Sales force excellence and Automation taskease enterprise broucher-thetaskeas...Dhurjati Madhuri
油
TaskEase Enterprise-Sales Force Excellence and
Automation
-Mobile CRM
-Sales Presentation Module
-Mobile Sales Force Monitoring & Automation
Know more
Visit us at thetaskease.com
Infographic | How to make a good picturePixelkings
油
This was a school assignment for the audiovisual course.
I want to thank Matthew Copeland for featuring my video in his blog:
matthewcopeland.me/infographic-videos-rock/
Beginning task sheet s and startup year 9Bev Towns
油
The document outlines Beverly Towns' Year 9 Art curriculum for the year, including assignments, due dates, and events for each term. Students will explore themes through fan art, clay tiles, and other media while learning about elements, principles, processes, color, and artists. Final assessments include completed fan artworks and a clay tile project to demonstrate skills developed over the course of study.
This document outlines an art unit on creating cooling fans. The unit focuses on applying elements and principles of art, using observation and composition to develop ideas, and analyzing artists' works. Students will learn about traditional fans and cultural patterns, design their own works using an artist's method, and create a finished cooling fan using natural materials and a variety of media. The unit aims to develop key competencies around relating to others, self-management, thinking, and using language and symbols. Students will be assessed through self-appraisal, peer appraisal, and teacher assessment.
The document provides information on various New Zealand artists and their works from the late 20th century, including brief descriptions of artworks, materials used, and publications or exhibitions. Some of the artists mentioned are David Trubridge, Hana McWhannell, Bill Sutherland, Selwyn Muru, Jacqueline Fraser, Megan Huffadin, Rosalie Gascoigne, and Cushla Whiting. Reference is also made to a publication from 1988 titled "100 NZ craftsmen" and exhibitions at the Aotea Centre in Auckland in 1990 and 1984.
Sales force excellence and Automation taskease enterprise broucher-thetaskeas...Dhurjati Madhuri
油
TaskEase Enterprise-Sales Force Excellence and
Automation
-Mobile CRM
-Sales Presentation Module
-Mobile Sales Force Monitoring & Automation
Know more
Visit us at thetaskease.com
Infographic | How to make a good picturePixelkings
油
This was a school assignment for the audiovisual course.
I want to thank Matthew Copeland for featuring my video in his blog:
matthewcopeland.me/infographic-videos-rock/
Beginning task sheet s and startup year 9Bev Towns
油
The document outlines Beverly Towns' Year 9 Art curriculum for the year, including assignments, due dates, and events for each term. Students will explore themes through fan art, clay tiles, and other media while learning about elements, principles, processes, color, and artists. Final assessments include completed fan artworks and a clay tile project to demonstrate skills developed over the course of study.
This document outlines an art unit on creating cooling fans. The unit focuses on applying elements and principles of art, using observation and composition to develop ideas, and analyzing artists' works. Students will learn about traditional fans and cultural patterns, design their own works using an artist's method, and create a finished cooling fan using natural materials and a variety of media. The unit aims to develop key competencies around relating to others, self-management, thinking, and using language and symbols. Students will be assessed through self-appraisal, peer appraisal, and teacher assessment.
The document provides information on various New Zealand artists and their works from the late 20th century, including brief descriptions of artworks, materials used, and publications or exhibitions. Some of the artists mentioned are David Trubridge, Hana McWhannell, Bill Sutherland, Selwyn Muru, Jacqueline Fraser, Megan Huffadin, Rosalie Gascoigne, and Cushla Whiting. Reference is also made to a publication from 1988 titled "100 NZ craftsmen" and exhibitions at the Aotea Centre in Auckland in 1990 and 1984.
Beginning task sheet 2 includes 3 1revised plannerBev Towns
油
This document provides tasks and instructions for a student's art assessment. It outlines 10 tasks for the student to complete including analyzing elements and principles of design, comparing the works of different artists, researching additional artists, and creating artworks. It also includes planning templates to schedule the tasks over multiple terms and art vocabulary terms. The overall goal is for the student to demonstrate their knowledge of art-making approaches and ideas through analyzing existing works and creating their own pieces.
