�ݺ�ߣshows by User: annafaktorovich

�ݺ�ߣshows by User: annafaktorovich / http://www.slideshare.net/images/logo.gif �ݺ�ߣshows by User: annafaktorovich / Wed, 28 Jun 2023 15:51:58 GMT �ݺ�ߣShare feed for �ݺ�ߣshows by User: annafaktorovich Evidence for the Re-Attribution of the British Renaissance to 6 Ghostwriters /slideshow/evidence-for-the-reattribution-of-the-british-renaissance-to-6-ghostwriters/258700724 presentation-re-attributionofthebritishrenaissance-5-8-2023-230628155158-2c24895b
The BRRAM series solves most of the previously critically discussed mysteries concerning the authorship of British Renaissance texts (including the “William Shakespeare” and 122 other bylines) by applying to 303 texts a newly invented for this study computational-linguistics method that uses a combination of 27 different tests. This testing derived that six ghostwriters wrote all of these works: Richard Verstegan, Josuah Sylvester, Gabriel Harvey, Benjamin Jonson, William Byrd and William Percy. This computational method, together with structural, biographical and various other attribution approaches that led to the attribution conclusions, are discussed in the Re-Attribution of the British Renaissance Corpus. A larger portion of this series are the volumes in the Modernization of the Inaccessible British Renaissance section, which test the quantitative attribution-conclusions by closely analyzing and explaining the contents of individual re-attributed texts. The modernized works are uniquely consequential in explaining the revised history of this period, and yet have never been translated into Modern English before. Some of these texts were initially anonymous, others were self-attributed by the ghostwriters, and yet others were credited in bylines to pseudonyms or ghostwriting-contractors. The annotations to each of their translations provide thousands of new confirming clues of shared authorship within a given authorial-signature. Even without this history-changing attribution evidence, these are neglected texts that are here edited for the first time to allow their beauty and intelligence to shine so that readers can see how they rival the standard “Shakespeare” canon. This series is cataloged in the World Shakespeare Bibliography and in the Play Index (EBSCO). A few pieces out of BRRAM have been published in scholarly journals. “Manipulation of Theatrical Audience-Size: Nonexistent Plays and Murderous Lenders” was published in Critical Survey, Issue 34.1, Spring 2022. “‘Michael Cavendish’s’ 14 Airs in Tablature to the Lute (1598)” was published in East-West Cultural Passage, Volume 22, Issue 2, December 2022. The Journal of Information Ethics published two articles on Faktorovich’s re-attribution method: “Publishers and Hack Writers: Signs of Collaborative Writing in the ‘Defoe’ Canon” (Fall 2020) and “Falsifications and Fabrications in the Standard Computational-Linguistics Authorial-Attribution Methods: A Comparison of the Methodology in ‘Unmasking’ with the 28-Tests” (Spring 2022). See more on the series' website: https://anaphoraliterary.com/attribution]]>
The BRRAM series solves most of the previously critically discussed mysteries concerning the authorship of British Renaissance texts (including the “William Shakespeare” and 122 other bylines) by applying to 303 texts a newly invented for this study computational-linguistics method that uses a combination of 27 different tests. This testing derived that six ghostwriters wrote all of these works: Richard Verstegan, Josuah Sylvester, Gabriel Harvey, Benjamin Jonson, William Byrd and William Percy. This computational method, together with structural, biographical and various other attribution approaches that led to the attribution conclusions, are discussed in the Re-Attribution of the British Renaissance Corpus. A larger portion of this series are the volumes in the Modernization of the Inaccessible British Renaissance section, which test the quantitative attribution-conclusions by closely analyzing and explaining the contents of individual re-attributed texts. The modernized works are uniquely consequential in explaining the revised history of this period, and yet have never been translated into Modern English before. Some of these texts were initially anonymous, others were self-attributed by the ghostwriters, and yet others were credited in bylines to pseudonyms or ghostwriting-contractors. The annotations to each of their translations provide thousands of new confirming clues of shared authorship within a given authorial-signature. Even without this history-changing attribution evidence, these are neglected texts that are here edited for the first time to allow their beauty and intelligence to shine so that readers can see how they rival the standard “Shakespeare” canon. This series is cataloged in the World Shakespeare Bibliography and in the Play Index (EBSCO). A few pieces out of BRRAM have been published in scholarly journals. “Manipulation of Theatrical Audience-Size: Nonexistent Plays and Murderous Lenders” was published in Critical Survey, Issue 34.1, Spring 2022. “‘Michael Cavendish’s’ 14 Airs in Tablature to the Lute (1598)” was published in East-West Cultural Passage, Volume 22, Issue 2, December 2022. The Journal of Information Ethics published two articles on Faktorovich’s re-attribution method: “Publishers and Hack Writers: Signs of Collaborative Writing in the ‘Defoe’ Canon” (Fall 2020) and “Falsifications and Fabrications in the Standard Computational-Linguistics Authorial-Attribution Methods: A Comparison of the Methodology in ‘Unmasking’ with the 28-Tests” (Spring 2022). See more on the series' website: