This is our script for our trailer, it gives directions and information on each scene/section, this was to make it easier for ourselves and those who were being filmed.
This document provides a shot list for a student film production taking place on October 23rd, 2013 at St. Paul's Catholic College. It includes the cast, crew, and meeting time and place. It then lists 18 shots with descriptions of the camera positions, shot types, and any camera movements or actions. The shots involve various indoor and outdoor locations and appear to tell a story involving mysterious and antagonistic characters.
In what way does your media product represent social groups.VillaBoom
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The document discusses how media represents different social groups such as teenagers, the middle class, chavs, and criminals. It provides three stills as examples - the first from the author's film showing a character who is part of the "criminal social group" wearing a hooded top, the second of an actor from the film "Kidulthood" also wearing a hooded top in a way that conceals identity and implies criminality, and the third of rap artist Lil Wayne wearing a hooded top who has faced criminal charges himself, reinforcing the negative connotations of hooded tops.
The document provides an outline for a film called "BUST" that will involve a detective investigating a femme fatale who dropped something related to a murder and drugs. It lists the working title, production details, potential characters like the femme fatale and detective, influences including what's in the briefcase and what she wanted, conventions like smoking and clothing, the target audience which is predominantly male aged 17-20 but also females and those in their 50s, and characters featured such as the femme fatale played by Jennifer Lawrence and the detective played by Misha Collins.
The storyboard is for a soap opera titled "Park Rise" and consists of 25 shots. It begins by introducing the main character, a school girl, through various shots that follow her through the school setting different scenes and issues. These include a teacher/student relationship, domestic violence, pregnancy and friendship issues. The storyboard builds tension as the girl is confronted and chased through the woods. It ends by introducing the show's title, broadcast details and fade to black.
The film uses stylistic techniques like fast pacing, jump cuts, and ambiguous shots to create a sense of uncertainty and suspense around a violent crime. The opening scenes show a car that was hit by an unknown object, two boys entering a house with signs of violence like a bloody knife and splattered blood, and natural lighting suggesting the event occurred at night. No characters are introduced, leaving the viewer with many questions about who was killed, who the killer was, and what relationship the boys have to the crime. The film aims to keep the viewer guessing through its deliberate ambiguity.
This document contains a script summary for the television show "Park Rise". It outlines 21 scenes that establish characters and locations, and depict storylines involving teenage pregnancy, abuse, and a potentially inappropriate relationship between a teacher and student. The summary concludes by promoting the show's upcoming airing on BBC Two and BBC Two HD channels.
The Black Dahlia is a 2006 neo-noir crime thriller directed by Brian De Palma, based on the novel by James Ellroy about the unsolved murder of Elizabeth Short in 1947. It stars Josh Hartnett as Detective Dwight "Bucky" Bleichert and Scarlett Johansson as Madeleine Linscott. The film explores the femme fatale archetypes of Linscott and Kay Lake through their relationships with the two main male protagonists and police detectives Bleichert and Lee Blanchard, as they investigate Short's murder.
The document analyzes the opening sequence of the Wallander film. It describes the sounds used, including airy music and heavy breathing by two girls. It notes the mise-en-scene shows the girls dressed in a "ghetto" style and one holding a blade to her neck. The editing uses shot reverse shot during conversations and cross-cutting when the police officer arrives. Various camera works are used, including zooms, extreme close-ups of items in the taxi, and mid-shots of the girls walking away. It poses questions about the girls and their connection to the murdered taxi driver.
The document provides a detailed summary and analysis of key scenes from the M. Night Shyamalan film Split. It describes how the opening credits set expectations for a horror/thriller film. The first scene introduces the main character, a strange girl, and sparks mystery. Subsequent scenes depict three girls being kidnapped by a mysterious man, with rising tension and anxiety portrayed through camerawork and music. Following credits use cryptic clips and music to further confuse the audience. The film pays homage to Shyamalan's earlier work and leaves questions unanswered, indicating a nonlinear narrative.
