ºÝºÝߣshows by User: swami99 / http://www.slideshare.net/images/logo.gif ºÝºÝߣshows by User: swami99 / Sat, 12 Dec 2020 06:16:14 GMT ºÝºÝߣShare feed for ºÝºÝߣshows by User: swami99 Papercraft /slideshow/papercraft-240036346/240036346 02heritagelandscape-2papercraft52slides1-201212061614
Paper Art, Paper Sculpture, Book Art and Book Sculpture by artists from around the world. ]]>
Paper Art, Paper Sculpture, Book Art and Book Sculpture by artists from around the world. ]]> Sat, 12 Dec 2020 06:16:14 GMT /slideshow/papercraft-240036346/240036346 swami99@slideshare.net(swami99) Papercraft swami99 Paper Art, Paper Sculpture, Book Art and Book Sculpture by artists from around the world. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/02heritagelandscape-2papercraft52slides1-201212061614-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Paper Art, Paper Sculpture, Book Art and Book Sculpture by artists from around the world.
Papercraft from Subramanian Swaminathan
]]> 248 1 https://cdn.slidesharecdn.com/ss_thumbnails/02heritagelandscape-2papercraft52slides1-201212061614-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Experiencing Karnatic music (through khamas) /slideshow/experiencing-karnatic-music-through-khamas/75564341 00experiencingmusicthroughkhamas-170501122647
Khamas is a very evocative raga, and all new comers use ¡®sujana jeevana¡¯ as their key to this raga. Sankarabharam, though a Telugu movie, became a big hit; who would not remember its ¡®brocheva¡¯?]]>
Khamas is a very evocative raga, and all new comers use ¡®sujana jeevana¡¯ as their key to this raga. Sankarabharam, though a Telugu movie, became a big hit; who would not remember its ¡®brocheva¡¯?]]> Mon, 01 May 2017 12:26:47 GMT /slideshow/experiencing-karnatic-music-through-khamas/75564341 swami99@slideshare.net(swami99) Experiencing Karnatic music (through khamas) swami99 Khamas is a very evocative raga, and all new comers use ¡®sujana jeevana¡¯ as their key to this raga. Sankarabharam, though a Telugu movie, became a big hit; who would not remember its ¡®brocheva¡¯? <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/00experiencingmusicthroughkhamas-170501122647-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Khamas is a very evocative raga, and all new comers use ¡®sujana jeevana¡¯ as their key to this raga. Sankarabharam, though a Telugu movie, became a big hit; who would not remember its ¡®brocheva¡¯?
Experiencing Karnatic music (through khamas) from Subramanian Swaminathan
]]> 410 0 https://cdn.slidesharecdn.com/ss_thumbnails/00experiencingmusicthroughkhamas-170501122647-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Story of Scripts - Part 5 Meso-American Scripts /swami99/story-of-scripts-part-5-mesoamerican-scripts storyofscripts-part5meso-americanscripts-110210234656-phpapp02
Meso-American civilization; Meso-American writing; Proto-writing like Olmec heads, symbolinc images of Chalcatzingo, Humboldt celt; fifteen writing systems, rudimentary as well as developed; complex pictures as glyphs; Media used; engraving on stone, painting on ceramics and codex; Zapotec, Epi-olmec, Aztec and Mixtec scripts; La Mojarra inscription; Mayan civilization and script; deciphering Mayan script ¨C syllabic and logographic charts; difficulties in deciphering; Mayan number system and Mayan calendar; Dresden Codex; Sarcophagus of Pacal at Palenque]]>
Meso-American civilization; Meso-American writing; Proto-writing like Olmec heads, symbolinc images of Chalcatzingo, Humboldt celt; fifteen writing systems, rudimentary as well as developed; complex pictures as glyphs; Media used; engraving on stone, painting on ceramics and codex; Zapotec, Epi-olmec, Aztec and Mixtec scripts; La Mojarra inscription; Mayan civilization and script; deciphering Mayan script ¨C syllabic and logographic charts; difficulties in deciphering; Mayan number system and Mayan calendar; Dresden Codex; Sarcophagus of Pacal at Palenque]]> Thu, 10 Feb 2011 23:46:51 GMT /swami99/story-of-scripts-part-5-mesoamerican-scripts swami99@slideshare.net(swami99) Story of Scripts - Part 5 Meso-American Scripts swami99 Meso-American civilization; Meso-American writing; Proto-writing like Olmec heads, symbolinc images of Chalcatzingo, Humboldt celt; fifteen writing systems, rudimentary as well as developed; complex pictures as glyphs; Media used; engraving on stone, painting on ceramics and codex; Zapotec, Epi-olmec, Aztec and Mixtec scripts; La Mojarra inscription; Mayan civilization and script; deciphering Mayan script ¨C syllabic and logographic