if he didn¡¯t have the skill to design, while the ideal architectural design teacher is the one who has professional success as an architect (G?nshirt, 2007, p. 7). <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/eaaepedrofonsecajorge-posterpresentation-170827165448-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> More than ever, there¡¯s the subconscious idea, among the architects and aspiring architects¡¯ community, that the practice of architectural design is a separate entity from its theorization, with the depreciation of the latter. The reasons behind the implementation of this idea are several and derive from different origins. The most common one is the very aspiration of the architecture student who ¡°wants to fit into a studio, not analyzing other possibilities¡± (Cruz, p. 56). In this field, there are multiple statements I may quote, from my experience as an architecture student (1995-2001), in which a given theory teacher was despised ¡°for only having designed a gate in his life¡± or an architectural design one was despised for ¡°being a theoretician¡±. More than being a merely empirical (but critical) verification of a generalized idea, certain thinkers reinforce it, mentioning that the researcher architect is regarded derogatorily as if he didn¡¯t have the skill to design, while the ideal architectural design teacher is the one who has professional success as an architect (G?nshirt, 2007, p. 7).
ARGUMENT AND CRIME from pedro fonseca jorge
]]> 83 6 https://cdn.slidesharecdn.com/ss_thumbnails/eaaepedrofonsecajorge-posterpresentation-170827165448-thumbnail.jpg?width=120&height=120&fit=bounds document Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 A din?mica do espa?o na habita??o m¨ªnima https://pt.slideshare.net/slideshow/a-dinmica-do-espao-na-habitao-mnima/79193245 vtadinmicadoespaonahabitaomnima-pedrofonsecajorge-170827164941
Existem actualmente Grupos Dom¨¦sticos indefinidos para os quais urge por isso encontrar novas solu??es. Sendo a Hist¨®ria operativa procedeu-se ¨¤ recolha de Modelos do Habitar que fa?am do uso do espa?o din?mico como fonte para cria??o de novos Tipos.]]>
Existem actualmente Grupos Dom¨¦sticos indefinidos para os quais urge por isso encontrar novas solu??es. Sendo a Hist¨®ria operativa procedeu-se ¨¤ recolha de Modelos do Habitar que fa?am do uso do espa?o din?mico como fonte para cria??o de novos Tipos.]]> Sun, 27 Aug 2017 16:49:41 GMT https://pt.slideshare.net/slideshow/a-dinmica-do-espao-na-habitao-mnima/79193245 PedroJorge5@slideshare.net(PedroJorge5) A din?mica do espa?o na habita??o m¨ªnima PedroJorge5 Existem actualmente Grupos Dom¨¦sticos indefinidos para os quais urge por isso encontrar novas solu??es. Sendo a Hist¨®ria operativa procedeu-se ¨¤ recolha de Modelos do Habitar que fa?am do uso do espa?o din?mico como fonte para cria??o de novos Tipos. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/vtadinmicadoespaonahabitaomnima-pedrofonsecajorge-170827164941-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Existem actualmente Grupos Dom¨¦sticos indefinidos para os quais urge por isso encontrar novas solu??es. Sendo a Hist¨®ria operativa procedeu-se ¨¤ recolha de Modelos do Habitar que fa?am do uso do espa?o din?mico como fonte para cria??o de novos Tipos.
from pedro fonseca jorge
]]> 234 4 https://cdn.slidesharecdn.com/ss_thumbnails/vtadinmicadoespaonahabitaomnima-pedrofonsecajorge-170827164941-thumbnail.jpg?width=120&height=120&fit=bounds document Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 The SAAL process and the interpretation of domesticity: the singularity and miscegenation of its housing models. /slideshow/the-saal-process-and-the-interpretation-of-domesticity-the-singularity-and-miscegenation-of-its-housing-models/79193205 textossaal25abril2016pedrojorge-170827164648
As an architectural and social process, SAAL reflected the international debate about the city and the right to inhabit it, given that the previous half-century had been almost exclusively dedicated to the issue of the housing cell as the origin of the public space. Together with the rethinking of the traditional city, ¡°forgotten¡± by the previous generations, there was an attempt to identify how the future dwellers idealized and materialized the concept of home. The fact that the housing cell was no longer the focus of the architectural discussion did not inhibit the development of the research on domesticity and, within the scope of the SAAL process, the inquiries made to the future dwellers were accompanied by the use of all the housing references from the first half of the 20th century, both in their ¡°pure¡± form and mixed together. The proposed article is, therefore, an attempt to evaluate this process by analyzing the ¡°living cells¡± of its numerous projects from the point of view of their domesticity (while keeping in mind their relationship with the urban context), through the collection of models that illustrate a work accomplished through the intersection of multiple existing references - rural, urban, traditional, Modern - for the design of a house that reflects its dwellers.]]>
As an architectural and social process, SAAL reflected the international debate about the city and the right to inhabit it, given that the previous half-century had been almost exclusively dedicated to the issue of the housing cell as the origin of the public space. Together with the rethinking of the traditional city, ¡°forgotten¡± by the previous generations, there was an attempt to identify how the future dwellers idealized and materialized the concept of home. The fact that the housing cell was no longer the focus of the architectural discussion did not inhibit the development of the research on domesticity and, within the scope of the SAAL process, the inquiries made to the future dwellers were accompanied by the use of all the housing references from the first half of the 20th century, both in their ¡°pure¡± form and mixed together. The proposed article is, therefore, an attempt to evaluate this process by analyzing the ¡°living cells¡± of its numerous projects from the point of view of their domesticity (while keeping in mind their relationship with the urban context), through the collection of models that illustrate a work accomplished through the intersection of multiple existing references - rural, urban, traditional, Modern - for the design of a house that reflects its dwellers.]]