This document discusses diatonic triads, which are chords derived from the notes of a major scale. It shows the triads for the C major scale, including their root notes, quality (major, minor, diminished), and Roman numeral designation within the key. Finally, it displays the diatonic triads for all major keys using this system of Roman numerals to identify the chords' position and quality within each key's scale.
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1. Fold the paper in half from top to bottom and unfold. Repeat at the three other corners.
2. Raise one corner at a 90 degree angle to form the floor and two walls of the box.
3. Complete the box shape by lowering the other corners and folding them into the walls to lock them into place.
4. The finished open box can then be closed by folding the four lids on top of each other.
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The document discusses minor scales, including natural, harmonic, and melodic minor scales. It explains that minor scales are derived from major scales but start on a different note. The natural, harmonic, and melodic minor scales all share the same first 5 notes but differ in their 6th and 7th notes. The harmonic minor raises the 7th note, while the melodic minor raises both the 6th and 7th notes. Formulas are provided for determining the notes in any minor scale based on its key signature.
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This document contains the chord progression and lyrics for the first five verses of the song "My Way" by Frank Sinatra. The chord progression is the same for each verse and consists of C, Em, Gm, A7, Dm, G7, and F chords. The lyrics describe looking back on a life lived fully on one's own terms.
This document discusses minor scales, including natural minor, harmonic minor, and melodic minor scales. It explains that minor scales are derived from major scales but start on a different note. The natural minor scale has the same notes as its relative major scale. The harmonic minor scale raises the 7th note, while the melodic minor scale raises both the 6th and 7th notes compared to the natural minor scale. It also provides a formula for determining the notes in any natural minor scale based on its key signature.
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This document discusses the diatonic triads in the G major scale. It shows the notes of the G major scale on the staff and labels the triads formed from the 1st, 3rd, and 5th notes. These include the major triads of G major, A minor, B minor, C major, D major, E minor, and F# diminished. The Roman numerals under the staff indicate the scale degree of each triad.
This document outlines the diatonic triads of the Eb major scale. It shows the root notes and chord qualities of each triad across three octaves on the staff. The triads are Eb major, F minor, G minor, Ab major, Bb major, C minor, and D diminished, forming the I, ii, iii, IV, V, vi, and vii属 chords of the Eb major key.
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The document discusses the diatonic triads in the F major scale. It shows the notes that make up the I, IV, and V chords (F major, B-flat major, and C major) as well as the ii, iii, and vi chords (G minor, A minor, and D minor). It maps out the notes across the treble and bass clefs.
The document shows the diatonic triads formed from the C major scale. The triads are:
1) C major
2) D minor
3) E minor
3) F major
5) G major
6) A minor
7) B diminished
This document contains a chart showing the diatonic triads of the B major scale. It displays the root, third, and fifth notes of each triad on the staff in both treble and bass clef. There are 7 diatonic triads in the B major scale: B major, C# minor, D# minor, E major, F# major, G# minor, and A# diminished. The chart also indicates the Roman numeral analysis of each triad.
This document provides information about diatonic triads in the E major scale. It shows the notes of the E major scale across three staffs and indicates the triads formed by every other note: E major, F# minor, G# minor, A major, B major, C# minor, and D# diminished. Arrows connect the root notes of each triad.
This document discusses the diatonic triads in the D major scale. It shows the notes that make up each triad and their corresponding chord types. The triads are: I) D major, II) E minor, III) F# minor, IV) G major, V) A major, VI) B minor, and VII) C# diminished.
This document shows the diatonic triads in the Db major scale. It displays the root notes and chord types for each triad across three octaves using staff notation and tablature. The triads progress through the I, IV, V, ii, iii, vi, and vii chords of the Db major key.
This document discusses the diatonic triads that make up a major scale. It shows the notes that comprise the A major scale and the corresponding triads built from the 1st, 3rd, and 5th notes of each scale degree. The triads are A major, B minor, C# minor, D major, E major, F# minor, and G# major.