charts; difficulties in deciphering; Mayan number system and Mayan calendar; Dresden Codex; Sarcophagus of Pacal at Palenque <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/storyofscripts-part5meso-americanscripts-110210234656-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Meso-American civilization; Meso-American writing; Proto-writing like Olmec heads, symbolinc images of Chalcatzingo, Humboldt celt; fifteen writing systems, rudimentary as well as developed; complex pictures as glyphs; Media used; engraving on stone, painting on ceramics and codex; Zapotec, Epi-olmec, Aztec and Mixtec scripts; La Mojarra inscription; Mayan civilization and script; deciphering Mayan script ¨C syllabic and logographic charts; difficulties in deciphering; Mayan number system and Mayan calendar; Dresden Codex; Sarcophagus of Pacal at Palenque
Story of Scripts - Part 5 Meso-American Scripts from Subramanian Swaminathan
]]> 4395 1 https://cdn.slidesharecdn.com/ss_thumbnails/storyofscripts-part5meso-americanscripts-110210234656-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Story of scripts ¨C Part 3 Egyptian Hieroglyphs /slideshow/story-of-scripts-part-3-egyptian-hieroglyphs/6888273 storyofscriptspart3egyptianhieroglyphs-110210234437-phpapp02
Introduction; Hieroglyphic, Hieratic and Demotic scripts; Picture-signs of Hieroglyphic writing; Hieroglyphic signs, ideograms, phonetic symbols, syllabic signs; picture puzzles to solutions and determinatives; sign grouping; Rosetta Stone, Jean-Francois Champollion and deciphering Hieroglyphs; Sample page from the Book of Dead; Numerals in Hieroglyphs]]>
Introduction; Hieroglyphic, Hieratic and Demotic scripts; Picture-signs of Hieroglyphic writing; Hieroglyphic signs, ideograms, phonetic symbols, syllabic signs; picture puzzles to solutions and determinatives; sign grouping; Rosetta Stone, Jean-Francois Champollion and deciphering Hieroglyphs; Sample page from the Book of Dead; Numerals in Hieroglyphs]]> Thu, 10 Feb 2011 23:44:33 GMT /slideshow/story-of-scripts-part-3-egyptian-hieroglyphs/6888273 swami99@slideshare.net(swami99) Story of scripts ¨C Part 3 Egyptian Hieroglyphs swami99 Introduction; Hieroglyphic, Hieratic and Demotic scripts; Picture-signs of Hieroglyphic writing; Hieroglyphic signs, ideograms, phonetic symbols, syllabic signs; picture puzzles to solutions and determinatives; sign grouping; Rosetta Stone, Jean-Francois Champollion and deciphering Hieroglyphs; Sample page from the Book of Dead; Numerals in Hieroglyphs <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/storyofscriptspart3egyptianhieroglyphs-110210234437-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Introduction; Hieroglyphic, Hieratic and Demotic scripts; Picture-signs of Hieroglyphic writing; Hieroglyphic signs, ideograms, phonetic symbols, syllabic signs; picture puzzles to solutions and determinatives; sign grouping; Rosetta Stone, Jean-Francois Champollion and deciphering Hieroglyphs; Sample page from the Book of Dead; Numerals in Hieroglyphs
Story of scripts ¨C Part 3 Egyptian Hieroglyphs from Subramanian Swaminathan
]]> 2655 1 https://cdn.slidesharecdn.com/ss_thumbnails/storyofscriptspart3egyptianhieroglyphs-110210234437-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Story of scripts ¨C Part 2 Sumerian Cuneiform /slideshow/story-of-scripts-part-2-sumerian-cuneiform/6888263 storyofscriptspart2sumeriancuneiform-110210234259-phpapp01
Introduction; Decipehring and Rawlinson who deciphered Cuneiform; multi-lingual inscription on the Behustun hill; writing materials, picture to pictogram, to ideogram, to alphabet; Hammurabi¡¯s Code. ]]>
Introduction; Decipehring and Rawlinson who deciphered Cuneiform; multi-lingual inscription on the Behustun hill; writing materials, picture to pictogram, to ideogram, to alphabet; Hammurabi¡¯s Code. ]]> Thu, 10 Feb 2011 23:42:57 GMT /slideshow/story-of-scripts-part-2-sumerian-cuneiform/6888263 swami99@slideshare.net(swami99) Story of scripts ¨C Part 2 Sumerian Cuneiform swami99 Introduction; Decipehring and Rawlinson who deciphered Cuneiform; multi-lingual inscription on the Behustun hill; writing materials, picture to pictogram, to ideogram, to alphabet; Hammurabi¡¯s Code. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/storyofscriptspart2sumeriancuneiform-110210234259-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Introduction; Decipehring and Rawlinson who deciphered Cuneiform; multi-lingual inscription on the Behustun hill; writing materials, picture to pictogram, to ideogram, to alphabet; Hammurabi¡¯s Code.
