ºÝºÝߣshows by User: berettag / http://www.slideshare.net/images/logo.gif ºÝºÝߣshows by User: berettag / Tue, 02 Feb 2016 22:55:30 GMT ºÝºÝߣShare feed for ºÝºÝߣshows by User: berettag Internet’s impact on publishing /slideshow/internets-impact-on-publishing/57805805 ohp-97-33-160202225530
Paper 3018-26 presented at Electronic Imaging 1997]]>

Paper 3018-26 presented at Electronic Imaging 1997]]>
Tue, 02 Feb 2016 22:55:30 GMT /slideshow/internets-impact-on-publishing/57805805 berettag@slideshare.net(berettag) Internet’s impact on publishing berettag Paper 3018-26 presented at Electronic Imaging 1997 <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/ohp-97-33-160202225530-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Paper 3018-26 presented at Electronic Imaging 1997
Internet’s impact on publishing from Giordano Beretta
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Assessing color reproduction tolerances in commercial print workflow /berettag/assessing-color-reproduction-tolerances-in-commercial-print-workflow 8292-32-beamer-120127194901-phpapp01
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Fri, 27 Jan 2012 19:48:59 GMT /berettag/assessing-color-reproduction-tolerances-in-commercial-print-workflow berettag@slideshare.net(berettag) Assessing color reproduction tolerances in commercial print workflow berettag <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/8292-32-beamer-120127194901-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br>
Assessing color reproduction tolerances in commercial print workflow from Giordano Beretta
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Harmonious colors: from alchemy to science /slideshow/harmonious-colors-from-alchemy-to-science/11303107 8292-17-beamer-120127193420-phpapp02
There is a very long tradition in designing color palettes for various applications. Although color palettes have been influenced by the available colorants, starting with the advent of aniline dyes there have been few physical limits on the choice of individual colors. This abundance of choices exacerbates the problem of limiting the number of colors in a palette. The traditional solution is that of "color forecasting." Color consultants assess the sentiment or affective state of a target customer class and compare it with new colorants offered by the industry. They assemble a limited color palette, name the colors according to the sentiment, and publish their result. The color forecasting business is very labor intensive and difficult, thus for years computer engineers have tried to come up with algorithms to design harmonious color palettes, alas with little commercial success. Contrary to the auditory sense, there is no known physiological mechanism sustaining harmony and the term "harmonious" just has the informal meaning of "going well together." We argue that the intellectual flaw resides in the belief that a masterful individual can devise a "perfect methodology" that the engineer can then reduce to practice in a computer program. We suggest that the correct approach is to consider color forecasting as an act of distillation, where a palette is digested from the sentiment of a very large number of people. We describe how this approach can be reduced to an algorithm by replacing the subjective process with a data analytic process.]]>

