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The document discusses the locations that will be used in an upcoming music video. It describes 6 locations: the music room, studio, dance studio, living room, bedroom, and bathroom. Each location will portray different scenes related to the singer's insecurities in her relationship and her boyfriend making her feel insecure. The scenes will use various shots and lighting will be adjusted to create a sense of dullness and gloominess to complement the theme of insecurity in the song.
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The document provides a storyboard for a music video titled "The Ghost of Samantha - Evacuate". It describes 14 scenes that will visualize the lyrics of the song. Scene locations include a front door, garden, picnic area, barn attic, cafe, and field. Camera techniques like tracking shots, close-ups, and stop motion will be used. Lighting will be natural sunlight except for scenes requiring extra lighting due to low light. The artist will wear bright colors to stand out against backgrounds and convey feelings of loneliness through their movements in each scene.Music video evaluation loyle carner ~ sun of jean
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The music video for 'Sun of Jean' by Loyle Carner uses a narrative structure and stylistic elements to tell the story of family and motherhood. Through a series of shots featuring women in domestic settings accompanied by their children, the video explores the relationships between mothers and sons. The grainy, dimly lit footage shot on square formats evokes a nostalgic, comforting atmosphere. By zooming the camera inward, the director draws the audience into the intimate scenes before coming full circle back to the artist at his mother's home.Floor Plans
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The document provides floor plans and camera shot descriptions for three locations being used to film scenes:
1) A bathroom location where most shots will be of the protagonist getting ready in front of a mirror.
2) A bedroom location where wide shots of a party will be filmed, with some shots moving through guests as a point of view. Vintage music and a record player will be included to appeal to nostalgic audiences.
3) An exterior location along a passage that the protagonist will walk through in shots leading towards the party.Recce 
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The document discusses locations for scenes in a music video. It describes using a bedroom to film a scene of the protagonist getting ready, with blue bed sheets and posters indicating the protagonist is male. This relates to the music video feature of showing looking in mirrors. Another location, a room with space and furniture, is chosen for a party scene based on audience research finding the song reminded people of parties. Stereos will be replaced with record players as motifs of the era to create nostalgia for the target audience. Additional locations include a road the protagonist will walk down and the location of the party with establishing shots. The first shot will be of a house as the protagonist's location.Gunslinger Treatment sheet
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This document proposes ideas for lighting, background, costumes, and endings for a music video for the song "Gunslinger" by Avenged Sevenfold. The lighting idea is to use a spotlight on the singer to make him appear like a "narrator" while silhouettes of the band are in the background. The background idea is to have TV screens on either side of the singer playing war footage to connect the lyrics to war. Costume ideas include dressing the singer in classic, casual, or genre-specific "narrator" styles. Ending ideas involve the singer at a tombstone that is revealed to be his own or of someone he lost, connecting him personally to the themes of the song.Evaluation activity 1 
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The document discusses the filmmaker's opening sequence and how it was inspired by and develops conventions from the films Legend, Gone Girl, and Goodfellas. Specifically, it used similar dark alleyway and costume settings and character introductions as Legend. It copied Gone Girl's title design and scene transitions. And it emulated Goodfellas' dark, gloomy atmosphere through black and white filming in a dark alleyway. The opening sequence aims to set the gangster/thriller genre through slow dramatic shots, eerie music, and an element of violence, informed by conventions of those reference films.Music Video Treatment 
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The proposed music video treatment aims to tell the story of an isolated old man who has lost his wife through a narrative storyline and performance by the artist. Shots of the man alone in his dark, empty home would contrast with warmly lit scenes to show his changing emotions. Pictures of the man and his wife would establish her absence. The artist's performance would introduce a parallel storyline. Edited close-ups of the men's hands and faces would draw parallels between their experiences with loss. Scenes of the man in his garden suggest finding freedom and peace while thinking of his late wife. The video aims to interpret the song through both characters' stories of lost love.Music video evaluation - Jake Bugg 'Two Fingers'
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The music video tells a narrative story of the artist Jake Bugg's life. It shows him hanging out with friends, then scenes of conflict at home with his mother and her boyfriend drinking and fighting. Shots show Bugg packing up and leaving home, represented by a shot of him at the airport with friends. The video contrasts scenes of his difficult home life with shots of him performing music, suggesting he uses his artistry as an escape from his problems at home.The grudge opening sequence
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The opening sequence of the film From Hell establishes the time period and setting of late 19th century London during the industrial revolution. Dark cinematography, costumes, and a ominous musical score set a dark and foreboding tone for a film about the Jack the Ripper murders. The sequence introduces the main character smoking alone on a street corner, hinting he may be the murderer, and also shows prostitutes by a run down pub on the outskirts of the city, establishing the social circumstances of the time.Notebook opening scene
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2. The second shot shows Noah closer to shore with the film title above him. This emphasizes Noah's importance as a main character.