This document provides a detailed summary and analysis of the 1994 film Leon: The Professional. It discusses the film's narrative structure using a three-act structure. It summarizes the plot of the film, which involves an assassin named Leon taking in a 12-year-old girl named Mathilda after her family is murdered. Leon trains Mathilda to be an assassin so she can get revenge. The document then analyzes aspects of the film like its setting in New York City, its unconventional characters like Leon and Mathilda, and how it establishes the action thriller genre.
1) The storyboard establishes the setting of Hanging Hill Lane through establishing shots of the village, pub, and welcome sign. It then shows a girl witnessing a drug deal between two men.
2) As the girl continues walking down the alley, she passes a arguing couple and sees an intoxicated man. The man angrily acknowledges the girl, intimidating her.
3) The storyboard implies the girl is murdered in the alley. It ends with a voiceover saying "Once you're in, you're never out" and fading text announcing the new soap opera "Hanging Hill Lane" airing on BBC 2.
The document provides analyses of music videos by Devlin, The Black Eyed Peas, and Example, examining themes of brainwashing, social issues, and storytelling tropes. It also analyzes CD covers for Katy Perry, Eminem, and Jack Johnson, noting symbols around recovery, nonconformity, and simplicity. Finally, it provides a storyboard for a scene featuring actors performing with guitars and drums in a barn location.
The document analyzes posters and trailers for the films The Silence of the Lambs, Shutter Island, and The Goodfellas. For The Silence of the Lambs poster, a death's-head hawk moth over a pale face represents the victims and clues in the film. The Shutter Island poster focuses on Leonardo DiCaprio and Martin Scorsese to attract fans, uses imagery to hint at the story, and poses questions to create intrigue. The Goodfellas poster prominently features the three main actors and a memorable quote to attract audiences in addition to emphasizing the director.
The document analyzes trailers and posters for the films The Silence of the Lambs, Shutter Island, and The Goodfellas. For The Silence of the Lambs poster and trailer, it discusses the use of a death's-head hawk moth over a pale face to represent the killer's victims. For the Shutter Island poster, it notes the focus on Leonardo DiCaprio and Martin Scorsese to attract audiences, as well as hints about the isolated island setting and mystery. For the Goodfellas trailer, it describes how the nostalgic music contrasts with scenes of violence to illustrate the gangster lifestyle over decades.
This document provides a call sheet for a film shoot taking place on September 5th, 2017 from 1:30pm to 4pm. It lists the key production crew roles and contact information, as well as the scenes, locations, cast, and requirements for the shoot. Scenes will be filmed at a house and involve characters discussing strange events and encountering a demon. The cast and crew are asked to arrive in casual clothing and makeup is required for some roles. Props including phones and fake blood will be used, along with potential special effects.
The storyboard is for a soap opera titled "Park Rise" and consists of 25 shots. It begins by introducing the main character, a school girl, through various shots that follow her through the school setting her journey. Various issues are represented through flashbacks including teacher-student relationships, domestic violence, pregnancy and friendship issues. Tension is built as the girl is confronted and receives threatening texts. She is later chased through the woods by boys before the storyboard ends by promoting the new series.
This document is the first call sheet which is for the first location, Fairlop Waters, that we have used in our horror trailer that we have recorded scenes on.
L辿on: The Professional is a 1994 film directed by Luc Besson, starring Jean Reno as the titular character L辿on. It expands on an idea from Besson's earlier film La Femme Nikita, where Reno plays a similar character. The film is praised for its central performances from Reno and Natalie Portman as Mathilda, and its stylish action scenes. It explores the relationship between the emotionally stunted hitman L辿on and his 12-year-old neighbor Mathilda.
The Missing is an 8-episode British crime drama from 2015 that tells the story of a father's search for his son who goes missing on a family holiday in France. It uses a nonlinear narrative structure with flashbacks and flashforwards to show both the events of the initial kidnapping and Tony's continued search for Oliver 8 years later. The drama effectively switches between the past and present perspectives and makes skilled use of techniques like lighting, sound, camerawork and mise-en-scene to build tension and immerse viewers in both time periods of the story.