> Sun, 27 Aug 2017 16:46:47 GMT /slideshow/the-saal-process-and-the-interpretation-of-domesticity-the-singularity-and-miscegenation-of-its-housing-models/79193205 PedroJorge5@slideshare.net(PedroJorge5) The SAAL process and the interpretation of domesticity: the singularity and miscegenation of its housing models. PedroJorge5 As an architectural and social process, SAAL reflected the international debate about the city and the right to inhabit it, given that the previous half-century had been almost exclusively dedicated to the issue of the housing cell as the origin of the public space. Together with the rethinking of the traditional city, ¡°forgotten¡± by the previous generations, there was an attempt to identify how the future dwellers idealized and materialized the concept of home. The fact that the housing cell was no longer the focus of the architectural discussion did not inhibit the development of the research on domesticity and, within the scope of the SAAL process, the inquiries made to the future dwellers were accompanied by the use of all the housing references from the first half of the 20th century, both in their ¡°pure¡± form and mixed together. The proposed article is, therefore, an attempt to evaluate this process by analyzing the ¡°living cells¡± of its numerous projects from the point of view of their domesticity (while keeping in mind their relationship with the urban context), through the collection of models that illustrate a work accomplished through the intersection of multiple existing references - rural, urban, traditional, Modern - for the design of a house that reflects its dwellers. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/textossaal25abril2016pedrojorge-170827164648-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> As an architectural and social process, SAAL reflected the international debate about the city and the right to inhabit it, given that the previous half-century had been almost exclusively dedicated to the issue of the housing cell as the origin of the public space. Together with the rethinking of the traditional city, ¡°forgotten¡± by the previous generations, there was an attempt to identify how the future dwellers idealized and materialized the concept of home. The fact that the housing cell was no longer the focus of the architectural discussion did not inhibit the development of the research on domesticity and, within the scope of the SAAL process, the inquiries made to the future dwellers were accompanied by the use of all the housing references from the first half of the 20th century, both in their ¡°pure¡± form and mixed together. The proposed article is, therefore, an attempt to evaluate this process by analyzing the ¡°living cells¡± of its numerous projects from the point of view of their domesticity (while keeping in mind their relationship with the urban context), through the collection of models that illustrate a work accomplished through the intersection of multiple existing references - rural, urban, traditional, Modern - for the design of a house that reflects its dwellers.
The SAAL process and the interpretation of domesticity: the singularity and miscegenation of its housing models. from pedro fonseca jorge
]]> 255 3 https://cdn.slidesharecdn.com/ss_thumbnails/textossaal25abril2016pedrojorge-170827164648-thumbnail.jpg?width=120&height=120&fit=bounds document Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 MENDING THE CITY FABRIC /slideshow/mending-the-city-fabric/79193168 itartigo-170827164446
Identifying the City Rule/Exception: The city defined by a constant that celebrates the difference: housing as its ¡°rule¡±. Void/Filling: The city as mass (rule), interrupted by its lack (exception); the ¡°void¡± as a deviation of the ¡°rule¡±, but not of urbanity. Useful/Useless: ¡°Rule¡± and ¡°exception¡± as ¡°useful¡± if they promote continuity in the urban fabric, and ¡°useless¡± if they are opposed. Past/Present Continuous/Discontinuous: ¡°continuity¡± as the transition between past and present; ¡°Discontinuity¡± as the absence of transition. Typology/Model: To promote continuity is to use preexisting typologies; Typology as a search for a repertoire of solutions. General/Specific: New relationships with the street, new shapes, new housing cells, but not the total eradication of the original typology. Utopia/Reality Surroundings/Background: The object wants to be ¡°city¡± and ¡°rule¡±: a gable or rafter, a urban typology. Shape/Content: In the ¡°Gable Module¡± his longest facade is also the more important: it replaces a blind wall. It defines the ¡°city¡± by its external image and everyday life that leads inside. Ethics/Cosmetics: The aesthetic solution as the Significant and Sign: their loss as Cosmetics with no Ethics. Public Virtues/Private Vices Feasibility: regulations, construction process and comfort factors; Private willingness and urban regulations.]]>
Identifying the City Rule/Exception: The city defined by a constant that celebrates the difference: housing as its ¡°rule¡±. Void/Filling: The city as mass (rule), interrupted by its lack (exception); the ¡°void¡± as a deviation of the ¡°rule¡±, but not of urbanity. Useful/Useless: ¡°Rule¡± and ¡°exception¡± as ¡°useful¡± if they promote continuity in the urban fabric, and ¡°useless¡± if they are opposed. Past/Present Continuous/Discontinuous: ¡°continuity¡± as the transition between past and present; ¡°Discontinuity¡± as the absence of transition. Typology/Model: To promote continuity is to use preexisting typologies; Typology as a search for a repertoire of solutions. General/Specific: New relationships with the street, new shapes, new housing cells, but not the total eradication of the original typology. Utopia/Reality Surroundings/Background: The object wants to be ¡°city¡± and ¡°rule¡±: a gable or rafter, a urban typology. Shape/Content: In the ¡°Gable Module¡± his longest facade is also the more important: it replaces a blind wall. It defines the ¡°city¡± by its external image and everyday life that leads inside. Ethics/Cosmetics: The aesthetic solution as the Significant and Sign: their loss as Cosmetics with no Ethics. Public Virtues/Private Vices Feasibility: regulations, construction process and comfort factors; Private willingness and urban regulations.]]