Story of scripts ¨C Part 2 Sumerian Cuneiform from Subramanian Swaminathan
]]> 696 0 https://cdn.slidesharecdn.com/ss_thumbnails/storyofscriptspart2sumeriancuneiform-110210234259-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Story of scripts ¨CPart 1 Introduction /slideshow/story-of-scripts-part-1-introduction/6888250 storyofscriptspart1introduction-110210234157-phpapp02
An illiterate world; Achievement through Writing; beginnings in rock paintings; is writing necessary and achievement of non-writing culture like the Incas and the Vedic Indians; felt need for writing ¨C record keeping, religious purposes and royal proclamations; stages of development of writing ¨C pictogram, ideogram and phonetics; phonetic systems ¨C alphabetic and syllabic; how materials used for writing influenced scripts; places of origin of writing ¨C Samaria, Egypt, China, India and Meso-America A presentation by Prof. Subramanain Swaminathan ]]>
An illiterate world; Achievement through Writing; beginnings in rock paintings; is writing necessary and achievement of non-writing culture like the Incas and the Vedic Indians; felt need for writing ¨C record keeping, religious purposes and royal proclamations; stages of development of writing ¨C pictogram, ideogram and phonetics; phonetic systems ¨C alphabetic and syllabic; how materials used for writing influenced scripts; places of origin of writing ¨C Samaria, Egypt, China, India and Meso-America A presentation by Prof. Subramanain Swaminathan ]]> Thu, 10 Feb 2011 23:41:53 GMT /slideshow/story-of-scripts-part-1-introduction/6888250 swami99@slideshare.net(swami99) Story of scripts ¨CPart 1 Introduction swami99 An illiterate world; Achievement through Writing; beginnings in rock paintings; is writing necessary and achievement of non-writing culture like the Incas and the Vedic Indians; felt need for writing ¨C record keeping, religious purposes and royal proclamations; stages of development of writing ¨C pictogram, ideogram and phonetics; phonetic systems ¨C alphabetic and syllabic; how materials used for writing influenced scripts; places of origin of writing ¨C Samaria, Egypt, China, India and Meso-America A presentation by Prof. Subramanain Swaminathan <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/storyofscriptspart1introduction-110210234157-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> An illiterate world; Achievement through Writing; beginnings in rock paintings; is writing necessary and achievement of non-writing culture like the Incas and the Vedic Indians; felt need for writing ¨C record keeping, religious purposes and royal proclamations; stages of development of writing ¨C pictogram, ideogram and phonetics; phonetic systems ¨C alphabetic and syllabic; how materials used for writing influenced scripts; places of origin of writing ¨C Samaria, Egypt, China, India and Meso-America A presentation by Prof. Subramanain Swaminathan
Story of scripts ¸M³·art 1 Introduction from Subramanian Swaminathan
]]> 1908 1 https://cdn.slidesharecdn.com/ss_thumbnails/storyofscriptspart1introduction-110210234157-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Mahabalipuram Monuments - Part 3 (Rathas) /slideshow/mahabalipuram-manuments2799168/6887956 mahabalipuram-manuments-2799168-110210224619-phpapp01
The Pallavas contributions to temple architecture are many, of which conceiving temples sculpted out of single blocks of stone would remain the most important. There are as many as eight in Mamallapuram, each of which has certain special features. The Panch-pandava group is the most important, in which the Dharmaraja Ratha stands out as the best, containing some exquisite sculptures never found later in this part of India. A presentation by Prof.Subramanian Swaminathan ]]>
The Pallavas contributions to temple architecture are many, of which conceiving temples sculpted out of single blocks of stone would remain the most important. There are as many as eight in Mamallapuram, each of which has certain special features. The Panch-pandava group is the most important, in which the Dharmaraja Ratha stands out as the best, containing some exquisite sculptures never found later in this part of India. A presentation by Prof.Subramanian Swaminathan ]]> Thu, 10 Feb 2011 22:46:16 GMT /slideshow/mahabalipuram-manuments2799168/6887956 swami99@slideshare.net(swami99) Mahabalipuram Monuments - Part 3 (Rathas) swami99 The Pallavas contributions to temple architecture are many, of which conceiving temples sculpted out of single blocks of stone would remain the most important. There are as many as eight in Mamallapuram, each of which has certain special features. The Panch-pandava group is the most important, in which the Dharmaraja Ratha stands out