�ݺ�ߣshows by User: jonathankarpetz

�ݺ�ߣshows by User: jonathankarpetz / http://www.slideshare.net/images/logo.gif �ݺ�ߣshows by User: jonathankarpetz / Thu, 27 Nov 2014 07:04:21 GMT �ݺ�ߣShare feed for �ݺ�ߣshows by User: jonathankarpetz Competitive Labour Practices in Socially Networked Electronic Dance Music Economies /slideshow/competitive-labour-practices-in-socially-networked-electronic-dance-music-economies/42092497 competitivelabourpracticepresentationjonathankarpetz-141127070421-conversion-gate01
DJ and Producer contest websites have reoriented certain practices into networks of competition, where DJs and their audiences are asked to engage with these platforms and their partners for a chance to sign away their work if they happen to be “lucky” or “talented” enough to win a remix contest. Winning distinction in these contests is often only part of a larger process of further enmeshing DJs and their networks of supporters in the social media-fueled ecosystems that these websites have created. Having rationalized competition as a largely positive phenomenon the contemporary DJ and her web of connections is ready and available to serve remix contest after remix contest as required, as competition is the fuel that sustains it. Extrapolating these remix competition processes across the enormous and expanding numbers of talent contests available points to a vast exploitation of creative labour. There has been little investigation into how competition is reconfiguring labour between creative workers and creative industries.]]>
DJ and Producer contest websites have reoriented certain practices into networks of competition, where DJs and their audiences are asked to engage with these platforms and their partners for a chance to sign away their work if they happen to be “lucky” or “talented” enough to win a remix contest. Winning distinction in these contests is often only part of a larger process of further enmeshing DJs and their networks of supporters in the social media-fueled ecosystems that these websites have created. Having rationalized competition as a largely positive phenomenon the contemporary DJ and her web of connections is ready and available to serve remix contest after remix contest as required, as competition is the fuel that sustains it. Extrapolating these remix competition processes across the enormous and expanding numbers of talent contests available points to a vast exploitation of creative labour. There has been little investigation into how competition is reconfiguring labour between creative workers and creative industries.]]> Thu, 27 Nov 2014 07:04:21 GMT /slideshow/competitive-labour-practices-in-socially-networked-electronic-dance-music-economies/42092497 jonathankarpetz@slideshare.net(jonathankarpetz) Competitive Labour Practices in Socially Networked Electronic Dance Music Economies jonathankarpetz DJ and Producer contest websites have reoriented certain practices into networks of competition, where DJs and their audiences are asked to engage with these platforms and their partners for a chance to sign away their work if they happen to be “lucky” or “talented” enough to win a remix contest. Winning distinction in these contests is often only part of a larger process of further enmeshing DJs and their networks of supporters in the social media-fueled ecosystems that these websites have created. Having rationalized competition as a largely positive phenomenon the contemporary DJ and her web of connections is ready and available to serve remix contest after remix contest as required, as competition is the fuel that sustains it. Extrapolating these remix competition processes across the enormous and expanding numbers of talent contests available points to a vast exploitation of creative labour. There has been little investigation into how competition is reconfiguring labour between creative workers and creative industries. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/competitivelabourpracticepresentationjonathankarpetz-141127070421-conversion-gate01-thumbnail.jpg?width=120&height=120&fit=bounds" /><br> DJ and Producer contest websites have reoriented certain practices into networks of competition, where DJs and their audiences are asked to engage with these platforms and their partners for a chance to sign away their work if they happen to be “lucky” or “talented” enough to win a remix contest. Winning distinction in these contests is often only part of a larger process of further enmeshing DJs and their networks of supporters in the social media-fueled ecosystems that these websites have created. Having rationalized competition as a largely positive phenomenon the contemporary DJ and her web of connections is ready and available to serve remix contest after remix contest as required, as competition is the fuel that sustains it. Extrapolating these remix competition processes across the enormous and expanding numbers of talent contests available points to a vast exploitation of creative labour. There has been little investigation into how competition is reconfiguring labour between creative workers and creative industries.