https://anaphoraliterary.com/attribution]]> Wed, 28 Jun 2023 15:51:58 GMT /slideshow/evidence-for-the-reattribution-of-the-british-renaissance-to-6-ghostwriters/258700724 annafaktorovich@slideshare.net(annafaktorovich) Evidence for the Re-Attribution of the British Renaissance to 6 Ghostwriters annafaktorovich The BRRAM series solves most of the previously critically discussed mysteries concerning the authorship of British Renaissance texts (including the “William Shakespeare” and 122 other bylines) by applying to 303 texts a newly invented for this study computational-linguistics method that uses a combination of 27 different tests. This testing derived that six ghostwriters wrote all of these works: Richard Verstegan, Josuah Sylvester, Gabriel Harvey, Benjamin Jonson, William Byrd and William Percy. This computational method, together with structural, biographical and various other attribution approaches that led to the attribution conclusions, are discussed in the Re-Attribution of the British Renaissance Corpus. A larger portion of this series are the volumes in the Modernization of the Inaccessible British Renaissance section, which test the quantitative attribution-conclusions by closely analyzing and explaining the contents of individual re-attributed texts. The modernized works are uniquely consequential in explaining the revised history of this period, and yet have never been translated into Modern English before. Some of these texts were initially anonymous, others were self-attributed by the ghostwriters, and yet others were credited in bylines to pseudonyms or ghostwriting-contractors. The annotations to each of their translations provide thousands of new confirming clues of shared authorship within a given authorial-signature. Even without this history-changing attribution evidence, these are neglected texts that are here edited for the first time to allow their beauty and intelligence to shine so that readers can see how they rival the standard “Shakespeare” canon. This series is cataloged in the World Shakespeare Bibliography and in the Play Index (EBSCO). A few pieces out of BRRAM have been published in scholarly journals. “Manipulation of Theatrical Audience-Size: Nonexistent Plays and Murderous Lenders” was published in Critical Survey, Issue 34.1, Spring 2022. “‘Michael Cavendish’s’ 14 Airs in Tablature to the Lute (1598)” was published in East-West Cultural Passage, Volume 22, Issue 2, December 2022. The Journal of Information Ethics published two articles on Faktorovich’s re-attribution method: “Publishers and Hack Writers: Signs of Collaborative Writing in the ‘Defoe’ Canon” (Fall 2020) and “Falsifications and Fabrications in the Standard Computational-Linguistics Authorial-Attribution Methods: A Comparison of the Methodology in ‘Unmasking’ with the 28-Tests” (Spring 2022). See more on the series' website: https://anaphoraliterary.com/attribution <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/presentation-re-attributionofthebritishrenaissance-5-8-2023-230628155158-2c24895b-thumbnail.jpg?width=120&height=120&fit=bounds" /> The BRRAM series solves most of the previously critically discussed mysteries concerning the authorship of British Renaissance texts (including the “William Shakespeare” and 122 other bylines) by applying to 303 texts a newly invented for this study computational-linguistics method that uses a combination of 27 different tests. This testing derived that six ghostwriters wrote all of these works: Richard Verstegan, Josuah Sylvester, Gabriel Harvey, Benjamin Jonson, William Byrd and William Percy. This computational method, together with structural, biographical and various other attribution approaches that led to the attribution conclusions, are discussed in the Re-Attribution of the British Renaissance Corpus. A larger portion of this series are the volumes in the Modernization of the Inaccessible British Renaissance section, which test the quantitative attribution-conclusions by closely analyzing and explaining the contents of individual re-attributed texts. The modernized works are uniquely consequential in explaining the revised history of this period, and yet have never been translated into Modern English before. Some of these texts were initially anonymous, others were self-attributed by the ghostwriters, and yet others were credited in bylines to pseudonyms or ghostwriting-contractors. The annotations to each of their translations provide thousands of new confirming clues of shared authorship within a given authorial-signature. Even without this history-changing attribution evidence, these are neglected texts that are here edited for the first time to allow their beauty and intelligence to shine so that readers can see how they rival the standard “Shakespeare” canon. This series is cataloged in the World Shakespeare Bibliography and in the Play Index (EBSCO). A few pieces out of BRRAM have been published in scholarly journals. “Manipulation of Theatrical Audience-Size: Nonexistent Plays and Murderous Lenders” was published in Critical Survey, Issue 34.1, Spring 2022. “‘Michael Cavendish’s’ 14 Airs in Tablature to the Lute (1598)” was published in East-West Cultural Passage, Volume 22, Issue 2, December 2022. The Journal of Information Ethics published two articles on Faktorovich’s re-attribution method: “Publishers and Hack Writers: Signs of Collaborative Writing in the ‘Defoe’ Canon” (Fall 2020) and “Falsifications and Fabrications in the Standard Computational-Linguistics Authorial-Attribution Methods: A Comparison of the Methodology in ‘Unmasking’ with the 28-Tests” (Spring 2022). See more on the series' website: https://anaphoraliterary.com/attribution