> Sun, 27 Aug 2017 16:44:46 GMT /slideshow/mending-the-city-fabric/79193168 PedroJorge5@slideshare.net(PedroJorge5) MENDING THE CITY FABRIC PedroJorge5 Identifying the City Rule/Exception: The city defined by a constant that celebrates the difference: housing as its ¡°rule¡±. Void/Filling: The city as mass (rule), interrupted by its lack (exception); the ¡°void¡± as a deviation of the ¡°rule¡±, but not of urbanity. Useful/Useless: ¡°Rule¡± and ¡°exception¡± as ¡°useful¡± if they promote continuity in the urban fabric, and ¡°useless¡± if they are opposed. Past/Present Continuous/Discontinuous: ¡°continuity¡± as the transition between past and present; ¡°Discontinuity¡± as the absence of transition. Typology/Model: To promote continuity is to use preexisting typologies; Typology as a search for a repertoire of solutions. General/Specific: New relationships with the street, new shapes, new housing cells, but not the total eradication of the original typology. Utopia/Reality Surroundings/Background: The object wants to be ¡°city¡± and ¡°rule¡±: a gable or rafter, a urban typology. Shape/Content: In the ¡°Gable Module¡± his longest facade is also the more important: it replaces a blind wall. It defines the ¡°city¡± by its external image and everyday life that leads inside. Ethics/Cosmetics: The aesthetic solution as the Significant and Sign: their loss as Cosmetics with no Ethics. Public Virtues/Private Vices Feasibility: regulations, construction process and comfort factors; Private willingness and urban regulations. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/itartigo-170827164446-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Identifying the City Rule/Exception: The city defined by a constant that celebrates the difference: housing as its ¡°rule¡±. Void/Filling: The city as mass (rule), interrupted by its lack (exception); the ¡°void¡± as a deviation of the ¡°rule¡±, but not of urbanity. Useful/Useless: ¡°Rule¡± and ¡°exception¡± as ¡°useful¡± if they promote continuity in the urban fabric, and ¡°useless¡± if they are opposed. Past/Present Continuous/Discontinuous: ¡°continuity¡± as the transition between past and present; ¡°Discontinuity¡± as the absence of transition. Typology/Model: To promote continuity is to use preexisting typologies; Typology as a search for a repertoire of solutions. General/Specific: New relationships with the street, new shapes, new housing cells, but not the total eradication of the original typology. Utopia/Reality Surroundings/Background: The object wants to be ¡°city¡± and ¡°rule¡±: a gable or rafter, a urban typology. Shape/Content: In the ¡°Gable Module¡± his longest facade is also the more important: it replaces a blind wall. It defines the ¡°city¡± by its external image and everyday life that leads inside. Ethics/Cosmetics: The aesthetic solution as the Significant and Sign: their loss as Cosmetics with no Ethics. Public Virtues/Private Vices Feasibility: regulations, construction process and comfort factors; Private willingness and urban regulations.
MENDING THE CITY FABRIC from pedro fonseca jorge
]]> 183 4 https://cdn.slidesharecdn.com/ss_thumbnails/itartigo-170827164446-thumbnail.jpg?width=120&height=120&fit=bounds document Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 The Minimum Cell ¨C minimum housing standards: Minimum as Maximum /slideshow/the-minimum-cell-minimum-housing-standards-minimum-as-maximum/79193127 theminimumcell-pedrofonsecajorge-170827164238
Abstract: The present study aims to reflect on the house¡¯s minimum living space through its functional and spacial features, throughout architectural models of the so-called ¡®social housing¡¯, where budget restraints and the need to dignify the habitat coexist. Spacial and formal restrains are therefore defined as the main concerns in an architectural research, meaning that ¡®minimum¡¯ thinking does also apply to a daily architectural practice, where there¡¯s a need to balance the ¡®desired¡¯ house with the ¡®possible house¡¯. Therefore, the importance of the present proposal is manifested in an evaluation of Architecture as a comprehensive practice, analyzed in its contemporary context and establishing parameters that will be applied in new housing proposals. The proposed paper therefore tries to define Architecture as a widespread benefit capable to define and apply criteria so it can accomplish its intentions. The main architectural movements will be mentioned through their practical and theoretical ideals who express the principles of spacial definition and its correlation with the individual and the surrounding environment. However, in this article, it will be made a special mention to the Neo-realism movement from the post-World War II period, where the admissible minimum was intended as the maximum possible.]]>
Abstract: The present study aims to reflect on the house¡¯s minimum living space through its functional and spacial features, throughout architectural models of the so-called ¡®social housing¡¯, where budget restraints and the need to dignify the habitat coexist. Spacial and formal restrains are therefore defined as the main concerns in an architectural research, meaning that ¡®minimum¡¯ thinking does also apply to a daily architectural practice, where there¡¯s a need to balance the ¡®desired¡¯ house with the ¡®possible house¡¯. Therefore, the importance of the present proposal is manifested in an evaluation of Architecture as a comprehensive practice, analyzed in its contemporary context and establishing parameters that will be applied in new housing proposals. The proposed paper therefore tries to define Architecture as a widespread benefit capable to define and apply criteria so it can accomplish its intentions. The main architectural movements will be mentioned through their practical and theoretical ideals who express the principles of spacial definition and its correlation with the individual and the surrounding environment. However, in this article, it will be made a special mention to the Neo-realism movement from the post-World War II period, where the admissible minimum was intended as the maximum possible.]]> Sun, 27 Aug 2017 16:42:38 GMT /slideshow/the-minimum-cell-minimum-housing-standards-minimum-as-maximum/79193127 PedroJorge5@slideshare.net(PedroJorge5) The Minimum Cell ¨C minimum housing standards: Minimum as Maximum PedroJorge5 Abstract: The present study aims to reflect on the house¡¯s minimum living space through its functional and spacial features, throughout architectural models of the so-called ¡®social housing¡¯, where budget restraints and the need to dignify the habitat coexist. Spacial and formal restrains are therefore defined as the main concerns in an architectural research, meaning that ¡®minimum¡¯ thinking does also apply to a daily architectural practice, where there¡¯s a need to balance the ¡®desired¡¯ house with the ¡®possible house¡¯. Therefore, the importance of the present proposal is manifested in an evaluation of Architecture as a comprehensive practice, analyzed in its contemporary context and establishing parameters that will be applied in new housing proposals. The proposed paper therefore tries to define Architecture as a widespread benefit capable to define and apply criteria so it can accomplish its intentions. The main architectural movements will be mentioned through their practical and theoretical ideals who express the principles of spacial definition and its correlation with the individual and the surrounding environment. However, in this article, it will be made a special mention to the Neo-realism movement from the post-World War II period, where the admissible minimum was intended as the maximum possible. