ºÝºÝߣshows by User: davidbihanic / http://www.slideshare.net/images/logo.gif ºÝºÝߣshows by User: davidbihanic / Fri, 03 Jan 2020 11:27:47 GMT ºÝºÝߣShare feed for ºÝºÝߣshows by User: davidbihanic Data Materalisation—Carte Blanche à David Bihanic /slideshow/data-materalisationcarte-blanche-david-bihanic/214692023 dm-200103112747
Les données affluent aujourd’hui dans des proportions et une précipitation telles qu’il deviendrait presque impossible, ou à tout le moins très difficile, de s’en faire une représentation claire, relativement « totalisante », à défaut de s’en trouver synthétique — y compris lorsque celles-ci sont approchées sélectivement, par sujet ou domaine d’intérêt. Pourtant, aussi massives, abondantes que finement granulaires, les données relèvent d’une « mesuration » ou prise de mesure quasi exhaustive des divers évènements et phénomènes du Monde au départ desquelles sont produites chaque jour des modélisations, des schématisations, des figurations supposées éclairantes. Malheureusement, en dépit des efforts dispensés de longue date dans la réalisation d’images de données (au sens large) qui exposent, rendent compte et nous informent, force est de constater que la donnée, comme substance, matière-matériau, échappe encore, pour une large part, à notre réalité sensible et expérientielle. Pour pallier cette difficulté ou déjà identifier des pistes en faveur d’une (ré)inscription phénoménale de la donnée, certains artistes, designers, ingénieurs s’engagent dans des démarches dites de matérialisation, de chosification des données, soit de réification créative ou encore de translittération physique, tangible : des données à l’objet (formation, conformation, déformation, transformation, etc.). Avec : Caroline Goulard, directrice et co-fondatrice de l’agence Dataveyes Stéphane Buellet, designer et co-fondateur du studio Chevalvert Martial Geoffre-Rouland, designer-artiste numérique David Bihanic, designer, enseignant-chercheur (Université Paris 1 Panthéon-Sorbonne, École nationale supérieure des Arts Décoratifs —EnsADlab/Reflective Interaction)]]>
Les données affluent aujourd’hui dans des proportions et une précipitation telles qu’il deviendrait presque impossible, ou à tout le moins très difficile, de s’en faire une représentation claire, relativement « totalisante », à défaut de s’en trouver synthétique — y compris lorsque celles-ci sont approchées sélectivement, par sujet ou domaine d’intérêt. Pourtant, aussi massives, abondantes que finement granulaires, les données relèvent d’une « mesuration » ou prise de mesure quasi exhaustive des divers évènements et phénomènes du Monde au départ desquelles sont produites chaque jour des modélisations, des schématisations, des figurations supposées éclairantes. Malheureusement, en dépit des efforts dispensés de longue date dans la réalisation d’images de données (au sens large) qui exposent, rendent compte et nous informent, force est de constater que la donnée, comme substance, matière-matériau, échappe encore, pour une large part, à notre réalité sensible et expérientielle. Pour pallier cette difficulté ou déjà identifier des pistes en faveur d’une (ré)inscription phénoménale de la donnée, certains artistes, designers, ingénieurs s’engagent dans des démarches dites de matérialisation, de chosification des données, soit de réification créative ou encore de translittération physique, tangible : des données à l’objet (formation, conformation, déformation, transformation, etc.). Avec : Caroline Goulard, directrice et co-fondatrice de l’agence Dataveyes Stéphane Buellet, designer et co-fondateur du studio Chevalvert Martial Geoffre-Rouland, designer-artiste numérique David Bihanic, designer, enseignant-chercheur (Université Paris 1 Panthéon-Sorbonne, École nationale supérieure des Arts Décoratifs —EnsADlab/Reflective Interaction)]]> Fri, 03 Jan 2020 11:27:47 GMT /slideshow/data-materalisationcarte-blanche-david-bihanic/214692023 davidbihanic@slideshare.net(davidbihanic) Data Materalisation—Carte Blanche à David Bihanic davidbihanic Les données affluent aujourd’hui dans des proportions et une précipitation telles qu’il deviendrait presque impossible, ou à tout le moins très difficile, de s’en faire une représentation claire, relativement « totalisante », à défaut de s’en trouver synthétique — y compris lorsque celles-ci sont approchées sélectivement, par sujet ou domaine d’intérêt. Pourtant, aussi massives, abondantes que finement granulaires, les données relèvent d’une « mesuration » ou prise de mesure quasi exhaustive des divers évènements et phénomènes du Monde au départ desquelles sont produites chaque jour des modélisations, des schématisations, des figurations supposées éclairantes. Malheureusement, en dépit des efforts dispensés de longue date dans la réalisation d’images de données (au sens large) qui exposent, rendent