�ݺ�ߣshows by User: Aesthetics_Art

�ݺ�ߣshows by User: Aesthetics_Art_Philosophy / http://www.slideshare.net/images/logo.gif �ݺ�ߣshows by User: Aesthetics_Art_Philosophy / Sat, 13 May 2023 11:59:24 GMT �ݺ�ߣShare feed for �ݺ�ߣshows by User: Aesthetics_Art_Philosophy A theory of art-ppxt.pptx /slideshow/a-theory-of-artppxtpptx/257814968 atheoryofart-ppxt-230513115924-fdb836c0
I have taken the subject of aesthetics normally bound to the elements of the Renaissance and then Western values which run from there and opened up the subject. Whilst there is too much to cover if one goes globally here are selections and a brief synopsis of a global field of creativity and aesthetics which begins to define the topic in a broad sense. A full text for each slide is available at this link, as a (PDF). https://drive.google.com/drive/my-drive]]>
I have taken the subject of aesthetics normally bound to the elements of the Renaissance and then Western values which run from there and opened up the subject. Whilst there is too much to cover if one goes globally here are selections and a brief synopsis of a global field of creativity and aesthetics which begins to define the topic in a broad sense. A full text for each slide is available at this link, as a (PDF). https://drive.google.com/drive/my-drive]]> Sat, 13 May 2023 11:59:24 GMT /slideshow/a-theory-of-artppxtpptx/257814968 Aesthetics_Art_Philosophy@slideshare.net(Aesthetics_Art_Philosophy) A theory of art-ppxt.pptx Aesthetics_Art_Philosophy I have taken the subject of aesthetics normally bound to the elements of the Renaissance and then Western values which run from there and opened up the subject. Whilst there is too much to cover if one goes globally here are selections and a brief synopsis of a global field of creativity and aesthetics which begins to define the topic in a broad sense. A full text for each slide is available at this link, as a (PDF). https://drive.google.com/drive/my-drive <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/atheoryofart-ppxt-230513115924-fdb836c0-thumbnail.jpg?width=120&height=120&fit=bounds" /> I have taken the subject of aesthetics normally bound to the elements of the Renaissance and then Western values which run from there and opened up the subject. Whilst there is too much to cover if one goes globally here are selections and a brief synopsis of a global field of creativity and aesthetics which begins to define the topic in a broad sense. A full text for each slide is available at this link, as a (PDF). https://drive.google.com/drive/my-drive

A theory of art-ppxt.pptx from derek dey

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0 object relations.pdf /slideshow/object-relationspdf-253823312/253823312 objectrelations-221026170009-80fd02cb
The psychological growth stages with, various theories from Freud, Jung, Rogers, and Maslow, the motherhood constellation to Margaret Mahler, attachment theory, the monophosphate shunt, RNA synthesis, amygdala, and on to neuro-aesthetics.]]>
The psychological growth stages with, various theories from Freud, Jung, Rogers, and Maslow, the motherhood constellation to Margaret Mahler, attachment theory, the monophosphate shunt, RNA synthesis, amygdala, and on to neuro-aesthetics.]]> Wed, 26 Oct 2022 17:00:09 GMT /slideshow/object-relationspdf-253823312/253823312 Aesthetics_Art_Philosophy@slideshare.net(Aesthetics_Art_Philosophy) object relations.pdf Aesthetics_Art_Philosophy The psychological growth stages with, various theories from Freud, Jung, Rogers, and Maslow, the motherhood constellation to Margaret Mahler, attachment theory, the monophosphate shunt, RNA synthesis, amygdala, and on to neuro-aesthetics. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/objectrelations-221026170009-80fd02cb-thumbnail.jpg?width=120&height=120&fit=bounds" /> The psychological growth stages with, various theories from Freud, Jung, Rogers, and Maslow, the motherhood constellation to Margaret Mahler, attachment theory, the monophosphate shunt, RNA synthesis, amygdala, and on to neuro-aesthetics.