as the best, containing some exquisite sculptures never found later in this part of India. A presentation by Prof.Subramanian Swaminathan <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/mahabalipuram-manuments-2799168-110210224619-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> The Pallavas contributions to temple architecture are many, of which conceiving temples sculpted out of single blocks of stone would remain the most important. There are as many as eight in Mamallapuram, each of which has certain special features. The Panch-pandava group is the most important, in which the Dharmaraja Ratha stands out as the best, containing some exquisite sculptures never found later in this part of India. A presentation by Prof.Subramanian Swaminathan
Mahabalipuram Monuments - Part 3 (Rathas) from Subramanian Swaminathan
]]> 11172 1 https://cdn.slidesharecdn.com/ss_thumbnails/mahabalipuram-manuments-2799168-110210224619-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Mahabalipuram Monuments - Part 4 (Structural temples) /slideshow/mahabalipuram-manuments2799169/6887887 mahabalipuram-manuments-2799169-110210223308-phpapp01
Structural temples were the last executed by the Pallavas before their attention was shifted to their capital, Kanchipuram and its environs. However these temples in Mamallapuram were the earliest structural temples in the Tamil country. Even the four that were constructed here bring out the fanciful nature of the clan; the two Shore Temples are built on the very edge of the sea, the Olakkanesvara Temple on top of a hillock and the Mukundanayanar Temple on the ground. The Shore Temples, though highly eroded, have sculptures which would remind of the exceptional grace and beauty in the bygone era. A presentation by Prof.Subramanian Swaminathan ]]>
Structural temples were the last executed by the Pallavas before their attention was shifted to their capital, Kanchipuram and its environs. However these temples in Mamallapuram were the earliest structural temples in the Tamil country. Even the four that were constructed here bring out the fanciful nature of the clan; the two Shore Temples are built on the very edge of the sea, the Olakkanesvara Temple on top of a hillock and the Mukundanayanar Temple on the ground. The Shore Temples, though highly eroded, have sculptures which would remind of the exceptional grace and beauty in the bygone era. A presentation by Prof.Subramanian Swaminathan ]]> Thu, 10 Feb 2011 22:33:03 GMT /slideshow/mahabalipuram-manuments2799169/6887887 swami99@slideshare.net(swami99) Mahabalipuram Monuments - Part 4 (Structural temples) swami99 Structural temples were the last executed by the Pallavas before their attention was shifted to their capital, Kanchipuram and its environs. However these temples in Mamallapuram were the earliest structural temples in the Tamil country. Even the four that were constructed here bring out the fanciful nature of the clan; the two Shore Temples are built on the very edge of the sea, the Olakkanesvara Temple on top of a hillock and the Mukundanayanar Temple on the ground. The Shore Temples, though highly eroded, have sculptures which would remind of the exceptional grace and beauty in the bygone era. A presentation by Prof.Subramanian Swaminathan <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/mahabalipuram-manuments-2799169-110210223308-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Structural temples were the last executed by the Pallavas before their attention was shifted to their capital, Kanchipuram and its environs. However these temples in Mamallapuram were the earliest structural temples in the Tamil country. Even the four that were constructed here bring out the fanciful nature of the clan; the two Shore Temples are built on the very edge of the sea, the Olakkanesvara Temple on top of a hillock and the Mukundanayanar Temple on the ground. The Shore Temples, though highly eroded, have sculptures which would remind of the exceptional grace and beauty in the bygone era. A presentation by Prof.Subramanian Swaminathan
Mahabalipuram Monuments - Part 4 (Structural temples) from Subramanian Swaminathan
]]> 1391 0 https://cdn.slidesharecdn.com/ss_thumbnails/mahabalipuram-manuments-2799169-110210223308-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Mahabalipuram Monuments- Part. 5 (Open-air bas-reliefs) /slideshow/mahabalipuram-monuments/6887872 mahabalipuram-manuments-2799167-110210222809-phpapp02
The Great Penance is an achievement in relief sculpturing. This along with the Govardhana composition would rank among the best in the world. Not only the Pallavas were the pioneer in this genre of art, it is only in Mamallapuram one can see open-are bas-rieifs, and there are five them. A presentation by Prof.Subramanian Swaminathan ]]>