There is a very long tradition in designing color palettes for various applications. Although color palettes have been influenced by the available colorants, starting with the advent of aniline dyes there have been few physical limits on the choice of individual colors. This abundance of choices exacerbates the problem of limiting the number of colors in a palette. The traditional solution is that of "color forecasting." Color consultants assess the sentiment or affective state of a target customer class and compare it with new colorants offered by the industry. They assemble a limited color palette, name the colors according to the sentiment, and publish their result. The color forecasting business is very labor intensive and difficult, thus for years computer engineers have tried to come up with algorithms to design harmonious color palettes, alas with little commercial success. Contrary to the auditory sense, there is no known physiological mechanism sustaining harmony and the term "harmonious" just has the informal meaning of "going well together." We argue that the intellectual flaw resides in the belief that a masterful individual can devise a "perfect methodology" that the engineer can then reduce to practice in a computer program. We suggest that the correct approach is to consider color forecasting as an act of distillation, where a palette is digested from the sentiment of a very large number of people. We describe how this approach can be reduced to an algorithm by replacing the subjective process with a data analytic process.]]>
Fri, 27 Jan 2012 19:34:18 GMT /slideshow/harmonious-colors-from-alchemy-to-science/11303107 berettag@slideshare.net(berettag) Harmonious colors: from alchemy to science berettag There is a very long tradition in designing color palettes for various applications. Although color palettes have been influenced by the available colorants, starting with the advent of aniline dyes there have been few physical limits on the choice of individual colors. This abundance of choices exacerbates the problem of limiting the number of colors in a palette. The traditional solution is that of "color forecasting." Color consultants assess the sentiment or affective state of a target customer class and compare it with new colorants offered by the industry. They assemble a limited color palette, name the colors according to the sentiment, and publish their result. The color forecasting business is very labor intensive and difficult, thus for years computer engineers have tried to come up with algorithms to design harmonious color palettes, alas with little commercial success. Contrary to the auditory sense, there is no known physiological mechanism sustaining harmony and the term "harmonious" just has the informal meaning of "going well together." We argue that the intellectual flaw resides in the belief that a masterful individual can devise a "perfect methodology" that the engineer can then reduce to practice in a computer program. We suggest that the correct approach is to consider color forecasting as an act of distillation, where a palette is digested from the sentiment of a very large number of people. We describe how this approach can be reduced to an algorithm by replacing the subjective process with a data analytic process. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/8292-17-beamer-120127193420-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> There is a very long tradition in designing color palettes for various applications. Although color palettes have been influenced by the available colorants, starting with the advent of aniline dyes there have been few physical limits on the choice of individual colors. This abundance of choices exacerbates the problem of limiting the number of colors in a palette. The traditional solution is that of &quot;color forecasting.&quot; Color consultants assess the sentiment or affective state of a target customer class and compare it with new colorants offered by the industry. They assemble a limited color palette, name the colors according to the sentiment, and publish their result. The color forecasting business is very labor intensive and difficult, thus for years computer engineers have tried to come up with algorithms to design harmonious color palettes, alas with little commercial success. Contrary to the auditory sense, there is no known physiological mechanism sustaining harmony and the term &quot;harmonious&quot; just has the informal meaning of &quot;going well together.&quot; We argue that the intellectual flaw resides in the belief that a masterful individual can devise a &quot;perfect methodology&quot; that the engineer can then reduce to practice in a computer program. We suggest that the correct approach is to consider color forecasting as an act of distillation, where a palette is digested from the sentiment of a very large number of people. We describe how this approach can be reduced to an algorithm by replacing the subjective process with a data analytic process.
Harmonious colors: from alchemy to science from Giordano Beretta
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Validating large-scale lexical color resources /slideshow/validating-largescale-lexical-color-resources/8044065 063beretta-beamer-110520141948-phpapp02
Presentation given 8 June 2011 at AIC Color 2011, Zürich]]>

Presentation given 8 June 2011 at AIC Color 2011, Zürich]]>
Fri, 20 May 2011 14:19:43 GMT /slideshow/validating-largescale-lexical-color-resources/8044065 berettag@slideshare.net(berettag) Validating large-scale lexical color resources berettag Presentation given 8 June 2011 at AIC Color 2011, Zürich <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/063beretta-beamer-110520141948-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Presentation given 8 June 2011 at AIC Color 2011, Zürich
Validating large-scale lexical color resources from Giordano Beretta
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ICC profiles: are we better off without them? /slideshow/7866-26beamer/6668007 7866-26-beamer-110122202152-phpapp02
Presentation at the IS&T/SPIE Electronic Imaging Symposium, 2011]]>

