The document describes a young boy's journey through his grandmother's secret garden to discover her secret. He pushes past foliage until he finds a hidden clearing with a large, ancient tree emitting mist. When he calls out, the tree shifts towards him curiously. The boy is initially nervous but says "hello" and makes a new friend in the large tree, having completed his grandmother's instructions. He rides the tree like a dragon, feeling proud to learn his grandmother's secret that only he now knows.
Kuba interviewed his grandparents about their childhood memories. His grandma's favorite toy was a doll, drink was orangeade, and food was pork chops. She enjoyed handball and books by Mickiewicz. His grandpa preferred a slingshot, milk to drink, and minced pork. He liked jogging and books by Sienkiewicz. In their free time, grandma embroidered and grandpa helped with the cows.
The poem is about a man who is drowning and experiencing a mental breakdown. He feels lost at sea during a storm and calls out for help but no one can hear him. He descends deeper into madness, having disturbing visions and feeling completely alone. At the end, the narrator reflects on having also experienced mental health issues and feeling adrift without guidance, thinking of a friend who drowned while in the hospital.
- This document is the first issue of the magazine "Far Off Places" which features retellings of fairy tales.
- It includes the staff list, a personal ad from an "Ugly Sister", and an introductory letter from the editors welcoming readers and providing submission guidelines.
- Several short stories and poems are featured, including "Bone Tree" by Kristina Wojtaszek, a dark retelling of a woman's life in the woods, and "Rapunzel" by Simon Jackson, which retells the fairy tale from Rapunzel's perspective.
This document provides an overview and summary of sources related to Arthurian legends and the figure of Merlin. It includes both primary sources like Sir Thomas Malory's Le Morte D'Arthur from 1485 which describes how Merlin was trapped by the lady of the lake, as well as secondary sources that analyze and interpret the myths such as works by Jung, Matthews, and Knight. The document also lists other references that were consulted for research on Arthurian mythology, Merlin, and their changing portrayals throughout history.
The poem describes the harsh realities faced by coffee farmers through metaphors related to coffee drinks. It references armed guards watching for lapses, families working long days picking beans under the hot sun to earn very little. While coffee has become popular and even romanticized in other cultures, this poem highlights the human costs of its production through coffee-colored imagery.
The document contrasts two individuals with very different personalities and behaviors. One person is impulsive, thrill-seeking, and passionate, while the other is calm, reserved, and prefers solitude. Despite their many differences, the common factor is that they still love each other and hope to spend their final moments together.
The document is a collection of poems and song lyrics about love and relationships. The poems discuss the nature of true love, its rarity and necessity. They question whether true love disrupts social order and norms. The song lyrics celebrate being in love with one's best friend, the inevitability of falling in love again, and having a crush on someone where feelings are developing.
The document is a collection of short passages where inanimate objects and concepts whisper to other objects or concepts. Some examples include leaves whispering to a plum tree to stand strong, whales whispering to the ocean to soak their skin in salt water, and sand whispering to clouds to relentlessly rain and transform the desert. Overall the passages describe whispered conversations between various natural elements and concepts.
This short story is narrated by Damen, who is immortal. He is escaping from his relationship with Drina, who he rescued from an orphanage centuries ago but has become greedy and demanding. Damen feels restless and bored with his eternal life and constant need to move to avoid raising suspicions. He arrives at a party in Paris in 1608, thinking about saying goodbye yet again as he seeks an unknown destiny.
nouns from book (twilight, chapter1)
All phrases are quoted from the book "Twilight" (Stephenie Meyer), and are used in this slideshow in order to help me understand the context of the studied words through reading this book.
This poem describes the traits and behaviors of various animals through short, descriptive verses. It discusses creatures like cats, jellyfish, sloths, crows, ants, kangaroos, beavers, birds, and lizards in a playful, imaginative way. The animals are portrayed undertaking everyday activities but from their unique perspectives.
Alternative Beach Sports by Michelle Madsen sampleBurning Eye
油
Michell Madsen is a good example of a growing band of poets who have learnt their craft by performing live. If you only encountered her poetry on the page however, you would just think "poet" and find no need to get weighed down by a "performance" prefix or wonder whether this is that mysterious Spoken Word you have heard about.
