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Design online presentation
Dinah Eastop
Design Online: extending access
to the BT Design Register
What is the BT Design Register?
6 series, 1839-1991
11,122 volumes or boxes
Why was the BT Design Register established?
To confer copyright protection to designs registered by proprietors
Registers (small volumes) with the text record of registration:
name and address of proprietor; date of registration; design number
Representations (pasted in large volumes or loose in boxes) with
representations of the registered designs
Where? Worldwide: proprietors and markets
5
How are designs represented?
Representations of the designs take many forms
photographs, drawings, paintings, samples and artefacts
6
Collection management for preservation and access
 11,122 orderable units (volumes or boxes)
 some volumes weigh more than 25kg
 nearly 3 million designs in wide range of materials & forms
7
Access
* Find
* Retrieve
* Present
8
Focus: BT43/BT44
Design Register series for 1842-1884
BT44 = registers x 38 - name-rich
BT43 = 432 large volumes filled with
representations of the designs
BT43/BT44 = access challenge: designs registered and
arranged according to 14 classes of materials and products:
metal, wood, glass, earthenware, paper hangings [wallpaper],
carpets and 8 textile classes: printed shawls, other shawls,
yarn, printed fabrics, furnitures [printed fabrics with larger
pattern), other fabrics, damasks, and lace
10
Wide range of materials, inc. embossed leather, soap, mirror glass
11
BT43/416 Lace 1842-1843
12
Consultation with users and potential users
essential to link registration information with representation
via the design number
13
Find: improve online resources
transcription & cataloguing of BT44 registers
14
BT44 registers transcribed, catalogued & online
2012 = record year for release of online resources
The biggest contribution = BT43/BT44 Design Register releases:
335,311 items in BT 44
406,411 items in BT 43
15
16
17
18
Find: improve online resources
transcribe text on/alongside representations
User Participation Project  10% of BT 43
19
Example of additional text
The Flying Steam Company to China in Twenty-Four
Hours Certain. Design registered 15 May 1843
20
Next steps? Further transcription
21
Conservation of volumes and representations (designs)
22
Present designs on-line. How?
23
300 mid-Victorian ceramic designs and other curiosities
http://www.nationalarchives.gov.uk/designregisters/
Explore: RTI  polynomial texture mapping PTM
an image capture and processing technique
virtual re-lighting & zoom in
Explore: RTI  polynomial texture mapping PTM
lighting from above x raking light & zoom
26
Explore online: RTI/PTM
http://blog.nationalarchives.gov.uk/blog/author/deastop/
27
Explore online: RTI/PTM
http://blog.nationalarchives.gov.uk/blog/texture-mapping-part-
three/#more-8644
28
Explore online: RTI/PTM
http://blog.nationalarchives.gov.uk/blog/capturing-and-
exploring-texture/#more-8178 - publications
Online delivery  image capture - challenges
29
Online delivery of nearly 3 million images
Option - intuitive image-browsing ?
150+ images per screen view; can be sorted
30
Conclusion: Integrated approach to
access, preservation and development
Development
of resources & services
Access Preservation
Acknowledgements
The Clothworkers Foundation
The Arts and Humanities Research Council
The archivists, artists, conservators, designers and historians
who contributed to the consultation events
Volunteers and colleagues at
The National Archives
32
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Editor's Notes

  • #4: Board of Trade Design Register 1839-1991 rich resource - as text and as material evidence
  • #7: Board of Trade Design Register 1839-1991 rich resource - as text and as material evidence Products, e.g. leather gloves, straw bonnets, mittens, socks Samples, e.g. printed and woven shawls, furnishing textiles, lace Photographs of products Drawing of products & textile designs Tracings of textile designs
  • #9: Accessibility The accessibility of movable heritage collections is characterised as: the ability of a user to find an item within a collection, i.e. to know that a particular collection holds this item; the ability of the institution to locate the item and retrieve it, and 3. the ability of the institution to present it to a user in a format which is most appropriate to both the item and the user . In the case of the BT Design Register , access needs to be provided to as many aspects of the Series as possible, i.e. the container (or physical structure), the content (through improved catalogue data), and the material information intrinsic to the representations themselves .
  • #10: Board of Trade Design Register 1839-1991 rich resource - as text and as material evidence
  • #31: Class 12 Other Fabrics (Damasks) -BT 43/414 292258 blue butterfly