The Great Penance is an achievement in relief sculpturing. This along with the Govardhana composition would rank among the best in the world. Not only the Pallavas were the pioneer in this genre of art, it is only in Mamallapuram one can see open-are bas-rieifs, and there are five them. A presentation by Prof.Subramanian Swaminathan ]]> Thu, 10 Feb 2011 22:28:06 GMT /slideshow/mahabalipuram-monuments/6887872 swami99@slideshare.net(swami99) Mahabalipuram Monuments- Part. 5 (Open-air bas-reliefs) swami99 The Great Penance is an achievement in relief sculpturing. This along with the Govardhana composition would rank among the best in the world. Not only the Pallavas were the pioneer in this genre of art, it is only in Mamallapuram one can see open-are bas-rieifs, and there are five them. A presentation by Prof.Subramanian Swaminathan <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/mahabalipuram-manuments-2799167-110210222809-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> The Great Penance is an achievement in relief sculpturing. This along with the Govardhana composition would rank among the best in the world. Not only the Pallavas were the pioneer in this genre of art, it is only in Mamallapuram one can see open-are bas-rieifs, and there are five them. A presentation by Prof.Subramanian Swaminathan
Mahabalipuram Monuments- Part. 5 (Open-air bas-reliefs) from Subramanian Swaminathan
]]> 750 0 https://cdn.slidesharecdn.com/ss_thumbnails/mahabalipuram-manuments-2799167-110210222809-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds presentation White http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Sittannavasal ¨C A proposal for preserving its paintings /slideshow/sittannavasal-a-proposal-for-preserving-its-paintings/6877004 sittannavasal-a-proposa-2799387-110210053314-phpapp02
Significance of the Pudukkottai district; Importance of preservation of Sittannavasal monuments; state of its paintings; aims od Project Sittannavasal ¨C building a replica od cave shrine and designing pavilions to showcase development of paintings (Chitram), temple architecture (Mandiram) and Indian scripts (Aksharam) and Jaina contribution to Tamil culture. A presentation by Prof. Subramanian Swaminathan ]]>
Significance of the Pudukkottai district; Importance of preservation of Sittannavasal monuments; state of its paintings; aims od Project Sittannavasal ¨C building a replica od cave shrine and designing pavilions to showcase development of paintings (Chitram), temple architecture (Mandiram) and Indian scripts (Aksharam) and Jaina contribution to Tamil culture. A presentation by Prof. Subramanian Swaminathan ]]> Thu, 10 Feb 2011 05:33:06 GMT /slideshow/sittannavasal-a-proposal-for-preserving-its-paintings/6877004 swami99@slideshare.net(swami99) Sittannavasal ¨C A proposal for preserving its paintings swami99 Significance of the Pudukkottai district; Importance of preservation of Sittannavasal monuments; state of its paintings; aims od Project Sittannavasal ¨C building a replica od cave shrine and designing pavilions to showcase development of paintings (Chitram), temple architecture (Mandiram) and Indian scripts (Aksharam) and Jaina contribution to Tamil culture. A presentation by Prof. Subramanian Swaminathan <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/sittannavasal-a-proposa-2799387-110210053314-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Significance of the Pudukkottai district; Importance of preservation of Sittannavasal monuments; state of its paintings; aims od Project Sittannavasal ¨C building a replica od cave shrine and designing pavilions to showcase development of paintings (Chitram), temple architecture (Mandiram) and Indian scripts (Aksharam) and Jaina contribution to Tamil culture. A presentation by Prof. Subramanian Swaminathan
Sittannavasal ¨C A proposal for preserving its paintings from Subramanian Swaminathan
]]> 1222 0 https://cdn.slidesharecdn.com/ss_thumbnails/sittannavasal-a-proposa-2799387-110210053314-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Jaina Vestiges in Pudukkottai /slideshow/jaina-vestiges-in-pudukkottai/6876402 jaina-vestiges-in-pudukko-2799115-110210045631-phpapp02
Jainism was a thriving religion in the Tamil coutry from 3rd century BCE till the resurgence of Hinduism following the Bhakti Movement of the 6th - 9th centuries CE. Pudukkottai district in Tamilnadu has the largest number of centrally protected Jaina monuments, which the presentation highlights.A presentation by prof. Subramanian Swaminathan ]]>