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/theminimumcell-pedrofonsecajorge-170827164238-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Abstract: The present study aims to reflect on the house¡¯s minimum living space through its functional and spacial features, throughout architectural models of the so-called ¡®social housing¡¯, where budget restraints and the need to dignify the habitat coexist. Spacial and formal restrains are therefore defined as the main concerns in an architectural research, meaning that ¡®minimum¡¯ thinking does also apply to a daily architectural practice, where there¡¯s a need to balance the ¡®desired¡¯ house with the ¡®possible house¡¯. Therefore, the importance of the present proposal is manifested in an evaluation of Architecture as a comprehensive practice, analyzed in its contemporary context and establishing parameters that will be applied in new housing proposals. The proposed paper therefore tries to define Architecture as a widespread benefit capable to define and apply criteria so it can accomplish its intentions. The main architectural movements will be mentioned through their practical and theoretical ideals who express the principles of spacial definition and its correlation with the individual and the surrounding environment. However, in this article, it will be made a special mention to the Neo-realism movement from the post-World War II period, where the admissible minimum was intended as the maximum possible.
The Minimum Cell ¨C minimum housing standards: Minimum as Maximum from pedro fonseca jorge
]]> 348 10 https://cdn.slidesharecdn.com/ss_thumbnails/theminimumcell-pedrofonsecajorge-170827164238-thumbnail.jpg?width=120&height=120&fit=bounds document Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 THE MINIMUM CELL Family and households in new housing proposals /slideshow/the-minimum-cell-family-and-households-in-new-housing-proposals/79193097 w06jorge375-170827164024
This study tries to reflect upon dwellers that will take part in recent and future housing proposals through new experiments under spatial and formal offers. It is supported upon a reflection based in the so-called social housing that have been proposed mainly since the beginning of the 20th century, without ignoring the philanthropic experiments that were tried since the beginning of the industrial revolution. From them aroused the questions of idealization or observation of the dwellers: in the first case through a conception of an idealistic family or household who would lead to a better society; in the second case, the attempt to respond to the existing dweller creating a proposal to better respond immediate needs for shelter and to identify himself with his own house. Throughout past and present experiments, it will be offered the opportunity to prepare, rather than predict, our responses to future challenges in housing. ]]>
This study tries to reflect upon dwellers that will take part in recent and future housing proposals through new experiments under spatial and formal offers. It is supported upon a reflection based in the so-called social housing that have been proposed mainly since the beginning of the 20th century, without ignoring the philanthropic experiments that were tried since the beginning of the industrial revolution. From them aroused the questions of idealization or observation of the dwellers: in the first case through a conception of an idealistic family or household who would lead to a better society; in the second case, the attempt to respond to the existing dweller creating a proposal to better respond immediate needs for shelter and to identify himself with his own house. Throughout past and present experiments, it will be offered the opportunity to prepare, rather than predict, our responses to future challenges in housing. ]]> Sun, 27 Aug 2017 16:40:24 GMT /slideshow/the-minimum-cell-family-and-households-in-new-housing-proposals/79193097 PedroJorge5@slideshare.net(PedroJorge5) THE MINIMUM CELL Family and households in new housing proposals PedroJorge5 This study tries to reflect upon dwellers that will take part in recent and future housing proposals through new experiments under spatial and formal offers. It is supported upon a reflection based in the so-called social housing that have been proposed mainly since the beginning of the 20th century, without ignoring the philanthropic experiments that were tried since the beginning of the industrial revolution. From them aroused the questions of idealization or observation of the dwellers: in the first case through a conception of an idealistic family or household who would lead to a better society; in the second case, the attempt to respond to the existing dweller creating a proposal to better respond immediate needs for shelter and to identify himself with his own house. Throughout past and present experiments, it will be offered the opportunity to prepare, rather than predict, our responses to future challenges in housing. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/w06jorge375-170827164024-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> This study tries to reflect upon dwellers that will take part in recent and future housing proposals through new experiments under spatial and formal offers. It is supported upon a reflection based in the so-called social housing that have been proposed mainly since the beginning of the 20th century, without ignoring the philanthropic experiments that were tried since the beginning of the industrial revolution. From them aroused the questions of idealization or observation of the dwellers: in the first case through a conception of an idealistic family or household who would lead to a better society; in the second case, the attempt to respond to the existing dweller creating a proposal to better respond immediate needs for shelter and to identify himself with his own house. Throughout past and present experiments, it will be offered the opportunity to prepare, rather than predict, our responses to future challenges in housing.