This document discusses the diatonic triads in the Ab major scale. It shows the notes that make up the 1st, 3rd, and 5th scale degrees which form the basic major and minor chords. It displays the triads vertically on the staff and indicates their chord quality of major, minor, or diminished.
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The document discusses major scales, including their pattern, intervals, and how to identify major scales starting on different notes on the keyboard. It provides examples of major scales starting on the notes F, G, A, E, B, F#, Bb, Eb, Ab, and Db by showing the notes in the scale and identifying the tone/semitone pattern. There are around 8 octaves on a standard piano keyboard.
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This document shows the diatonic triads of the Bb major scale across three octaves on the piano. It displays the root note and quality of each triad in the scale, including Bb major, C minor, D minor, Eb major, F major, G minor, and A diminished, arranged from bottom to top on the staff in root position and inversions.
The document discusses the diatonic triads in the F major scale. It shows the notes that make up the I, IV, and V chords (F major, B-flat major, and C major) as well as the ii, iii, and vi chords (G minor, A minor, and D minor). It maps out the notes across the treble and bass clefs.
The document shows the diatonic triads formed from the C major scale. The triads are:
1) C major
2) D minor
3) E minor
3) F major
5) G major
6) A minor
7) B diminished
This document contains a chart showing the diatonic triads of the B major scale. It displays the root, third, and fifth notes of each triad on the staff in both treble and bass clef. There are 7 diatonic triads in the B major scale: B major, C# minor, D# minor, E major, F# major, G# minor, and A# diminished. The chart also indicates the Roman numeral analysis of each triad.
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This document discusses the diatonic triads in the D major scale. It shows the notes that make up each triad and their corresponding chord types. The triads are: I) D major, II) E minor, III) F# minor, IV) G major, V) A major, VI) B minor, and VII) C# diminished.
This document shows the diatonic triads in the Db major scale. It displays the root notes and chord types for each triad across three octaves using staff notation and tablature. The triads progress through the I, IV, V, ii, iii, vi, and vii chords of the Db major key.
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2. Diatonic / Triads
Diatonic: Derived (made, built) from a scale.
Triads: A three note Chord.
C major scale diatonic triads: Triads derived (made, built) from a C Major Scale.
Root 1 C D E F G A B C
3 E F G A B C D E
5 G A B C D E F G
Dm
Am
Em
B尊
G
C
C
F
3. The Major Scale Diatonic Triad Formula
Triad symbols
Major doesnt have a symbol as its the most common triad
Minor uses a lowercase m
Diminished uses 尊
Augmented uses +
C Dm Em F G Am B尊 C
diminished
minor
minor
minor
Major
Major
Major
Major
4. Roman Numerals for Triads
Because all Major keys have the same chords as you move up the scale.
Roman numerals are used to to identify that within a key the chords are different. But
each chord functions the same way between keys.
I ii iii IV V vi vii尊 I
C Dm Em F G Am B尊 C
diminished
minor
minor
minor
Major
Major
Major
Major
As you can see to identify the triads position within the scale we use Roman numerals instead of normal numbers.
To show that the chord is a major chord the roman numeral is a Capital
To show that the chord is a minor chord the roman numeral is in lower case
To show that a chord is a diminished, because of the relationship with the minor triad its a lowercase
roman numeral and has its 尊 symbol.
(note) although not shown here, to show that a chord is a augmented chord because of its relationship with the
major triad it uses a capital roman numeral and its + symbol.
5. Diatonic Triads for the Different Major Scales
diminished
minor
minor
minor
Major
Major
Major
Major
I ii iii IV V vi vii尊 I
C Major C Dm Em F G Am B尊 C
F Major F Gm Am Bb C Dm E尊 F
G Major G Am Bm C D Em F#尊 C
Bb Major Bb Cm Dm Eb F Gm A尊 Bb
D Major D Em F#m G A Bm C#尊 D
Eb Major Eb Fm Gm Ab Bb Cm D尊 Eb
A Major A Bm C#m D E F#m G#尊 A
Ab Major Ab Bbm Cm Db Eb Fm G尊 Ab
E Major E F#m G#m A B C#m D#尊 E