This document provides a history and introduction to Maungakiekie Marae located in Auckland, New Zealand. It describes how the original inhabitants were the Waiohua people led by chief Kiwi Tamaki in the 18th century. The hill was covered in bush and the kiekie plant which was used to make mats and baskets. In 1600, a totara tree was planted on the summit during a traditional ceremony for a high-ranking child, and the hill became known as Te Totara I ahua or "the Totara that stands alone". When John Logan Campbell saw it in 1840 he named it One Tree Hill. The current marae stands in the shadow of this historic mountain that has been
Assemblage presentation one tree hill finalBev Towns
油
Assemblage art is made from fragments of found objects arranged in three dimensions. It describes works created from pieces of discarded materials. Examples include Louise Nevelson's "Sky Cathedral" sculpture made from wood fragments and Robert Rauschenberg's "Untitled" piece combining a taxidermied chicken and painted shoes. Students will make their own assemblage art using books, taking inspiration from the works of artists like Dale Copeland, Brian Dettmer, and Mike Stilkey who incorporate text into 3D collages.
This document provides an introduction to Maungakiekie Marae located in Auckland, New Zealand. It summarizes the marae's history, beginning with the original inhabitants being the Waiohua people led by chief Kiwi Tamaki in the 18th century. It describes how "Maungakiekie" refers to a hill covered in the climbing plant kiekie. It details how in 1600, a totara tree was planted on the summit after a birth ceremony, becoming known as "Te Totara I ahua." When John Logan Campbell saw the hill in 1840, he named it "One Tree Hill," the name it remains known by today. The document positions the marae as standing in the shadow of
This document provides biographical information on several New Zealand artists whose works are in the One Tree Hill College art collection, including Colin McCahon, Don Binney, Dick Frizzell, Wallace Crossman, Rodney Fumpston, Nigel Brown, John Pule, Pat Hanly, and A.C. Neale. It describes when and where the artists lived and worked, their artistic styles and subjects, educational backgrounds, notable exhibitions, and other career highlights. Images of artworks by these artists held in the collection are also displayed.
Composition refers to the arrangement of elements and their relationship within a space or image. Key terms used to describe composition include cropping, overlapping, positive and negative space, and light direction. Effective composition can be achieved by dominating the space with the subject matter, using cropping and overlapping to show depth and perspective, and manipulating tone to create dimension and form. The example document discusses these composition techniques and provides student work samples demonstrating a range of compositional approaches.
This document lists various artists and artworks, along with cultural background information. It includes the names of 18 artists from different ethnic backgrounds such as Samoan, Maori, Aboriginal, European, Niuean, and Rarotonga. The artists and artworks are from New Zealand and Australia, and date from 1974 to 2006. It also lists some schools and events related to cultural identity in New Zealand.
This document provides information about various inspirational artists and their printmaking techniques, including woodcuts, mono prints, etching, and drypoint. It profiles several iconic artists such as Hokusai, Picasso, Kollwitz, Durer, and Cassatt who utilized these techniques. It also showcases examples of contemporary prints from New Zealand artists working in woodcut, etching, and mono printing mediums.
Here are the key steps for the task:
1. Divide your A3 page into 4 equal sections.
2. In the first 3 sections, redraw one work each by Virginia King, Lonnie Hutchinson and one other artist covered in the presentation.
3. In the 4th section, design your own pattern inspired by the koru motif and artist examples, and draw it.
4. Cut out the shape you drew in the 4th section from cardboard.
5. As a class, combine all the cardboard shapes and hang them together from the ceiling.
This document lists several artists known for their self portraits including Rita Angus, Frida Kahlo, Morimura Yasumasa, Zinaida Serebriakova, David Hockney, Dereck DeYoung, and Van Gogh. These artists are renowned for their depictions of themselves in their artwork. The document provides a list of artists who have created self portraits.
Level 1 Artist Models discusses two artists, Hannah Hoch and Shaun Tan. Hannah Hoch was a German Dada artist known for her photomontage work "High Finance". Shaun Tan is a contemporary Australian artist and author who creates surreal design works such as "The Lost Thing", which contrasts and compares the two artists' styles and notable works.