3. The third shot shows Noah approaching land from a low angle, further highlighting his significance. Minimal editing and a piano soundtrack maintain the relaxed atmosphere.
4. The second main character, Allie, is then introduced through a shot reverse shot as she watches Noah from shore. Doves in the shot represent the peace between the characters.
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The film introduces the main characters of Anchorman through a helicopter shot of San Diego and a voiceover. It then cuts to shots of each character at their news desk, starting with Will Ferrell's Ron Burgundy who is prideful in his flashy outfit. The other main characters, played by Christina Applegate, Paul Rudd, David Koechner and Steve Carell, are similarly introduced. The opening establishes the self-important but comedic tone and that the film will focus on these four news anchors in San Diego.Music video treatment
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Natalie Major is a 17-year-old singer-songwriter from Chicago who now lives in Los Angeles. She released her debut album "Little Mockingbird" in 2014. The treatment sheet describes plans for a music video for Natalie's unreleased song "Heartbreaker." The concept is that Natalie's character gets revenge on a former lover by destroying reminders of him and other girls. Locations include the school drama room, countryside, and houses. Costumes, makeup, and props help convey themes of rebellion, mystery, and empowerment.Music video treatment
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This document provides a treatment for a music video for the Blur song "Badhead". The treatment calls for intercutting between performance shots of the band and narrative shots telling a story. For the performance shots, the band will be shown lip syncing with close-ups of the instruments and band members. For the narrative, an actor will be shown lying in bed and sitting bored in his empty living room, signifying a lack of direction in his life to match the mood of the downbeat song. The video aims to balance the performance with the narrative through isolating the two elements and focusing camera shots on conveying the song's emptiness and boredom through claustrophobic framing.Actors, props and costumes
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Actor 1 will play himself as the main character lip syncing in the music video due to availability and control over the final product. Some shots will be self-filmed using a tripod while others will be filmed by friends.
Actor 2, Poppy Tiller, was chosen because she is attractive and comfortable wearing minimal clothing, fitting the target audience's expectations for a pop music video.
Actor 1 will wear a white t-shirt, black skinny jeans, grey trainers and occasionally a grey hoodie to appear fashionable and relatable to the target audience. Actor 2 will wear red underwear to enhance the emotional lyrics, and occasionally a baggy jumper.
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The opening sequence of the film From Hell establishes the time period and setting of late 19th century London during the industrial revolution. Dark cinematography, costumes, and a ominous musical score set a dark and foreboding tone for a film about the Jack the Ripper murders. The sequence introduces the main character smoking alone on a street corner, hinting he may be the murderer, and also shows prostitutes by a run down pub on the outskirts of the city, establishing the social circumstances of the time.Notebook opening scene
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1. The opening scene of The Notebook uses long shots of a lake at sunset to establish a sense of romance and equilibrium. Jump cuts are used to introduce the main character Noah swimming in the lake.
2. The second shot shows Noah closer to shore with the film title above him. This emphasizes Noah's importance as a main character.
3. The third shot shows Noah approaching land from a low angle, further highlighting his significance. Minimal editing and a piano soundtrack maintain the relaxed atmosphere.
4. The second main character, Allie, is then introduced through a shot reverse shot as she watches Noah from shore. Doves in the shot represent the peace between the characters.
