際際滷

際際滷Share a Scribd company logo

Pp Chap37 Info Age

Download as PPT, PDF
B
bockoven

The document discusses several post-war American artists including Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Louise Nevelson, Chuck Close, Richard Estes, Edward Kienholz, Robert Rauschenberg, Jasper Johns, and Judy Chicago. It provides background on their works and styles, such as Warhol's Campbell Soup Cans, Lichtenstein's comic book-inspired paintings, Nevelson's sculptural assemblages, and Chicago's large-scale feminist artwork The Dinner Party. The document also examines debates around authenticity in Pop Art and strategies used in Photorealism to represent space and objects.

1 of 32
Download to read offline
Chapters 37-38 Information Age Pop Art as Image
What is Pop Art? Elite Culture Popular Culture Postwar Consumerism Pop Art
Andy Warhol Cult figure Celebrated the everyday Materialism Psychological intensity Cow wallpaper, 1966 Campbell Soup Can, 1964
Andy Warhol, Elvis, 1962-1966
Andy Warhol Mint Marilyn Monroe, 1962
Andy Warhol Self-portrait 1985
Louise Nevelsen White Vertical Water, 1972 Used discards from industry to construct assemblages, influenced by cubism
Roy Lichtenstein Blam (1954)
Roy Lichtenstein, In the Car (1955)
Claes Oldenburg, Pastry Case, 1961-1962 Source: MOMA
Louise Nevelsen, Sculpture I think most artists create out of despair. The very nature of creation is not a performing glory on the outside, its a painful, difficult search within.
Frank Stella, Empress of India (1965) An example of minimalist painting also called contentless painting Source: MOMA
Critics say that Nevelsons art is authentic because it uses objects, while Warhols art is less authentic because it uses images. Do you agree?
True subject of a photorealist work is the way we unconsciously interpret photographs and paintings in order to create a mental image of the object represented --Artcyclopedia New Realism New Realism Photorealism
Chuck Close Lucas, 1987
Chuck Close Phil, 1969 9 x 7 feet
Richard Estes, Hotel Empire, 1987 When you look at a space or an object, you tend to scan it. Your eye travels around and over things. As your eyes move, the vanishing point moves, to have one vanishing point or perfect camera perspective is not realistic. Estes
Seeks to transform society by awakening its visionary potential --Fiero (150) Social Conscience Art Global context Social Conscience Art Social Conscience Film
Jasper Johns Flag 1954-1955
Robert Rauschenberg Bed, 1955 63: x 313 Paint splashed over dream fabric Considered ACTION painting
Robert Rauschberg Buffalo II, 1964 8 x 6 feet
油
Edward Kienholz The State Hospital 1964-1966
Edward Kienholz Backseat Dodge, 1938 Next: The Portable War Memorial, 1968
Kienholz: The Portable War Memorial Source: http://www.beatmuseum.org/kienholz/edkienholz.html
Judy Chicago The Dinner Party (1974-1979) Setting for 39 women with 999 names of women as supporting tiles Chicago: Meant to end the ongoing cycle of omission in which women were written out of the historical record Represents each woman with place setting featuring plates in butterfly or flower shape, representing the womans vulva Source: http://en.wikipedia.org/wiki/The_Dinner_Party
Judy Chicago, The Dinner Party, 1979
Judy Chicago, The Dinner Party, 1979
Judy Chicago, The Dinner Party, 1979 Because we are denied knowledge of our history, we are deprived of standing upon each others shoulders and building upon each others hard earned accomplishments. Instead we are condemned to repeat what others have done before us and thus we continually reinvent the wheel. The goal of The Dinner Party is to break this cycle.
Basquiat Native Carrying Some Guns, Bibles, Amorites on Safari, 1960s
Robert Rauschberg Riding Bikes, 1999
Sources Mark Hardins ARTCHIVE Nevelson at Guggenheim online Judy Chicago at Womens History

More Related Content

Pp Chap37 Info Age

  • 1. Chapters 37-38 Information Age Pop Art as Image
  • 2. What is Pop Art? Elite Culture Popular Culture Postwar Consumerism Pop Art
  • 3. Andy Warhol Cult figure Celebrated the everyday Materialism Psychological intensity Cow wallpaper, 1966 Campbell Soup Can, 1964
  • 5. Andy Warhol Mint Marilyn Monroe, 1962
  • 7. Louise Nevelsen White Vertical Water, 1972 Used discards from industry to construct assemblages, influenced by cubism
  • 9. Roy Lichtenstein, In the Car (1955)
  • 10. Claes Oldenburg, Pastry Case, 1961-1962 Source: MOMA
  • 11. Louise Nevelsen, Sculpture I think most artists create out of despair. The very nature of creation is not a performing glory on the outside, its a painful, difficult search within.
  • 12. Frank Stella, Empress of India (1965) An example of minimalist painting also called contentless painting Source: MOMA
  • 13. Critics say that Nevelsons art is authentic because it uses objects, while Warhols art is less authentic because it uses images. Do you agree?
  • 14. True subject of a photorealist work is the way we unconsciously interpret photographs and paintings in order to create a mental image of the object represented --Artcyclopedia New Realism New Realism Photorealism
  • 16. Chuck Close Phil, 1969 9 x 7 feet
  • 17. Richard Estes, Hotel Empire, 1987 When you look at a space or an object, you tend to scan it. Your eye travels around and over things. As your eyes move, the vanishing point moves, to have one vanishing point or perfect camera perspective is not realistic. Estes
  • 18. Seeks to transform society by awakening its visionary potential --Fiero (150) Social Conscience Art Global context Social Conscience Art Social Conscience Film
  • 19. Jasper Johns Flag 1954-1955
  • 20. Robert Rauschenberg Bed, 1955 63: x 313 Paint splashed over dream fabric Considered ACTION painting
  • 21. Robert Rauschberg Buffalo II, 1964 8 x 6 feet
  • 22. 油
  • 23. Edward Kienholz The State Hospital 1964-1966
  • 24. Edward Kienholz Backseat Dodge, 1938 Next: The Portable War Memorial, 1968
  • 25. Kienholz: The Portable War Memorial Source: http://www.beatmuseum.org/kienholz/edkienholz.html
  • 26. Judy Chicago The Dinner Party (1974-1979) Setting for 39 women with 999 names of women as supporting tiles Chicago: Meant to end the ongoing cycle of omission in which women were written out of the historical record Represents each woman with place setting featuring plates in butterfly or flower shape, representing the womans vulva Source: http://en.wikipedia.org/wiki/The_Dinner_Party
  • 27. Judy Chicago, The Dinner Party, 1979
  • 28. Judy Chicago, The Dinner Party, 1979
  • 29. Judy Chicago, The Dinner Party, 1979 Because we are denied knowledge of our history, we are deprived of standing upon each others shoulders and building upon each others hard earned accomplishments. Instead we are condemned to repeat what others have done before us and thus we continually reinvent the wheel. The goal of The Dinner Party is to break this cycle.
  • 30. Basquiat Native Carrying Some Guns, Bibles, Amorites on Safari, 1960s
  • 32. Sources Mark Hardins ARTCHIVE Nevelson at Guggenheim online Judy Chicago at Womens History

Editor's Notes

  • #25: http://www.beatmuseum.org/kienholz/edkienholz.html
  • #26: http://www.beatmuseum.org/kienholz/edkienholz.html
  • #27: Source: http://en.wikipedia.org/wiki/The_Dinner_Party