THE MINIMUM CELL Family and households in new housing proposals from pedro fonseca jorge
]]> 313 5 https://cdn.slidesharecdn.com/ss_thumbnails/w06jorge375-170827164024-thumbnail.jpg?width=120&height=120&fit=bounds document Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 The Minimum Cell as a House: ideas and forms in social housing in search of a Home /slideshow/the-minimum-cell-as-a-house-ideas-and-forms-in-social-housing-in-search-of-a-home/79176355 theminimumcellasahouse-pedrofonsecajorge-nhrdws01-170826154659
Throughout the last century efforts have been made in order to correspond to a high demand of housing in Europe. From the high density of the traditional city, the consequences of the Industrial Revolution or the hardships of war(s), social housing has been a laboratory of experiences that include living space, shape, volume and urban solutions. The obtained results navigate through traditional answers to the most radical experiments, but al search for the same thing: a sense of belonging sustained in the idea of the ¡®house¡¯ in its various demonstrations, such as shape, association, internal space and ways of use. The present analysis tries to search within the twentieth century this ¡®house¡¯ in various social or subsidize experiences, according to its various restrictions, of cost and effectiveness, for example. From the single houses of a garden city to the cells of Le Corbusier¡¯s Unit¨¦s d¡¯Habitation, each present an interpretation of the traditional house in its shape and use, in a more or less obvious manner. We will take in to account different perspectives in the formalization and use of the housing cell, starting with the inner spatial solutions used in various case-studies, from the point of view of the dweller (according to its traditions ¡®versus¡¯ their idealized house) and the architect (who tries to substitute tradition for efficiency, or uses tradition as a basis for modernity). After that we will approach the house as a shape or single unit, and the way that its idea was formalized as single houses or the vertical sum of individual units, always taking into account their ideological and political backgrounds. ]]>
Throughout the last century efforts have been made in order to correspond to a high demand of housing in Europe. From the high density of the traditional city, the consequences of the Industrial Revolution or the hardships of war(s), social housing has been a laboratory of experiences that include living space, shape, volume and urban solutions. The obtained results navigate through traditional answers to the most radical experiments, but al search for the same thing: a sense of belonging sustained in the idea of the ¡®house¡¯ in its various demonstrations, such as shape, association, internal space and ways of use. The present analysis tries to search within the twentieth century this ¡®house¡¯ in various social or subsidize experiences, according to its various restrictions, of cost and effectiveness, for example. From the single houses of a garden city to the cells of Le Corbusier¡¯s Unit¨¦s d¡¯Habitation, each present an interpretation of the traditional house in its shape and use, in a more or less obvious manner. We will take in to account different perspectives in the formalization and use of the housing cell, starting with the inner spatial solutions used in various case-studies, from the point of view of the dweller (according to its traditions ¡®versus¡¯ their idealized house) and the architect (who tries to substitute tradition for efficiency, or uses tradition as a basis for modernity). After that we will approach the house as a shape or single unit, and the way that its idea was formalized as single houses or the vertical sum of individual units, always taking into account their ideological and political backgrounds. ]]> Sat, 26 Aug 2017 15:46:59 GMT /slideshow/the-minimum-cell-as-a-house-ideas-and-forms-in-social-housing-in-search-of-a-home/79176355 PedroJorge5@slideshare.net(PedroJorge5) The Minimum Cell as a House: ideas and forms in social housing in search of a Home PedroJorge5 Throughout the last century efforts have been made in order to correspond to a high demand of housing in Europe. From the high density of the traditional city, the consequences of the Industrial Revolution or the hardships of war(s), social housing has been a laboratory of experiences that include living space, shape, volume and urban solutions. The obtained results navigate through traditional answers to the most radical experiments, but al search for the same thing: a sense of belonging sustained in the idea of the ¡®house¡¯ in its various demonstrations, such as shape, association, internal space and ways of use. The present analysis tries to search within the twentieth century this ¡®house¡¯ in various social or subsidize experiences, according to its various restrictions, of cost and effectiveness, for example. From the single houses of a garden city to the cells of Le Corbusier¡¯s Unit¨¦s d¡¯Habitation, each present an interpretation of the traditional house in its shape and use, in a more or less obvious manner. We will take in to account different perspectives in the formalization and use of the housing cell, starting with the inner spatial solutions used in various case-studies, from the point of view of the dweller (according to its traditions ¡®versus¡¯ their idealized house) and the architect (who tries to substitute tradition for efficiency, or uses tradition as a basis for modernity). After that we will approach the house as a shape or single unit, and the way that its idea was formalized as single houses or the vertical sum of individual units, always taking into account their ideological and political backgrounds. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/theminimumcellasahouse-pedrofonsecajorge-nhrdws01-170826154659-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Throughout the last century efforts have been made in order to correspond to a high demand of housing in Europe. From the high density of the traditional city, the consequences of the Industrial Revolution or the hardships of war(s), social housing has been a laboratory of experiences that include living space, shape, volume and urban solutions. The obtained results navigate through traditional answers to the most radical experiments, but al search for the same thing: a sense of belonging sustained in the idea of the ¡®house¡¯ in its various demonstrations, such as shape, association, internal space and ways of use. The present analysis tries to search within the twentieth century this ¡®house¡¯ in various social or subsidize experiences, according to its various restrictions, of cost and effectiveness, for example. From the single houses of a garden city to the cells of Le Corbusier¡¯s Unit¨¦s d¡¯Habitation, each present an interpretation of the traditional house in its shape and use, in a more or less obvious manner. We will take in to account different perspectives in the formalization and use of the housing cell, starting with the inner spatial solutions used in various case-studies, from the point of view of the dweller (according to its traditions ¡®versus¡¯ their idealized house) and the architect (who tries to substitute tradition for efficiency, or uses tradition as a basis for modernity). After that we will approach the house as a shape or single unit, and the way that its idea was formalized as single houses or the vertical sum of individual units, always taking into account their ideological and political backgrounds.