Jainism was a thriving religion in the Tamil coutry from 3rd century BCE till the resurgence of Hinduism following the Bhakti Movement of the 6th - 9th centuries CE. Pudukkottai district in Tamilnadu has the largest number of centrally protected Jaina monuments, which the presentation highlights.A presentation by prof. Subramanian Swaminathan ]]> Thu, 10 Feb 2011 04:56:19 GMT /slideshow/jaina-vestiges-in-pudukkottai/6876402 swami99@slideshare.net(swami99) Jaina Vestiges in Pudukkottai swami99 Jainism was a thriving religion in the Tamil coutry from 3rd century BCE till the resurgence of Hinduism following the Bhakti Movement of the 6th - 9th centuries CE. Pudukkottai district in Tamilnadu has the largest number of centrally protected Jaina monuments, which the presentation highlights.A presentation by prof. Subramanian Swaminathan <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/jaina-vestiges-in-pudukko-2799115-110210045631-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Jainism was a thriving religion in the Tamil coutry from 3rd century BCE till the resurgence of Hinduism following the Bhakti Movement of the 6th - 9th centuries CE. Pudukkottai district in Tamilnadu has the largest number of centrally protected Jaina monuments, which the presentation highlights.A presentation by prof. Subramanian Swaminathan
Jaina Vestiges in Pudukkottai from Subramanian Swaminathan
]]> 1876 1 https://cdn.slidesharecdn.com/ss_thumbnails/jaina-vestiges-in-pudukko-2799115-110210045631-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Pudukkottai - Its contribution to Tamil Culture /slideshow/pudukkottai-its-contribution-to-tamil-culture/6876105 pudukkottai-its-contrib-2799119-110210043557-phpapp02
Pudukkottai, a princely state during the British time is rich in archaeological monuments. It has produced eminent people in many walks of life]]>
Pudukkottai, a princely state during the British time is rich in archaeological monuments. It has produced eminent people in many walks of life]]> Thu, 10 Feb 2011 04:35:53 GMT /slideshow/pudukkottai-its-contribution-to-tamil-culture/6876105 swami99@slideshare.net(swami99) Pudukkottai - Its contribution to Tamil Culture swami99 Pudukkottai, a princely state during the British time is rich in archaeological monuments. It has produced eminent people in many walks of life <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/pudukkottai-its-contrib-2799119-110210043557-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Pudukkottai, a princely state during the British time is rich in archaeological monuments. It has produced eminent people in many walks of life
Pudukkottai - Its contribution to Tamil Culture from Subramanian Swaminathan
]]> 3674 1 https://cdn.slidesharecdn.com/ss_thumbnails/pudukkottai-its-contrib-2799119-110210043557-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Pallava Cave Temple on Rockfort in Tiruchirappally /slideshow/pallava-cave-temple-on-rockport-in-tiruchirappally/6875896 pallava-cave-temple-on-ro-2799111-110210042154-phpapp01
Lalitankura-Pallava-Griham is one of the two cave temples situated in the Rockfort complex in Tiruchirappalii, the other being a Pandya Cave shrine. Excavated in the early 7th century by Mahendra Pallava has a beautiful Gangadhara relief. The sculpture as well as the 8-stanza poetry has teasing double meaning, bringing out the multi-facetted personality of the king.]]>
Lalitankura-Pallava-Griham is one of the two cave temples situated in the Rockfort complex in Tiruchirappalii, the other being a Pandya Cave shrine. Excavated in the early 7th century by Mahendra Pallava has a beautiful Gangadhara relief. The sculpture as well as the 8-stanza poetry has teasing double meaning, bringing out the multi-facetted personality of the king.]]> Thu, 10 Feb 2011 04:21:50 GMT /slideshow/pallava-cave-temple-on-rockport-in-tiruchirappally/6875896 swami99@slideshare.net(swami99) Pallava Cave Temple on Rockfort in Tiruchirappally swami99 Lalitankura-Pallava-Griham is one of the two cave temples situated in the Rockfort complex in Tiruchirappalii, the other being a Pandya Cave shrine. Excavated in the early 7th century by Mahendra Pallava has a beautiful Gangadhara relief. The sculpture as well as the 8-stanza poetry has teasing double meaning, bringing out the multi-facetted personality of the king. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/pallava-cave-temple-on-ro-2799111-110210042154-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Lalitankura-Pallava-Griham is one of the two cave temples situated in the Rockfort complex in Tiruchirappalii, the other being a Pandya Cave shrine. Excavated in the early 7th century by Mahendra Pallava has a beautiful Gangadhara relief. The sculpture as well as the 8-stanza poetry has teasing double meaning, bringing out the multi-facetted personality of the king.