Maybe Michelle is a cross over artist who is at ease in both poetry worlds, she certainly understands better than most that page and stage operate inside the same tent. The poems collected here show a flair for structure and technique that only serves to strengthen work written first and foremost with the microphone in mind. From wild romance to dark satire Michelles poetry contemplates love, lust, physics, politics, identity and gastronomic oddities.
Michelle Madsen is one of the few poets I know whose work is as good on the page as it is performed. Her poems are what I send to those who protest that spoken word poetry is not proper poetry.
Hollie McNish
Promises sparkle, and champagne and glittery
dresses. As do lying eyes, glass in the gutter and the hen-do aftermath. Whether its sported proudly or tossed to the kerb, an engagement ring shines, a winning smile gleams and Michelle Madsens poetry surely sparkles.
Tim Wells
Michelle Madsen is a top bird!
Salena Godden
The narrator struggles with grief after the loss of their partner Emma. They find comfort in small reminders of her like her pillowcase and the collection of mugs in the kitchen. Nearly a month has passed since "That Sunday" which the narrator remembers involved rain, laughter from nearby children, and the smell of brakes - recalling Emma's death. The narrator imagines Emma still being with them and finds it easiest to live as if she were still there, though they know surviving without her is more complex than they ever imagined.
This document contains 21 poems about myths from various authors. Some of the poems summarize or reference famous myths such as the myths of Oedipus, Orpheus, Medusa, Leda, and Icarus. The poems explore themes around love, fate, transformation, and the supernatural elements often present in classical myths.
This document contains 21 poems about myths from various authors. Some of the poems summarize or reference myths such as the myths of Oedipus, Dionysus, Prometheus, Leda, Bacchus, Icarus, Medusa, Orpheus, Perseus, Penelope, Helen of Troy, Cupid, Iphigenia, and more. The poems explore themes around love, fate, gods, and the human experience through allusions to Greek and Roman myths.
This document contains fragments from fairytales. It describes:
1) A person struggling in the ocean against powerful waves and seeing a tiny castle carved into a distant rock island.
2) Memories of a childhood home, including a cathedral-style roof and fireplace, and playing in an old tree cubbyhouse.
3) The person pushing through the ocean towards the castle, chased by a huge green fish, and coming face to face with a white-lipped sea monster.
This document describes a series of vignettes set in a cottage surrounded by nature at night. In the first vignette, an old woman reads by the light of her window as the sun sets. She pauses when she hears an owl hoot, seeming to understand a secret message. Further from the cottage, a stream babbles and frogs sing while fireflies illuminate a meadow under the moonlight. In the final vignette, the woman finishes her book with a contented sigh and a sense of peace washes over her as she embraces the night's mysteries from her armchair by the window.
Great Southern Streetwalking Nomads 1524 2286John Latham
油
A WORK IN PROGRESS
... Take me dont take me, let me go with you away engulfed in your sea of joy - found interactive with a tribal family and foreigners inter-pollen and play. I dont want to stop, simply to flow and break where necessary with a diamond facet in sync with a quasar edge to let it be the essence that nurtures a quoll, whilst shining sanity to a witness who is a prisoner of war once leach ridden in a jungle ditch, formed at the base of a huge fallen tree whose fate was set by a bomb fallen at its other side. They are loved by many, the brave over-and-done stories of the hard won victories or the wasted lost battles that were part thereof; the lovers of the loved lean into the gloom finding a light, a warmth, an attitude, a valiance and characters to love. The story of a chapter of a life, the substance of desperate-sweat, endurance, genius, determination showing a success that one may like to share. It was here in the wind of mentality, yours and mine, the sole one; but stopping to manifest it here, I face but an echo of silence - just an error a ripple in our fluid. I am now again the pilot, my instrument keyboard, at one time a brush, is the glider in our wind. We unfold the wild wind of our angry hearts and roll out the moist words of our supreme joy. Retell me foreign gentleman of the best way to prune the olive tree and I will explain the tapping of oil from the eucalypt and together we may see a quasar joining us through its veil. ... ./..
1) The poem describes a spirit visiting the narrator at night, questioning who it is and what it wants.
2) Yesterday, the narrator's people lived in freedom under wise rule. Today, their power and institutions have fallen into ruin and indifference.
3) Tomorrow, the narrator hopes their people will revive their ancient wisdom and vision, grounded in morality, diversity, and justice for all people and the earth. Their calls for peace and tolerance will spread across the world.