The Minimum Cell as a House: ideas and forms in social housing in search of a Home from pedro fonseca jorge
]]> 417 3 https://cdn.slidesharecdn.com/ss_thumbnails/theminimumcellasahouse-pedrofonsecajorge-nhrdws01-170826154659-thumbnail.jpg?width=120&height=120&fit=bounds document Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 The idea of the City in the Social Housing experience throughout the past century: scale, shape and extent /slideshow/the-idea-of-the-city-in-the-social-housing-experience-throughout-the-past-century-scale-shape-and-extent/79176308 theideaofthecityinthesocialhousingexperiencethroughoutthepastcenturyscale-pedrofonsecajorge-ws05-170826154429
We can say that social housing was a big part of all the architectural experience of the last century, since it had the responsibility of partially or totally (according to some) solve a housing problem that, more than physical, was also social and political. Architects and Urban planners work hardly in the search of solutions that would face the pre-existing problems of housing in the traditional city, as the result of an uncontrollable industrial growth, among others. Their solutions varied according to their intentions and their ideological purposes, and different proposals were made in order to solve the same problem: to dignify the urban living of the lower classes, the ones that most suffered from housing shortage and speculation. Although different and specific, we can gather most of the experiences in three categories, the first two attempting to overcome the traditional city by a) creating a disperse organism according to a scale and spatial solutions dear to previous urban settlements, or b) inventing a condensed city as part of an infinite modern system. Finally, the last group includes c) the rehabilitation of the traditional city fabric by surgical or large interventions. The idea of the paper is not to offer a critical review of the different ¡®cities¡¯, or even to make a choice, among them, of the perfect settlement, but just to present different solutions supported by various case-studies, pointing flaws and successes, demystifying misconceived ideas or supporting others. Here, more than answers will be offered tools of evaluation for present and future proposal of architects and urban planners. ]]>
We can say that social housing was a big part of all the architectural experience of the last century, since it had the responsibility of partially or totally (according to some) solve a housing problem that, more than physical, was also social and political. Architects and Urban planners work hardly in the search of solutions that would face the pre-existing problems of housing in the traditional city, as the result of an uncontrollable industrial growth, among others. Their solutions varied according to their intentions and their ideological purposes, and different proposals were made in order to solve the same problem: to dignify the urban living of the lower classes, the ones that most suffered from housing shortage and speculation. Although different and specific, we can gather most of the experiences in three categories, the first two attempting to overcome the traditional city by a) creating a disperse organism according to a scale and spatial solutions dear to previous urban settlements, or b) inventing a condensed city as part of an infinite modern system. Finally, the last group includes c) the rehabilitation of the traditional city fabric by surgical or large interventions. The idea of the paper is not to offer a critical review of the different ¡®cities¡¯, or even to make a choice, among them, of the perfect settlement, but just to present different solutions supported by various case-studies, pointing flaws and successes, demystifying misconceived ideas or supporting others. Here, more than answers will be offered tools of evaluation for present and future proposal of architects and urban planners. ]]> Sat, 26 Aug 2017 15:44:29 GMT /slideshow/the-idea-of-the-city-in-the-social-housing-experience-throughout-the-past-century-scale-shape-and-extent/79176308 PedroJorge5@slideshare.net(PedroJorge5) The idea of the City in the Social Housing experience throughout the past century: scale, shape and extent PedroJorge5 We can say that social housing was a big part of all the architectural experience of the last century, since it had the responsibility of partially or totally (according to some) solve a housing problem that, more than physical, was also social and political. Architects and Urban planners work hardly in the search of solutions that would face the pre-existing problems of housing in the traditional city, as the result of an uncontrollable industrial growth, among others. Their solutions varied according to their intentions and their ideological purposes, and different proposals were made in order to solve the same problem: to dignify the urban living of the lower classes, the ones that most suffered from housing shortage and speculation. Although different and specific, we can gather most of the experiences in three categories, the first two attempting to overcome the traditional city by a) creating a disperse organism according to a scale and spatial solutions dear to previous urban settlements, or b) inventing a condensed city as part of an infinite modern system. Finally, the last group includes c) the rehabilitation of the traditional city fabric by surgical or large interventions. The idea of the paper is not to offer a critical review of the different ¡®cities¡¯, or even to make a choice, among them, of the perfect settlement, but just to present different solutions supported by various case-studies, pointing flaws and successes, demystifying misconceived ideas or supporting others. Here, more than answers will be offered tools of evaluation for present and future proposal of architects and urban planners. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/theideaofthecityinthesocialhousingexperiencethroughoutthepastcenturyscale-pedrofonsecajorge-ws05-170826154429-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> We can say that social housing was a big part of all the architectural experience of the last century, since it had the responsibility of partially or totally (according to some) solve a housing problem that, more than physical, was also social and political. Architects and Urban planners work hardly in the search of solutions that would face the pre-existing problems of housing in the traditional city, as the result of an uncontrollable industrial growth, among others. Their solutions varied according to their intentions and their ideological purposes, and different proposals were made in order to solve the same problem: to dignify the urban living of the lower classes, the ones that most suffered from housing shortage and speculation. Although different and specific, we can gather most of the experiences in three categories, the first two attempting to overcome the traditional city by a) creating a disperse organism according to a scale and spatial solutions dear to previous urban settlements, or b) inventing a condensed city as part of an infinite modern system. Finally, the last group includes c) the rehabilitation of the traditional city fabric by surgical or large interventions. The idea of the paper is not to offer a critical review of the different ¡®cities¡¯, or even to make a choice, among them, of the perfect settlement, but just to present different solutions supported by various case-studies, pointing flaws and successes, demystifying misconceived ideas or supporting others. Here, more than answers will be offered tools of evaluation for present and future proposal of architects and urban planners.