Pallava Cave Temple on Rockfort in Tiruchirappally from Subramanian Swaminathan
]]> 940 0 https://cdn.slidesharecdn.com/ss_thumbnails/pallava-cave-temple-on-ro-2799111-110210042154-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Monuments of Sittannavasal in Pudukottai /slideshow/monuments-of-sittannavasal/6860203 monuments-of-sittannavasa-2799077-110209050633-phpapp01
The monuments contain famous Jaina paintings and isncriptions in Tamil from 2nd century BCA Presentation by Prof. Subramanian Swaminathan on the paintings of Sittanavasal ]]>
The monuments contain famous Jaina paintings and isncriptions in Tamil from 2nd century BCA Presentation by Prof. Subramanian Swaminathan on the paintings of Sittanavasal ]]> Wed, 09 Feb 2011 05:06:31 GMT /slideshow/monuments-of-sittannavasal/6860203 swami99@slideshare.net(swami99) Monuments of Sittannavasal in Pudukottai swami99 The monuments contain famous Jaina paintings and isncriptions in Tamil from 2nd century BCA Presentation by Prof. Subramanian Swaminathan on the paintings of Sittanavasal <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/monuments-of-sittannavasa-2799077-110209050633-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> The monuments contain famous Jaina paintings and isncriptions in Tamil from 2nd century BCA Presentation by Prof. Subramanian Swaminathan on the paintings of Sittanavasal
Monuments of Sittannavasal in Pudukottai from Subramanian Swaminathan
]]> 3134 0 https://cdn.slidesharecdn.com/ss_thumbnails/monuments-of-sittannavasa-2799077-110209050633-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation White http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Ajanta Paintings- Appreciation of Mahajanaka Jataka Composition /slideshow/ajanta-paintings-appreciation-of-mahajanaka-jataka-composition/6860162 ajanta-paintings-apprec-2799105-110209050119-phpapp01
Jataks stories are the common themes in Ajanta paintings. Mahajanak Jataka painted in Cave One is one of the important compositions. A Presentation byf Prof. Subramanian Swaminathan on the paintings of Ajanta. ]]>
Jataks stories are the common themes in Ajanta paintings. Mahajanak Jataka painted in Cave One is one of the important compositions. A Presentation byf Prof. Subramanian Swaminathan on the paintings of Ajanta. ]]> Wed, 09 Feb 2011 05:01:15 GMT /slideshow/ajanta-paintings-appreciation-of-mahajanaka-jataka-composition/6860162 swami99@slideshare.net(swami99) Ajanta Paintings- Appreciation of Mahajanaka Jataka Composition swami99 Jataks stories are the common themes in Ajanta paintings. Mahajanak Jataka painted in Cave One is one of the important compositions. A Presentation byf Prof. Subramanian Swaminathan on the paintings of Ajanta. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/ajanta-paintings-apprec-2799105-110209050119-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Jataks stories are the common themes in Ajanta paintings. Mahajanak Jataka painted in Cave One is one of the important compositions. A Presentation byf Prof. Subramanian Swaminathan on the paintings of Ajanta.
