Presentation given September 10, 2010 as part of Library History Seminar XII: Libraries in the History of Print Culture. For associated paper, see: http://alycia.brokenja.ws/content/meta-radicalism-alternative-press-and-activist-librarians
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Meta-Radicalism
1. Meta-Radicalism:
The Alternative Press
by and for
Activist Librarians
The Center for the History of Print
Culture in Modern America
Library History Seminar XII
Libraries in the History of Print Culture
Alycia Sellie
Brooklyn College
September 10, 2010
9. Meta-Radicalism
My focus is upon publications that have the following four criteria:
1. ¡°Alternative¡± Periodicals
2. Created by Librarians
3. That promote the collection of alternative
publications in libraries--
4. as a form of library activism
11. Meta-Radicalism
I¡¯m also interested in how these publications have or have not been
collected and preserved within libraries, and what collection
development decisions¡ªand ¡°inside¡± censorship can tell us about the
political landscape of librarianship as a whole.
12. The Three Waves of Alternative
Librarian Publications:
1. Revolting Librarians
2. Riot Librarrrian
3. Hacktivists
13. 1. Revolting Librarians:
The Undergrounds
AKA: ¡°Where have all the flowers
(and political leaflets, social
protest pamphlets, movement
literature, and fugitive materials)
gone?¡±
14. ¡°Commercial library journals
already in existence are mired in
coverage of ALA, articles by male
administrators who lay down the
law or show off their academic
terminology, ¡®non-biased¡¯ bland
reviews of trade books, and non-
recognition of the significance of
independent publishing. At least
half of their pages are devoted to
advertisements for the same trade
books they ¡®objectively¡¯ review.¡±
--Valerie Wheat, The Passionate
Perils of Publishing
16. Themes from the
Revolting Library
Literature:
1.¡°Conglomeritis¡±
2.Outsourcing of Collection
Development
3.Definitions of the alternative
press and its culture
4.How-To¡¯s
5.Cataloging (ethical subject
headings)
6.Indexing of the alternative press
7.Lists and reviews of alternative
library literature (how I chose
which titles to focus upon)
20. Zine Themes
1. How-To¡¯s
2. Creating a collection/getting
permission
3. Cataloging (technical detaisl
of how to do it and the lack of
pertinent terms more so than
ethics of subject headings)
4. Reviews of other zines, and
reading lists
5. Defining zines, zine culture
and zines are not blogs
23. Library Holdings
What has been collected?
If it wasn¡¯t collected, was there a deliberate act of ¡°inside¡±
censorship involved?
24. (Why) Libraries Should Collect
Alternative Materials
¡°Why collect such apparent oddities, low-
circulation photocopied items the likes
of which few have seen? Simply this:
because they are a part of culture and
history. Let¡¯s not attempt to sanitize our
culture, but let future historians see for
themselves the true diversity of
interests and modes of expression that
thrived for a time. After all, imagine
being able to read a list of titles, but not
being able to examine them. The
vaunted freedom to read means nothing
if the things we want or need to read are
unavailable.¡±
--Chris Dodge, Collecting the Wretched Refuse: Lifting
a Lamp to Zines, Military Newspapers and
Wisconsinalia
25. Jane Goodall Would Collect Alternatives
BILL MOYERS: So, what do we lose if the last chimp goes?
JANE GOODALL: Well, we lose one window into learning about
our long course of evolution¡ What are our great-grandchildren
going to say if they look back and-- I felt sad that the dodo had
gone. But those people didn't understand. They look back, the
children in the future, at our generation and say, "How could
they have done that? They did understand. There were lots of
people out there telling them. How, why did they go on not
trying to do anything about it?"
BILL MOYERS: And when I told someone yesterday that you were
coming, he said, "Well, you know, I just read that there are 3,200
tigers left in the world. And that their Asian habitat is
disappearing very quickly." And he said, "But, you know, when
the tigers are gone, will they be missed any more than the dodo
is missed? What difference does it make?" he said.
JANE GOODALL: It's just that, you know, if you have this huge
respect for the natural world that I have. I mean, the wonder of
all these different forms of evolution. And these fantastic
ecosystems where everything depends on everything else. We
don't know what difference it might make if some of these
creatures that we're pushing to the edge disappear. You can take
out a tiny insect from an ecosystem. Who cares?
Well, it may turn out that some other creature depended on that
tiny insect. So, that will disappear. And goodness knows what
effect that one had on something over there. So, that will
change. And so, in the end, you get what's been called, you
know, ecological collapse.