The document outlines the elements and principles of art. The elements are line, color, value, shape, form, space, and texture. The principles are used to organize the elements and include balance, emphasis, contrast, rhythm/movement, pattern/repetition, unity, variety, and proportion. Together the elements and principles are the basic building blocks and tools used to create works of art.
This document discusses still life as a genre in visual art. It begins by defining still life as objects grouped together that do not move, such as flowers. Early European still life paintings often featured everyday objects and explored techniques like perspective to create the illusion of depth. Artists like Dutch painter Floris van Schooten arranged objects to make space seem three-dimensional through techniques like placing some objects overlapping others. More contemporary artists engaged viewers with more of the background scene, like Cezanne who included a little view of the room. The document discusses compositional techniques and encourages exploring still life through a series of drawing and painting studies using different techniques like light on dark ground.
This achievement standard involves researching and analyzing approaches within established design practice. Students must choose one of four key designers - Rodchenko, Rand, Brody, or Carson - and compare their work to that of another designer of their choice. They will investigate relationships between approaches to consider influences, methods, and ideas in context. The standard provides examples of the key designers and emphasizes explicitly and implicitly using artists' ideas in student designs.
The document provides a step-by-step guide on creating colour wheels for mixing colors from primary to quaternary. It outlines how to paint primary colors, mix them to create secondary and tertiary colors, and then label the quaternary wheel with the resulting hues. The process emphasizes visualizing color mixing through hands-on application.
Drawing is a key aspect of art practice and occupies a central role in NCEA Achievement Standards. The document discusses various types and processes of drawing that can be used in NCEA, including using drawing for photography, collage, notes, painting, replication of artist techniques, using multiples to isolate elements, and as a systematic tool for generating, analyzing, clarifying, and regenerating ideas. It asks the reader to locate evidence of these different types and processes on student exemplars.
Nigel Brown is a New Zealand artist known for his stained glass-style framing and layered paintings that incorporate text and comments on social issues. He builds paintings in layers with a colored ground, followed by large areas of lighter colors and details added through gestural mark-making, painting up to the edges of underlying darker shapes.
The document provides questions to help identify key composition elements in artwork, including arrangement of objects, focal points, use of foreground, midground and background, negative space, scale and proportion, lines, viewpoint, symbolism, and composition methods to show depth and perspective such as cropping, overlapping, filling the space, viewpoints, size reduction, tone, aerial perspective, angle of objects, and use of warm and cool colors.
Color is produced when light reflects off objects into our eyes. There are three properties of color: hue (name of color), intensity (strength of color), and value (lightness or darkness). There are two color wheels - the additive color wheel used in technology with primary colors red, green, blue and secondary cyan, yellow, magenta, and the subtractive color wheel used in printing with primary colors cyan, magenta, yellow and secondary red, blue, green. The document then discusses primary, secondary, tertiary, warm, cool, complementary, analogous, split complementary, monochromatic, and triadic color schemes. It concludes with instructions for Zentangle art which uses repetitive patterns and doodling within a
This document outlines the steps in an art/design process flow chart for students: 1) Identify a problem, 2) Analyze prior knowledge and create dump sheets for the brief, 3) Conduct research and analyze it in reference to the brief, 4) Generate concepts and ideas through visual analysis based on the research, 5) Develop the best concepts by analyzing and refining them, 6) Create the final work by analyzing and refining the best development.
The document defines the elements and principles of art. The elements are line, color, value, shape, form, space, and texture - the basic building blocks used to create art. The principles are balance, emphasis, contrast, rhythm/movement, pattern/repetition, unity, variety, and proportion - the tools and techniques used to organize the elements. Examples of artists are provided for some elements and principles to illustrate their use.
This document contains examples of student work that have been assessed as achieving different grades - Excellence, Merit, and Achieved. The summaries describe key aspects of the works such as the development and clarity of ideas, control and range of media, technical skills, and how established practices have been used. For works to be considered of higher grades, summaries indicate they would need to show improvements such as more fluent and purposeful development of ideas, greater technical control and range of media, and deeper engagement with source materials.
This folio shows a candidate who began with subject matter derived from architectural photographs which were reduced to linear geometric compositions. Techniques like opaque paint and impasto were experimented with to manipulate colour, tone, and figure-ground relationships. The works developed over 10 phases to build a pictorial vocabulary. Later works refined an emphasis on materiality and surface interplay within compositions.