Revolution's Blade Book 1 - The Hound's PreyStephen Allan
油
A young woman is traveling alone on a pony along a road at night when she encounters three armed men on horses who draw their swords and threaten her. Hidden high in a tree above them is a witness - a man on the run after accidentally killing a woman in a crowd. He debates whether to intervene to help the girl, but decides against it due to the danger, feeling cowardly for choosing to stay hidden. He is torn by guilt and remorse at the impending attack on the girl that he feels responsible for by not acting to help.
A thief accidentally kills a woman during a robbery and flees the scene, tormented by nightmares of the event. Hundreds of miles from home, sheltering from rain in a tree by the road, he encounters other travelers in the night - a lone woman on a pony and three armed men on horses. Fearing they may be pursuers or brigands, he watches nervously as they approach each other underneath his tree.
This document provides biographical information about Adrian Cox and summaries of his poetry collection titled "LOOK". It contains 3 sections:
1) Biographical details about Adrian Cox - his birthplace, education, current occupation and hobbies.
2) Links to Cox's websites and social media profiles where his poetry and music can be found.
3) A list of the 23 poems in Cox's collection "LOOK" along with short summaries or excerpts from a few poems.
Always Listening To The Tunes Of My HeartNikhil Parekh
油
The document describes how the narrator's mind often tells them to do strange and dangerous things without reason or necessity, such as licking the road, eating thorns, or jumping from an airplane without a parachute. However, the narrator has now resolved to no longer be a slave to their mind and irrational desires, and instead to always listen to the tunes of their heart.
This document appears to be a collection of poems and short stories by the author. The first poem is about an interaction at a Chinese restaurant where the author was accused of not leaving a good tip. Another poem describes childhood memories of breaking his leg while biking and the medical treatment that followed. A third poem reflects on the untrustworthiness of memory and how childhood recollections may not match reality.
The document expresses the narrator's deep longing for love and connection in various situations in life. In each scenario, the narrator waits for some moment or encounter that will make them feel loved, comforted, inspired, or transported through joy, beauty, family, nature, spirituality or romance. The overall message is that love is what the narrator lives and dies for, and it helps make all of life's difficulties fade away.
The document describes different places and experiences that allow the speaker to find different feelings and abilities within themselves. They find mystical enchantment in candlelight, their lost ardor to exist in sunlight, and heavenly rejuvenation and bliss in waterfalls. They also find passion in fire, strength in buildings, and that they are forever alive and exuberant in the arms of their beloved.
Carrizo
BY CRISOSTO APACHE
For Edgar
The submarines inside was dim.
Ry笛nosuke Akutagawa, tr. by Will Petersen
in my youth, I hitched a ride to San Diego, across
chirping desert and distant night, I gazed upon a slow-moving
dark, encasing a convex cerulean cavity
each night, I stood beneath the sky for hours mesmerized
at the perplex reformatory, twinkling lights of broken
glass fragments spreading against a glistening sunset
a faceless man behind a lost reflection of glass
at a drive-up window informs me,
too bad, you know nothing of your own past
how far will I walk against the night?
conforming to a captivity I had never realized
some years later, under the kitchen table, they all huddle,
as the rampage continues toward the back of the house,
a clash of debris from the other room recoils
and broken sounds escape the barricade of doors
I remember I returned in 1970,
all they remember is me sitting at the edge of my bed,
with the war still in my hands
Anasazi
BY TACEY M. ATSITTY
How can we die when we're already
prone to leaving the table mid-meal
like Ancient Ones gone to breathe
elsewhere. Salt sits still, but pepper's gone
rolled off in a rush. We've practiced dying
for a long time: when we skip dance or town,
when we chew. We've rounded out
like dining room walls in a canyon, eaten
through by windSorry we rushed off;
the food wasn't ours. Sorry the grease sits
white on our plates, and the jam that didn't set
use it as syrup to cover every theory of us.
When Roots Are Exposed
BY ESTHER BELIN
I.
The empty of stomach
manifests silence
a stillness
that levels
coffee in a cup
and in a respectful manner
allows steam to penetrate
the surface.
Reversal of action
has created my sandstone canyon
rooted cedar and sage at my feet.
This movement is where
a tranquility stems.
II.
When my child creates
bubbles through a soapy wand,
I occupy the action of fate
that bursts the perfect form.
A halcyon absorbed
nesting within
the existence of the form
that no longer exists.
