際際滷shows by User: francescomazzarella10 / http://www.slideshare.net/images/logo.gif 際際滷shows by User: francescomazzarella10 / Thu, 03 Dec 2015 14:11:32 GMT 際際滷Share feed for 際際滷shows by User: francescomazzarella10 TexInBiella: The DOference on Textile Innovation /slideshow/texinbiella-the-doference-on-textile-innovation/55782541 f-151203141132-lva1-app6891
TexInBiella is a do-ference on textile innovation, a project aimed to value the mature textile know-how from Biella, projecting it towards the most advanced fields of research, through a yearly event targeted to companies, universities and innovation hubs.]]>
TexInBiella is a do-ference on textile innovation, a project aimed to value the mature textile know-how from Biella, projecting it towards the most advanced fields of research, through a yearly event targeted to companies, universities and innovation hubs.]]> Thu, 03 Dec 2015 14:11:32 GMT /slideshow/texinbiella-the-doference-on-textile-innovation/55782541 francescomazzarella10@slideshare.net(francescomazzarella10) TexInBiella: The DOference on Textile Innovation francescomazzarella10 TexInBiella is a do-ference on textile innovation, a project aimed to value the mature textile know-how from Biella, projecting it towards the most advanced fields of research, through a yearly event targeted to companies, universities and innovation hubs. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/f-151203141132-lva1-app6891-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> TexInBiella is a do-ference on textile innovation, a project aimed to value the mature textile know-how from Biella, projecting it towards the most advanced fields of research, through a yearly event targeted to companies, universities and innovation hubs.
TexInBiella: The DOference on Textile Innovation from Loughborough University
]]> 445 31 https://cdn.slidesharecdn.com/ss_thumbnails/f-151203141132-lva1-app6891-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Service Design for the Future of Textile Artisans' Communities: An Enabling Ecosystem towards Sustainability and Social Innovation /slideshow/service-design-for-the-future-of-textile-artisans-communities-an-enabling-ecosystem-towards-sustainability-and-social-innovation-55782346/55782346 f-151203140643-lva1-app6892
Overview of my PhD at Loughborough Design School (UK), within the AHRC Design Star CDT. The overall aim is to explore how service design can contribute to encourage textile artisans' communities towards a sustainable future.]]>
Overview of my PhD at Loughborough Design School (UK), within the AHRC Design Star CDT. The overall aim is to explore how service design can contribute to encourage textile artisans' communities towards a sustainable future.]]> Thu, 03 Dec 2015 14:06:42 GMT /slideshow/service-design-for-the-future-of-textile-artisans-communities-an-enabling-ecosystem-towards-sustainability-and-social-innovation-55782346/55782346 francescomazzarella10@slideshare.net(francescomazzarella10) Service Design for the Future of Textile Artisans' Communities: An Enabling Ecosystem towards Sustainability and Social Innovation francescomazzarella10 Overview of my PhD at Loughborough Design School (UK), within the AHRC Design Star CDT. The overall aim is to explore how service design can contribute to encourage textile artisans' communities towards a sustainable future. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/f-151203140643-lva1-app6892-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Overview of my PhD at Loughborough Design School (UK), within the AHRC Design Star CDT. The overall aim is to explore how service design can contribute to encourage textile artisans&#39; communities towards a sustainable future.
Service Design for the Future of Textile Artisans' Communities: An Enabling Ecosystem towards Sustainability and Social Innovation from Loughborough University
]]> 634 9 https://cdn.slidesharecdn.com/ss_thumbnails/f-151203140643-lva1-app6892-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Design Threads: /slideshow/design-threads/55776143 f-151203110045-lva1-app6892
This talk focuses on the meaning of design, providing an overview of the history of Made in Italy, contemporary design for austerity and opening up cutting-edge design frontiers towards sustainability and social innovation. Beyond Italy, I shared my international experiences, uniting the knots of the design landscape worldwide, to finally zoom into textile artisanship in East Midlands, rescuing local heritage. ]]>
This talk focuses on the meaning of design, providing an overview of the history of Made in Italy, contemporary design for austerity and opening up cutting-edge design frontiers towards sustainability and social innovation. Beyond Italy, I shared my international experiences, uniting the knots of the design landscape worldwide, to finally zoom into textile artisanship in East Midlands, rescuing local heritage. ]]> Thu, 03 Dec 2015 11:00:45 GMT /slideshow/design-threads/55776143 francescomazzarella10@slideshare.net(francescomazzarella10) Design Threads: francescomazzarella10 This talk focuses on the meaning of design, providing an overview of the history of Made in Italy, contemporary design for austerity and opening up cutting-edge design frontiers towards sustainability and social innovation. Beyond Italy, I shared my international experiences, uniting the knots of the design landscape worldwide, to finally zoom into textile artisanship in East Midlands, rescuing local heritage. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/f-151203110045-lva1-app6892-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> This talk focuses on the meaning of design, providing an overview of the history of Made in Italy, contemporary design for austerity and opening up cutting-edge design frontiers towards sustainability and social innovation. Beyond Italy, I shared my international experiences, uniting the knots of the design landscape worldwide, to finally zoom into textile artisanship in East Midlands, rescuing local heritage.