Evidence for the Re-Attribution of the British Renaissance to 6 Ghostwriters from Anaphora Literary Press

]]> 89 0 https://cdn.slidesharecdn.com/ss_thumbnails/presentation-re-attributionofthebritishrenaissance-5-8-2023-230628155158-2c24895b-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post

http://activitystrea.ms/schema/1.0/posted

0 Modern Publishing Methods /annafaktorovich/modern-publishing-methods modernpublishingmethods-180317185146
A comparison of print-on-demand, offset, ebook, and other modern publishing, printing and distribution methods. With graphics and diagrams on how the biggest and the smallest publishers function. Created in part to demonstrate Anaphora Literary Press' services, and as an electronic poster for the Texas Library Association conference. View the animated version on YouTube: https://youtu.be/DbL0KY8aHiI]]>
A comparison of print-on-demand, offset, ebook, and other modern publishing, printing and distribution methods. With graphics and diagrams on how the biggest and the smallest publishers function. Created in part to demonstrate Anaphora Literary Press' services, and as an electronic poster for the Texas Library Association conference. View the animated version on YouTube: https://youtu.be/DbL0KY8aHiI]]> Sat, 17 Mar 2018 18:51:46 GMT /annafaktorovich/modern-publishing-methods annafaktorovich@slideshare.net(annafaktorovich) Modern Publishing Methods annafaktorovich A comparison of print-on-demand, offset, ebook, and other modern publishing, printing and distribution methods. With graphics and diagrams on how the biggest and the smallest publishers function. Created in part to demonstrate Anaphora Literary Press' services, and as an electronic poster for the Texas Library Association conference. View the animated version on YouTube: https://youtu.be/DbL0KY8aHiI <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/modernpublishingmethods-180317185146-thumbnail.jpg?width=120&height=120&fit=bounds" /> A comparison of print-on-demand, offset, ebook, and other modern publishing, printing and distribution methods. With graphics and diagrams on how the biggest and the smallest publishers function. Created in part to demonstrate Anaphora Literary Press' services, and as an electronic poster for the Texas Library Association conference. View the animated version on YouTube: https://youtu.be/DbL0KY8aHiI