The idea of the City in the Social Housing experience throughout the past century: scale, shape and extent from pedro fonseca jorge
]]> 594 10 https://cdn.slidesharecdn.com/ss_thumbnails/theideaofthecityinthesocialhousingexperiencethroughoutthepastcenturyscale-pedrofonsecajorge-ws05-170826154429-thumbnail.jpg?width=120&height=120&fit=bounds document Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Post-minimal-contextualism-critical-modernism Reality /slideshow/postminimalcontextualismcriticalmodernism-reality/79176211 rfonsecajorgepost-170826154057
The paper tries to evaluate today¡¯s architecture as part of a ¡®star system¡¯ where originality is the main purpose of the architectural object. Upon this it is tried to create a theory based in the loss of part of the individuality of the architect in order to achieve a greater result based upon the coherence of a whole built system: a city, a village, a street, etc. The recognition of a place¡¯s Signs is part of that process, not with the intent of copying the surrounding reality, but to interpret its main features. The resulting depurative process will obliterate those Signs that already have lost their meaning and do not contribute to the recognition of a site¡¯s architecture, to an appreciation that evolves from the large scale observation of the landscape to the detail in architecture. Coherence is therefore the main purpose of the process, whether it¡¯s applied to a historical context, a popular urban settlement or a contemporary neighbourhood. ]]>
The paper tries to evaluate today¡¯s architecture as part of a ¡®star system¡¯ where originality is the main purpose of the architectural object. Upon this it is tried to create a theory based in the loss of part of the individuality of the architect in order to achieve a greater result based upon the coherence of a whole built system: a city, a village, a street, etc. The recognition of a place¡¯s Signs is part of that process, not with the intent of copying the surrounding reality, but to interpret its main features. The resulting depurative process will obliterate those Signs that already have lost their meaning and do not contribute to the recognition of a site¡¯s architecture, to an appreciation that evolves from the large scale observation of the landscape to the detail in architecture. Coherence is therefore the main purpose of the process, whether it¡¯s applied to a historical context, a popular urban settlement or a contemporary neighbourhood. ]]> Sat, 26 Aug 2017 15:40:57 GMT /slideshow/postminimalcontextualismcriticalmodernism-reality/79176211 PedroJorge5@slideshare.net(PedroJorge5) Post-minimal-contextualism-critical-modernism Reality PedroJorge5 The paper tries to evaluate today¡¯s architecture as part of a ¡®star system¡¯ where originality is the main purpose of the architectural object. Upon this it is tried to create a theory based in the loss of part of the individuality of the architect in order to achieve a greater result based upon the coherence of a whole built system: a city, a village, a street, etc. The recognition of a place¡¯s Signs is part of that process, not with the intent of copying the surrounding reality, but to interpret its main features. The resulting depurative process will obliterate those Signs that already have lost their meaning and do not contribute to the recognition of a site¡¯s architecture, to an appreciation that evolves from the large scale observation of the landscape to the detail in architecture. Coherence is therefore the main purpose of the process, whether it¡¯s applied to a historical context, a popular urban settlement or a contemporary neighbourhood. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/rfonsecajorgepost-170826154057-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> The paper tries to evaluate today¡¯s architecture as part of a ¡®star system¡¯ where originality is the main purpose of the architectural object. Upon this it is tried to create a theory based in the loss of part of the individuality of the architect in order to achieve a greater result based upon the coherence of a whole built system: a city, a village, a street, etc. The recognition of a place¡¯s Signs is part of that process, not with the intent of copying the surrounding reality, but to interpret its main features. The resulting depurative process will obliterate those Signs that already have lost their meaning and do not contribute to the recognition of a site¡¯s architecture, to an appreciation that evolves from the large scale observation of the landscape to the detail in architecture. Coherence is therefore the main purpose of the process, whether it¡¯s applied to a historical context, a popular urban settlement or a contemporary neighbourhood.