object relations.pdf from derek dey

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0 Theory of art (Unification Thought) /slideshow/theory-of-art-uc-thought/41313778 theoryofartucthought-141109070500-conversion-gate02
In this section of Unification Thought a theory of art is considered. Culture defines the totality of human activities and Art is placed at the center of these cultural activities as the essence of such proceedings. However, the theory of art also reveals concerns over tendencies towards decadent expressions of what might otherwise be ideals; these serving humanity in a positive, ethical and affirmative way. World culture may therefore face a serious crises if this negative tendency persists. Accordingly, it is reasoned, a new culture and a true art movement might be both advantageous and relevant for our times. Through human history the arts have frequently played a leading role in bringing about change. The Renaissance period is a clear example of this, where the arts heralded a systemic change in this cultural epoch. Yet, art supplied a more questionable contribution to the Russian Revolution, thus in the revolutionary period the arts formed as a style known as Social Realism. This throws in to question, what the term art, might mean. For the most part, Social Realism became the instrument of a materialistic dialectic, serving the state rather than a principle of inspirational and autonomous creativity.  The function and the purpose of the arts are therefore examined here in this light and a counterproposal to social realism is presented. Believing the future will more and more, move towards a profound and universal expression of the arts, it is more pressing than ever to present a new theory of art from the viewpoint of transcendent and immanent perspectives; something Unification Thought suggests, belongs to a philosophy of religion rather than a state orchestrated doctrine. For a full text go to: http://www.unification-thought.org/neut/Neut07.html]]>
In this section of Unification Thought a theory of art is considered. Culture defines the totality of human activities and Art is placed at the center of these cultural activities as the essence of such proceedings. However, the theory of art also reveals concerns over tendencies towards decadent expressions of what might otherwise be ideals; these serving humanity in a positive, ethical and affirmative way. World culture may therefore face a serious crises if this negative tendency persists. Accordingly, it is reasoned, a new culture and a true art movement might be both advantageous and relevant for our times. Through human history the arts have frequently played a leading role in bringing about change. The Renaissance period is a clear example of this, where the arts heralded a systemic change in this cultural epoch. Yet, art supplied a more questionable contribution to the Russian Revolution, thus in the revolutionary period the arts formed as a style known as Social Realism. This throws in to question, what the term art, might mean. For the most part, Social Realism became the instrument of a materialistic dialectic, serving the state rather than a principle of inspirational and autonomous creativity.  The function and the purpose of the arts are therefore examined here in this light and a counterproposal to social realism is presented. Believing the future will more and more, move towards a profound and universal expression of the arts, it is more pressing than ever to present a new theory of art from the viewpoint of transcendent and immanent perspectives; something Unification Thought suggests, belongs to a philosophy of religion rather than a state orchestrated doctrine. For a full text go to: http://www.unification-thought.org/neut/Neut07.html]]> Sun, 09 Nov 2014 07:04:59 GMT /slideshow/theory-of-art-uc-thought/41313778 Aesthetics_Art_Philosophy@slideshare.net(Aesthetics_Art_Philosophy) Theory of art (Unification Thought) Aesthetics_Art_Philosophy In this section of Unification Thought a theory of art is considered. Culture defines the totality of human activities and Art is placed at the center of these cultural activities as the essence of such proceedings. However, the theory of art also reveals concerns over tendencies towards decadent expressions of what might otherwise be ideals; these serving humanity in a positive, ethical and affirmative way. World culture may therefore face a serious crises if this negative tendency persists. Accordingly, it is reasoned, a new culture and a true art movement might be both advantageous and relevant for our times. Through human history the arts have frequently played a leading role in bringing about change. The Renaissance period is a clear example of this, where the arts heralded a systemic change in this cultural epoch. Yet, art supplied a more questionable contribution to the Russian Revolution, thus in the revolutionary period the arts formed as a style known as Social Realism. This throws in to question, what the term art, might mean. For the most part, Social Realism became the instrument of a materialistic dialectic, serving the state rather than a principle of inspirational and autonomous creativity.  The function and the purpose of the arts are therefore examined here in this light and a counterproposal to social realism is presented. Believing the future will more and more, move towards a profound and universal expression of the arts, it is more pressing than ever to present a new theory of art from the viewpoint of transcendent and immanent perspectives; something Unification Thought suggests, belongs to a philosophy of religion rather than a state orchestrated doctrine. For a full text go to: http://www.unification-thought.org/neut/Neut07.html <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/theoryofartucthought-141109070500-conversion-gate02-thumbnail.jpg?width=120&height=120&fit=bounds" /> In this section of Unification Thought a theory of art is considered. Culture defines the totality of human activities and Art is placed at the center of these cultural activities as the essence of such proceedings. However, the theory of art also reveals concerns over tendencies towards decadent expressions of what might otherwise be ideals; these serving humanity in a positive, ethical and affirmative way. World culture may therefore face a serious crises if this negative tendency persists. Accordingly, it is reasoned, a new culture and a true art movement might be both advantageous and relevant for our times. Through human history the arts have frequently played a leading role in bringing about change. The Renaissance period is a clear example of this, where the arts heralded a systemic change in this cultural epoch. Yet, art supplied a more questionable contribution to the Russian Revolution, thus in the revolutionary period the arts formed as a style known as Social Realism. This throws in to question, what the term art, might mean. For the most part, Social Realism became the instrument of a materialistic dialectic, serving the state rather than a principle of inspirational and autonomous creativity.  The function and the purpose of the arts are therefore examined here in this light and a counterproposal to social realism is presented. Believing the future will more and more, move towards a profound and universal expression of the arts, it is more pressing than ever to present a new theory of art from the viewpoint of transcendent and immanent perspectives; something Unification Thought suggests, belongs to a philosophy of religion rather than a state orchestrated doctrine. For a full text go to: http://www.unification-thought.org/neut/Neut07.html