compte et nous informent, force est de constater que la donnée, comme substance, matière-matériau, échappe encore, pour une large part, à notre réalité sensible et expérientielle. Pour pallier cette difficulté ou déjà identifier des pistes en faveur d’une (ré)inscription phénoménale de la donnée, certains artistes, designers, ingénieurs s’engagent dans des démarches dites de matérialisation, de chosification des données, soit de réification créative ou encore de translittération physique, tangible : des données à l’objet (formation, conformation, déformation, transformation, etc.). Avec : Caroline Goulard, directrice et co-fondatrice de l’agence Dataveyes Stéphane Buellet, designer et co-fondateur du studio Chevalvert Martial Geoffre-Rouland, designer-artiste numérique David Bihanic, designer, enseignant-chercheur (Université Paris 1 Panthéon-Sorbonne, École nationale supérieure des Arts Décoratifs —EnsADlab/Reflective Interaction) <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/dm-200103112747-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Les données affluent aujourd’hui dans des proportions et une précipitation telles qu’il deviendrait presque impossible, ou à tout le moins très difficile, de s’en faire une représentation claire, relativement « totalisante », à défaut de s’en trouver synthétique — y compris lorsque celles-ci sont approchées sélectivement, par sujet ou domaine d’intérêt. Pourtant, aussi massives, abondantes que finement granulaires, les données relèvent d’une « mesuration » ou prise de mesure quasi exhaustive des divers évènements et phénomènes du Monde au départ desquelles sont produites chaque jour des modélisations, des schématisations, des figurations supposées éclairantes. Malheureusement, en dépit des efforts dispensés de longue date dans la réalisation d’images de données (au sens large) qui exposent, rendent compte et nous informent, force est de constater que la donnée, comme substance, matière-matériau, échappe encore, pour une large part, à notre réalité sensible et expérientielle. Pour pallier cette difficulté ou déjà identifier des pistes en faveur d’une (ré)inscription phénoménale de la donnée, certains artistes, designers, ingénieurs s’engagent dans des démarches dites de matérialisation, de chosification des données, soit de réification créative ou encore de translittération physique, tangible : des données à l’objet (formation, conformation, déformation, transformation, etc.). Avec : Caroline Goulard, directrice et co-fondatrice de l’agence Dataveyes Stéphane Buellet, designer et co-fondateur du studio Chevalvert Martial Geoffre-Rouland, designer-artiste numérique David Bihanic, designer, enseignant-chercheur (Université Paris 1 Panthéon-Sorbonne, École nationale supérieure des Arts Décoratifs —EnsADlab/Reflective Interaction)
Data Materalisation—Carte Blanche à David Bihanic from David Bihanic
]]> 470 0 https://cdn.slidesharecdn.com/ss_thumbnails/dm-200103112747-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Deadly Crossings to Europe (2) https://fr.slideshare.net/davidbihanic/deadly-crossings-to-europe-2 refugiespreslyondb-170605125910
Conference presentation slides (in french) — "Where to find refuge today?" &lt;a>25-year Symposium&lt;/a> of the NGO &lt;a>SIF&lt;/a> (an international Non Governmental solidarity Organization acting in the fields of humanitarian and development aid, in France and worldwide), &lt;a>Musée des confluences&lt;/a>, May 17 2017, Lyon. ]]>
Conference presentation slides (in french) — "Where to find refuge today?" &lt;a>25-year Symposium&lt;/a> of the NGO &lt;a>SIF&lt;/a> (an international Non Governmental solidarity Organization acting in the fields of humanitarian and development aid, in France and worldwide), &lt;a>Musée des confluences&lt;/a>, May 17 2017, Lyon. ]]> Mon, 05 Jun 2017 12:59:09 GMT https://fr.slideshare.net/davidbihanic/deadly-crossings-to-europe-2 davidbihanic@slideshare.net(davidbihanic) Deadly Crossings to Europe (2) davidbihanic Conference presentation slides (in french) — "Where to find refuge today?" &lt;a>25-year Symposium&lt;/a> of the NGO &lt;a>SIF&lt;/a> (an international Non Governmental solidarity Organization acting in the fields of humanitarian and development aid, in France and worldwide), &lt;a>Musée des confluences&lt;/a>, May 17 2017, Lyon. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/refugiespreslyondb-170605125910-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Conference presentation slides (in french) — &quot;Where to find refuge today?&quot; &amp;lt;a&gt;25-year Symposium&amp;lt;/a&gt; of the NGO &amp;lt;a&gt;SIF&amp;lt;/a&gt; (an international Non Governmental solidarity Organization acting in the fields of humanitarian and development aid, in France and worldwide), &amp;lt;a&gt;Musée des confluences&amp;lt;/a&gt;, May 17 2017, Lyon.