Presentation at the IS&T/SPIE Electronic Imaging Symposium, 2011]]>
Sat, 22 Jan 2011 20:21:47 GMT /slideshow/7866-26beamer/6668007 berettag@slideshare.net(berettag) ICC profiles: are we better off without them? berettag Presentation at the IS&T/SPIE Electronic Imaging Symposium, 2011 <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/7866-26-beamer-110122202152-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Presentation at the IS&amp;T/SPIE Electronic Imaging Symposium, 2011
ICC profiles: are we better off without them? from Giordano Beretta
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Is it turquoise + fuchsia = purple or is it turquoise + fuchsia = blue? /slideshow/is-it-turquoise-fuchsia-purple-or-is-it-turquoise-fuchsia-blue/6633897 786616beamer-12954936284143-phpapp02
Presentation made at EI 2011]]>

Presentation made at EI 2011]]>
Wed, 19 Jan 2011 21:23:00 GMT /slideshow/is-it-turquoise-fuchsia-purple-or-is-it-turquoise-fuchsia-blue/6633897 berettag@slideshare.net(berettag) Is it turquoise + fuchsia = purple or is it turquoise + fuchsia = blue? berettag Presentation made at EI 2011 <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/786616beamer-12954936284143-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Presentation made at EI 2011
Is it turquoise + fuchsia = purple or is it turquoise + fuchsia = blue? from Giordano Beretta
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Understanding Color 2010 /slideshow/understanding-color-2010/6632885 uc-12954886730487-phpapp02
SPIE short course on color science (introductory); 2010 edition]]>

SPIE short course on color science (introductory); 2010 edition]]>
Wed, 19 Jan 2011 20:01:16 GMT /slideshow/understanding-color-2010/6632885 berettag@slideshare.net(berettag) Understanding Color 2010 berettag SPIE short course on color science (introductory); 2010 edition <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/uc-12954886730487-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> SPIE short course on color science (introductory); 2010 edition
Understanding Color 2010 from Giordano Beretta
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Towards Print Production Simulation /slideshow/simulationbeamer/4607891 simulation-beamer-100624175724-phpapp01
Basic concepts required for working on print production simulation]]>

Basic concepts required for working on print production simulation]]>
Thu, 24 Jun 2010 17:57:15 GMT /slideshow/simulationbeamer/4607891 berettag@slideshare.net(berettag) Towards Print Production Simulation berettag Basic concepts required for working on print production simulation <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/simulation-beamer-100624175724-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Basic concepts required for working on print production simulation
Towards Print Production Simulation from Giordano Beretta
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The LabPQR Color Space /berettag/the-labpqr-color-space labpqr-12720685223879-phpapp02
A brief overview of Mitchell Rosen\'s research on LabPQR]]>

A brief overview of Mitchell Rosen\'s research on LabPQR]]>
Fri, 23 Apr 2010 19:24:05 GMT /berettag/the-labpqr-color-space berettag@slideshare.net(berettag) The LabPQR Color Space berettag A brief overview of Mitchell Rosen\'s research on LabPQR <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/labpqr-12720685223879-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> A brief overview of Mitchell Rosen\&#39;s research on LabPQR
The LabPQR Color Space from Giordano Beretta
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The numerical stability of LUT-based color transformations /slideshow/the-numerical-stability-of-lutbased-color-transformations/3713900 stability-100413165756-phpapp02
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Tue, 13 Apr 2010 16:57:48 GMT /slideshow/the-numerical-stability-of-lutbased-color-transformations/3713900 berettag@slideshare.net(berettag) The numerical stability of LUT-based color transformations berettag <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/stability-100413165756-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br>
The numerical stability of LUT-based color transformations from Giordano Beretta
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Color naming: color scientists do it between Munsell Sheets of Color /slideshow/color-naming-color-scientists-do-it-between-munsell-sheets-of-color/2937106 752830beamer-12637807119194-phpapp01
Presentation at Color Imaging XV: Displaying, Processing, Hardcopy, and Applications. San Jose, 20 January 2010.]]>