Modern Publishing Methods from Anaphora Literary Press

]]> 50 1 https://cdn.slidesharecdn.com/ss_thumbnails/modernpublishingmethods-180317185146-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post

http://activitystrea.ms/schema/1.0/posted

0 A Trip Across America /annafaktorovich/a-trip-across-america acrossamericaslides-140806230218-phpapp02
Pictures from the road of hiding cows, of lakes, of cities at sunset, of bikers, and other stuff.]]>
Pictures from the road of hiding cows, of lakes, of cities at sunset, of bikers, and other stuff.]]> Wed, 06 Aug 2014 23:02:18 GMT /annafaktorovich/a-trip-across-america annafaktorovich@slideshare.net(annafaktorovich) A Trip Across America annafaktorovich Pictures from the road of hiding cows, of lakes, of cities at sunset, of bikers, and other stuff. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/acrossamericaslides-140806230218-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds" /> Pictures from the road of hiding cows, of lakes, of cities at sunset, of bikers, and other stuff.

A Trip Across America from Anaphora Literary Press

]]> 271 3 https://cdn.slidesharecdn.com/ss_thumbnails/acrossamericaslides-140806230218-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds document Black http://activitystrea.ms/schema/1.0/post

http://activitystrea.ms/schema/1.0/posted

0 Anaphora Literary Press Catalog /slideshow/anaphora-literary-press-catalog-2014/36865444 tzwqdsrsnob3ujs46rzo-signature-eba98b695a562d061daec6ed7f6ccdfc0f5f3de9529a79e789b4ef5a3f068712-poli-140711022122-phpapp01
The Anaphora Literary Press was started as an academic press with the publication of the Pennsylvania Literary Journal (PLJ) in 2009. In the Winter of 2010, Anaphora began accepting book-length submissions. Anaphora has now published over 100 creative and non-fiction books. John Paul Jaramillo’s collection of short stories received an honorable mention for the Latino Literacy Now’s Mariposa Award Best First Fiction Book Award. Professors have taught from a few Anaphora books. Many Anaphora writers have scheduled readings at major bookstores. Anaphora books have also had several articles published about them in regional newspapers. PLJ has featured interviews with best-selling science fiction writers like Larry Niven, and young adult writers like Cinda Williams Chima, James Dashner and Carrie Ryan, as well as interviews with the winners of the Sundance and Brooklyn Film festivals. http://anaphoraliterary.com ]]>
The Anaphora Literary Press was started as an academic press with the publication of the Pennsylvania Literary Journal (PLJ) in 2009. In the Winter of 2010, Anaphora began accepting book-length submissions. Anaphora has now published over 100 creative and non-fiction books. John Paul Jaramillo’s collection of short stories received an honorable mention for the Latino Literacy Now’s Mariposa Award Best First Fiction Book Award. Professors have taught from a few Anaphora books. Many Anaphora writers have scheduled readings at major bookstores. Anaphora books have also had several articles published about them in regional newspapers. PLJ has featured interviews with best-selling science fiction writers like Larry Niven, and young adult writers like Cinda Williams Chima, James Dashner and Carrie Ryan, as well as interviews with the winners of the Sundance and Brooklyn Film festivals. http://anaphoraliterary.com ]]> Fri, 11 Jul 2014 02:21:22 GMT /slideshow/anaphora-literary-press-catalog-2014/36865444 annafaktorovich@slideshare.net(annafaktorovich) Anaphora Literary Press Catalog annafaktorovich The Anaphora Literary Press was started as an academic press with the publication of the Pennsylvania Literary Journal (PLJ) in 2009. In the Winter of 2010, Anaphora began accepting book-length submissions. Anaphora has now published over 100 creative and non-fiction books. John Paul Jaramillo’s collection of short stories received an honorable mention for the Latino Literacy Now’s Mariposa Award Best First Fiction Book Award. Professors have taught from a few Anaphora books. Many Anaphora writers have scheduled readings at major bookstores. Anaphora books have also had several articles published about them in regional newspapers. PLJ has featured interviews with best-selling science fiction writers like Larry Niven, and young adult writers like Cinda Williams Chima, James Dashner and Carrie Ryan, as well as interviews with the winners of the Sundance and Brooklyn Film festivals. http://anaphoraliterary.com <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/tzwqdsrsnob3ujs46rzo-signature-eba98b695a562d061daec6ed7f6ccdfc0f5f3de9529a79e789b4ef5a3f068712-poli-140711022122-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds" /> The Anaphora Literary Press was started as an academic press with the publication of the Pennsylvania Literary Journal (PLJ) in 2009. In the Winter of 2010, Anaphora began accepting book-length submissions. Anaphora has now published over 100 creative and non-fiction books. John Paul Jaramillo’s collection of short stories received an honorable mention for the Latino Literacy Now’s Mariposa Award Best First Fiction Book Award. Professors have taught from a few Anaphora books. Many Anaphora writers have scheduled readings at major bookstores. Anaphora books have also had several articles published about them in regional newspapers. PLJ has featured interviews with best-selling science fiction writers like Larry Niven, and young adult writers like Cinda Williams Chima, James Dashner and Carrie Ryan, as well as interviews with the winners of the Sundance and Brooklyn Film festivals. http://anaphoraliterary.com