from David Bihanic
]]> 1080 2 https://cdn.slidesharecdn.com/ss_thumbnails/refugiespreslyondb-170605125910-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Deadly crossings to Europe. Refugees crossing Mediterranean Sea (2000-2016) https://fr.slideshare.net/slideshow/deadly-crossings-to-europe-refugees-crossing-mediterranean-sea-20002016/73582584 projrefugees-170324092422
The world is facing the most significant migratory crisis in its history. Even on this very day, millions of refugees are scrambling to reach the EU after fleeing war-torn countries such as Iraq, Syria and Libya. According to the International Organization for Migration (IOM), around 35,000 of them died or went missing between January 2000 and September 2016. The majority of deaths were due to drowning or exhaustion. In 2015, 1 million of refugees tried to cross the Mediterranean — more than 3,770 were reported to have died. Even more worrying for the future, 2016 could be the deadliest year for refugees. To make everyone clearly aware of this large-scale human tragedy, I’ve designed an interactive map that graphically represents (and locates) the dead and missing refugees who have (in particular) crossed the Mediterranean between 2000 and today (detailed information is available by clicking on each dot). This web map also shows the major routes they have taken, the main international migration hubs, and the most populous refugee camps — the leading host countries for refugees are identified in the background.]]>
The world is facing the most significant migratory crisis in its history. Even on this very day, millions of refugees are scrambling to reach the EU after fleeing war-torn countries such as Iraq, Syria and Libya. According to the International Organization for Migration (IOM), around 35,000 of them died or went missing between January 2000 and September 2016. The majority of deaths were due to drowning or exhaustion. In 2015, 1 million of refugees tried to cross the Mediterranean — more than 3,770 were reported to have died. Even more worrying for the future, 2016 could be the deadliest year for refugees. To make everyone clearly aware of this large-scale human tragedy, I’ve designed an interactive map that graphically represents (and locates) the dead and missing refugees who have (in particular) crossed the Mediterranean between 2000 and today (detailed information is available by clicking on each dot). This web map also shows the major routes they have taken, the main international migration hubs, and the most populous refugee camps — the leading host countries for refugees are identified in the background.]]> Fri, 24 Mar 2017 09:24:22 GMT https://fr.slideshare.net/slideshow/deadly-crossings-to-europe-refugees-crossing-mediterranean-sea-20002016/73582584 davidbihanic@slideshare.net(davidbihanic) Deadly crossings to Europe. Refugees crossing Mediterranean Sea (2000-2016) davidbihanic The world is facing the most significant migratory crisis in its history. Even on this very day, millions of refugees are scrambling to reach the EU after fleeing war-torn countries such as Iraq, Syria and Libya. According to the International Organization for Migration (IOM), around 35,000 of them died or went missing between January 2000 and September 2016. The majority of deaths were due to drowning or exhaustion. In 2015, 1 million of refugees tried to cross the Mediterranean — more than 3,770 were reported to have died. Even more worrying for the future, 2016 could be the deadliest year for refugees. To make everyone clearly aware of this large-scale human tragedy, I’ve designed an interactive map that graphically represents (and locates) the dead and missing refugees who have (in particular) crossed the Mediterranean between 2000 and today (detailed information is available by clicking on each dot). This web map also shows the major routes they have taken, the main international migration hubs, and the most populous refugee camps — the leading host countries for refugees are identified in the background. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/projrefugees-170324092422-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> The world is facing the most significant migratory crisis in its history. Even on this very day, millions of refugees are scrambling to reach the EU after fleeing war-torn countries such as Iraq, Syria and Libya. According to the International Organization for Migration (IOM), around 35,000 of them died or went missing between January 2000 and September 2016. The majority of deaths were due to drowning or exhaustion. In 2015, 1 million of refugees tried to cross the Mediterranean — more than 3,770 were reported to have died. Even more worrying for the future, 2016 could be the deadliest year for refugees. To make everyone clearly aware of this large-scale human tragedy, I’ve designed an interactive map that graphically represents (and locates) the dead and missing refugees who have (in particular) crossed the Mediterranean between 2000 and today (detailed information is available by clicking on each dot). This web map also shows the major routes they have taken, the main international migration hubs, and the most populous refugee camps — the leading host countries for refugees are identified in the background.