5. The closingDan Croll - Planning.
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The document outlines plans for filming a music video for the song "Home" by Dan Croll. It discusses using a slow zoom-in shot of a wooden gate to open the video and set the scene. The finishing shot will be a long shot of the main character walking into the distance. Rural and city locations will be used to emphasize feelings of calmness and homesickness. Establishing shots will portray an indie feel through rural outdoor shots of objects like grass and sticks. Potential actors Matthew Tyler and Sam Marlow are mentioned for the male role due to their similar fashion sense. Shots of the character walking happily in fields but feeling uncomfortable and lost in busy city scenes will be used to convey being at home versus out ofN:\media\coursework\story board
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The document outlines a storyboard for a film about a girl being kidnapped. It describes 13 shots that will make up the film, including establishing shots of an iPod and from the girl's point of view, dialogue scenes filmed with low angle shots, scenes of the kidnapper following the girl set to scary music, and ending with an iPod shot where it began. Music and camera angles are chosen intentionally to build suspense and convey meaning to the audience at each point in the story.The Involved- opening storyboard
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The document provides details on 17 shots that would be used in an opening film sequence. Shot 1 shows the protagonist Jade making coffee from a point of view shot. Subsequent shots show Jade leaving the house with her coffee, walking up the stairs and into her bedroom to get ready. Later shots depict Jade walking to work and receiving an alarming phone call. Shots then focus on Jade's distressed facial expressions and panicked conversation with emergency services. The opening sequence climaxes with shots of Jade urgently running home and slamming the front door upon her return. The sequence is designed to quickly introduce Jade, establish the morning routine and build tension regarding an unknown emergency situation.Conventions
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The document discusses conventions of the horror genre that will be utilized in a zombie film trailer. It notes that the storyline of a group surviving a zombie apocalypse is very conventional. Camerawork with a variety of shot types will be used to build tension, as seen in films like Dawn of the Dead. Typical horror film sounds like tense music, ambient screams and zombie noises will be included, as well as changes in music for different scenes. Mise-en-scene elements like low key lighting, abandoned rural locations, and dirty costumes will further conventions of the genre.Shaun of the dead opening title sequence review
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The opening title sequence of Shaun of the Dead establishes the main character Shaun and shows him in his regular pub setting. The non-diegetic music sets a tone that is both cheery and creepy. Scenes of people's daily routines like work and waiting for the bus depict them as behaving automatically and without expression, resembling zombies. Clever transitions like a passing car seamlessly move between scenes. The sequence concludes by showing Shaun walking zombie-like while tired, foreshadowing the film's blending of everyday life and the zombie genre.codes and conventions to opening film sequence
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The opening sequence uses various camera movements like panning and tracking to build suspense and synchronize with a deep voiceover, establishing the action and sci-fi themes. It introduces the production company and suggests the film will have elements of danger, mystery and supernatural themes. The music, colors and shots of the city and soldiers further set the tense atmosphere and indicate it will include action. However, it does not show the cast or other crew unlike most openings.Eminem
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The document discusses shots from Eminem's music video "I'm Not Afraid" that the author likes and wants to emulate in their own rap-pop music video. Specifically, they identify establishing shots on top of a building and in an abandoned location, close-ups showing expression, and mid-shots that make Eminem the focus or show him moving aggressively. They determine to film performance shots on a building and narrative shots in an abandoned warehouse to blend the genres.Question 1 part 2
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The document discusses techniques used in a film to depict flashbacks and the psychological effects of war on a character. Scenes set in the present used the same location as flashbacks for continuity. Flashbacks were shown through sepia-toned or black and white footage to indicate they were in the past. Overlapping and layered videos during intense scenes added to the character's stress and sense that the past and present were colliding. Camera angles and music were chosen to help viewers experience events from the character's perspective and see how the war constantly remained on his mind.D:\Media\Analysis Of A Film Opening
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The film introduces the main characters of Anchorman through a helicopter shot of San Diego and a voiceover. It then cuts to shots of each character at their news desk, starting with Will Ferrell's Ron Burgundy who is prideful in his flashy outfit. The other main characters, played by Christina Applegate, Paul Rudd, David Koechner and Steve Carell, are similarly introduced. The opening establishes the self-important but comedic tone and that the film will focus on these four news anchors in San Diego.Similar to Recce (20)
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This document provides a treatment for a music video for the Blur song "Badhead." It consists of a narrative portion and performance portion by the band. The narrative follows a character named Sam who is feeling empty and directionless. Scenes show him lying in bed and bored in his living room. The performance portions feature the band lip syncing with close-ups of their instruments and scruffy clothing to match the downbeat mood. Shots alternate between the narrative and performance to contrast the emptiness of the story with the band's livelier performance. The video aims to represent the song's genuine lyrics through a claustrophobic and dimly lit style while also entertaining viewers with the band's performance.Dollhouse Lyrics & Goodwin's Theory
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The document summarizes how a music video will illustrate the lyrics of the song "Dollhouse" using Goodwin's theory of music video analysis. Key points include:
1) The video will match shots to lyrics and music through techniques like changing shots when lyrics or beats change.
