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Those inclined to dismiss experience and competence against the backdrop of youth would mistakenly dismiss Bryan Gilles鈥� as a mere magical upstart. Looking past reflexive assumptions, however, one could just as easily find themselves dumbfounded by the sheer knowledge of the art and its historical provenances possessed by such a comparatively young entertainer. These characteristics alone separate Bryan from 95% of his contemporaries, whose primary magical tapestries began with the emergence of David Blaine and Criss Angel. As a rare, second-generation magician, Bryan was outfitted with the early tools and appreciations necessary to later work with
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