from David Bihanic
]]> 1520 7 https://cdn.slidesharecdn.com/ss_thumbnails/projrefugees-170324092422-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 serie_est_dans_lobjet_dbihanic /slideshow/serieestdanslobjetdbihanic-63484643/63484643 8785787a-1c44-4cbf-beb5-582ac86f0bb0-160627131731
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]]> Mon, 27 Jun 2016 13:17:31 GMT /slideshow/serieestdanslobjetdbihanic-63484643/63484643 davidbihanic@slideshare.net(davidbihanic) serie_est_dans_lobjet_dbihanic davidbihanic <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/8785787a-1c44-4cbf-beb5-582ac86f0bb0-160627131731-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br>
serie_est_dans_lobjet_dbihanic from David Bihanic
]]> 186 11 https://cdn.slidesharecdn.com/ss_thumbnails/8785787a-1c44-4cbf-beb5-582ac86f0bb0-160627131731-thumbnail.jpg?width=120&height=120&fit=bounds presentation 000000 http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 The Series Lies within the Object /slideshow/the-series-lies-within-the-object/63482920 serieestdanslobjetdbihanic-160627122721
keynote speech (slides) at the 6th International Forum of Design As A Process -- Beyond Processes and Thinking. Universitat Politècnica de València, Spain -- 22nd-24th June 2016 -- WWW: http://www.6thforumofdesign.com/ Abstract: The new industrial and digital craft objects shall not be considered as finished products, so in other words ‘ready-to-use’ and closed in on themselves. They are not the ultimate outcome of expert anticipatory (or predictive) studies (i.e. future sensing), and even less the material support of prescribed/predefined uses. In fact, these new objects are inherently unfinished, and therefore spur both designers and users into action (in favor of manifold design and development proposals). As their shape and function (amongst others) continuously change, the object acquires a new status, a new nature: it becomes a genuine system that provides an infinite number of possible object. The series would thus be lying within the object — the first occurrence of the object-system allows establishing the foundations of his ad hoc combinational logic (leading to countless generations of object states). In my speech, I will strive to highlight the main challenges and opportunities brought by what appears to be a new systemic revolution of product design. To do so, I will focus on two key strategic axes: (1) from the object improvement to his ‘parametric mutation’; (2) from the customization/adaptation of object to a new type of innovative use (towards an innovation through practice).]]>
keynote speech (slides) at the 6th International Forum of Design As A Process -- Beyond Processes and Thinking. Universitat Politècnica de València, Spain -- 22nd-24th June 2016 -- WWW: http://www.6thforumofdesign.com/ Abstract: The new industrial and digital craft objects shall not be considered as finished products, so in other words ‘ready-to-use’ and closed in on themselves. They are not the ultimate outcome of expert anticipatory (or predictive) studies (i.e. future sensing), and even less the material support of prescribed/predefined uses. In fact, these new objects are inherently unfinished, and therefore spur both designers and users into action (in favor of manifold design and development proposals). As their shape and function (amongst others) continuously change, the object acquires a new status, a new nature: it becomes a genuine system that provides an infinite number of possible object. The series would thus be lying within the object — the first occurrence of the object-system allows establishing the foundations of his ad hoc combinational logic (leading to countless generations of object states). In my speech, I will strive to highlight the main challenges and opportunities brought by what appears to be a new systemic revolution of product design. To do so, I will focus on two key strategic axes: (1) from the object improvement to his ‘parametric mutation’; (2) from the customization/adaptation of object to a new type of innovative use (towards an innovation through practice).]]> Mon, 27 Jun 2016 12:27:21 GMT /slideshow/the-series-lies-within-the-object/63482920 davidbihanic@slideshare.net(davidbihanic) The Series Lies within the Object davidbihanic keynote speech (slides) at the 6th International Forum of Design As A Process -- Beyond Processes and Thinking. Universitat Politècnica de València, Spain -- 22nd-24th June 2016 -- WWW: http://www.6thforumofdesign.com/ Abstract: The new industrial and digital craft objects shall not be considered as finished products, so in other words ‘ready-to-use’ and closed in on themselves. They are not the ultimate outcome of expert anticipatory (or predictive) studies (i.e. future sensing), and even less the material support of prescribed/predefined uses. In fact, these new objects are inherently unfinished, and therefore spur both designers and users into action (in favor of manifold design and development proposals). As their shape and function (amongst others) continuously change, the object acquires a new status, a new nature: it becomes a genuine system that provides an infinite number of possible object. The series would thus be lying within the object — the first occurrence of the object-system allows establishing the foundations of his ad hoc combinational logic (leading to countless generations of object states). In my speech, I