The candidate demonstrated an understanding of a simple painterly vocabulary and was able to develop a substantial range of options through experimentation and analysis shown across the panels.
This document contains summaries of several art portfolios assessed for a Visual Arts exam. The first portfolio focused entirely on abstraction, developing motifs from mixed media works. It showed influence from gestural painting traditions and developed tonal range and layering. The second combined Mori and Western representation traditions, skillfully rendering forms and graphic patterns. The third took time to develop a narrative around drawings of a retirement home. The fourth was dynamic in its graphic devices and handling of tone despite inventing too many themes. The fifth showed a simple but genuine inquiry into exchanges between observation and rendering. The sixth applied compositional devices from a chosen model to develop montage works.
Shepard Fairey is an American graphic designer known for his iconic "Hope" poster of Barack Obama during the 2008 presidential campaign. He is considered a leading street artist and activist who uses graphic design and art to promote political and social messages. His provocative posters often feature appropriated images blended with bold, simple graphics and text to draw attention to causes of interest to Fairey.
This document discusses a journey of self-discovery through art. It begins by explaining how people navigate physically through transportation but also navigate internally. The reader is embarking on navigating themselves through creating art. Paddles from waka are used as a symbol for motivation. Traditional and contemporary Maori artists decorate paddles with symbolic designs that represent themselves and their culture. The document encourages the reader to create their own decorated paddle or oar that represents who they are through images and patterns. It discusses developing art skills to represent yourself through this project.
The document lists the names of various printmakers and artists, including James Ensor, Rembrandt, Robert Rauschenberg, Simon Kaan, Gabriel Moreno, Lloyd Menard, Margaret Silverwood, Nick Mauss, Carole Hensher, Vanessa Edwards, Cam Munroe, Hilary Williams, John Hitchcock, Ronald Ceuppens, David Bumbeck, Adrian Thornton, Cerisse Palalagi, Damien Hirst, Jenny Bowers, Kathryn Maxwell, Larry Schuh, Marian Maguire, Mark Compton, NATALIE COUCH, Penny Stotter, Rebecca Telford, Todd Slater, Tracey Williams, Alexis Neal,
This submission demonstrates a highly focused and process-driven approach to developing a pictorial vocabulary through a series of formal explorations and studies. Initial studies establish visual interest and composition, while subsequent works utilize various artistic references and strategies to shift the work forward in a purposeful manner. There is a constructive tension between decoration and abstraction that becomes more complex throughout the progression. The candidate employs considerable painting skills and understanding of conventions to simultaneously create flat pictorial spaces and those with spatial depth.
This document discusses principles of photographic composition, including:
- The center of interest, subject placement using rules like the rule of thirds, simplicity, viewpoint, balance (symmetrical and asymmetrical), lines, pattern, lighting, texture, tone, contrast, framing, foreground, and perspective. Following these principles can help create photographs that attract viewers' attention and effectively convey the scene. The document provides examples from photographers to illustrate different compositional techniques.
Drawing is a key aspect of art practice and occupies a central role in NCEA Achievement Standards. The document discusses several types and processes of drawing that can be used in NCEA, including using drawing to explore subject matter, combine and test ideas, convey thinking processes, explore media, show understanding of an artist's techniques through replication, analyze and understand form, isolate specific elements through multiples, and systematically generate, analyze, clarify, and regenerate ideas.
This document provides information on artistic movements and styles between modernism and post-modernism. It begins with definitions and key artists for modernist styles including analytical cubism, synthetic cubism, and pop art. It then does the same for post-modernist styles, listing several key artists. The second half of the document expands on analytical cubism and synthetic cubism, describing their key features, influences, and how synthetic cubism developed out of analytical cubism through the incorporation of techniques like collage.
This document provides an overview of New Zealand painter Shane Cotton including key features of his work and influences. Cotton explores both Maori and European imagery and concepts in his monochromatic, grid-based paintings. Symbols in his work represent issues related to colonization such as the containment of indigenous culture. Influences on Cotton's style include McCahon's grid structures and Fomison's somber color schemes.
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