Presentation at Color Imaging XV: Displaying, Processing, Hardcopy, and Applications. San Jose, 20 January 2010.]]>
Sun, 17 Jan 2010 20:15:14 GMT /slideshow/color-naming-color-scientists-do-it-between-munsell-sheets-of-color/2937106 berettag@slideshare.net(berettag) Color naming: color scientists do it between Munsell Sheets of Color berettag Presentation at Color Imaging XV: Displaying, Processing, Hardcopy, and Applications. San Jose, 20 January 2010. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/752830beamer-12637807119194-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Presentation at Color Imaging XV: Displaying, Processing, Hardcopy, and Applications. San Jose, 20 January 2010.
Color naming: color scientists do it between Munsell Sheets of Color from Giordano Beretta
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Towards robust categorical colour perception /slideshow/towards-robust-categorical-colour-perception/2052023 gbbaic09-090923142912-phpapp02
Presentation given at the 11th Congress of the International Colour Association, Sydney, 27 September – 2 October 2009]]>

Presentation given at the 11th Congress of the International Colour Association, Sydney, 27 September – 2 October 2009]]>
Wed, 23 Sep 2009 14:29:05 GMT /slideshow/towards-robust-categorical-colour-perception/2052023 berettag@slideshare.net(berettag) Towards robust categorical colour perception berettag Presentation given at the 11th Congress of the International Colour Association, Sydney, 27 September – 2 October 2009 <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/gbbaic09-090923142912-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Presentation given at the 11th Congress of the International Colour Association, Sydney, 27 September – 2 October 2009
Towards robust categorical colour perception from Giordano Beretta
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Trends in color imaging on the Internet /slideshow/trends-in-color-imaging-on-the-internet/986220 color01ohp-1233708273705864-2
AIC Color '01, Proc. 9th International Congress of the AIC, SPIE Vol. 4421-22, 24 29 June 2001, Rochester, USA.]]>

AIC Color '01, Proc. 9th International Congress of the AIC, SPIE Vol. 4421-22, 24 29 June 2001, Rochester, USA.]]>
Tue, 03 Feb 2009 18:44:33 GMT /slideshow/trends-in-color-imaging-on-the-internet/986220 berettag@slideshare.net(berettag) Trends in color imaging on the Internet berettag AIC Color '01, Proc. 9th International Congress of the AIC, SPIE Vol. 4421-22, 24 29 June 2001, Rochester, USA. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/color01ohp-1233708273705864-2-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> AIC Color &#39;01, Proc. 9th International Congress of the AIC, SPIE Vol. 4421-22, 24 29 June 2001, Rochester, USA.
Trends in color imaging on the Internet from Giordano Beretta
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Image Processing For Color Facsimile /slideshow/image-processing-for-color-facsimile/986201 chiba96prt-1233707688721092-1
A presentation given at the World Techno Fair Chiba '96, September 1996, Chiba (Japan)]]>

A presentation given at the World Techno Fair Chiba '96, September 1996, Chiba (Japan)]]>
Tue, 03 Feb 2009 18:34:48 GMT /slideshow/image-processing-for-color-facsimile/986201 berettag@slideshare.net(berettag) Image Processing For Color Facsimile berettag A presentation given at the World Techno Fair Chiba '96, September 1996, Chiba (Japan) <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/chiba96prt-1233707688721092-1-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> A presentation given at the World Techno Fair Chiba &#39;96, September 1996, Chiba (Japan)
Image Processing For Color Facsimile from Giordano Beretta
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How The Internet Will Determine the Future of Publishing /slideshow/how-the-internet-will-determine-the-future-of-publishing/986186 tendenza-1233707199532704-2
A seminar given at the PARC Forum November 6, 1997]]>

A seminar given at the PARC Forum November 6, 1997]]>
Tue, 03 Feb 2009 18:26:39 GMT /slideshow/how-the-internet-will-determine-the-future-of-publishing/986186 berettag@slideshare.net(berettag) How The Internet Will Determine the Future of Publishing berettag A seminar given at the PARC Forum November 6, 1997 <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/tendenza-1233707199532704-2-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> A seminar given at the PARC Forum November 6, 1997
How The Internet Will Determine the Future of Publishing from Giordano Beretta
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The Journal Impact Factor /slideshow/the-journal-impact-factor/986157 impact-1233706428920440-3
As an increasing portion of manuscripts submitted to American journals is from Asian scientists, increasing a journal impact factor is becoming more critical]]>