will strive to highlight the main challenges and opportunities brought by what appears to be a new systemic revolution of product design. To do so, I will focus on two key strategic axes: (1) from the object improvement to his ‘parametric mutation’; (2) from the customization/adaptation of object to a new type of innovative use (towards an innovation through practice). <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/serieestdanslobjetdbihanic-160627122721-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> keynote speech (slides) at the 6th International Forum of Design As A Process -- Beyond Processes and Thinking. Universitat Politècnica de València, Spain -- 22nd-24th June 2016 -- WWW: http://www.6thforumofdesign.com/ Abstract: The new industrial and digital craft objects shall not be considered as finished products, so in other words ‘ready-to-use’ and closed in on themselves. They are not the ultimate outcome of expert anticipatory (or predictive) studies (i.e. future sensing), and even less the material support of prescribed/predefined uses. In fact, these new objects are inherently unfinished, and therefore spur both designers and users into action (in favor of manifold design and development proposals). As their shape and function (amongst others) continuously change, the object acquires a new status, a new nature: it becomes a genuine system that provides an infinite number of possible object. The series would thus be lying within the object — the first occurrence of the object-system allows establishing the foundations of his ad hoc combinational logic (leading to countless generations of object states). In my speech, I will strive to highlight the main challenges and opportunities brought by what appears to be a new systemic revolution of product design. To do so, I will focus on two key strategic axes: (1) from the object improvement to his ‘parametric mutation’; (2) from the customization/adaptation of object to a new type of innovative use (towards an innovation through practice).
The Series Lies within the Object from David Bihanic
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]]> Wed, 26 Oct 2011 10:38:10 GMT https://fr.slideshare.net/slideshow/fodd-9891128/9891128 davidbihanic@slideshare.net(davidbihanic) FODD davidbihanic <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/prez2-111026103813-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br>
from David Bihanic
]]> 502 1 https://cdn.slidesharecdn.com/ss_thumbnails/prez2-111026103813-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Design et prospection https://fr.slideshare.net/slideshow/design-et-prospection/6647844 supportsdesignprospectionvmethodo-110121013235-phpapp02
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]]> Fri, 21 Jan 2011 01:32:34 GMT https://fr.slideshare.net/slideshow/design-et-prospection/6647844 davidbihanic@slideshare.net(davidbihanic) Design et prospection davidbihanic <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/supportsdesignprospectionvmethodo-110121013235-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br>
from David Bihanic
]]> 896 1 https://cdn.slidesharecdn.com/ss_thumbnails/supportsdesignprospectionvmethodo-110121013235-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Informatique pervasive et usages en contextes https://fr.slideshare.net/slideshow/informatique-pervasive-et-usages-en-contextes-2934534/2934534 supportpres3-100117095415-phpapp01
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]]> Sun, 17 Jan 2010 09:54:02 GMT https://fr.slideshare.net/slideshow/informatique-pervasive-et-usages-en-contextes-2934534/2934534 davidbihanic@slideshare.net(davidbihanic) Informatique pervasive et usages en contextes davidbihanic <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/supportpres3-100117095415-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br>
from David Bihanic
]]> 4170 9 https://cdn.slidesharecdn.com/ss_thumbnails/supportpres3-100117095415-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 https://cdn.slidesharecdn.com/profile-photo-davidbihanic-48x48.jpg?cb=1578050829 David Bihanic is Associate Professor at the University of Paris I Pantheon-Sorbonne specialized in Data Design/Interaction Design and independent design consultant in Software Design. A graduate of the Fine Arts school of Rennes in 2000, the University of "Haute Bretagne - Brittany" (M.F.A. in Visual and Digital Arts, 2001) and the University of Paris 1 "Panth'eon-Sorbonne" (Ph.D. in Interaction Design/GUI Design, 2007). David Bihanic examines the new paradigms of information visualization and manipulation of large and complex rich databases - it deals with recent design attempts in order to present multi-dimensional data graphically by mapping data and properties to different visual sha... www.davidbihanic.com https://cdn.slidesharecdn.com/ss_thumbnails/dm-200103112747-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/data-materalisationcarte-blanche-david-bihanic/214692023 Data Materalisation—Ca... https://cdn.slidesharecdn.com/ss_thumbnails/refugiespreslyondb-170605125910-thumbnail.jpg?width=320&height=320&fit=bounds davidbihanic/deadly-crossings-to-europe-2 Deadly Crossings to Eu... https://cdn.slidesharecdn.com/ss_thumbnails/projrefugees-170324092422-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/deadly-crossings-to-europe-refugees-crossing-mediterranean-sea-20002016/73582584 Deadly crossings to Eu...