Ajanta Paintings- Appreciation of Mahajanaka Jataka Composition from Subramanian Swaminathan
]]> 10958 3 https://cdn.slidesharecdn.com/ss_thumbnails/ajanta-paintings-apprec-2799105-110209050119-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation White http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Ajanta Its textile heritage /slideshow/ajanta-its-textile-heritage/6860136 ajanta-its-textile-heri-2799108-110209045821-phpapp02
Ajanta paintings are a treasure house of information about the period, namely, 2nd century BCE to 6th century CE. The textiles shown are astonishingly varied in dyes, yarn manipulation and garment design. The presentation showcases all these A Presentation by Prof. Subramanian Swaminathan on the paintings of Ajanta]]>
Ajanta paintings are a treasure house of information about the period, namely, 2nd century BCE to 6th century CE. The textiles shown are astonishingly varied in dyes, yarn manipulation and garment design. The presentation showcases all these A Presentation by Prof. Subramanian Swaminathan on the paintings of Ajanta]]> Wed, 09 Feb 2011 04:58:17 GMT /slideshow/ajanta-its-textile-heritage/6860136 swami99@slideshare.net(swami99) Ajanta Its textile heritage swami99 Ajanta paintings are a treasure house of information about the period, namely, 2nd century BCE to 6th century CE. The textiles shown are astonishingly varied in dyes, yarn manipulation and garment design. The presentation showcases all these A Presentation by Prof. Subramanian Swaminathan on the paintings of Ajanta <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/ajanta-its-textile-heri-2799108-110209045821-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Ajanta paintings are a treasure house of information about the period, namely, 2nd century BCE to 6th century CE. The textiles shown are astonishingly varied in dyes, yarn manipulation and garment design. The presentation showcases all these A Presentation by Prof. Subramanian Swaminathan on the paintings of Ajanta
Ajanta Its textile heritage from Subramanian Swaminathan
]]> 1594 2 https://cdn.slidesharecdn.com/ss_thumbnails/ajanta-its-textile-heri-2799108-110209045821-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds presentation White http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Ajanta Paintings /swami99/ajanta-paintings ajanta-paintings-2799096-110209043128-phpapp02
A Presentation by Prof. Subramanian Swaminathan on the paintings of Ajanta Buddhist paintings on the walls and ceilings of the 29 caves in Ajanta are not only the ealiest in India but also the best the subcontinent produced. These are also the forerunniners of religious paintings of India and Indian Asia.]]>
A Presentation by Prof. Subramanian Swaminathan on the paintings of Ajanta Buddhist paintings on the walls and ceilings of the 29 caves in Ajanta are not only the ealiest in India but also the best the subcontinent produced. These are also the forerunniners of religious paintings of India and Indian Asia.]]> Wed, 09 Feb 2011 04:31:26 GMT /swami99/ajanta-paintings swami99@slideshare.net(swami99) Ajanta Paintings swami99 A Presentation by Prof. Subramanian Swaminathan on the paintings of Ajanta Buddhist paintings on the walls and ceilings of the 29 caves in Ajanta are not only the ealiest in India but also the best the subcontinent produced. These are also the forerunniners of religious paintings of India and Indian Asia. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/ajanta-paintings-2799096-110209043128-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> A Presentation by Prof. Subramanian Swaminathan on the paintings of Ajanta Buddhist paintings on the walls and ceilings of the 29 caves in Ajanta are not only the ealiest in India but also the best the subcontinent produced. These are also the forerunniners of religious paintings of India and Indian Asia.
Ajanta Paintings from Subramanian Swaminathan
]]> 38438 7 https://cdn.slidesharecdn.com/ss_thumbnails/ajanta-paintings-2799096-110209043128-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds presentation White http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 https://cdn.slidesharecdn.com/profile-photo-swami99-48x48.jpg?cb=1610544648 Many species have curiosity, but only man nurtures creativity and innovation. Out of this comes art and craft. For obvious reasons, there is cultural diversity. For everyone appreciating this diversity itself is a fulfilling entertainment and education. I am presenting this cultural diversity of human civilisation using my collections. Former Professor of Mechanical Engineering at Indian Institute of Technology (IIT), Delhi. https://cdn.slidesharecdn.com/ss_thumbnails/02heritagelandscape-2papercraft52slides1-201212061614-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/papercraft-240036346/240036346 Papercraft https://cdn.slidesharecdn.com/ss_thumbnails/00experiencingmusicthroughkhamas-170501122647-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/experiencing-karnatic-music-through-khamas/75564341 Experiencing Karnatic ... https://cdn.slidesharecdn.com/ss_thumbnails/storyofscripts-part5meso-americanscripts-110210234656-phpapp02-thumbnail.jpg?width=320&height=320&fit=bounds swami99/story-of-scripts-part-5-mesoamerican-scripts Story of Scripts - Par...