The document provides context and analysis of key elements of the film The Godfather. It begins with a summary of the plot, describing Don Vito Corleone overseeing his daughter's wedding while his son Michael returns from war. Michael eventually learns about the family business of organized crime. The film explores the clash between traditional values and new ways of operating, and the consequences for the family. It then analyzes the film's genre as both a family drama and gangster film. It proceeds to discuss various cinematography, editing, sound, mise-en-scene, and title elements used in the opening scene to set tone and intrigue.
The document provides a summary and analysis of scenes from the film Split. It describes how the opening credits establish the horror genre through the music and production companies featured. The first scene introduces the three main characters in a mysterious way, hinting that one of the girls may be the antagonist. Subsequent scenes depict an escalating situation as a strange man enters their car and the girls try to escape, building anxiety through camera work and music. The ending pays homage to earlier M. Night Shyamalan films through references to characters and music.
The opening sequences of Trainspotting and 28 Days Later introduce their main characters in different ways. Trainspotting introduces most of its large group of characters, while 28 Days Later focuses on a single character escaping from a hospital. Both openings suggest the main characters are unhealthy, though for different reasons - drugs in Trainspotting and an unknown hospitalization in 28 Days Later. The sequences set different tones through their pacing, music, and portrayal of their settings.
The document provides an overview of the crime genre including its definition, timeline, and subgenres. It begins with defining crime fiction as dealing with crimes, detectives, criminals, and motives. There is typically a crime, investigation, and outcome. The document then outlines several crime subgenres like crime comedy, drama, thriller, and noir. It provides an example of one of the earliest crime films, 1901's Bluebeard, and compares it to modern crime films that rely more on special effects. Finally, the timeline highlights influential crime films from 1950 to 2000, including 1956's The Killing and the breakthrough 1972 film The Godfather.
Alfred Hitchcock is known as the "Master of Suspense" and directed many influential films involving psychological themes and mystery plots centered around female victims. He had trademarks like using blond actresses and including charming yet dangerous villains. Adrian Lyne also explored psychological themes and used techniques like natural lighting. Rosamund Pike's role in Gone Girl of a mysterious female protagonist and antagonist provided inspiration for the document's discussion of a film sequence involving a mentally ill female character at the center of mystery.
The document discusses the student's evaluation of three media products they created: a trailer, magazine cover, and poster for a new soap opera called "The Avenue." Key points addressed include following conventions from other media, such as dressing the villain in dark clothing and using flashbacks in black and white. Feedback indicated the trailer successfully established a dark, sad theme through its soundtrack and enigma codes. The magazine cover followed conventions like outlining main characters, and increased value by including stories from other soaps. The villain was clearly identifiable across all three products through their dark attire. Some pictures in the poster required clarification. Production software like Adobe Premiere, Photoshop, and presentation platforms like WordPress and 際際滷
The document discusses the student's evaluation of three media products they created: a trailer, magazine cover, and poster for a new soap opera called "The Avenue." Key points addressed include following conventions from other media, such as dressing the villain in dark clothing and using flashbacks in black and white. Feedback indicated the trailer successfully established a dark, sad theme through its soundtrack and enigma codes. The magazine cover followed conventions like outlining main characters, and the poster clearly portrayed the villain through consistent dark attire across all three products. Areas for potential improvement were also noted, such as some unclear images in the poster.
This document is a permission letter from Surrey County Council granting St Paul's Catholic College permission to film on public highways in Sunbury-on-Thames, Surrey between October 22-23, 2013. The letter specifies the locations, times and dates approved for filming. It also lists additional terms and conditions for filming including requirements for traffic and pedestrian safety, public liability insurance, compliance with health and safety regulations, and returning the areas to their normal condition after filming.
A group of A2 Media Studies students from St. Paul's Catholic College in Sunbury-On-Thames are requesting permission to film on October 23rd in Lower Sunbury and Sunbury Cross for an educational media production. The footage will be used in a soap opera trailer for their A Level coursework. They assure that filming will be professional and not disrupt pedestrians or the local environment. Contact information is provided for their Media Studies teacher and the school in case any questions arise.