26. The Opposition?
¡°We librarians are not free agents or beatniks,
but tax-paid servitors, and the institutions we
work in have traditions and enjoy a respect that
one would hate to see jeopardized. Many
librarians are idealistic, and tend to respond
sympathetically to any cry for freedom, even the
cry of the drunk and homosexual writer, or the
greedy cry of a publisher impatient of any
obstacles to quick profits.¡±
-- Robert D. Franklin, ¡°A Game of Chicken,¡± Library Journal,
27. Holdings of Revolting Librarian Era
Most-Cited Periodicals
Rough OCLC
Started Ended Title Holdings
1971 current Unabashed Librarian 836
1973 1998 Emergency Librarian (Canadian) 407
1973 1976 Booklegger Magazine 205
1970 1995 Sipapu 187
1984 1999 SRRT Newsletter 145
Counterpoise: For Social Responsibilities,
1997 current Liberty and Dissent 137
1967 1973 Synergy 131
1990 current Progressive Librarian 122
1970 Women in Libraries 71
1969 1979 Women Library Workers 58
1977 1978 Collectors Network News 25
1973 1979 Young Adult Alternative Newsletter 22
1970 1975 Liberated Librarians Newsletter 13
1970 1976 Top Secret 10
1876 current Library Journal 8000+
1939 1995 Wilson Library Bulletin 1895+
28. Title OCLC
Zine World 29
Zine Librarian Zine
Xerography Debt
16
8
Holdings of
Lower East Side Librarian Winter Solstice Shout-
Out 7 Librarian Zines
Durga 5
Library Bonnet 5
How to be a good library patron/ Associated
How to be a bad library patron 5 Title OCLC Monograph
Dwan 5 56 for Cometbus
I Dreamed I Was Assertive 3 Cometbus 11 Omnibus
Zine Capsule 3 108+ for Stolen
Clutch 3 Brainscan 8 Sharpie
Barnard Zine Library zine 3
Thoughtworm 3
Baltimore County Public Library Zine Collection 3
Browsing Room 3
Riot Librarrrian 2
The Borough is My Library 2
Biblio-Zine 2
Library Urinal 2
Meta-Zine 2
Ghosts of Ready Reference 1
Object Lesson 1
Secret Adventures of Library Pages 1
America? 0
34. Alycia Sellie
Brooklyn College
asellie@brooklyn.cuny.edu
http://alycia.brokenja.ws
Editor's Notes
#2: Introduction; this talk is more about my research process¡ªfolks can read my paper for more information.
#3: In February 2009, I got this email from Andrea Grimes from SFPL I hadn ¡¯t ever heard of Synergy, but I talked to my colleagues at Brooklyn College and requested the issues
#4: This is what arrived. It wasn ¡¯t a full run of the publication, but it was enough for me to be totally captivated.
#5: I started to look through the issues and was amazed by what I found.
#6: I was making a zine about libraries at the time and I was really inspired by Synergy. Everything felt very alive, though the issues were¡ªin full disclosure¡ªolder than me.
#7: There were articles about bike riding, the environment, paraprofessionals, reference, homosexuality, the occult, sex, drugs and cataloging.
#8: As I learned more about Synergy, I kept trying to place it within the spectrum of library literature that I knew.
#9: This is more of what I was used to in library literature: advertisement-driven, business-like aesthetics, complete with librarians wearing business suits.
#10: So I started to think about why Synergy was so appealing to me and how it differed from other publications. I personally have been interested in alternative and underground publications for some time¡ªand realized that Synergy was doing some of the same advocating for inclusion in library collections. So I set out to see if there were more Meta publications¡ªand here is my criteria for what I was looking for.
#11: I mentioned ¡°alternative.¡± All articles that talk about alternative literature must define that term. While I do also use ¡°underground¡± here as well, I feel thinking about the word alternative is important here for many of the reasons Chris Dodge describes in his article, ¡°Alternative to What.¡±
#12: Beyond just looking at these publications, I am interested in their relationship to library collections¡ªespecially so as publications BY librarians.
#13: I ¡¯m going to touch upon the three waves of alternative library publications that I have identified¡ªthere may be others, but these are the three that I have found to be the most compelling.
#14: First, the revolting publications of the 60 ¡¯s and 70¡¯s. Offset printing made these publications possible. Library publications followed many of the attributes and trends of underground papers or other alternative materials of the time.