Design Threads: from Loughborough University
]]> 821 12 https://cdn.slidesharecdn.com/ss_thumbnails/f-151203110045-lva1-app6892-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Introduction to Service Design. Frameworks, Basics, Processes & Frontiers /francescomazzarella10/introduction-to-service-design-frameworks-basics-processes-frontiers f-151203105624-lva1-app6891
1st Master Class in Service Design for a group of local start-ups in Kyiv, with the aim of spreading service design knowledge in Ukraine.]]>
1st Master Class in Service Design for a group of local start-ups in Kyiv, with the aim of spreading service design knowledge in Ukraine.]]> Thu, 03 Dec 2015 10:56:24 GMT /francescomazzarella10/introduction-to-service-design-frameworks-basics-processes-frontiers francescomazzarella10@slideshare.net(francescomazzarella10) Introduction to Service Design. Frameworks, Basics, Processes & Frontiers francescomazzarella10 1st Master Class in Service Design for a group of local start-ups in Kyiv, with the aim of spreading service design knowledge in Ukraine. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/f-151203105624-lva1-app6891-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> 1st Master Class in Service Design for a group of local start-ups in Kyiv, with the aim of spreading service design knowledge in Ukraine.
Introduction to Service Design. Frameworks, Basics, Processes & Frontiers from Loughborough University
]]> 5354 9 https://cdn.slidesharecdn.com/ss_thumbnails/f-151203105624-lva1-app6891-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Design Processes for Social Innovation. Critical Analysis of Worldwide Approaches, from Digital Fabrication to Artisans' Communities /slideshow/design-processes-for-social-innovation-critical-analysis-of-worldwide-approaches-from-digital-fabrication-to-artisans-communities/55775703 f-151203104652-lva1-app6891
The thesis analyses how design processes can contribute to social innovation. Among these, self-production (hereafter defined with the Brazilian expression produ巽達o pessoal) is considered as the human-centred process held by the designer-maker who manages the entire process, from design, to production, distribution and communication. Despite the fashionable usage of the term self-production, the research goes back to the roots of the phenomenon, up to post-war self-construction, reaffirming the original social value of such a democratic design process. Through field research, worldwide approaches to produ巽達o pessoal are critically analysed, from Italian micro-entrepreneurship to Dutch digital fabrication to Brazilian artisans communities. Their strengths and weaknesses are outlined and design recommendations are defined. Produ巽達o pessoal seems to be an effective way to restart from the bottom and develop social micro-enterprises diffused on the territory. They are likely sustainable as they are local and flexible processes, tailored on human needs. Guidelines for the development of a platform (putting into system designers, producers and aware subjects) are defined, in order to make it contribute to the sustainable development of a territory, from an environmental, economic and social perspective.]]>
The thesis analyses how design processes can contribute to social innovation. Among these, self-production (hereafter defined with the Brazilian expression produ巽達o pessoal) is considered as the human-centred process held by the designer-maker who manages the entire process, from design, to production, distribution and communication. Despite the fashionable usage of the term self-production, the research goes back to the roots of the phenomenon, up to post-war self-construction, reaffirming the original social value of such a democratic design process. Through field research, worldwide approaches to produ巽達o pessoal are critically analysed, from Italian micro-entrepreneurship to Dutch digital fabrication to Brazilian artisans communities. Their strengths and weaknesses are outlined and design recommendations are defined. Produ巽達o pessoal seems to be an effective way to restart from the bottom and develop social micro-enterprises diffused on the territory. They are likely sustainable as they are local and flexible processes, tailored on human needs. Guidelines for the development of a platform (putting into system designers, producers and aware subjects) are defined, in order to make it contribute to the sustainable development of a territory, from an environmental, economic and social perspective.]]