Post-minimal-contextualism-critical-modernism Reality from pedro fonseca jorge
]]> 92 2 https://cdn.slidesharecdn.com/ss_thumbnails/rfonsecajorgepost-170826154057-thumbnail.jpg?width=120&height=120&fit=bounds document Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 POPULAR ARCHITECTURE AMONG VERNACULAR AND ERUDITE CONTEXTS /slideshow/popular-architecture-among-vernacular-and-erudite-contexts/79176112 ijasartigo-170826153410
Abstract: In our present and contemporary architectural context abstractionism as become the face of a theoretical crisis where words seem to be the main form of communicating visually incomprehensible shapes. Therefore we need to search for a more figurative architecture based upon our landscape's features, making it necessary to proceed to Typological researches about our built surroundings. Rural housing has been a forgotten research field, as people tend to pay more attention to dense fabrics, but that doesn't mean that heritage can't be found in rural contexts. In this way to study rural architecture is to include Types of architecture that may or may not include features from other cultures than their own. This paper will try to define the features that define these Types, according to the contexts of Vernacular architecture (when there are no more references than the culture where it is produced) and Popular Architecture (where Signs or Significances have been brought from different contexts, being them Vernacular, Popular or Erudite).]]>
Abstract: In our present and contemporary architectural context abstractionism as become the face of a theoretical crisis where words seem to be the main form of communicating visually incomprehensible shapes. Therefore we need to search for a more figurative architecture based upon our landscape's features, making it necessary to proceed to Typological researches about our built surroundings. Rural housing has been a forgotten research field, as people tend to pay more attention to dense fabrics, but that doesn't mean that heritage can't be found in rural contexts. In this way to study rural architecture is to include Types of architecture that may or may not include features from other cultures than their own. This paper will try to define the features that define these Types, according to the contexts of Vernacular architecture (when there are no more references than the culture where it is produced) and Popular Architecture (where Signs or Significances have been brought from different contexts, being them Vernacular, Popular or Erudite).]]> Sat, 26 Aug 2017 15:34:10 GMT /slideshow/popular-architecture-among-vernacular-and-erudite-contexts/79176112 PedroJorge5@slideshare.net(PedroJorge5) POPULAR ARCHITECTURE AMONG VERNACULAR AND ERUDITE CONTEXTS PedroJorge5 Abstract: In our present and contemporary architectural context abstractionism as become the face of a theoretical crisis where words seem to be the main form of communicating visually incomprehensible shapes. Therefore we need to search for a more figurative architecture based upon our landscape's features, making it necessary to proceed to Typological researches about our built surroundings. Rural housing has been a forgotten research field, as people tend to pay more attention to dense fabrics, but that doesn't mean that heritage can't be found in rural contexts. In this way to study rural architecture is to include Types of architecture that may or may not include features from other cultures than their own. This paper will try to define the features that define these Types, according to the contexts of Vernacular architecture (when there are no more references than the culture where it is produced) and Popular Architecture (where Signs or Significances have been brought from different contexts, being them Vernacular, Popular or Erudite). <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/ijasartigo-170826153410-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Abstract: In our present and contemporary architectural context abstractionism as become the face of a theoretical crisis where words seem to be the main form of communicating visually incomprehensible shapes. Therefore we need to search for a more figurative architecture based upon our landscape&#39;s features, making it necessary to proceed to Typological researches about our built surroundings. Rural housing has been a forgotten research field, as people tend to pay more attention to dense fabrics, but that doesn&#39;t mean that heritage can&#39;t be found in rural contexts. In this way to study rural architecture is to include Types of architecture that may or may not include features from other cultures than their own. This paper will try to define the features that define these Types, according to the contexts of Vernacular architecture (when there are no more references than the culture where it is produced) and Popular Architecture (where Signs or Significances have been brought from different contexts, being them Vernacular, Popular or Erudite).
POPULAR ARCHITECTURE AMONG VERNACULAR AND ERUDITE CONTEXTS from pedro fonseca jorge
]]> 354 7 https://cdn.slidesharecdn.com/ss_thumbnails/ijasartigo-170826153410-thumbnail.jpg?width=120&height=120&fit=bounds document Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 https://cdn.slidesharecdn.com/profile-photo-PedroJorge5-48x48.jpg?cb=1626262982 Pedro Fonseca Jorge nasceu na Benedita, Alcoba?a, em 1977. Formado em Arquitetura pela FAUP, (Faculdade de Arquitetura da Universidade do Porto) em 2001, onde concluiu igualmente o Mestrado em Interven??o em Patrim¨®nio em 2006 e o Doutoramento em Habita??o em 2012. Em 2016 conclui o Mestrado em Design do Produto na Escola Superior de Arte e Design das Caldas da Rainha. Possui atelier em nome pr¨®prio desde 2001, onde realizou diversos projetos de habita??o, servi?os e recupera??es, alguns publicados em sites de internet e revistas da especialidade. www.pedrofonsecajorge.com https://cdn.slidesharecdn.com/ss_thumbnails/ciapartigo-170827165720-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/a-arquitetura-popular-como-transio-entre-o-vernculo-e-o-erudito/79193367 A ARQUITETURA POPULAR ... https://cdn.slidesharecdn.com/ss_thumbnails/eaaepedrofonsecajorge-posterpresentation-170827165448-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/argument-and-crime/79193327 ARGUMENT AND CRIME https://cdn.slidesharecdn.com/ss_thumbnails/vtadinmicadoespaonahabitaomnima-pedrofonsecajorge-170827164941-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/a-dinmica-do-espao-na-habitao-mnima/79193245 A din?mica do espa?o n...