#15: Why did librarians make these publications? Like other alternative pubs, they wanted to express something that was not already expressed (something that may have been ignored or overlooked otherwise). They also wanted to offer alternatives or combat other library publications.
#16: In addition to Synergy, other alternative library publications began in this era. Some reflect the struggles over social responsibilities and freedom that Toni Samek has documented so well, and others are barely more than inside jokes¡ª ¡±Title Varies,¡± for example, which had its ¡°Hall of Shame.¡±
#17: A few major themes I have been able to identify from this era. #7 has been extremely important: many titles referenced one another and through these lists I have been able to identify and determine titles for this project.
#18: #2. Zines. The definition of a zine is also difficult; like defining alternative. Zines very popular in the 1990 ¡¯s¡ªpunk and riot grrrl, but their lineage can go further back to 1930¡¯s sci-fi or even to Tom Paine and the pamphleteers.
#19: People are still making zines. Librarians are making zines. A shift in emphasis, however: I have noticed that where it used to be more popular among librarians to advocate for alternative materials collections, it seems more common now to try to start a (narrower) zine collection.
#20: Meta! Zines by zine librarians about being zine librarians! Akin to the underground publications of the 60 ¡¯s and 70¡¯s advocating for undergrounds in libraries
#21: Zine Themes: Bowling alone phenomenon: more perzines/diaries of the lone librarian than pubs speaking to, by and for fellow comrades. Cataloging: more technical than ethical Zines are not blogs!
#22: 3. Activism for alternatives online? How has the web displaced print publications? And How has it changed library conversation? (Why) Would someone advocate for print publications on the web?
#23: Librarian blogs¡ªmany of them, as we are all aware, and they run the gamut of topics. Themes: technology (yet another meta project), trends, intellectual freedom, gripes What online projects that are happening online may have been a print publication in an earlier era? Radical Reference? Library Juice? Does the web make these projects possible in ways that print could not? And how are these digital projects and publications being preserved, if at all?
#24: What can our catalogs tell us about librarians and how they feel about the fringes and controversy? (because if they are not collecting librarian-created publications because they disagree with them, what ELSE aren ¡¯t they collecting?!)
#25: Back up a bit: WHY should libraries bother with alternative publications? Chris Dodge Reflect the local populations in your community Collect the work of the populations in the library ¡¯s community
#26: When I was prepping for this talk, I happened to hear Jane Goodall interviewed, and thought that what Jane was describing¡ªpreservation¡ªwas pertinent to why we should collect holistically.
#27: Who would disagree? Opposition to collecting alternative materials is usually as underground as the publications themselves One example from Library Journal in 1964.
#28: Here we see the proof of some kind of opposition. Sandford Berman: ¡°Inside¡± censorship (not collecting what would be seen as controversial) vs. Outside censorship (challenges to books already in the collection) Is inside censorship what is happening here? S.J. Leon wrote about inside censorship in Philadelphia that the catalog does not tell us WHY something is not there. Or these publications may have been collected, but not cataloged.
#29: # of zines even smaller Surprising knowing the amount of literature¡ªeven in the mainstream¡ªabout zine collections
#30: What problems do these numbers pose? For researchers, hard to get copies of serials, as a whole item or a whole run of a publication. I had all the collections of the city of New York at my disposal, and I still had problems with ILL and access with this project. Which led me to NYPL one day to look at a few issues of this publication, Top Secret, about the Collectors Network.
#31: More important than just being able to see the publication is what I saw here, on the top corner of the page. Does anyone know what these three letters scribbled here mean? Does anyone recognize this handwriting?
#32: How I know what this means I learned when I worked in this room at the Wisconsin Historical Society for three years with James Danky. The Newspapers and Periodicals Collection got over 9,000 current titles when Jim retired in 2007. When I worked there, when Jim would check a title and found that a publication was already in the collection¡
#33: He would scrawl these three letters on its cover. Those were the three letters I found on the cover of this title at NYPL, in his handwriting that you see here. Jim could have thrown out the issues, but his commitment to collecting and sharing made it so that I could see these issues¡ªand when I asked him last summer he told me that he didn ¡¯t remember sending anything to NYPL directly, so others like him helped as well.
#34: Finally, I wanted to end with this: one of the most inspirational pieces about alternative collecting that I have found, and one that would be very difficult to access now. It was published by Chris Dodge on his geocities website. Since geocities has since dissolved, how is one to find it now? How will this work be preserved?