The formless form
is where my mind floats.
III.
It is easy to give form
especially with English words
a promotion of mechanical ligaments
binding spirit with assembly-fabricated molds.
Just as my hair poses an appendage of my brain
my tongue poses an appendage of my heart.
I cannot classify this thought as a typewritten symbol.
An ideogram of essence
cultivates my stillness to action.
ANWR
BY SHERWIN BITSUI
When we are out of gas,
a headache haloes the roof,
darkening the skin of everyone who has a full tank.
I was told that the nectar of shoelaces,
if squeezed hard enough,
turns to water and trickles from the caribous snout.
A glacier nibbled from its center
spiders a story of the Southern Cross,
twin brothers
dancing in the back room lit with cigarettes
break through the drums soft skin
There bone faces atlas
a grieving century ...
More Related Content
Similar to My Grandmother Has a Secret: short story (20)
The document is a collection of short passages where inanimate objects and concepts whisper to other objects or concepts. Some examples include leaves whispering to a plum tree to stand strong, whales whispering to the ocean to soak their skin in salt water, and sand whispering to clouds to relentlessly rain and transform the desert. Overall the passages describe whispered conversations between various natural elements and concepts.
This short story is narrated by Damen, who is immortal. He is escaping from his relationship with Drina, who he rescued from an orphanage centuries ago but has become greedy and demanding. Damen feels restless and bored with his eternal life and constant need to move to avoid raising suspicions. He arrives at a party in Paris in 1608, thinking about saying goodbye yet again as he seeks an unknown destiny.
nouns from book (twilight, chapter1)
All phrases are quoted from the book "Twilight" (Stephenie Meyer), and are used in this slideshow in order to help me understand the context of the studied words through reading this book.
This poem describes the traits and behaviors of various animals through short, descriptive verses. It discusses creatures like cats, jellyfish, sloths, crows, ants, kangaroos, beavers, birds, and lizards in a playful, imaginative way. The animals are portrayed undertaking everyday activities but from their unique perspectives.
Alternative Beach Sports by Michelle Madsen sampleBurning Eye
油
Michell Madsen is a good example of a growing band of poets who have learnt their craft by performing live. If you only encountered her poetry on the page however, you would just think "poet" and find no need to get weighed down by a "performance" prefix or wonder whether this is that mysterious Spoken Word you have heard about.
Maybe Michelle is a cross over artist who is at ease in both poetry worlds, she certainly understands better than most that page and stage operate inside the same tent. The poems collected here show a flair for structure and technique that only serves to strengthen work written first and foremost with the microphone in mind. From wild romance to dark satire Michelles poetry contemplates love, lust, physics, politics, identity and gastronomic oddities.
Michelle Madsen is one of the few poets I know whose work is as good on the page as it is performed. Her poems are what I send to those who protest that spoken word poetry is not proper poetry.
Hollie McNish
Promises sparkle, and champagne and glittery
dresses. As do lying eyes, glass in the gutter and the hen-do aftermath. Whether its sported proudly or tossed to the kerb, an engagement ring shines, a winning smile gleams and Michelle Madsens poetry surely sparkles.
Tim Wells
Michelle Madsen is a top bird!
Salena Godden
The narrator struggles with grief after the loss of their partner Emma. They find comfort in small reminders of her like her pillowcase and the collection of mugs in the kitchen. Nearly a month has passed since "That Sunday" which the narrator remembers involved rain, laughter from nearby children, and the smell of brakes - recalling Emma's death. The narrator imagines Emma still being with them and finds it easiest to live as if she were still there, though they know surviving without her is more complex than they ever imagined.
This document contains 21 poems about myths from various authors. Some of the poems summarize or reference famous myths such as the myths of Oedipus, Orpheus, Medusa, Leda, and Icarus. The poems explore themes around love, fate, transformation, and the supernatural elements often present in classical myths.
This document contains 21 poems about myths from various authors. Some of the poems summarize or reference myths such as the myths of Oedipus, Dionysus, Prometheus, Leda, Bacchus, Icarus, Medusa, Orpheus, Perseus, Penelope, Helen of Troy, Cupid, Iphigenia, and more. The poems explore themes around love, fate, gods, and the human experience through allusions to Greek and Roman myths.
This document contains fragments from fairytales. It describes:
1) A person struggling in the ocean against powerful waves and seeing a tiny castle carved into a distant rock island.