This document is a prop list for a media production called "The Avenue" created by students Dayle Latham, Nikita Kanda, and Harriet O'Toole. It assigns the gathering of props like cigarettes, glasses, coats, makeup, knives, dresses, and balloons to the group members for their project.
The document provides a detailed summary and analysis of key scenes from the M. Night Shyamalan film Split. It describes how the opening credits set expectations for a horror/thriller film. The first scene introduces the main character, a strange girl, and sparks mystery. Subsequent scenes depict three girls being kidnapped by a mysterious man, with rising tension and anxiety portrayed through camerawork and music. Following credits use cryptic clips and music to further confuse the audience. The film pays homage to Shyamalan's earlier work and leaves questions unanswered, indicating a nonlinear narrative.
This document provides a detailed summary and analysis of the 1994 film Leon: The Professional. It discusses the film's narrative structure using a three-act structure. It summarizes the plot of the film, which involves an assassin named Leon taking in a 12-year-old girl named Mathilda after her family is murdered. Leon trains Mathilda to be an assassin so she can get revenge. The document then analyzes aspects of the film like its setting in New York City, its unconventional characters like Leon and Mathilda, and how it establishes the action thriller genre.
1) The storyboard establishes the setting of Hanging Hill Lane through establishing shots of the village, pub, and welcome sign. It then shows a girl witnessing a drug deal between two men.
2) As the girl continues walking down the alley, she passes a arguing couple and sees an intoxicated man. The man angrily acknowledges the girl, intimidating her.
3) The storyboard implies the girl is murdered in the alley. It ends with a voiceover saying "Once you're in, you're never out" and fading text announcing the new soap opera "Hanging Hill Lane" airing on BBC 2.
The document provides analyses of music videos by Devlin, The Black Eyed Peas, and Example, examining themes of brainwashing, social issues, and storytelling tropes. It also analyzes CD covers for Katy Perry, Eminem, and Jack Johnson, noting symbols around recovery, nonconformity, and simplicity. Finally, it provides a storyboard for a scene featuring actors performing with guitars and drums in a barn location.
The document analyzes posters and trailers for the films The Silence of the Lambs, Shutter Island, and The Goodfellas. For The Silence of the Lambs poster, a death's-head hawk moth over a pale face represents the victims and clues in the film. The Shutter Island poster focuses on Leonardo DiCaprio and Martin Scorsese to attract fans, uses imagery to hint at the story, and poses questions to create intrigue. The Goodfellas poster prominently features the three main actors and a memorable quote to attract audiences in addition to emphasizing the director.
The document analyzes trailers and posters for the films The Silence of the Lambs, Shutter Island, and The Goodfellas. For The Silence of the Lambs poster and trailer, it discusses the use of a death's-head hawk moth over a pale face to represent the killer's victims. For the Shutter Island poster, it notes the focus on Leonardo DiCaprio and Martin Scorsese to attract audiences, as well as hints about the isolated island setting and mystery. For the Goodfellas trailer, it describes how the nostalgic music contrasts with scenes of violence to illustrate the gangster lifestyle over decades.
This document provides a call sheet for a film shoot taking place on September 5th, 2017 from 1:30pm to 4pm. It lists the key production crew roles and contact information, as well as the scenes, locations, cast, and requirements for the shoot. Scenes will be filmed at a house and involve characters discussing strange events and encountering a demon. The cast and crew are asked to arrive in casual clothing and makeup is required for some roles. Props including phones and fake blood will be used, along with potential special effects.
The storyboard is for a soap opera titled "Park Rise" and consists of 25 shots. It begins by introducing the main character, a school girl, through various shots that follow her through the school setting her journey. Various issues are represented through flashbacks including teacher-student relationships, domestic violence, pregnancy and friendship issues. Tension is built as the girl is confronted and receives threatening texts. She is later chased through the woods by boys before the storyboard ends by promoting the new series.