> Thu, 03 Dec 2015 10:46:52 GMT /slideshow/design-processes-for-social-innovation-critical-analysis-of-worldwide-approaches-from-digital-fabrication-to-artisans-communities/55775703 francescomazzarella10@slideshare.net(francescomazzarella10) Design Processes for Social Innovation. Critical Analysis of Worldwide Approaches, from Digital Fabrication to Artisans' Communities francescomazzarella10 The thesis analyses how design processes can contribute to social innovation. Among these, self-production (hereafter defined with the Brazilian expression produ巽達o pessoal) is considered as the human-centred process held by the designer-maker who manages the entire process, from design, to production, distribution and communication. Despite the fashionable usage of the term self-production, the research goes back to the roots of the phenomenon, up to post-war self-construction, reaffirming the original social value of such a democratic design process. Through field research, worldwide approaches to produ巽達o pessoal are critically analysed, from Italian micro-entrepreneurship to Dutch digital fabrication to Brazilian artisans communities. Their strengths and weaknesses are outlined and design recommendations are defined. Produ巽達o pessoal seems to be an effective way to restart from the bottom and develop social micro-enterprises diffused on the territory. They are likely sustainable as they are local and flexible processes, tailored on human needs. Guidelines for the development of a platform (putting into system designers, producers and aware subjects) are defined, in order to make it contribute to the sustainable development of a territory, from an environmental, economic and social perspective. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/f-151203104652-lva1-app6891-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> The thesis analyses how design processes can contribute to social innovation. Among these, self-production (hereafter defined with the Brazilian expression produ巽達o pessoal) is considered as the human-centred process held by the designer-maker who manages the entire process, from design, to production, distribution and communication. Despite the fashionable usage of the term self-production, the research goes back to the roots of the phenomenon, up to post-war self-construction, reaffirming the original social value of such a democratic design process. Through field research, worldwide approaches to produ巽達o pessoal are critically analysed, from Italian micro-entrepreneurship to Dutch digital fabrication to Brazilian artisans communities. Their strengths and weaknesses are outlined and design recommendations are defined. Produ巽達o pessoal seems to be an effective way to restart from the bottom and develop social micro-enterprises diffused on the territory. They are likely sustainable as they are local and flexible processes, tailored on human needs. Guidelines for the development of a platform (putting into system designers, producers and aware subjects) are defined, in order to make it contribute to the sustainable development of a territory, from an environmental, economic and social perspective.
Design Processes for Social Innovation. Critical Analysis of Worldwide Approaches, from Digital Fabrication to Artisans' Communities from Loughborough University
]]> 1121 13 https://cdn.slidesharecdn.com/ss_thumbnails/f-151203104652-lva1-app6891-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Self-production and Craft: Advanced Processes Towards Social Innovation /slideshow/fmazzarella-5th-forum/55775476 f-151203104010-lva1-app6892
This paper analyzes some self-production and craft processes which can contribute to social innovation. Object of this research is the concept of self-production, considered as a human-centered design process held by a designer-maker who, working within a community of artisans or a platform of digital fabrication, manages the entire process, from design, to production, distribution and communication. This research covers a broad spectrum of material that relates to the changing landscape within the design world and beyond, drawing the heterogeneity and complexity of self-production. Diverse approaches developed in the contemporary design scene have been mapped, defining new relationships and highlighting peculiarities, strengths and weaknesses. Linking these diverse approaches is the new role of the designer, who embraces wider areas and acts as catalyst of social innovation, actively involving diverse actors in the design process. Such a figure embodies both the designers knowledge and the makers know-how, implementing either artisan productions or digital fabrications, shared within a close relationship with craft communities or virtual platforms for Do-It-Yourself. Self-production seems to be not an anachronistic situation, but an interesting opportunity, which addresses the increasing demand for flexible and diversified productions, able to connect local realities with global markets. Such an approach seems to provide young designers with a viable opportunity to start from the bottom, opening up new start-ups on their own to counter the current crisis of the work world. Design can be a key guide for transforming the current scenario into an advanced craftsmanship. It has to rescue its social and economic relevance and foster local innovative initiatives that seek social innovation and sustainable development of a territory.]]>
