際際滷shows by User: serota / http://www.slideshare.net/images/logo.gif 際際滷shows by User: serota / Sun, 15 Sep 2019 07:57:14 GMT 際際滷Share feed for 際際滷shows by User: serota Beyond FinTech: Designing products people actually use /slideshow/beyond-fintech-designing-products-people-actually-use/172066300 umfcci-lookingbeyondthetech-190915075714
From a UMFCCI FinTech Seminar. My piece from a series of talks and discussion on the role of FinTech in Myanmar.]]>

From a UMFCCI FinTech Seminar. My piece from a series of talks and discussion on the role of FinTech in Myanmar.]]>
Sun, 15 Sep 2019 07:57:14 GMT /slideshow/beyond-fintech-designing-products-people-actually-use/172066300 serota@slideshare.net(serota) Beyond FinTech: Designing products people actually use serota From a UMFCCI FinTech Seminar. My piece from a series of talks and discussion on the role of FinTech in Myanmar. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/umfcci-lookingbeyondthetech-190915075714-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> From a UMFCCI FinTech Seminar. My piece from a series of talks and discussion on the role of FinTech in Myanmar.
Beyond FinTech: Designing products people actually use from Lauren Serota
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Reality Is Relative - The practicalities of designing for anyone besides yourself /slideshow/reality-is-relative-the-practicalities-of-designing-for-anyone-besides-yourself/65094320 ciidopen-serota-realityisrelative-160817165243
Fire engine red. If you can picture this, youve been exposed, at some point in your life, to a fire engine. Now, imagine you hadnt. The shape of each persons reality is determined by her individual experiences. This perspective determines what we do and dont do, what is familiar or frightening, and how we engage with the world around us. Modern designers are expert in empathy; the danger of empathy alone is its dissolution of difference. Appropriately designed products, services, and policies come from acknowledging the unique and distinctive realities of others. Lauren will be sharing stories and frameworks on how she has reconciled these complexities of seeing in a variety of projectsfrom designing financial services for the rural poor in Myanmar to building strategies for corporate collaboration in Australia. ]]>

Fire engine red. If you can picture this, youve been exposed, at some point in your life, to a fire engine. Now, imagine you hadnt. The shape of each persons reality is determined by her individual experiences. This perspective determines what we do and dont do, what is familiar or frightening, and how we engage with the world around us. Modern designers are expert in empathy; the danger of empathy alone is its dissolution of difference. Appropriately designed products, services, and policies come from acknowledging the unique and distinctive realities of others. Lauren will be sharing stories and frameworks on how she has reconciled these complexities of seeing in a variety of projectsfrom designing financial services for the rural poor in Myanmar to building strategies for corporate collaboration in Australia. ]]>
Wed, 17 Aug 2016 16:52:42 GMT /slideshow/reality-is-relative-the-practicalities-of-designing-for-anyone-besides-yourself/65094320 serota@slideshare.net(serota) Reality Is Relative - The practicalities of designing for anyone besides yourself serota Fire engine red. If you can picture this, youve been exposed, at some point in your life, to a fire engine. Now, imagine you hadnt. The shape of each persons reality is determined by her individual experiences. This perspective determines what we do and dont do, what is familiar or frightening, and how we engage with the world around us. Modern designers are expert in empathy; the danger of empathy alone is its dissolution of difference. Appropriately designed products, services, and policies come from acknowledging the unique and distinctive realities of others. Lauren will be sharing stories and frameworks on how she has reconciled these complexities of seeing in a variety of projectsfrom designing financial services for the rural poor in Myanmar to building strategies for corporate collaboration in Australia. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/ciidopen-serota-realityisrelative-160817165243-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Fire engine red. If you can picture this, youve been exposed, at some point in your life, to a fire engine. Now, imagine you hadnt. The shape of each persons reality is determined by her individual experiences. This perspective determines what we do and dont do, what is familiar or frightening, and how we engage with the world around us. Modern designers are expert in empathy; the danger of empathy alone is its dissolution of difference. Appropriately designed products, services, and policies come from acknowledging the unique and distinctive realities of others. Lauren will be sharing stories and frameworks on how she has reconciled these complexities of seeing in a variety of projectsfrom designing financial services for the rural poor in Myanmar to building strategies for corporate collaboration in Australia.
Reality Is Relative - The practicalities of designing for anyone besides yourself from Lauren Serota
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Impact, In Practice /slideshow/impact-in-practice/64008815 impactinpracticels-160714011248
Organized by Melissa Chapman, a handful of folks from the AC4D community spoke about their design work. This is what I shared. ]]>

Organized by Melissa Chapman, a handful of folks from the AC4D community spoke about their design work. This is what I shared. ]]>
Thu, 14 Jul 2016 01:12:48 GMT /slideshow/impact-in-practice/64008815 serota@slideshare.net(serota) Impact, In Practice serota Organized by Melissa Chapman, a handful of folks from the AC4D community spoke about their design work. This is what I shared. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/impactinpracticels-160714011248-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Organized by Melissa Chapman, a handful of folks from the AC4D community spoke about their design work. This is what I shared.
Impact, In Practice from Lauren Serota
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Post-Design: Finding beauty in the invisible, and the changing role of the designer. /serota/postdesign-finding-beauty-in-the-invisible-and-the-changing-role-of-the-designer serota-post-design-iitintheloop-150401120600-conversion-gate01
From a presentation at IIT ID's In the Loop speaker series, given on 31 March, 2015. Our roles as designers are dependent on language. We rely on verbal, visual, and temporal languages in order to communicate our work. As our jobs become more than just designfrom choreographers of natural interfaces to policy makersthere is an inherent conflict with what it means to practice design. We are defining ourselves (and being defined) by a term that is overextended. How should we refer to ourselves, and what should the world make of us? With a new period of design dawning, previous notions of strategy and craft are blurring. We have been given permission to do meaningful work; at this prime moment we must clarify ourselves to establish the continuous integrity of our field. We must articulate the difference between practicing responsible design and simply making.]]>

