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EYES IN ISTANBULL
ZOOMBEHH
SILHOUETTE
A silhouette is the effect of a
featureless blacked out figure
on a still image or moving
picture which allows us to
create a character and adapt
on their currently blank
image or personality.
The silhouette allows us to
tell a story of this character
without the boundaries and
stereotypes associate with
image and persona.
JOURNEYS
The idea of a journey can be
used as a framework for
telling a story.
Much like a long road it has
many twists and turns in the
distance that you can’t see
which means you may be able
to predict the immediate
future but further on the
situation could completely
change. This allows us to
escape the hold of illustrative
videos (like a club scene for a
dance track), we like the idea
of not knowing what’s coming
next.
THE IDEA
OUR WORK WITH SILHOUETTES
• Green screen practice
PROPS
•
•
•
•
•
•

Morphsuit
Baby stage; Rattle, Bib, Dummy
Child stage; Football, Toy, Console Controller
Student stage; Books, Beer Can, Mortarboard
Working man stage; Briefcase, Tie, Baby Doll
Old man stage; Walking
Stick, Pipe, Gravestone
INSPIRATIONS
• Andrew Goodwin’s framework for analysis
• Dziga Vertov’s Man With A Movie Camera –
the use of backwards editing and multi-layer
editing
• Ideas from the class
• The Kite Runner
TARGET AUDIENCE
• Genre; indie pop/alternative
• This idea will be interesting to a nonconformist group of people.
• Age range of 16-25
• Non gender specific
HEALTH & SAFETY AND LOGISTICS
Location – Needs to be a location with enough
distance to be able to cover in a 3 minute long
take with no hazardous objects or obstacles to
overcome. A risk assessment will be done
beforehand. An ideal place would be away from
traffic and oncoming pedestrians.
Background – The ideal background would be red to
contrast with the green of the costume and make
it easier to use the green screen feature.

More Related Content

Eyes In Istanbull video presentation

  • 2. SILHOUETTE A silhouette is the effect of a featureless blacked out figure on a still image or moving picture which allows us to create a character and adapt on their currently blank image or personality. The silhouette allows us to tell a story of this character without the boundaries and stereotypes associate with image and persona.
  • 3. JOURNEYS The idea of a journey can be used as a framework for telling a story. Much like a long road it has many twists and turns in the distance that you can’t see which means you may be able to predict the immediate future but further on the situation could completely change. This allows us to escape the hold of illustrative videos (like a club scene for a dance track), we like the idea of not knowing what’s coming next.
  • 5. OUR WORK WITH SILHOUETTES • Green screen practice
  • 6. PROPS • • • • • • Morphsuit Baby stage; Rattle, Bib, Dummy Child stage; Football, Toy, Console Controller Student stage; Books, Beer Can, Mortarboard Working man stage; Briefcase, Tie, Baby Doll Old man stage; Walking Stick, Pipe, Gravestone
  • 7. INSPIRATIONS • Andrew Goodwin’s framework for analysis • Dziga Vertov’s Man With A Movie Camera – the use of backwards editing and multi-layer editing • Ideas from the class • The Kite Runner
  • 8. TARGET AUDIENCE • Genre; indie pop/alternative • This idea will be interesting to a nonconformist group of people. • Age range of 16-25 • Non gender specific
  • 9. HEALTH & SAFETY AND LOGISTICS Location – Needs to be a location with enough distance to be able to cover in a 3 minute long take with no hazardous objects or obstacles to overcome. A risk assessment will be done beforehand. An ideal place would be away from traffic and oncoming pedestrians. Background – The ideal background would be red to contrast with the green of the costume and make it easier to use the green screen feature.