�ݺ�ߣshows by User: rhino8888

�ݺ�ߣshows by User: rhino8888 / http://www.slideshare.net/images/logo.gif �ݺ�ߣshows by User: rhino8888 / Sun, 14 Mar 2010 11:50:19 GMT �ݺ�ߣShare feed for �ݺ�ߣshows by User: rhino8888 Abel Gance & J'accuse: Cinematic Pacifism & Filmic Poetry /slideshow/abel-gance-jaccuse-cinematic-pacifism-filmic-poetry/3428377 091123abelgance-100314115106-phpapp01
An exploration of Abel Gance's contributions to cinema technique and storytelling via his film, J'accuse (1919). Acknowledged as the first anti-war feature film, J'accuse is unique in its use of battlefield footage and soldiers on leave from the frontlines at Verdun as actors. Presented at The Cambridge Center for Adult Education with an associated screening of excerpts from the film. (November 2009)</p]]>
An exploration of Abel Gance's contributions to cinema technique and storytelling via his film, J'accuse (1919). Acknowledged as the first anti-war feature film, J'accuse is unique in its use of battlefield footage and soldiers on leave from the frontlines at Verdun as actors. Presented at The Cambridge Center for Adult Education with an associated screening of excerpts from the film. (November 2009)</p]]> Sun, 14 Mar 2010 11:50:19 GMT /slideshow/abel-gance-jaccuse-cinematic-pacifism-filmic-poetry/3428377 rhino8888@slideshare.net(rhino8888) Abel Gance & J'accuse: Cinematic Pacifism & Filmic Poetry rhino8888 An exploration of Abel Gance's contributions to cinema technique and storytelling via his film, J'accuse (1919). Acknowledged as the first anti-war feature film, J'accuse is unique in its use of battlefield footage and soldiers on leave from the frontlines at Verdun as actors. Presented at The Cambridge Center for Adult Education with an associated screening of excerpts from the film. (November 2009) An exploration of Abel Gance's contributions to cinema technique and storytelling via his film, J'accuse (1919). Acknowledged as the first anti-war feature film, J'accuse is unique in its use of battlefield footage and soldiers on leave from the frontlines at Verdun as actors. Presented at &lt;em>The Cambridge Center for Adult Education&lt;/em> with an associated screening of excerpts from the film. (November 2009)&lt;/p

Abel Gance & J'accuse: Cinematic Pacifism & Filmic Poetry from Ryan Evans

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0 Comics and the Storytelling Imperative /slideshow/comics-and-the-storytelling-imperative/3428375 090318seeingandexpression-100314115029-phpapp02
A comparison of story structures within comics and cinema with an emphasis on how viewers and reader are led through storytelling. Examples from Ernie Bushmiller, Chris Ware, Bernie Kriegstein and David Mamet. Taught as a class session for CMS.405 Media and Methods: Seeing and Expression, a class in MIT's Comparative Media Studies Program taught by Glorianna Davenport.]]>
A comparison of story structures within comics and cinema with an emphasis on how viewers and reader are led through storytelling. Examples from Ernie Bushmiller, Chris Ware, Bernie Kriegstein and David Mamet. Taught as a class session for CMS.405 Media and Methods: Seeing and Expression, a class in MIT's Comparative Media Studies Program taught by Glorianna Davenport.]]> Sun, 14 Mar 2010 11:50:16 GMT /slideshow/comics-and-the-storytelling-imperative/3428375 rhino8888@slideshare.net(rhino8888) Comics and the Storytelling Imperative rhino8888 A comparison of story structures within comics and cinema with an emphasis on how viewers and reader are led through storytelling. Examples from Ernie Bushmiller, Chris Ware, Bernie Kriegstein and David Mamet. Taught as a class session for CMS.405 Media and Methods: Seeing and Expression, a class in MIT's Comparative Media Studies Program taught by Glorianna Davenport. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/090318seeingandexpression-100314115029-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds" /> A comparison of story structures within comics and cinema with an emphasis on how viewers and reader are led through storytelling. Examples from Ernie Bushmiller, Chris Ware, Bernie Kriegstein and David Mamet. Taught as a class session for CMS.405 Media and Methods: Seeing and Expression, a class in MIT's Comparative Media Studies Program taught by Glorianna Davenport.

Comics and the Storytelling Imperative from Ryan Evans

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0 https://cdn.slidesharecdn.com/profile-photo-rhino8888-48x48.jpg?cb=1522789110 Dir of User Experience at Corey McPherson Nash. Faculty at Cambridge Center for Adult Education. Educator lecturing on cinema and graphic novels. www.lucaflect.com https://cdn.slidesharecdn.com/ss_thumbnails/091123abelgance-100314115106-phpapp01-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/abel-gance-jaccuse-cinematic-pacifism-filmic-poetry/3428377 Abel Gance & J'accuse:... https://cdn.slidesharecdn.com/ss_thumbnails/090318seeingandexpression-100314115029-phpapp02-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/comics-and-the-storytelling-imperative/3428375 Comics and the Storyte...