As an increasing portion of manuscripts submitted to American journals is from Asian scientists, increasing a journal impact factor is becoming more critical]]>
Tue, 03 Feb 2009 18:17:39 GMT /slideshow/the-journal-impact-factor/986157 berettag@slideshare.net(berettag) The Journal Impact Factor berettag As an increasing portion of manuscripts submitted to American journals is from Asian scientists, increasing a journal impact factor is becoming more critical <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/impact-1233706428920440-3-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> As an increasing portion of manuscripts submitted to American journals is from Asian scientists, increasing a journal impact factor is becoming more critical
The Journal Impact Factor from Giordano Beretta
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Color Imaging on the Internet /slideshow/color-imaging-on-the-internet-presentation/914753 vcip2003slides-1231886162765892-1
The enormous possibilities and widespread connectivity offered by the Internet and the World Wide Web has spawned multiple ways of exchanging and communicating color images. The Internet is an evolving communication system, where uses, technologies, and applications are continuously introduced by a plethora of players. Its functionality, reliability, scaling properties, and performance limits are largely unknown—albeit they span wide gamuts from optic fiber to wireless connections and from game consoles to palmtop devices, etc. To be successful in Internet imaging, users and developers must design systems in a top-down approach. The goal of this tutorial is to sort out the available standard methods so that attendees will become familiar with the different possibilities for Internet imaging; the trade-offs, issues and dependencies of each; how and when each is used; and their system implications. To this end, we systematically present the standard methods for color encoding, image compression, file formatting, protocols, and applications.]]>

The enormous possibilities and widespread connectivity offered by the Internet and the World Wide Web has spawned multiple ways of exchanging and communicating color images. The Internet is an evolving communication system, where uses, technologies, and applications are continuously introduced by a plethora of players. Its functionality, reliability, scaling properties, and performance limits are largely unknown—albeit they span wide gamuts from optic fiber to wireless connections and from game consoles to palmtop devices, etc. To be successful in Internet imaging, users and developers must design systems in a top-down approach. The goal of this tutorial is to sort out the available standard methods so that attendees will become familiar with the different possibilities for Internet imaging; the trade-offs, issues and dependencies of each; how and when each is used; and their system implications. To this end, we systematically present the standard methods for color encoding, image compression, file formatting, protocols, and applications.]]>
Tue, 13 Jan 2009 16:36:02 GMT /slideshow/color-imaging-on-the-internet-presentation/914753 berettag@slideshare.net(berettag) Color Imaging on the Internet berettag The enormous possibilities and widespread connectivity offered by the Internet and the World Wide Web has spawned multiple ways of exchanging and communicating color images. The Internet is an evolving communication system, where uses, technologies, and applications are continuously introduced by a plethora of players. Its functionality, reliability, scaling properties, and performance limits are largely unknown—albeit they span wide gamuts from optic fiber to wireless connections and from game consoles to palmtop devices, etc. To be successful in Internet imaging, users and developers must design systems in a top-down approach. The goal of this tutorial is to sort out the available standard methods so that attendees will become familiar with the different possibilities for Internet imaging; the trade-offs, issues and dependencies of each; how and when each is used; and their system implications. To this end, we systematically present the standard methods for color encoding, image compression, file formatting, protocols, and applications. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/vcip2003slides-1231886162765892-1-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> The enormous possibilities and widespread connectivity offered by the Internet and the World Wide Web has spawned multiple ways of exchanging and communicating color images. The Internet is an evolving communication system, where uses, technologies, and applications are continuously introduced by a plethora of players. Its functionality, reliability, scaling properties, and performance limits are largely unknown—albeit they span wide gamuts from optic fiber to wireless connections and from game consoles to palmtop devices, etc. To be successful in Internet imaging, users and developers must design systems in a top-down approach. The goal of this tutorial is to sort out the available standard methods so that attendees will become familiar with the different possibilities for Internet imaging; the trade-offs, issues and dependencies of each; how and when each is used; and their system implications. To this end, we systematically present the standard methods for color encoding, image compression, file formatting, protocols, and applications.
Color Imaging on the Internet from Giordano Beretta
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Personalized Public Health Campaigns /slideshow/personalized-public-health-campaigns-presentation/902754 pphcexecsummaryv7-1231470304963438-2
An exploration of the wellness newsletter ecosystem and exploration of opportunities for variable data printing applications]]>