Theory of art (Unification Thought) from derek dey

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0 Original image (Unification Thought) /slideshow/original-image-upload-uc-thought/38319623 originalimageuploaducthought-140825040625-phpapp01
Within this philosophy of religion, the theory concerning the attributes of God, in Unification Thought, is called the Theory of the Original Image. The original Image refers to the attributes of God, the causal being. These attributes consist of form and function including nature, character, ability, creativity and virtues. Within this framework the idea of Logos is explored. The attributes of God are expressed in various ways by various religions. Unification Thought examines God’s character and attributes as The Divine Character and The Divine Image. These form as the Original Image, the hallmarks of God’s traits. In this, the first presentation of three, a ground of being is established by examining the fundamental properties of creator and created. It is from this first proposition that a ‘theory of resemblance’ can also be formed where humankind might come to resemble the nature of the creator and by doing so, sustain the virtues evident throughout such a cosmology. Friedrich Schiller suggested that a culture in chaos cannot perceive principles. By examining the nature of the creator as a ground of being, self can then be viewed as an authentic or true self holding to innate properties and virtues; it is these qualities which affirm principles. From these universal qualities and creative and cultural dynamics, Schiller’s question can then be answered. Principles placed on the ground and rooted in harmony are examined in this presentation. It is only through a correct and full understanding of the Divine Image, as well as the Divine Character, will we be able to fundamentally solve the problems of human life, society, history, and the world.   This presentation is followed by Ontology and The Theory of The Original Image, which together present a clear picture of a ground, of being and healthy cultural expressions. The other two presentations can be found here, on site. NB the presentation is supported by a text available from the link on the third slide ]]>
Within this philosophy of religion, the theory concerning the attributes of God, in Unification Thought, is called the Theory of the Original Image. The original Image refers to the attributes of God, the causal being. These attributes consist of form and function including nature, character, ability, creativity and virtues. Within this framework the idea of Logos is explored. The attributes of God are expressed in various ways by various religions. Unification Thought examines God’s character and attributes as The Divine Character and The Divine Image. These form as the Original Image, the hallmarks of God’s traits. In this, the first presentation of three, a ground of being is established by examining the fundamental properties of creator and created. It is from this first proposition that a ‘theory of resemblance’ can also be formed where humankind might come to resemble the nature of the creator and by doing so, sustain the virtues evident throughout such a cosmology. Friedrich Schiller suggested that a culture in chaos cannot perceive principles. By examining the nature of the creator as a ground of being, self can then be viewed as an authentic or true self holding to innate properties and virtues; it is these qualities which affirm principles. From these universal qualities and creative and cultural dynamics, Schiller’s question can then be answered. Principles placed on the ground and rooted in harmony are examined in this presentation. It is only through a correct and full understanding of the Divine Image, as well as the Divine Character, will we be able to fundamentally solve the problems of human life, society, history, and the world.   This presentation is followed by Ontology and The Theory of The Original Image, which together present a clear picture of a ground, of being and healthy cultural expressions. The other two presentations can be found here, on site. NB the presentation is supported by a text available from the link on the third slide ]]> Mon, 25 Aug 2014 04:06:25 GMT /slideshow/original-image-upload-uc-thought/38319623 Aesthetics_Art_Philosophy@slideshare.net(Aesthetics_Art_Philosophy) Original image (Unification Thought) Aesthetics_Art_Philosophy Within this philosophy of religion, the theory concerning the attributes of God, in Unification Thought, is called the Theory of the Original Image. The original Image refers to the attributes of God, the causal being. These attributes consist of form and function including nature, character, ability, creativity and virtues. Within this framework the idea of Logos is explored. The attributes of God are expressed in various ways by various religions. Unification Thought examines God’s character and attributes as The Divine Character and The Divine Image. These form as the Original Image, the hallmarks of God’s traits. In this, the first presentation of three, a ground of being is established by examining the fundamental properties of creator and created. It is from this first proposition that a ‘theory of resemblance’ can also be formed where humankind might come to resemble the nature of the creator and by doing so, sustain the virtues evident throughout such a cosmology. Friedrich Schiller suggested that a culture in chaos cannot perceive principles. By examining the nature of the creator as a ground of being, self can then be viewed as an authentic or true self holding to innate properties and virtues; it is these qualities which affirm principles. From these universal qualities and creative and cultural dynamics, Schiller’s question can then be answered. Principles placed on the ground and rooted in harmony are examined in this presentation. It is only through a correct and full understanding of the Divine Image, as well as the Divine Character, will we be able to fundamentally solve the problems of human life, society, history, and the world.   This presentation is followed by Ontology and The Theory of The Original Image, which together present a clear picture of a ground, of being and healthy cultural expressions. The other two presentations can be found here, on site. NB the presentation is supported by a text available from the link on the third slide <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/originalimageuploaducthought-140825040625-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds" /> Within this philosophy of religion, the theory concerning the attributes of God, in Unification Thought, is called the Theory of the Original Image. The original Image refers to the attributes of God, the causal being. These attributes consist of form and function including nature, character, ability, creativity and virtues. Within this framework the idea of Logos is explored. The attributes of God are expressed in various ways by various religions. Unification Thought examines God’s character and attributes as The Divine Character and The Divine Image. These form as the Original Image, the hallmarks of God’s traits. In this, the first presentation of three, a ground of being is established by examining the fundamental properties of creator and created. It is from this first proposition that a ‘theory of resemblance’ can also be formed where humankind might come to resemble the nature of the creator and by doing so, sustain the virtues evident throughout such a cosmology. Friedrich Schiller suggested that a culture in chaos cannot perceive principles. By examining the nature of the creator as a ground of being, self can then be viewed as an authentic or true self holding to innate properties and virtues; it is these qualities which affirm principles. From these universal qualities and creative and cultural dynamics, Schiller’s question can then be answered. Principles placed on the ground and rooted in harmony are examined in this presentation. It is only through a correct and full understanding of the Divine Image, as well as the Divine Character, will we be able to fundamentally solve the problems of human life, society, history, and the world.   This presentation is followed by Ontology and The Theory of The Original Image, which together present a clear picture of a ground, of being and healthy cultural expressions. The other two presentations can be found here, on site. NB the presentation is supported by a text available from the link on the third slide

Original image (Unification Thought) from derek dey

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0 The theory of original nature (Unification Thought) / The nature of the true self, its place in society, politics and creativity; the virtues of 'concern-consciousness' in systems theory. /slideshow/the-theory-of-original-nature-uc-thought/37319561 thetheoryoforiginalnatureucthought-140724080221-phpapp01
The Theory of Original Human Nature is traditionally related to categories of being and in many cases to Metaphysics. Throughout history many have examined human nature as questions of existence and secondly, as the problems of relationship. Buddha, Christ, Socrates, Descartes, Kant, Hegel, Kierkegaard and many others, have undertaken such tasks. Today there are also animated discussions lying along the lines of psychological self-actualization proposals and attachment theories. Of late therefore, psychological proponents have added to the groundswell of thinking, issues concerning existence, being, and the relational field. It is notable that transpersonal psychologies, for example, frequently touch upon theories of a true self mentioned frequently within the disciplines' catalogue. The Theory of Original Being, here proposed by Sang Hun Lee, nevertheless, focuses on this topic more exclusively from the field of religious philosophy.   Rather than posit purely philosophical arguments, The Theory of Original Nature is metaphysical in its dimensions, yet pragmatic in its approach. The self as a fulcrum of consciousness is therefore proposed as a matrix of conscious expressions, events and behaviors. The Theory of Original Nature thus extends from a theoretical proposition to forms of broad creativity concretely expressed by an authentic self, in the arts, sciences, philosophy, ethics and social morality. The first principle to be established belongs to the ethical structures of the self. The second belongs to virtuous behaviors expressed in the social political and cultural fields.   The examination of self and beingness, is therefore supremely important This true self is tied organically to the natural world, the human landscape in general and to the democratic world within principles of natural law; the rights of man being extrapolated from innate states and metaphysical postulates. Systems theories including the psyche and constitutions are organic by nature, either functioning authentically by natural law or conflated by the dysfunctional self and proliferated as theories and practices of a dystopian dimension. It is therefore important to come to terms with achievable states of optimum health at all levels. Essential to this proposition is that self and other systems, be it family, social or political, be marked throughout by, ‘concern-consciousness,’ a theory whereby everything matters. Lying close to the Theory of the Original Image (Logos) and Ontology, this hypothesis is extracted from Logos viewed as a general creative proposition. This theory of Original nature is therefore tied to a philosophy of Monism and to a grand theory of unification, a systems theory well worth considering in the light of today’s confusion. At the end of this section, some existentialists are reconsidered from the perspective of the work. The full text can be found here: http://www.unification-thought.org/neut/Neut03.html ]]>
The Theory of Original Human Nature is traditionally related to categories of being and in many cases to Metaphysics. Throughout history many have examined human nature as questions of existence and secondly, as the problems of relationship. Buddha, Christ, Socrates, Descartes, Kant, Hegel, Kierkegaard and many others, have undertaken such tasks. Today there are also animated discussions lying along the lines of psychological self-actualization proposals and attachment theories. Of late therefore, psychological proponents have added to the groundswell of thinking, issues concerning existence, being, and the relational field. It is notable that transpersonal psychologies, for example, frequently touch upon theories of a true self mentioned frequently within the disciplines' catalogue. The Theory of Original Being, here proposed by Sang Hun Lee, nevertheless, focuses on this topic more exclusively from the field of religious philosophy.   Rather than posit purely philosophical arguments, The Theory of Original Nature is metaphysical in its dimensions, yet pragmatic in its approach. The self as a fulcrum of consciousness is therefore proposed as a matrix of conscious expressions, events and behaviors. The Theory of Original Nature thus extends from a theoretical proposition to forms of broad creativity concretely expressed by an authentic self, in the arts, sciences, philosophy, ethics and social morality. The first principle to be established belongs to the ethical structures of the self. The second belongs to virtuous behaviors expressed in the social political and cultural fields.   The examination of self and beingness, is therefore supremely important This true self is tied organically to the natural world, the human landscape in general and to the democratic world within principles of natural law; the rights of man being extrapolated from innate states and metaphysical postulates. Systems theories including the psyche and constitutions are organic by nature, either functioning authentically by natural law or conflated by the dysfunctional self and proliferated as theories and practices of a dystopian dimension. It is therefore important to come to terms with achievable states of optimum health at all levels. Essential to this proposition is that self and other systems, be it family, social or political, be marked throughout by, ‘concern-consciousness,’ a theory whereby everything matters. Lying close to the Theory of the Original Image (Logos) and Ontology, this hypothesis is extracted from Logos viewed as a general creative proposition. This theory of Original nature is therefore tied to a philosophy of Monism and to a grand theory of unification, a systems theory well worth considering in the light of today’s confusion. At the end of this section, some existentialists are reconsidered from the perspective of the work. The full text can be found here: http://www.unification-thought.org/neut/Neut03.html ]]> Thu, 24 Jul 2014 08:02:21 GMT /slideshow/the-theory-of-original-nature-uc-thought/37319561 Aesthetics_Art_Philosophy@slideshare.net(Aesthetics_Art_Philosophy) The theory of original nature (Unification Thought) / The nature of the true self, its place in society, politics and creativity; the virtues of 'concern-consciousness' in systems theory. Aesthetics_Art_Philosophy The Theory of Original Human Nature is traditionally related to categories of being and in many cases to Metaphysics. Throughout history many have examined human nature as questions of existence and secondly, as the problems of relationship. Buddha, Christ, Socrates, Descartes, Kant, Hegel, Kierkegaard and many others, have undertaken such tasks. Today there are also animated discussions lying along the lines of psychological self-actualization proposals and attachment theories. Of late therefore, psychological proponents have added to the groundswell of thinking, issues concerning existence, being, and the relational field. It is notable that transpersonal psychologies, for example, frequently touch upon theories of a true self mentioned frequently within the disciplines' catalogue. The Theory of Original Being, here proposed by Sang Hun Lee, nevertheless, focuses on this topic more exclusively from the field of religious philosophy.   Rather than posit purely philosophical arguments, The Theory of Original Nature is metaphysical in its dimensions, yet pragmatic in its approach. The self as a fulcrum of consciousness is therefore proposed as a matrix of conscious expressions, events and behaviors. The Theory of Original Nature thus extends from a theoretical proposition to forms of broad creativity concretely expressed by an authentic self, in the arts, sciences, philosophy, ethics and social morality. The first principle to be established belongs to the ethical structures of the self. The second belongs to virtuous behaviors expressed in the social political and cultural fields.   The examination of self and beingness, is therefore supremely important This true self is tied organically to the natural world, the human landscape in general and to the democratic world within principles of natural law; the rights of man being extrapolated from innate states and metaphysical postulates. Systems theories including the psyche and constitutions are organic by nature, either functioning authentically by natural law or conflated by the dysfunctional self and proliferated as theories and practices of a dystopian dimension. It is therefore important to come to terms with achievable states of optimum health at all levels. Essential to this proposition is that self and other systems, be it family, social or political, be marked throughout by, ‘concern-consciousness,’ a theory whereby everything matters. Lying close to the Theory of the Original Image (Logos) and Ontology, this hypothesis is extracted from Logos viewed as a general creative proposition. This theory of Original nature is therefore tied to a philosophy of Monism and to a grand theory of unification, a systems theory well worth considering in the light of today’s confusion. At the end of this section, some existentialists are reconsidered from the perspective of the work. The full text can be found here: http://www.unification-thought.org/neut/Neut03.html <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/thetheoryoforiginalnatureucthought-140724080221-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds" /> The Theory of Original Human Nature is traditionally related to categories of being and in many cases to Metaphysics. Throughout history many have examined human nature as questions of existence and secondly, as the problems of relationship. Buddha, Christ, Socrates, Descartes, Kant, Hegel, Kierkegaard and many others, have undertaken such tasks. Today there are also animated discussions lying along the lines of psychological self-actualization proposals and attachment theories. Of late therefore, psychological proponents have added to the groundswell of thinking, issues concerning existence, being, and the relational field. It is notable that transpersonal psychologies, for example, frequently touch upon theories of a true self mentioned frequently within the disciplines' catalogue. The Theory of Original Being, here proposed by Sang Hun Lee, nevertheless, focuses on this topic more exclusively from the field of religious philosophy.   Rather than posit purely philosophical arguments, The Theory of Original Nature is metaphysical in its dimensions, yet pragmatic in its approach. The self as a fulcrum of consciousness is therefore proposed as a matrix of conscious expressions, events and behaviors. The Theory of Original Nature thus extends from a theoretical proposition to forms of broad creativity concretely expressed by an authentic self, in the arts, sciences, philosophy, ethics and social morality. The first principle to be established belongs to the ethical structures of the self. The second belongs to virtuous behaviors expressed in the social political and cultural fields.   The examination of self and beingness, is therefore supremely important This true self is tied organically to the natural world, the human landscape in general and to the democratic world within principles of natural law; the rights of man being extrapolated from innate states and metaphysical postulates. Systems theories including the psyche and constitutions are organic by nature, either functioning authentically by natural law or conflated by the dysfunctional self and proliferated as theories and practices of a dystopian dimension. It is therefore important to come to terms with achievable states of optimum health at all levels. Essential to this proposition is that self and other systems, be it family, social or political, be marked throughout by, ‘concern-consciousness,’ a theory whereby everything matters. Lying close to the Theory of the Original Image (Logos) and Ontology, this hypothesis is extracted from Logos viewed as a general creative proposition. This theory of Original nature is therefore tied to a philosophy of Monism and to a grand theory of unification, a systems theory well worth considering in the light of today’s confusion. At the end of this section, some existentialists are reconsidered from the perspective of the work. The full text can be found here: http://www.unification-thought.org/neut/Neut03.html

The theory of original nature (Unification Thought) / The nature of the true self, its place in society, politics and creativity; the virtues of 'concern-consciousness' in systems theory. from derek dey

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0 Ontology (Unification Thought) /slideshow/ontology-uc-thought/36793247 ontologyflatucthought-140709092108-phpapp01
Ontology is predicated to the creative principle of Logos. It defines self as a mirror image of the heart of Logos. Ontology is therefore a theory of resemblance. The first six slides are by way of introduction. The sixth is a revision of Logos. I have included a very brief review of psychological proposals such as the Imago Dei and the Jungian, Christ archetype, which are particularly relevant to Ontology. Following from that, models or proposals of a true self made by James Hillman, Michael Fordham, Donald Winnicott and George Hagman, etc, are likewise pertinent to the subject. However from slide seven the presentation follows the text of Unification Thought. A link to the text can be found on slide four. Much of Ontology is expressed as systems theory so self and community are compared to general systems thinking. Work in paleopsychology, Ken Wilber's AQAL model of the self (see an adaption on slide 15) and work done by Niklas Luhmann on social systems and communication, also address the field of Ontology. A fuller presentation embracing a wide field of inter-disciplinary work will soon be available.]]>
Ontology is predicated to the creative principle of Logos. It defines self as a mirror image of the heart of Logos. Ontology is therefore a theory of resemblance. The first six slides are by way of introduction. The sixth is a revision of Logos. I have included a very brief review of psychological proposals such as the Imago Dei and the Jungian, Christ archetype, which are particularly relevant to Ontology. Following from that, models or proposals of a true self made by James Hillman, Michael Fordham, Donald Winnicott and George Hagman, etc, are likewise pertinent to the subject. However from slide seven the presentation follows the text of Unification Thought. A link to the text can be found on slide four. Much of Ontology is expressed as systems theory so self and community are compared to general systems thinking. Work in paleopsychology, Ken Wilber's AQAL model of the self (see an adaption on slide 15) and work done by Niklas Luhmann on social systems and communication, also address the field of Ontology. A fuller presentation embracing a wide field of inter-disciplinary work will soon be available.]]> Wed, 09 Jul 2014 09:21:08 GMT /slideshow/ontology-uc-thought/36793247 Aesthetics_Art_Philosophy@slideshare.net(Aesthetics_Art_Philosophy) Ontology (Unification Thought) Aesthetics_Art_Philosophy Ontology is predicated to the creative principle of Logos. It defines self as a mirror image of the heart of Logos. Ontology is therefore a theory of resemblance. The first six slides are by way of introduction. The sixth is a revision of Logos. I have included a very brief review of psychological proposals such as the Imago Dei and the Jungian, Christ archetype, which are particularly relevant to Ontology. Following from that, models or proposals of a true self made by James Hillman, Michael Fordham, Donald Winnicott and George Hagman, etc, are likewise pertinent to the subject. However from slide seven the presentation follows the text of Unification Thought. A link to the text can be found on slide four. Much of Ontology is expressed as systems theory so self and community are compared to general systems thinking. Work in paleopsychology, Ken Wilber's AQAL model of the self (see an adaption on slide 15) and work done by Niklas Luhmann on social systems and communication, also address the field of Ontology. A fuller presentation embracing a wide field of inter-disciplinary work will soon be available. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/ontologyflatucthought-140709092108-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds" /> Ontology is predicated to the creative principle of Logos. It defines self as a mirror image of the heart of Logos. Ontology is therefore a theory of resemblance. The first six slides are by way of introduction. The sixth is a revision of Logos. I have included a very brief review of psychological proposals such as the Imago Dei and the Jungian, Christ archetype, which are particularly relevant to Ontology. Following from that, models or proposals of a true self made by James Hillman, Michael Fordham, Donald Winnicott and George Hagman, etc, are likewise pertinent to the subject. However from slide seven the presentation follows the text of Unification Thought. A link to the text can be found on slide four. Much of Ontology is expressed as systems theory so self and community are compared to general systems thinking. Work in paleopsychology, Ken Wilber's AQAL model of the self (see an adaption on slide 15) and work done by Niklas Luhmann on social systems and communication, also address the field of Ontology. A fuller presentation embracing a wide field of inter-disciplinary work will soon be available.

Ontology (Unification Thought) from derek dey

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0 A history of an idea; Logos and the theory of the Original Image (Unification Thought) /slideshow/a-history-of-an-idealogos-and-the-theory-of-the-original-image-uc-thought/36550958 logos-panpsychismucthought-140702080151-phpapp02
A history of Logos as an idea / theory of the original image / ontology and resemblance / the transcendent and immanent domains. This first slide show in a series presents, in part, Unification Thought. This show introduces the history of an idea; Logos as the ground for further exploration. The second section in the presentation considers the theory of the original image which presents Logos and Eros as a creative proposal and a base for further ontological explorations, personal creativity, and a raison d'être for ethics and virtues.]]>
A history of Logos as an idea / theory of the original image / ontology and resemblance / the transcendent and immanent domains. This first slide show in a series presents, in part, Unification Thought. This show introduces the history of an idea; Logos as the ground for further exploration. The second section in the presentation considers the theory of the original image which presents Logos and Eros as a creative proposal and a base for further ontological explorations, personal creativity, and a raison d'être for ethics and virtues.]]> Wed, 02 Jul 2014 08:01:51 GMT /slideshow/a-history-of-an-idealogos-and-the-theory-of-the-original-image-uc-thought/36550958 Aesthetics_Art_Philosophy@slideshare.net(Aesthetics_Art_Philosophy) A history of an idea; Logos and the theory of the Original Image (Unification Thought) Aesthetics_Art_Philosophy A history of Logos as an idea / theory of the original image / ontology and resemblance / the transcendent and immanent domains. This first slide show in a series presents, in part, Unification Thought. This show introduces the history of an idea; Logos as the ground for further exploration. The second section in the presentation considers the theory of the original image which presents Logos and Eros as a creative proposal and a base for further ontological explorations, personal creativity, and a raison d'être for ethics and virtues. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/logos-panpsychismucthought-140702080151-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds" /> A history of Logos as an idea / theory of the original image / ontology and resemblance / the transcendent and immanent domains. This first slide show in a series presents, in part, Unification Thought. This show introduces the history of an idea; Logos as the ground for further exploration. The second section in the presentation considers the theory of the original image which presents Logos and Eros as a creative proposal and a base for further ontological explorations, personal creativity, and a raison d'être for ethics and virtues.