2) Scenes will depict lyrics directly through visuals like showing a heart for "this is my heart, it's not a toy."
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The document discusses applying Goodwin's theory of music video analysis to a music video being created for the song "Dollhouse" by an emerging pop artist. It examines each line of the song lyrics and proposes visuals that would illustrate, amplify, or contradict the lyrics according to Goodwin's principles. These include matching the visuals and shots to the music, incorporating close-ups of the artist, using notions of looking, and making intertextual references through themes and imagery. The document aims to fit the music video interpretation closely to Goodwin's analytical framework to help establish the new artist.Music video synopsis
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Natalie Major is a 17-year-old singer-songwriter from Chicago who now lives in Los Angeles. She released her debut album "Little Mockingbird" in 2014. The treatment sheet describes plans for a music video for Natalie's unreleased song "Heartbreaker." The concept is that Natalie's character gets revenge on a former lover by destroying reminders of him and other girls. Locations include the school drama room, countryside, and houses. Costumes, makeup, and props help convey themes of rebellion, mystery, and empowerment.Music video treatment
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This document provides a treatment for a music video for the Blur song "Badhead". The treatment calls for intercutting between performance shots of the band and narrative shots telling a story. For the performance shots, the band will be shown lip syncing with close-ups of the instruments and band members. For the narrative, an actor will be shown lying in bed and sitting bored in his empty living room, signifying a lack of direction in his life to match the mood of the downbeat song. The video aims to balance the performance with the narrative through isolating the two elements and focusing camera shots on conveying the song's emptiness and boredom through claustrophobic framing.Actors, props and costumes
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Actor 1 will play himself as the main character lip syncing in the music video due to availability and control over the final product. Some shots will be self-filmed using a tripod while others will be filmed by friends.
Actor 2, Poppy Tiller, was chosen because she is attractive and comfortable wearing minimal clothing, fitting the target audience's expectations for a pop music video.
Actor 1 will wear a white t-shirt, black skinny jeans, grey trainers and occasionally a grey hoodie to appear fashionable and relatable to the target audience. Actor 2 will wear red underwear to enhance the emotional lyrics, and occasionally a baggy jumper.
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The document discusses the props, costumes, and locations that will be used to film a music video. There will be four props - tea light candles surrounding a bath, a guitar played by the actor at the start, and a dress worn by the actor that is white but torn at the bottom. There will also be four locations - a long grass field where the actor walks and sings, a bathroom with candles around the bath, the bottom of a staircase, and a bedroom where the actor lays on the bed singing. The props and locations were chosen to set intimate and emotional scenes to match the indie folk song and tell a narrative of the actor searching for someone through the different areas of a house.Task 3 music pitch
Task 3 music pitchEmilyHumphreys5273
Ìý
The document proposes three music video ideas for songs:
1) "Six Billion" by Nothing But Thieves, about a psychopathic male character stalking a woman. Shots would imply loss but reveal his stalking.
2) "No Answers" by Amber Run, about a divorcing couple. Scenes would flip between their angry phone call and memories of their toxic relationship.