Anaphora Literary Press Catalog from Anaphora Literary Press

]]> 3598 52 https://cdn.slidesharecdn.com/ss_thumbnails/tzwqdsrsnob3ujs46rzo-signature-eba98b695a562d061daec6ed7f6ccdfc0f5f3de9529a79e789b4ef5a3f068712-poli-140711022122-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds document White http://activitystrea.ms/schema/1.0/post

http://activitystrea.ms/schema/1.0/posted

0 �ݺ�ߣshow: The Romances of George Sand /slideshow/slideshow-the-romances-of-george-sand/36865146 wvszn6psqapussxx5gva-signature-cfcee6928cd3bcced3f6b2961123cc6db14b8550f749294ec77932c60d51f594-poli-140711021020-phpapp01
The Romances of George Sand takes the heroine from a childhood in the aristocracy amidst the Napoleonic Wars, to an unhappy early marriage and eventual divorce, to her careers as a country doctor, pharmacist, lawyer, and most successfully as a romance novelist. This is a story about the revolutions in a woman’s heart as she goes through dozens of love affairs. It is also about George’s involvement in violent, political revolutions of her time, including the July and June Revolutions and the 1848 Revolution; in the latter, she served as the unofficial Minister of Propaganda. The story is full of military battles, coup d’etat maneuvers, duels, malevolent plots, infidelity, artistic discussions, monumental legal cases, and reflections on the nature of love, family, romance, rebellion, and femininity. The history behind each of the events depicted is researched with biographical precision, but liberty is taken with some events that have been contested by historians, including the lesbian affair George had with Marie Dorval and the identity of the real father of her second child. Students of literature and history will recognize many of the central characters, as George befriended Napoleon I and III, Alexander Dumas pere and fils, Frederic Chopin, Alfred de Musset, and a long list of other notables.]]>
The Romances of George Sand takes the heroine from a childhood in the aristocracy amidst the Napoleonic Wars, to an unhappy early marriage and eventual divorce, to her careers as a country doctor, pharmacist, lawyer, and most successfully as a romance novelist. This is a story about the revolutions in a woman’s heart as she goes through dozens of love affairs. It is also about George’s involvement in violent, political revolutions of her time, including the July and June Revolutions and the 1848 Revolution; in the latter, she served as the unofficial Minister of Propaganda. The story is full of military battles, coup d’etat maneuvers, duels, malevolent plots, infidelity, artistic discussions, monumental legal cases, and reflections on the nature of love, family, romance, rebellion, and femininity. The history behind each of the events depicted is researched with biographical precision, but liberty is taken with some events that have been contested by historians, including the lesbian affair George had with Marie Dorval and the identity of the real father of her second child. Students of literature and history will recognize many of the central characters, as George befriended Napoleon I and III, Alexander Dumas pere and fils, Frederic Chopin, Alfred de Musset, and a long list of other notables.]]