This paper analyzes some self-production and craft processes which can contribute to social innovation. Object of this research is the concept of self-production, considered as a human-centered design process held by a designer-maker who, working within a community of artisans or a platform of digital fabrication, manages the entire process, from design, to production, distribution and communication. This research covers a broad spectrum of material that relates to the changing landscape within the design world and beyond, drawing the heterogeneity and complexity of self-production. Diverse approaches developed in the contemporary design scene have been mapped, defining new relationships and highlighting peculiarities, strengths and weaknesses. Linking these diverse approaches is the new role of the designer, who embraces wider areas and acts as catalyst of social innovation, actively involving diverse actors in the design process. Such a figure embodies both the designers knowledge and the makers know-how, implementing either artisan productions or digital fabrications, shared within a close relationship with craft communities or virtual platforms for Do-It-Yourself. Self-production seems to be not an anachronistic situation, but an interesting opportunity, which addresses the increasing demand for flexible and diversified productions, able to connect local realities with global markets. Such an approach seems to provide young designers with a viable opportunity to start from the bottom, opening up new start-ups on their own to counter the current crisis of the work world. Design can be a key guide for transforming the current scenario into an advanced craftsmanship. It has to rescue its social and economic relevance and foster local innovative initiatives that seek social innovation and sustainable development of a territory.]]> Thu, 03 Dec 2015 10:40:10 GMT /slideshow/fmazzarella-5th-forum/55775476 francescomazzarella10@slideshare.net(francescomazzarella10) Self-production and Craft: Advanced Processes Towards Social Innovation francescomazzarella10 This paper analyzes some self-production and craft processes which can contribute to social innovation. Object of this research is the concept of self-production, considered as a human-centered design process held by a designer-maker who, working within a community of artisans or a platform of digital fabrication, manages the entire process, from design, to production, distribution and communication. This research covers a broad spectrum of material that relates to the changing landscape within the design world and beyond, drawing the heterogeneity and complexity of self-production. Diverse approaches developed in the contemporary design scene have been mapped, defining new relationships and highlighting peculiarities, strengths and weaknesses. Linking these diverse approaches is the new role of the designer, who embraces wider areas and acts as catalyst of social innovation, actively involving diverse actors in the design process. Such a figure embodies both the designers knowledge and the makers know-how, implementing either artisan productions or digital fabrications, shared within a close relationship with craft communities or virtual platforms for Do-It-Yourself. Self-production seems to be not an anachronistic situation, but an interesting opportunity, which addresses the increasing demand for flexible and diversified productions, able to connect local realities with global markets. Such an approach seems to provide young designers with a viable opportunity to start from the bottom, opening up new start-ups on their own to counter the current crisis of the work world. Design can be a key guide for transforming the current scenario into an advanced craftsmanship. It has to rescue its social and economic relevance and foster local innovative initiatives that seek social innovation and sustainable development of a territory. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/f-151203104010-lva1-app6892-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> This paper analyzes some self-production and craft processes which can contribute to social innovation. Object of this research is the concept of self-production, considered as a human-centered design process held by a designer-maker who, working within a community of artisans or a platform of digital fabrication, manages the entire process, from design, to production, distribution and communication. This research covers a broad spectrum of material that relates to the changing landscape within the design world and beyond, drawing the heterogeneity and complexity of self-production. Diverse approaches developed in the contemporary design scene have been mapped, defining new relationships and highlighting peculiarities, strengths and weaknesses. Linking these diverse approaches is the new role of the designer, who embraces wider areas and acts as catalyst of social innovation, actively involving diverse actors in the design process. Such a figure embodies both the designers knowledge and the makers know-how, implementing either artisan productions or digital fabrications, shared within a close relationship with craft communities or virtual platforms for Do-It-Yourself. Self-production seems to be not an anachronistic situation, but an interesting opportunity, which addresses the increasing demand for flexible and diversified productions, able to connect local realities with global markets. Such an approach seems to provide young designers with a viable opportunity to start from the bottom, opening up new start-ups on their own to counter the current crisis of the work world. Design can be a key guide for transforming the current scenario into an advanced craftsmanship. It has to rescue its social and economic relevance and foster local innovative initiatives that seek social innovation and sustainable development of a territory.