Competitive Labour Practices in Socially Networked Electronic Dance Music Economies from Jonathan Karpetz

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0 The Social Festival: SFX Entertainment and the Platforming of EDM Festivals /jonathankarpetz/the-social-festival-sfx-entertainment-and-the-platforming-of-edm-festivals socialfestivalpresentation-141127063657-conversion-gate02
In my presentation I will examine the resurrection of SFX Entertainment by founder Robert FX Sillerman (point him out on screen and Afrojack) and its rapid acquisition of EDM related festival companies which were packaged together with a suite of digital content creation and promotion companies into SFX Entertainment Inc.; A now publically traded company that debuted on the NASDAQ stock exchange in October 2013. I argue that SFX entertainment’s rapid acquisition and folding together of EDM festival organizations and content creators represents a significant evolution in music festival business practices in what I will describe as the “platforming of festivals” which is part of a broader phenomenon of “digital intermediation” which has seen rapid growth in both content hosting and distribution platforms like YouTube to creative crowdsourcing platforms like Talenthouse and Eyeka to many “sharing economy” upstarts, like Uber and Lyft.]]>
In my presentation I will examine the resurrection of SFX Entertainment by founder Robert FX Sillerman (point him out on screen and Afrojack) and its rapid acquisition of EDM related festival companies which were packaged together with a suite of digital content creation and promotion companies into SFX Entertainment Inc.; A now publically traded company that debuted on the NASDAQ stock exchange in October 2013. I argue that SFX entertainment’s rapid acquisition and folding together of EDM festival organizations and content creators represents a significant evolution in music festival business practices in what I will describe as the “platforming of festivals” which is part of a broader phenomenon of “digital intermediation” which has seen rapid growth in both content hosting and distribution platforms like YouTube to creative crowdsourcing platforms like Talenthouse and Eyeka to many “sharing economy” upstarts, like Uber and Lyft.]]> Thu, 27 Nov 2014 06:36:57 GMT /jonathankarpetz/the-social-festival-sfx-entertainment-and-the-platforming-of-edm-festivals jonathankarpetz@slideshare.net(jonathankarpetz) The Social Festival: SFX Entertainment and the Platforming of EDM Festivals jonathankarpetz In my presentation I will examine the resurrection of SFX Entertainment by founder Robert FX Sillerman (point him out on screen and Afrojack) and its rapid acquisition of EDM related festival companies which were packaged together with a suite of digital content creation and promotion companies into SFX Entertainment Inc.; A now publically traded company that debuted on the NASDAQ stock exchange in October 2013. I argue that SFX entertainment’s rapid acquisition and folding together of EDM festival organizations and content creators represents a significant evolution in music festival business practices in what I will describe as the “platforming of festivals” which is part of a broader phenomenon of “digital intermediation” which has seen rapid growth in both content hosting and distribution platforms like YouTube to creative crowdsourcing platforms like Talenthouse and Eyeka to many “sharing economy” upstarts, like Uber and Lyft. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/socialfestivalpresentation-141127063657-conversion-gate02-thumbnail.jpg?width=120&height=120&fit=bounds" /><br> In my presentation I will examine the resurrection of SFX Entertainment by founder Robert FX Sillerman (point him out on screen and Afrojack) and its rapid acquisition of EDM related festival companies which were packaged together with a suite of digital content creation and promotion companies into SFX Entertainment Inc.; A now publically traded company that debuted on the NASDAQ stock exchange in October 2013. I argue that SFX entertainment’s rapid acquisition and folding together of EDM festival organizations and content creators represents a significant evolution in music festival business practices in what I will describe as the “platforming of festivals” which is part of a broader phenomenon of “digital intermediation” which has seen rapid growth in both content hosting and distribution platforms like YouTube to creative crowdsourcing platforms like Talenthouse and Eyeka to many “sharing economy” upstarts, like Uber and Lyft.

The Social Festival: SFX Entertainment and the Platforming of EDM Festivals from Jonathan Karpetz

]]> 1176 1 https://cdn.slidesharecdn.com/ss_thumbnails/socialfestivalpresentation-141127063657-conversion-gate02-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post

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0 https://cdn.slidesharecdn.com/profile-photo-jonathankarpetz-48x48.jpg?cb=1562333604 jonathankarpetz.com https://cdn.slidesharecdn.com/ss_thumbnails/competitivelabourpracticepresentationjonathankarpetz-141127070421-conversion-gate01-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/competitive-labour-practices-in-socially-networked-electronic-dance-music-economies/42092497 Competitive Labour Pra... https://cdn.slidesharecdn.com/ss_thumbnails/socialfestivalpresentation-141127063657-conversion-gate02-thumbnail.jpg?width=320&height=320&fit=bounds jonathankarpetz/the-social-festival-sfx-entertainment-and-the-platforming-of-edm-festivals The Social Festival: S...