2) Memories of a childhood home, including a cathedral-style roof and fireplace, and playing in an old tree cubbyhouse.
3) The person pushing through the ocean towards the castle, chased by a huge green fish, and coming face to face with a white-lipped sea monster.
This document describes a series of vignettes set in a cottage surrounded by nature at night. In the first vignette, an old woman reads by the light of her window as the sun sets. She pauses when she hears an owl hoot, seeming to understand a secret message. Further from the cottage, a stream babbles and frogs sing while fireflies illuminate a meadow under the moonlight. In the final vignette, the woman finishes her book with a contented sigh and a sense of peace washes over her as she embraces the night's mysteries from her armchair by the window.
Great Southern Streetwalking Nomads 1524 2286John Latham
油
A WORK IN PROGRESS
... Take me dont take me, let me go with you away engulfed in your sea of joy - found interactive with a tribal family and foreigners inter-pollen and play. I dont want to stop, simply to flow and break where necessary with a diamond facet in sync with a quasar edge to let it be the essence that nurtures a quoll, whilst shining sanity to a witness who is a prisoner of war once leach ridden in a jungle ditch, formed at the base of a huge fallen tree whose fate was set by a bomb fallen at its other side. They are loved by many, the brave over-and-done stories of the hard won victories or the wasted lost battles that were part thereof; the lovers of the loved lean into the gloom finding a light, a warmth, an attitude, a valiance and characters to love. The story of a chapter of a life, the substance of desperate-sweat, endurance, genius, determination showing a success that one may like to share. It was here in the wind of mentality, yours and mine, the sole one; but stopping to manifest it here, I face but an echo of silence - just an error a ripple in our fluid. I am now again the pilot, my instrument keyboard, at one time a brush, is the glider in our wind. We unfold the wild wind of our angry hearts and roll out the moist words of our supreme joy. Retell me foreign gentleman of the best way to prune the olive tree and I will explain the tapping of oil from the eucalypt and together we may see a quasar joining us through its veil. ... ./..
1) The poem describes a spirit visiting the narrator at night, questioning who it is and what it wants.
2) Yesterday, the narrator's people lived in freedom under wise rule. Today, their power and institutions have fallen into ruin and indifference.
3) Tomorrow, the narrator hopes their people will revive their ancient wisdom and vision, grounded in morality, diversity, and justice for all people and the earth. Their calls for peace and tolerance will spread across the world.
Revolution's Blade Book 1 - The Hound's PreyStephen Allan
油
A young woman is traveling alone on a pony along a road at night when she encounters three armed men on horses who draw their swords and threaten her. Hidden high in a tree above them is a witness - a man on the run after accidentally killing a woman in a crowd. He debates whether to intervene to help the girl, but decides against it due to the danger, feeling cowardly for choosing to stay hidden. He is torn by guilt and remorse at the impending attack on the girl that he feels responsible for by not acting to help.
A thief accidentally kills a woman during a robbery and flees the scene, tormented by nightmares of the event. Hundreds of miles from home, sheltering from rain in a tree by the road, he encounters other travelers in the night - a lone woman on a pony and three armed men on horses. Fearing they may be pursuers or brigands, he watches nervously as they approach each other underneath his tree.
This document provides biographical information about Adrian Cox and summaries of his poetry collection titled "LOOK". It contains 3 sections:
1) Biographical details about Adrian Cox - his birthplace, education, current occupation and hobbies.
2) Links to Cox's websites and social media profiles where his poetry and music can be found.
3) A list of the 23 poems in Cox's collection "LOOK" along with short summaries or excerpts from a few poems.
Always Listening To The Tunes Of My HeartNikhil Parekh
油
The document describes how the narrator's mind often tells them to do strange and dangerous things without reason or necessity, such as licking the road, eating thorns, or jumping from an airplane without a parachute. However, the narrator has now resolved to no longer be a slave to their mind and irrational desires, and instead to always listen to the tunes of their heart.
This document appears to be a collection of poems and short stories by the author. The first poem is about an interaction at a Chinese restaurant where the author was accused of not leaving a good tip. Another poem describes childhood memories of breaking his leg while biking and the medical treatment that followed. A third poem reflects on the untrustworthiness of memory and how childhood recollections may not match reality.
