The document presents a method for detecting violent scenes in movies using affective audio and visual features. Low-level audio and visual features are extracted from movie segments and used to generate mid-level audio representations based on Bag of Audio Words. Audio and visual features are then fused and used to train an SVM classifier to detect violence. Experimental results on 3 movies showed that mid-level representations achieved slightly better performance than low-level features, but affect-related features need improvement, especially for visual representations. Future work will explore using mid-level features like facial features and more sophisticated motion descriptors.
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1. Detection of Violent Scenes using Affective Features
Esra Acar
Competence Center Information Retrieval and Machine Learning
4. October 2012
2. Outline
â–¶ Motivation
â–¶ Background
â–¶ The Method
 Audio Features
 Visual Features
â–¶ Results & Discussion
â–¶ Conclusions & Future Work
4. October 2012 Detection of Violent Scenes using Affective Features 2
3. Motivation
â–¶ The MediaEval 2012 Affect Task aims at detecting violent
segments in movies.
â–¶ A recent work on horror scene recognition detects horror
scenes by affect-related features.
â–¶ We investigate whether
 affect-related features provide good representation of
violence, and
 making abstractions from low-level features is better than
directly using low-level data.
4. October 2012 Detection of Violent Scenes using Affective Features 3
4. Background
â–¶ The affective content of a video corresponds to
 the intensity (i.e. arousal), and
 the type (i.e. valence) of emotion
expected to arise in the user while watching that video.
â–¶ Recent research efforts propose methods to map low-level
features to high-level emotions.
â–¶ Film-makers intend to elicit some particular emotions (i.e.
expected emotions) in the audience.
â–¶ When we refer to violence as an expected emotion in
videos, affect-related features are applicable for violence
detection.
4. October 2012 Detection of Violent Scenes using Affective Features 4
5. The Method
â–¶ The method uses affect-related audio and visual features to
represent violence.
â–¶ Low-level audio and visual features are extracted.
â–¶ Mid-level audio features are generated based on the low-
level ones.
â–¶ The audio and visual features are then fused at the feature-
level and a two-class SVM is trained.
4. October 2012 Detection of Violent Scenes using Affective Features 5
6. Audio Features - 1
â–¶ Affect-related audio features used in the work are:
 Audio energy
 related to the arousal aspect.
 high/low energy corresponds to high/low emotion intensity.
 used for vocal emotion detection.
 Mel-Frequency Cepstral Coefficients (MFCC)
 related to the arousal aspect.
 works well for the detection of excitement/non-excitement.
 Pitch
 related to the valence aspect.
 significant for emotion detection in speech and music.
4. October 2012 Detection of Violent Scenes using Affective Features 6
7. Audio Features - 2
â–¶ Each video shot has different numbers of audio energy, pitch and
MFCC feature vectors (due to varying shot durations).
â–¶ Audio representations are obtained by computing mean and
standard deviation for these audio features.
â–¶ Abstraction for MFCC:
 MFCC-based Bag of Audio Words (BoAW) approach is chosen to
generate mid-level audio representations.
 Two different audio vocabularies are constructed: violence and
non-violence vocabularies (by k-means clustering).
 MFCC of violent/non-violent movie segments are used to
construct violence/non-violence words.
 Violence and non-violence word occurrences within a video shot
are represented by a BoAW histogram.
4. October 2012 Detection of Violent Scenes using Affective Features 7
8. Visual Features
â–¶ Average motion
 related to the arousal aspect.
 Motion vectors are computed using block-based motion
estimation.
 Average motion is found as the average magnitude of all
motion vectors.
â–¶ We compute average motion around the keyframe of video
shots.
4. October 2012 Detection of Violent Scenes using Affective Features 8
9. Results & Discussion - 1
â–¶ The performance of our method was assessed on 3
Hollywood movies (evaluation criteria: MAP at 100).
â–¶ We submitted five runs:
 r1-low-level: low-level audio and visual features,
 Runs based on mid-level audio and low-level visual features
 r2-mid-level-100k: 100k samples for dictionary construction,
 r3-mid-level-300k: 300k samples for dictionary construction,
 r4-mid-level-300k-default: 300k samples for dictionary
construction + SVM default parameters, and
 r5-mid-level-500k: 500k samples for dictionary construction.
4. October 2012 Detection of Violent Scenes using Affective Features 9
10. Results & Discussion - 2
Table 1 – Precision, Recall and F-measure at shot level
Run AED-P AED-R AED-F
r1-low-level 0.141 0.597 0.2287
r2-mid-level-100k 0.140 0.629 0.2285
r3-mid-level-300k 0.144 0.625 0.2337
r4-mid-level-300k-default 0.190 0.627 0.2971
r5-mid-level-500k 0.154 0.603 0.2457
Table 2 – Mean Average Precision (MAP) values at 20 and 100
Run MAP at 20 MAP at 100
r1-low-level 0.2132 0.18502
r2-mid-level-100k 0.2037 0.14492
r3-mid-level-300k 0.3593 0.18538
r4-mid-level-300k-default 0.1547 0.15083
r5-mid-level-500k 0.15 0.11527
â–¶ Slightly better performance is achieved with mid-level representations compared
to the low-level one.
â–¶ Using affect-related features to describe violence needs some improvements
(especially the visual part).
4. October 2012 Detection of Violent Scenes using Affective Features 10
11. Conclusions & Future Work
â–¶ The aim of this work was to investigate whether affect-
related features are well-suited to describe violence.
â–¶ Affect-related audio and visual features are merged in a
supervised manner using SVM.
â–¶ Our main finding is that more sophisticated affect-related
features are necessary to describe the content of videos
(especially the visual part).
â–¶ Our next step in this work is to use
 mid-level features such as human facial features, and
 more sophisticated motion descriptors such as Lagrangian
measures
for video content representation.
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12. Thank you!
Questions?
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