This document is the first call sheet which is for the first location, Fairlop Waters, that we have used in our horror trailer that we have recorded scenes on.
L辿on: The Professional is a 1994 film directed by Luc Besson, starring Jean Reno as the titular character L辿on. It expands on an idea from Besson's earlier film La Femme Nikita, where Reno plays a similar character. The film is praised for its central performances from Reno and Natalie Portman as Mathilda, and its stylish action scenes. It explores the relationship between the emotionally stunted hitman L辿on and his 12-year-old neighbor Mathilda.
The Missing is an 8-episode British crime drama from 2015 that tells the story of a father's search for his son who goes missing on a family holiday in France. It uses a nonlinear narrative structure with flashbacks and flashforwards to show both the events of the initial kidnapping and Tony's continued search for Oliver 8 years later. The drama effectively switches between the past and present perspectives and makes skilled use of techniques like lighting, sound, camerawork and mise-en-scene to build tension and immerse viewers in both time periods of the story.
The document provides context and analysis of key elements of the film The Godfather. It begins with a summary of the plot, describing Don Vito Corleone overseeing his daughter's wedding while his son Michael returns from war. Michael eventually learns about the family business of organized crime. The film explores the clash between traditional values and new ways of operating, and the consequences for the family. It then analyzes the film's genre as both a family drama and gangster film. It proceeds to discuss various cinematography, editing, sound, mise-en-scene, and title elements used in the opening scene to set tone and intrigue.
The document provides a summary and analysis of scenes from the film Split. It describes how the opening credits establish the horror genre through the music and production companies featured. The first scene introduces the three main characters in a mysterious way, hinting that one of the girls may be the antagonist. Subsequent scenes depict an escalating situation as a strange man enters their car and the girls try to escape, building anxiety through camera work and music. The ending pays homage to earlier M. Night Shyamalan films through references to characters and music.
The opening sequences of Trainspotting and 28 Days Later introduce their main characters in different ways. Trainspotting introduces most of its large group of characters, while 28 Days Later focuses on a single character escaping from a hospital. Both openings suggest the main characters are unhealthy, though for different reasons - drugs in Trainspotting and an unknown hospitalization in 28 Days Later. The sequences set different tones through their pacing, music, and portrayal of their settings.
The document provides an overview of the crime genre including its definition, timeline, and subgenres. It begins with defining crime fiction as dealing with crimes, detectives, criminals, and motives. There is typically a crime, investigation, and outcome. The document then outlines several crime subgenres like crime comedy, drama, thriller, and noir. It provides an example of one of the earliest crime films, 1901's Bluebeard, and compares it to modern crime films that rely more on special effects. Finally, the timeline highlights influential crime films from 1950 to 2000, including 1956's The Killing and the breakthrough 1972 film The Godfather.
Alfred Hitchcock is known as the "Master of Suspense" and directed many influential films involving psychological themes and mystery plots centered around female victims. He had trademarks like using blond actresses and including charming yet dangerous villains. Adrian Lyne also explored psychological themes and used techniques like natural lighting. Rosamund Pike's role in Gone Girl of a mysterious female protagonist and antagonist provided inspiration for the document's discussion of a film sequence involving a mentally ill female character at the center of mystery.
The document discusses the student's evaluation of three media products they created: a trailer, magazine cover, and poster for a new soap opera called "The Avenue." Key points addressed include following conventions from other media, such as dressing the villain in dark clothing and using flashbacks in black and white. Feedback indicated the trailer successfully established a dark, sad theme through its soundtrack and enigma codes. The magazine cover followed conventions like outlining main characters, and increased value by including stories from other soaps. The villain was clearly identifiable across all three products through their dark attire. Some pictures in the poster required clarification. Production software like Adobe Premiere, Photoshop, and presentation platforms like WordPress and 際際滷
The document discusses the student's evaluation of three media products they created: a trailer, magazine cover, and poster for a new soap opera called "The Avenue." Key points addressed include following conventions from other media, such as dressing the villain in dark clothing and using flashbacks in black and white. Feedback indicated the trailer successfully established a dark, sad theme through its soundtrack and enigma codes. The magazine cover followed conventions like outlining main characters, and the poster clearly portrayed the villain through consistent dark attire across all three products. Areas for potential improvement were also noted, such as some unclear images in the poster.