3) "Silk" by Wolf Alice, about a depressed woman who loves her friend, but finds out at a meeting the friend is engaged. Shots imply her daily sadness and reaction to the revelation.Pixie Lott - All about tonight
Pixie Lott - All about tonightwilsonkateemily
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This document provides a detailed shot-by-shot analysis of a music video by Pixie Lott for her song "All About Tonight". It examines 9 shots from the video, describing the composition, editing techniques, costumes, lighting, locations, and how each shot relates to the narrative and lyrics of the song. The analysis finds that close-up and medium shots are used to focus on Pixie Lott, with other shots showing her with friends and dancers. Costumes, makeup, and locations aim to portray the theme of a glamorous night out on the town in New York that will be over too soon.Kayla 9 frame
Kayla 9 framewilsonkateemily
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This document provides a detailed shot-by-shot analysis of a music video for the song "All About Tonight" by Pixie Lott. It examines 9 shots from the video, describing the composition, lighting, costumes, editing techniques, and how each shot relates to the narrative and lyrics of the song. The overall narrative portrayed is of Pixie Lott and her friends getting ready for and enjoying a big night out in New York City, making the most of a special opportunity.4. pre production mv 2018
4. pre production mv 2018AdamLepard
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The document provides planning details for a music video production, including:
- Visual concepts exploring a relationship that turns sinister
- Storyboards and shot lists breaking down the song into scenes
- Use of lighting and location to distinguish between the relationship and horror elements
- Organizational information like crew roles, locations, and contingencies for weather or permissionsMusic video ideas generation report 
Music video ideas generation report sophiejane27
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The proposed music video would tell a narrative love story involving heartbreak through the experience of the female main character. It would have a pop genre and focus on the themes of love and sadness. Scenes would include the character walking alone in public and showing emotion over getting her heart broken by a past relationship. Low key lighting, natural sunlight, and everyday clothing would be used to make the character and setting seem normal. The video would use continuity editing and digital effects like lighting changes to portray the character working through overcoming her feelings from the ended relationship.Evaluation question 1 a2
Evaluation question 1 a2sparkly
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This document provides examples of shots from real music videos that demonstrate different filmmaking techniques. Several shots are provided that show a link between lyrics and visuals, how an artist is represented for their record label, the use of mise-en-scene, lighting, camera work, and intertextual references. The shots are analyzed and described in terms of how they illustrate these various cinematic techniques.Mise en-scene
Mise en-scenejassy0121
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The document discusses the mise-en-scene elements for a music video, including costumes, lighting, actors, props, and settings. For costumes, the singer will wear layered shirts that reference the band and create mystery. Natural lighting will be used outside, and indoor lighting will come from house lights. The main character and his friend will be the only actors, as their ages match the target audience. No makeup will be used. Props include game controllers and teacups. Settings include a bedroom, woods, abandoned train tracks, and a bridge.Chosen locations
Chosen locationsfeargz10
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The document discusses locations and shots for a music video. It describes using a black box room to film the actor singing with red lighting to create silhouettes and convey emotion. Various close-up shots of the actor's face and mouth singing will be used. London is selected as a location to film the actor walking and 'finding himself' with close-ups, mid, and long shots. Shots at the document writer's house will show the actor's loneliness by living alone, including the actor singing on the kitchen floor and in the loft with dimmed lights.Recce
- 1. RecceHere we will be discussing the locations we are going to use for our music video and what will happen within these locations
- 2. Music Room We are planning to open our video with this scene. The scene will contain the main female or the singer playing the piano opening the narrative of the song. This will also be in sync with the piano playing of the actual audio/song. We are planning to use these scenes throughout the music video so it shows a shot reverse shot between her reality and her flashbacks of when her boyfriend made her feel insecure. The lighting when we actually film the video will be adjusting using none other than artificial light rather than natural daylight from outside. This is because we want to create a sense of dullness and gloominess within the shot so that it complements the theme/ insecurity of the song.
- 3. Studio This location will also be used throughout our music video.It will include the singer against the black wall of this studio lyp- syncing to the song. This is the only point where she will be lip syncing to the song but will be shown from time to time in the music video.The lighting will be adjusted to very little and dull to express the theme of our product.
- 4. Dance Studio The Dance studio was used as our main location because this is where the artist went most of her time to unwind her personal problems including her insecurities towards her boyfriend. The mirror in the dance studio will be a bonus as we will take professional images for our print products. It also represents loneliness as she is interacting with nothing but her reflection. The shots we will be using includes wide shots, long shots and high angle shots.
- 5. Living-Room The living room will be used firstly for the arguing scene which will take place in this corner of the living room. These shots will include over the shoulder shots and wide shots during the argument. This is where the male will be playing the playstation as a distraction away from the girlfriend and as a way of rejecting her and not giving the attention she wants. The the third appearance of the living room will be of the singer walking in all dressed up trying to impress her boyfriend but he ends up rejecting her and not giving her any attention. She will appear out of focus behind the male and as she approaches she will become focused and part of the scene.
- 6. Bedroom This location is where the mistress will appear to receive a text from the male saying ‘I love you’ when the audience expects for the singer to receive the text instead. She will be laid across the bed with everyday normal props like her laptop ipad and phone for a more realistic approach to the narrative. This scene will reveal to the audience that he is in fact cheating on the main singer.
- 7. Bathroom The bath scene will appear as if the main singer has been in the bath for a long time thinking about her insecurities towards the male. This will be portrayed by using transitions such as fading in and out, and dissolving onto the next shot of her in the bath for a sense of a long period of time spent in the bath. The shots will be close enough to show her sad expressions and to show her mascara running down her face to suggest she has been crying the whole time.