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Mountain2015
- 1. Landscape and thinking errors in making. Jan-March 2015 S1. Claire de Mortimer-Griffin 19031387 M(art) Part Time. Year 1b.
- 2. My current concern is with making. The state of making, of being either listening to the next step of making or in the process of making Or the thinking about making, And the observation of making. Especially the errors when I make a tyrannical piece something which over whelms me because I have decided what IT SHOULD BE or what I SHOULD BE. Or my ridgity. My pride. My fear. My obedience. My disobedience. Yes: My stubbornness. My determination. (Referring to Adam Chodzkos performance in Gravity on the 29th Nov. 2012) Simply; when I have failed to listen to it, to myself, to others, to the materials and the unfolding subject.
- 3. Two Canvases 2x1.2m One previously used. The other prepared but not used.
- 4. White household gloss over canvas, Thinned with White spirit. It is important for me to start a painting with this reference to material use in domestic painting. I use domestic brushes, mostly second hand brushes, old peanut butter and honey glass jars, small tins of cat food and rags made from old cotton or silk clothes, and makeup sponges from Superdrug.
- 7. My current concern is with making, and the success and failure of making. I see the errors in making as analogous to the thinking errors in making medical diagnosis and problem solving. More broadly, I see that the same errors are made in ones own self governance.
- 10. Anchoring bias locking on to a diagnosis (image/work) too soon and failing to adjust to new information (as seen, or implied they materials, or space, or light.)
- 16. Shaw, Becky (ACES) Feb 10 To me McCarthy, Penny Dear Claire Could you please move your work out of the half of the room designated for PhD students and into the MA part of the room (the rear half). This needs to be done ASAP. Also paint fumes have been building up in the space making it hard for other to work in there (and not good for you either). Is it possible to open the windows while you are there? Best wishes Becky
- 19. Diagnosis (work/image) momentum accepting a previous diagnosis (decision) without applying sufficient skepticism. (not listening and question the work/image at that stage. Going with it, but not really going with it.)
- 23. Premature closure similar to confirmation bias, but more like jumping to a conclusion (of what it will be or become. It is this not that.)
- 25. Search-satisfying bias A eureka moment that stops all further thought on the matter. Deciding that the work/image is finished because I say it is. As if saying Ive done this( predefined) work and now it IS finished. When really its not, the problems have more been resolved. I dont like it and dont want to look at it.
- 26. 4. Unknown Area (Quadrant 4) This last quadrant represents things that are unknown by you, and are unknown by others. 1. Open Area (Quadrant 1) This quadrant represents the things that you know about yourself, and the things that others know about you. This includes your behavior, knowledge, skills, attitudes, and "public" history. 2. Blind Area (Quadrant 2) This quadrant represents things about you that you aren't aware of, but that are known by others. 3. Hidden Area (Quadrant 3) This quadrant represents things that you know about yourself, but that others don't know. This can include simple information that you do not know, or it can involve deep issues (for example, feelings of inadequacy, incompetence, unworthiness, or rejection), which are often difficult for individuals to face directly, and yet can be seen by others.
- 27. Entering Quadrant Two of Joharis Window. Blind Area (Quadrant 2) This quadrant represents things about you that you aren't aware of, but that are known by others. Tutorials. Keith Wilson Audience trust when looking at a familiar trope or entering a painting. Penny Lack of Horizon. Fear of being just pretty. Michelle. Have to have a product as introduction before art placement.. Hidden Area (Quadrant 3) This quadrant represents things that you know about yourself, but that others don't know. My acuity. Framing: Reframing. Object too big , too not nice, way to dominate on the wall. Image fights between narrative and freedom, it does not invite.
- 31. Cluine Reid in Transmission, March 2015. Collages/Images happen by accident. We are always dealing with mass and multiplicity from inside the complexity verses making a decision for the best. Always inside a collection of amti electi erials (cant say what they will be in advance.) where the value and the art object anti-elect in a hieratical view at work in an expanded experience, more though space. All images are potentially representative; all space working in relation to all images/collections. Not privileging the image by giving it a frame, but putting the image on the wall. Thus confirming its 2D qualities. Col.Flat Ontology. (Curatorial Elective 2014) My acuity. Framing: Reframing. Untutored Crit Group. ?embedded in the wall.. Sian. Susan Heller cut up paintings to make Painting Blocks Hester. Congruency with other parts of my life (gardening)
- 36. Stephen Wilson Gravity. SHU. 2015 Ones practice can become more deep by allowing art and life to mix. The success of the art work lies not in its monetary value but in the understanding that is gain through the process of making. William Feaver. Dinner conversation 2014. Non monetized based cultural capital as a deliberate curatorial statement in collecting only the used and broken.