Self-production and Craft: Advanced Processes Towards Social Innovation from Loughborough University
]]> 665 9 https://cdn.slidesharecdn.com/ss_thumbnails/f-151203104010-lva1-app6892-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Service Ecosystem: Empowering Textile Artisans' Communities Towards a Sustainable Future /slideshow/fmazzarella-nordes-lq/55775422 f-151203103744-lva1-app6891
The global economic and environmental crisis seems to be leading to the end of a linear economy based on consumption and waste, while setting the ground for redistributed micro-productions, inspired by new ethics of sustainability and cutting-edge economic models. With this in mind, this paper is focused on exploring textile artisans communities, bottom-up and human-centred aggregations embodying the craft atmosphere of a territory due to physical proximity and shared material cultural background. Such communities are engaged in giving form and meaning to local natural fibres and managing the process of making culturally and socially significant apparel. Literature on textile artisanship has shown the potential for the application of service design to empower collaborative communities and co-design relational services triggering holistic sustainability. Through participatory action research, this project intends to fill a gap within the strategic agenda, which could create sustainable interconnections within the patchy artisan landscape. Therefore, this paper explores possible ways in which service design could strategically contribute to encourage textile artisans communities towards a sustainable future.]]>
The global economic and environmental crisis seems to be leading to the end of a linear economy based on consumption and waste, while setting the ground for redistributed micro-productions, inspired by new ethics of sustainability and cutting-edge economic models. With this in mind, this paper is focused on exploring textile artisans communities, bottom-up and human-centred aggregations embodying the craft atmosphere of a territory due to physical proximity and shared material cultural background. Such communities are engaged in giving form and meaning to local natural fibres and managing the process of making culturally and socially significant apparel. Literature on textile artisanship has shown the potential for the application of service design to empower collaborative communities and co-design relational services triggering holistic sustainability. Through participatory action research, this project intends to fill a gap within the strategic agenda, which could create sustainable interconnections within the patchy artisan landscape. Therefore, this paper explores possible ways in which service design could strategically contribute to encourage textile artisans communities towards a sustainable future.]]> Thu, 03 Dec 2015 10:37:44 GMT /slideshow/fmazzarella-nordes-lq/55775422 francescomazzarella10@slideshare.net(francescomazzarella10) Service Ecosystem: Empowering Textile Artisans' Communities Towards a Sustainable Future francescomazzarella10 The global economic and environmental crisis seems to be leading to the end of a linear economy based on consumption and waste, while setting the ground for redistributed micro-productions, inspired by new ethics of sustainability and cutting-edge economic models. With this in mind, this paper is focused on exploring textile artisans communities, bottom-up and human-centred aggregations embodying the craft atmosphere of a territory due to physical proximity and shared material cultural background. Such communities are engaged in giving form and meaning to local natural fibres and managing the process of making culturally and socially significant apparel. Literature on textile artisanship has shown the potential for the application of service design to empower collaborative communities and co-design relational services triggering holistic sustainability. Through participatory action research, this project intends to fill a gap within the strategic agenda, which could create sustainable interconnections within the patchy artisan landscape. Therefore, this paper explores possible ways in which service design could strategically contribute to encourage textile artisans communities towards a sustainable future. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/f-151203103744-lva1-app6891-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> The global economic and environmental crisis seems to be leading to the end of a linear economy based on consumption and waste, while setting the ground for redistributed micro-productions, inspired by new ethics of sustainability and cutting-edge economic models. With this in mind, this paper is focused on exploring textile artisans communities, bottom-up and human-centred aggregations embodying the craft atmosphere of a territory due to physical proximity and shared material cultural background. Such communities are engaged in giving form and meaning to local natural fibres and managing the process of making culturally and socially significant apparel. Literature on textile artisanship has shown the potential for the application of service design to empower collaborative communities and co-design relational services triggering holistic sustainability. Through participatory action research, this project intends to fill a gap within the strategic agenda, which could create sustainable interconnections within the patchy artisan landscape. Therefore, this paper explores possible ways in which service design could strategically contribute to encourage textile artisans communities towards a sustainable future.
Service Ecosystem: Empowering Textile Artisans' Communities Towards a Sustainable Future from Loughborough University
]]> 565 7 https://cdn.slidesharecdn.com/ss_thumbnails/f-151203103744-lva1-app6891-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 https://cdn.slidesharecdn.com/profile-photo-francescomazzarella10-48x48.jpg?cb=1523657640 Originally from Italy yet citizen of the world, I am a systemic thinker, pro-active and curious service designer interested in holistic sustainability and social innovation. I am a PhD researcher at Loughborough University (UK) within the AHRC Design Star CDT. My PhD aims to explore how service design can encourage textile artisans communities towards a sustainable future. I have a BSc in Industrial Design and MSc in Ecodesign at Politecnico di Torino (Italy), with international study experiences (in the Netherlands, Brazil and Hungary). I've worked as graphic designer and project manager, and I am a tireless volunteer to promote emergent desig www.lboro.ac.uk/departments/lds/staff/phd/francesco-mazzarella-.html https://cdn.slidesharecdn.com/ss_thumbnails/f-151203141132-lva1-app6891-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/texinbiella-the-doference-on-textile-innovation/55782541 TexInBiella: The DOfer... https://cdn.slidesharecdn.com/ss_thumbnails/f-151203140643-lva1-app6892-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/service-design-for-the-future-of-textile-artisans-communities-an-enabling-ecosystem-towards-sustainability-and-social-innovation-55782346/55782346 Service Design for the... https://cdn.slidesharecdn.com/ss_thumbnails/f-151203110045-lva1-app6892-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/design-threads/55776143 Design Threads: