This document discusses best practices for using digital media in museums. It outlines how museums have evolved from being places where objects, people and information come together on site, to also connecting with audiences off site through online platforms. It emphasizes the importance of understanding audience needs and goals for any digital initiative. Key questions are posed around who the museum wants to reach, where the audience will be, what the museum hopes to achieve, and whether a digital approach is actually necessary. A variety of digital tools are briefly outlined, including websites, social media, and online collections databases, noting both opportunities and challenges to improving access to collection data online. The document stresses that museums do not need all the answers up front and should ask questions and learn through trial
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Digital Heritage in Museums. How to get it right?
1. Digital Media in Museums
How to get it right?
Merel van der Vaart
4 April 2013
2. About me:
I enjoy working on the crossroads of online & off-line, on-site & off-site. So
far my experiences have varied from making exhibitions to running
workshops, from giving tours of a physical space to setting up social media
projects. I have worked in research environments & have done ¡®front line¡¯
heritage jobs (as in actually speaking to visitors).
3. This is how I see ¡®the museum¡¯
A place where people, objects &
information come together.
people
information objects
4. And this is the bit I¡¯m most
interested in.
people
information objects
5. off-site
online offline
on-site
Ross Parry & Nadia Arbach
In: Cameron & Kenderine (eds.) ¡®Theorizing Digital Cultural Heritage¡¯ (MIT Press: 2007)
6. off-site
web sites 'outreach'
online offline
in-gallery internet traditional
connections / live labels museum visit
on-site
Ross Parry & Nadia Arbach
In: Cameron & Kenderine (eds.) ¡®Theorizing Digital Cultural Heritage¡¯ (MIT Press: 2007)
7. These days it¡¯s a bit more like this:
off-site
'outreach'
web sites
apps
online social media offline
in-gallery internet traditional
connections / live labels museum visit
on-site
8. This is the bit we¡¯ll be looking at.
off-site
'outreach'
web sites
apps
online social media offline
in-gallery internet traditional
connections / live labels museum visit
on-site
23. ¡°While many museum websites now support
online access to their collection databases,
the speed of the digitization process
has not generally been reciprocated
by a review of data quality.¡±
Fiona Cameron & Helena Robinson
In: Cameron & Kenderine (eds.) ¡®Theorizing Digital Cultural Heritage¡¯ (MIT Press: 2007)
24. ¡°In the past, collection databases functioned as
internal museum tools for the almost exclusive use
of collection managers and curators.¡±
Fiona Cameron & Helena Robinson
In: Cameron & Kenderine (eds.) ¡®Theorizing Digital Cultural Heritage¡¯ (MIT Press: 2007)
25. Who do you want to reach?
Where will they be?
What do you want to achieve?
Does it have to be digital?
Why?
26. You don¡¯t have to know everything.
Ask questions.
Make mistakes.