This document is a permission letter from Surrey County Council granting St Paul's Catholic College permission to film on public highways in Sunbury-on-Thames, Surrey between October 22-23, 2013. The letter specifies the locations, times and dates approved for filming. It also lists additional terms and conditions for filming including requirements for traffic and pedestrian safety, public liability insurance, compliance with health and safety regulations, and returning the areas to their normal condition after filming.
A group of A2 Media Studies students from St. Paul's Catholic College in Sunbury-On-Thames are requesting permission to film on October 23rd in Lower Sunbury and Sunbury Cross for an educational media production. The footage will be used in a soap opera trailer for their A Level coursework. They assure that filming will be professional and not disrupt pedestrians or the local environment. Contact information is provided for their Media Studies teacher and the school in case any questions arise.
This document is a prop list for a media production called "The Avenue" created by students Dayle Latham, Nikita Kanda, and Harriet O'Toole. It assigns the gathering of props like cigarettes, glasses, coats, makeup, knives, dresses, and balloons to the group members for their project.
The document is a storyboard for a soap opera titled "The Avenue". It contains 19 scenes showing establishing shots, characters getting ready, people walking to a pub where a party is happening, a mysterious figure stalking in a car outside, and then entering the pub violently. The final scene shows the main female character having a shocked reaction as a red balloon bursts in slow motion.
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1. St. Pauls Catholic College
Unit G324: Advanced Portfolio in Media
Script
Name of Production: The Avenue
Group Members (Full names):
Dayle Latham Producer
Nikita Kanda Director
Harriet Otoole Producer
Scene 1
Song starts you are my sunshine, my only sunshine
Action: Establishing shot of pub and local shop, with pedestrians
and cars going past.Dark and grey, for dystopian effect
Foot shots and prop shots symbolising the 4 main characters.
Scene 2
Action: Shot of Harriet and Ridgeway new boyfriend getting
ready to go out. Enter Nikita to Harriets house.
Nikita is smiling lovingly at Harriets boyfriend to connote a
secret relationship.
Harriet is putting on red lipstick slow movement
Scene 3
Action: Dayle gets up and dressed into a suit. Close-up of him
pushing up his tie.
2. Scene 4
Action:Shots of multiple footsteps walking away from the camera.
Scene 5
Action: Shot of the car with Dayle inside the car, tapping fingers
on the steering wheel.
Scene 6
Action: Shot of Harriet submissive blonde in the pub dancing
with Ridgeway the new boyfriend
Scene 7
Action: Flash back to Harriet and Dayle laughing and dancing at
the train station while waiting for the train.
Scene 8
Action: Shot goes back to the extras in the pub dancing but
Harriet and Ridgeway facial expressions change to looking sad.
Nikita makes eye contact with Ridgeway, acting provocative.
Scene 9
Action: Another flash back to the same train station, Harriet is
seen walking away from Dayle as he sits on the bench with his
head in his hands.
Scene 10
Action: Dayle is seen in a dark car sat outside the pub, the
location of the party. Waiting for the other characters to all arrive.
3. Scene 11
Action: Mirror shot through the rear view mirror of the other
characters entering the pub.
Scene 12
Action: Dayle gets out the car by sliding, slowly, but his face is
not in the shot.
Scene 13
Action: Shot of footsteps walking along the pavement away from
the camera.
Scene 14
Action: Shot of Dayle walking up to the pub stands outside
watching the party inside.
Scene 15
Action: Antagonists hand is seen reaching towards the handle of
the door leading to the pub
Scene 16
Action: Dayle opens doors violently and everyone in the pub
turns to look at Dayle.
Scene 17
4. Action: Close up of Harriets shocked facial expression
Scene 18
Action: Red balloon bursts
Scene 19
Action: Point of call and voice over