From a presentation at IIT ID's In the Loop speaker series, given on 31 March, 2015. Our roles as designers are dependent on language. We rely on verbal, visual, and temporal languages in order to communicate our work. As our jobs become more than just designfrom choreographers of natural interfaces to policy makersthere is an inherent conflict with what it means to practice design. We are defining ourselves (and being defined) by a term that is overextended. How should we refer to ourselves, and what should the world make of us? With a new period of design dawning, previous notions of strategy and craft are blurring. We have been given permission to do meaningful work; at this prime moment we must clarify ourselves to establish the continuous integrity of our field. We must articulate the difference between practicing responsible design and simply making.]]>
Wed, 01 Apr 2015 12:06:00 GMT /serota/postdesign-finding-beauty-in-the-invisible-and-the-changing-role-of-the-designer serota@slideshare.net(serota) Post-Design: Finding beauty in the invisible, and the changing role of the designer. serota From a presentation at IIT ID's In the Loop speaker series, given on 31 March, 2015. Our roles as designers are dependent on language. We rely on verbal, visual, and temporal languages in order to communicate our work. As our jobs become more than just designfrom choreographers of natural interfaces to policy makersthere is an inherent conflict with what it means to practice design. We are defining ourselves (and being defined) by a term that is overextended. How should we refer to ourselves, and what should the world make of us? With a new period of design dawning, previous notions of strategy and craft are blurring. We have been given permission to do meaningful work; at this prime moment we must clarify ourselves to establish the continuous integrity of our field. We must articulate the difference between practicing responsible design and simply making. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/serota-post-design-iitintheloop-150401120600-conversion-gate01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> From a presentation at IIT ID&#39;s In the Loop speaker series, given on 31 March, 2015. Our roles as designers are dependent on language. We rely on verbal, visual, and temporal languages in order to communicate our work. As our jobs become more than just designfrom choreographers of natural interfaces to policy makersthere is an inherent conflict with what it means to practice design. We are defining ourselves (and being defined) by a term that is overextended. How should we refer to ourselves, and what should the world make of us? With a new period of design dawning, previous notions of strategy and craft are blurring. We have been given permission to do meaningful work; at this prime moment we must clarify ourselves to establish the continuous integrity of our field. We must articulate the difference between practicing responsible design and simply making.
Post-Design: Finding beauty in the invisible, and the changing role of the designer. from Lauren Serota
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Repost: Studio D's 100 Questions for the Young Creative /slideshow/repost-studio-ds-100-questions-for-the-young-creative/46546883 studiod-100-questionsfortheyoungcreative-final-150228012541-conversion-gate02-150401120338-conversion-gate01
We spent a year listening to creatives across the design industry, and generated a list of 100 questions we wished we'd known at the beginning of our career. Designed both for self reflection and to cut through hiring-process gloss, they start out innocently enough but quickly cut to the chase.]]>

We spent a year listening to creatives across the design industry, and generated a list of 100 questions we wished we'd known at the beginning of our career. Designed both for self reflection and to cut through hiring-process gloss, they start out innocently enough but quickly cut to the chase.]]>
Wed, 01 Apr 2015 12:03:38 GMT /slideshow/repost-studio-ds-100-questions-for-the-young-creative/46546883 serota@slideshare.net(serota) Repost: Studio D's 100 Questions for the Young Creative serota We spent a year listening to creatives across the design industry, and generated a list of 100 questions we wished we'd known at the beginning of our career. Designed both for self reflection and to cut through hiring-process gloss, they start out innocently enough but quickly cut to the chase. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/studiod-100-questionsfortheyoungcreative-final-150228012541-conversion-gate02-150401120338-conversion-gate01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> We spent a year listening to creatives across the design industry, and generated a list of 100 questions we wished we&#39;d known at the beginning of our career. Designed both for self reflection and to cut through hiring-process gloss, they start out innocently enough but quickly cut to the chase.
Repost: Studio D's 100 Questions for the Young Creative from Lauren Serota
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Real Life vs. Social Media /slideshow/real-life-vs-social-media/1013002 laurenserotaignite2-1234287114120272-3
Observations on the experiential gap between communication and relationships via social media sources versus the same interactions in real life. Prepared for the second Ignite Columbus, so apologies for brevity.]]>

Observations on the experiential gap between communication and relationships via social media sources versus the same interactions in real life. Prepared for the second Ignite Columbus, so apologies for brevity.]]>
Tue, 10 Feb 2009 11:32:52 GMT /slideshow/real-life-vs-social-media/1013002 serota@slideshare.net(serota) Real Life vs. Social Media serota Observations on the experiential gap between communication and relationships via social media sources versus the same interactions in real life. Prepared for the second Ignite Columbus, so apologies for brevity. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/laurenserotaignite2-1234287114120272-3-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Observations on the experiential gap between communication and relationships via social media sources versus the same interactions in real life. Prepared for the second Ignite Columbus, so apologies for brevity.
Real Life vs. Social Media from Lauren Serota
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