The document expresses the narrator's deep longing for love and connection in various situations in life. In each scenario, the narrator waits for some moment or encounter that will make them feel loved, comforted, inspired, or transported through joy, beauty, family, nature, spirituality or romance. The overall message is that love is what the narrator lives and dies for, and it helps make all of life's difficulties fade away.
The document describes different places and experiences that allow the speaker to find different feelings and abilities within themselves. They find mystical enchantment in candlelight, their lost ardor to exist in sunlight, and heavenly rejuvenation and bliss in waterfalls. They also find passion in fire, strength in buildings, and that they are forever alive and exuberant in the arms of their beloved.
Carrizo
BY CRISOSTO APACHE
For Edgar
The submarines inside was dim.
Ry笛nosuke Akutagawa, tr. by Will Petersen
in my youth, I hitched a ride to San Diego, across
chirping desert and distant night, I gazed upon a slow-moving
dark, encasing a convex cerulean cavity
each night, I stood beneath the sky for hours mesmerized
at the perplex reformatory, twinkling lights of broken
glass fragments spreading against a glistening sunset
a faceless man behind a lost reflection of glass
at a drive-up window informs me,
too bad, you know nothing of your own past
how far will I walk against the night?
conforming to a captivity I had never realized
some years later, under the kitchen table, they all huddle,
as the rampage continues toward the back of the house,
a clash of debris from the other room recoils
and broken sounds escape the barricade of doors
I remember I returned in 1970,
all they remember is me sitting at the edge of my bed,
with the war still in my hands
Anasazi
BY TACEY M. ATSITTY
How can we die when we're already
prone to leaving the table mid-meal
like Ancient Ones gone to breathe
elsewhere. Salt sits still, but pepper's gone
rolled off in a rush. We've practiced dying
for a long time: when we skip dance or town,
when we chew. We've rounded out
like dining room walls in a canyon, eaten
through by windSorry we rushed off;
the food wasn't ours. Sorry the grease sits
white on our plates, and the jam that didn't set
use it as syrup to cover every theory of us.
When Roots Are Exposed
BY ESTHER BELIN
I.
The empty of stomach
manifests silence
a stillness
that levels
coffee in a cup
and in a respectful manner
allows steam to penetrate
the surface.
Reversal of action
has created my sandstone canyon
rooted cedar and sage at my feet.
This movement is where
a tranquility stems.
II.
When my child creates
bubbles through a soapy wand,
I occupy the action of fate
that bursts the perfect form.
A halcyon absorbed
nesting within
the existence of the form
that no longer exists.
The formless form
is where my mind floats.
III.
It is easy to give form
especially with English words
a promotion of mechanical ligaments
binding spirit with assembly-fabricated molds.
Just as my hair poses an appendage of my brain
my tongue poses an appendage of my heart.
I cannot classify this thought as a typewritten symbol.
An ideogram of essence
cultivates my stillness to action.
ANWR
BY SHERWIN BITSUI
When we are out of gas,
a headache haloes the roof,
darkening the skin of everyone who has a full tank.
I was told that the nectar of shoelaces,
if squeezed hard enough,
turns to water and trickles from the caribous snout.
A glacier nibbled from its center
spiders a story of the Southern Cross,
twin brothers
dancing in the back room lit with cigarettes
break through the drums soft skin
There bone faces atlas
a grieving century ...
1. My Grandmothers Secret
My Grandmother has a secret in her garden. A secret that stretches to tender leaves at the tops of
mighty forest guardians; standing strong through beating rain and winters clothed in ice.
My Grandmother has a secret in her garden. pillars marked with history, holding on to stories told
through cracked and leathered skin.
My Grandmother has a secret in her garden. Wide and awesome; heaving under its own tremendous weight. Never
faltering on the journey to tomorrow.
My Grandmother has a secret in her garden. . It follows the line of the
earth extending, for what feels like forever. No horizon.
My Grandmother has a secret in her garden. that capture the sunlight, keeping it slave for its
own devices, infinitely seeing.
My Grandmother has a secret in her garden. A voice that bellows to distant lands; unknown in time and place. Once,
Utopia. Now forgotten, or maybe dreamed .
My Grandmother has a secret in her garden. That echoes through the shuddering bushes, shivering with anticipation
of contact with the brave who dare to search for it.
I push through morning mist, fighting the frost as it battles with the warmth of my breath, laced with hot chocolate,
powerful ammunition.
