My work explores the relationship between new class identities and multimedia experiences, acquired synesthesia and life as performance.
With influences as diverse as Munch and Miles Davis, new combinations are manufactured from both explicit and implicit meanings.
Ever since I was a student I have been fascinated by the essential unreality of the mind. What starts out as vision soon becomes manipulated into a cacophony of defeat, leaving only a sense of decadence and the possibility of a new reality.
As undefined phenomena become distorted through studious and academic practice, the viewer is left with an impression of the inaccuracies of our era.
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