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Post apocalyptic fable
Thesis
Wells fin-de-si竪cle London scientist, brings uncannily
into focus the mingled elements of class
conflict, sexual hostility, cannibalistic
transgression, racial fantasy, gender confusion, and
apocalyptic angst
Elaine Showalter, The apocalyptic fables of H.G.
Wells. P.214
 Wells novel reflects the fears of class and gender
repression of Victorian-era
 England would ultimately lead to an end of the
status quo
 Wells novel reflects the fear that Imperialism would
result in the destruction of the society that sought
to impose its will upon the world
 Humans would devolve to form a lesser race as a
result.
Showalters Main Themes
 Devolution and Fin de Si竪cle Characteristics
 Cannibalism
The final breakdown of civilised ethics (214)
 Unknown Exotic Civilization
 Escapism and the female body (215-217)
Main Themes Continued
 The Male Quest
 The Male Self
 Homosexuality
 Story told by a male to a male audience
 Male-created machine= Offspring
 Hyper-feminine Eloi and hyper-masculine
Murlocks
Supporting Points
 Devolution
 Patrick Brantlingers Imperial Gothic (215)
 Regression/ Going native
 Escapism and The Male Self
 Joseph Boone a world almost
totally devoid of women or
heterosexual social regulations
(216)
Supporting Points
Continued
 The Time Machine/ Male Quest
 Bicycle, Moving picture/ movies, and the bachelor
machine
Supporting Points
 Devolution of the Sexes
 Eloi= Hyper- feminine
 Murlocks= Hyper-masculine
 The future may hold extreme specialization of the
sexes
Novels that Showalter
alludes to
As there is a darkest
Africa is there not also a
darkest England?
(Showalter 215)
Reading?
Feminist Analysis
 These stories represent a yearning for escape from a confining
society, which is rigidly structured in terms of gender, class and race , to a
mythologized place elsewhere, where MENcan can be freed from the
constraints of Victorian morality (Showalter 214).
 I would argue that the racial and sexual anxieties displayed in these stories
as the vision of the other, the dark exogamous bride, mask the desire to
evade heterosexuality altogether (Showalter 216-7).
 In the time machine H.G. Wells suggested that this safe and secret place
might be the future, an infinite terrain of the MALEimagination which would
never be exhausted by mapmakers, colonizers, or WOMEN (Showalter 218).
Post apocalyptic fable
Visual of Apocalypse
 http://www.youtube.com/watch?v=W_qFrNw1cX0

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Post apocalyptic fable

  • 2. Thesis Wells fin-de-si竪cle London scientist, brings uncannily into focus the mingled elements of class conflict, sexual hostility, cannibalistic transgression, racial fantasy, gender confusion, and apocalyptic angst Elaine Showalter, The apocalyptic fables of H.G. Wells. P.214
  • 3. Wells novel reflects the fears of class and gender repression of Victorian-era England would ultimately lead to an end of the status quo Wells novel reflects the fear that Imperialism would result in the destruction of the society that sought to impose its will upon the world Humans would devolve to form a lesser race as a result.
  • 4. Showalters Main Themes Devolution and Fin de Si竪cle Characteristics Cannibalism The final breakdown of civilised ethics (214) Unknown Exotic Civilization Escapism and the female body (215-217)
  • 5. Main Themes Continued The Male Quest The Male Self Homosexuality Story told by a male to a male audience Male-created machine= Offspring Hyper-feminine Eloi and hyper-masculine Murlocks
  • 6. Supporting Points Devolution Patrick Brantlingers Imperial Gothic (215) Regression/ Going native Escapism and The Male Self Joseph Boone a world almost totally devoid of women or heterosexual social regulations (216)
  • 7. Supporting Points Continued The Time Machine/ Male Quest Bicycle, Moving picture/ movies, and the bachelor machine
  • 8. Supporting Points Devolution of the Sexes Eloi= Hyper- feminine Murlocks= Hyper-masculine The future may hold extreme specialization of the sexes
  • 10. As there is a darkest Africa is there not also a darkest England? (Showalter 215)
  • 11. Reading? Feminist Analysis These stories represent a yearning for escape from a confining society, which is rigidly structured in terms of gender, class and race , to a mythologized place elsewhere, where MENcan can be freed from the constraints of Victorian morality (Showalter 214). I would argue that the racial and sexual anxieties displayed in these stories as the vision of the other, the dark exogamous bride, mask the desire to evade heterosexuality altogether (Showalter 216-7). In the time machine H.G. Wells suggested that this safe and secret place might be the future, an infinite terrain of the MALEimagination which would never be exhausted by mapmakers, colonizers, or WOMEN (Showalter 218).
  • 13. Visual of Apocalypse http://www.youtube.com/watch?v=W_qFrNw1cX0