The frozen tips of the green mat beneath me crunch in protest at my relentless assault on the daybreak.
The Sun, in its infancy; watching cautiously under the shadow of his mother Moon. Blushing when hes caught
peeking at me over the hill.
Even the smallest trees whisper words of caution, but the cheeky shrubs below them urge me on in my pursuit. Go
on. Go on they goad. And I do, too foolish to avoid their dare.
I push my way through army foliage, easily defeating their flimsy defences, ever closer to my goal.
2. S p a c e , opening before me; a secret hollow in this urban forest protected from the prying eyes of the world by
an army clad in bark.
I feel the goose bumps on my skin, hundreds of beacons of trepidation, shouting But my
feet are propelled; seeking out the answer to the heated mist that
Cautious feet stumble over mossy rocks, creeping closer to an icy pool; trying to be inconspicuous by joining in the
conversation of birds sipping their refreshing morning coffee.
Only the chattering of my teeth betrays me to my comrades of plume and they
abandon me; to face this giant alone.
Without the feathered camouflage I continue on my quest, ever pressing closer to the thing thats still unsaid.
Fighting with my racing heart I move towards the monstrous caves from which this pungent steam escapes; as if
alive.
This thing; this clandestine ancient knowledge that only my Grandmother knows, the stories that shes whispered
while I drift off into dreams, unknown to any.
Except me.
How many years of melodic voice, has she sung the tales to my crib? Imprinting on me this day of reckoning. And
held my hand, as I, taking timid first steps imagined running with the treasure she spoke of.
How many moments of warm kitchen cuddles, with flour on noses and curlers in hair, has she blessed me with kisses
to take on this task?
So now, with boyish bravado I wipe my hands on dew-dampened jeans and peer into this chasm with eyes of
emerald, seeking out a crystal ball of a time thats now long gone.
Destroyed.
Vanished.
Extinct.
All but one. Alone, like me.
And face to face with this lifetime tale I draw in oxygen, filling my lungs with that precious gas.
I turn my face skyward towards the hint of blue, the only patch unhidden by this grey and stately tower.
3. Placing one careful sneaker above the other; trying not to step on laces, constantly escaping, as I
this sunlit wall.
The birds take up a chorus, a cheer to keep me brave as I continue on my destiny. A path my Grandmother made for
me and strengthened from my infancy.
The Sun has taken audience, observing from his balcony seat. Smiling with delight as he watches me make history.
Or is it, meet history?
Hello!? I call, my voice as brave as I can muster. I can feel the cornflakes n e r v o u s l y
c n
dan i g in my stomach. I receive no answer. So upward I go. Moving towards the throbbing pulse of this
forever hidden mast, a historic figurehead.
Hello!? I call again. The noise reaches the top-most branches of this garden canopy, alerting those creatures within
who were resting in the shade.
Or hiding.
From the beast, that starts to shift his head, puzzled by my voice. And moves to investigate who disturbs his
breakfast.
And in that timeless moment I watch transfixed, and hold on for life, as the tower Im climbing shudders and bends
towards me, as curious as I.
From high above me I watch it fall,
interrupting his breakfast to come and talk with me. Just me.
I am not scared.
My Grandmother told me. Just say Hello, Matthew. Just say Hello.
I am not scared, as I lick my lips, suddenly dry.
I am not scared, as I clear my throat, suddenly parched.
I am not scared as I open my mouth to squeak out, Hello.
And I freeze transfixed, as the monster moves his awesome jaws,
4. and nudges towards me his tasty fare of tender shoots. A peace offering.
Carefully easing down, I sit on the crest of this mighty beast. Tugging on my sneaker and pushing it forward with one
stockinged foot.
An alliance.
A friendship.
With windswept hair and Indian war-cries I thunder through the secret woods, now my conquest. Yelling with glee,
astride my mount and waving, wild a fleece-lined victory flag marked with an .
With the Sun grinning on I laugh through the morning, my new friend and I forge a life-lasting pact. And sitting
together by the crystal pond, surrounded by my returned avian regiment, I feel gentle eyes on my sun-warmed back,
from a smiling face with flour on her nose and curlers in hair.
I wave at the window, and she waves back. Spinning like a child she comes out to join us; me and her own
magic dragon.
Some people have imaginary friends.
My Grandmother has a secret. That only I know.
The End