An exploration of the wellness newsletter ecosystem and exploration of opportunities for variable data printing applications]]>
Thu, 08 Jan 2009 19:05:06 GMT /slideshow/personalized-public-health-campaigns-presentation/902754 berettag@slideshare.net(berettag) Personalized Public Health Campaigns berettag An exploration of the wellness newsletter ecosystem and exploration of opportunities for variable data printing applications <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/pphcexecsummaryv7-1231470304963438-2-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> An exploration of the wellness newsletter ecosystem and exploration of opportunities for variable data printing applications
Personalized Public Health Campaigns from Giordano Beretta
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Introduction to MPEG21 /slideshow/vcip2003-t6-slides-presentation/792482 vcip2003t6slides-1227742126648608-9
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Wed, 26 Nov 2008 15:26:55 GMT /slideshow/vcip2003-t6-slides-presentation/792482 berettag@slideshare.net(berettag) Introduction to MPEG21 berettag <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/vcip2003t6slides-1227742126648608-9-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br>
Introduction to MPEG21 from Giordano Beretta
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Understanding Color /berettag/understanding-color-presentation slides-1226561866407759-8
SPIE short course on color science (introductory). This is an old version, a newer one is called "Understanding Color 2010"]]>

SPIE short course on color science (introductory). This is an old version, a newer one is called "Understanding Color 2010"]]>
Wed, 12 Nov 2008 23:39:36 GMT /berettag/understanding-color-presentation berettag@slideshare.net(berettag) Understanding Color berettag SPIE short course on color science (introductory). This is an old version, a newer one is called "Understanding Color 2010" <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/slides-1226561866407759-8-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> SPIE short course on color science (introductory). This is an old version, a newer one is called &quot;Understanding Color 2010&quot;
Understanding Color from Giordano Beretta
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https://cdn.slidesharecdn.com/profile-photo-berettag-48x48.jpg?cb=1533337965 I am a versatile and creative R&D engineer with strong experience in imaging technology and strategic planning. I have championed new product lines in color printing and scanning, spanning the gamut from product concept to implementation. I have actively driven portions of the MPEG standard. I am effective at putting together imaging system R&D programs, and taking them from research into products, patents and publications within budget and time constraints. I am skilled in applying algorithms from first principles, designing a proper architecture, and writing robust Java implementations in a variety of contexts. My verbal and written communication skills are excellent. RG score: 17.94; ... www.mostlycolor.ch https://cdn.slidesharecdn.com/ss_thumbnails/ohp-97-33-160202225530-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/internets-impact-on-publishing/57805805 Internet’s impact on p... https://cdn.slidesharecdn.com/ss_thumbnails/8292-32-beamer-120127194901-phpapp01-thumbnail.jpg?width=320&height=320&fit=bounds berettag/assessing-color-reproduction-tolerances-in-commercial-print-workflow Assessing color reprod... https://cdn.slidesharecdn.com/ss_thumbnails/8292-17-beamer-120127193420-phpapp02-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/harmonious-colors-from-alchemy-to-science/11303107 Harmonious colors: fro...