> Fri, 11 Jul 2014 02:10:20 GMT /slideshow/slideshow-the-romances-of-george-sand/36865146 annafaktorovich@slideshare.net(annafaktorovich) �ݺ�ߣshow: The Romances of George Sand annafaktorovich The Romances of George Sand takes the heroine from a childhood in the aristocracy amidst the Napoleonic Wars, to an unhappy early marriage and eventual divorce, to her careers as a country doctor, pharmacist, lawyer, and most successfully as a romance novelist. This is a story about the revolutions in a woman’s heart as she goes through dozens of love affairs. It is also about George’s involvement in violent, political revolutions of her time, including the July and June Revolutions and the 1848 Revolution; in the latter, she served as the unofficial Minister of Propaganda. The story is full of military battles, coup d’etat maneuvers, duels, malevolent plots, infidelity, artistic discussions, monumental legal cases, and reflections on the nature of love, family, romance, rebellion, and femininity. The history behind each of the events depicted is researched with biographical precision, but liberty is taken with some events that have been contested by historians, including the lesbian affair George had with Marie Dorval and the identity of the real father of her second child. Students of literature and history will recognize many of the central characters, as George befriended Napoleon I and III, Alexander Dumas pere and fils, Frederic Chopin, Alfred de Musset, and a long list of other notables. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/wvszn6psqapussxx5gva-signature-cfcee6928cd3bcced3f6b2961123cc6db14b8550f749294ec77932c60d51f594-poli-140711021020-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds" /> The Romances of George Sand takes the heroine from a childhood in the aristocracy amidst the Napoleonic Wars, to an unhappy early marriage and eventual divorce, to her careers as a country doctor, pharmacist, lawyer, and most successfully as a romance novelist. This is a story about the revolutions in a woman’s heart as she goes through dozens of love affairs. It is also about George’s involvement in violent, political revolutions of her time, including the July and June Revolutions and the 1848 Revolution; in the latter, she served as the unofficial Minister of Propaganda. The story is full of military battles, coup d’etat maneuvers, duels, malevolent plots, infidelity, artistic discussions, monumental legal cases, and reflections on the nature of love, family, romance, rebellion, and femininity. The history behind each of the events depicted is researched with biographical precision, but liberty is taken with some events that have been contested by historians, including the lesbian affair George had with Marie Dorval and the identity of the real father of her second child. Students of literature and history will recognize many of the central characters, as George befriended Napoleon I and III, Alexander Dumas pere and fils, Frederic Chopin, Alfred de Musset, and a long list of other notables.

�ݺ�ߣshow: The Romances of George Sand from Anaphora Literary Press

]]> 481 5 https://cdn.slidesharecdn.com/ss_thumbnails/wvszn6psqapussxx5gva-signature-cfcee6928cd3bcced3f6b2961123cc6db14b8550f749294ec77932c60d51f594-poli-140711021020-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post

http://activitystrea.ms/schema/1.0/posted

0 https://cdn.slidesharecdn.com/profile-photo-annafaktorovich-48x48.jpg?cb=1691294855 Experienced college educator, designer, editor and press director, looking to connect with business executives and creative individuals in order to further mutual goals. anaphoraliterary.com https://cdn.slidesharecdn.com/ss_thumbnails/presentation-re-attributionofthebritishrenaissance-5-8-2023-230628155158-2c24895b-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/evidence-for-the-reattribution-of-the-british-renaissance-to-6-ghostwriters/258700724 Evidence for the Re-At... https://cdn.slidesharecdn.com/ss_thumbnails/modernpublishingmethods-180317185146-thumbnail.jpg?width=320&height=320&fit=bounds annafaktorovich/modern-publishing-methods Modern Publishing Methods https://cdn.slidesharecdn.com/ss_thumbnails/acrossamericaslides-140806230218-phpapp02-thumbnail.jpg?width=320&height=320&fit=bounds annafaktorovich/a-trip-across-america A Trip Across America