A history of an idea; Logos and the theory of the Original Image (Unification Thought) from derek dey

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0 aesthetics:a philosophy of art / the recovery of virtues and principles -introduction /slideshow/aestheticsa-philosophy-of-art-reviewed/9942296 shortversion-111029173002-phpapp01
A short introduction to aesthetics. The philosophy of art described here is defined by universals, the recent advances in the psychology of creativity and innate character and calling. Aesthetics is a series containing 1. the Introduction. 2. The Psychology of the Creative Self. 3. The Philosophy of Art, and 4. Models of Education. Contact the author for slide supported presentations at derekdey@gmail.com]]>
A short introduction to aesthetics. The philosophy of art described here is defined by universals, the recent advances in the psychology of creativity and innate character and calling. Aesthetics is a series containing 1. the Introduction. 2. The Psychology of the Creative Self. 3. The Philosophy of Art, and 4. Models of Education. Contact the author for slide supported presentations at derekdey@gmail.com]]> Sat, 29 Oct 2011 17:30:00 GMT /slideshow/aestheticsa-philosophy-of-art-reviewed/9942296 Aesthetics_Art_Philosophy@slideshare.net(Aesthetics_Art_Philosophy) aesthetics:a philosophy of art / the recovery of virtues and principles -introduction Aesthetics_Art_Philosophy A short introduction to aesthetics. The philosophy of art described here is defined by universals, the recent advances in the psychology of creativity and innate character and calling. Aesthetics is a series containing 1. the Introduction. 2. The Psychology of the Creative Self. 3. The Philosophy of Art, and 4. Models of Education. Contact the author for slide supported presentations at derekdey@gmail.com <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/shortversion-111029173002-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds" /> A short introduction to aesthetics. The philosophy of art described here is defined by universals, the recent advances in the psychology of creativity and innate character and calling. Aesthetics is a series containing 1. the Introduction. 2. The Psychology of the Creative Self. 3. The Philosophy of Art, and 4. Models of Education. Contact the author for slide supported presentations at derekdey@gmail.com

aesthetics:a philosophy of art / the recovery of virtues and principles -introduction from derek dey

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0 https://cdn.slidesharecdn.com/profile-photo-Aesthetics_Art_Philosophy-48x48.jpg?cb=1727005645 Broad experience in teaching, conferencing, psychology, and art. Currently working as an artist, writer, and lecturer-educator in the field of aesthetics. Goals: establish aesthetic and art philosophy conferences. Develop a psychology of creativity. Establish work illustrating the psychology and inner realities of artists. Currently available as a visiting lecturer on 'The introduction to Aesthetics" and 'The History and Psychology of Creativity.' Universities, schools, groups are welcome to contact me at e-mail: derekdey@gmail.com or my cell / country code +45 / 30966246 All lectures are accompanied by slide presentations. email: derekdey@gmail www.saatchiart.com/derekdey https://cdn.slidesharecdn.com/ss_thumbnails/atheoryofart-ppxt-230513115924-fdb836c0-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/a-theory-of-artppxtpptx/257814968 A theory of art-ppxt.pptx https://cdn.slidesharecdn.com/ss_thumbnails/objectrelations-221026170009-80fd02cb-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/object-relationspdf-253823312/253823312 object relations.pdf https://cdn.slidesharecdn.com/ss_thumbnails/theoryofartucthought-141109070500-conversion-gate02-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/theory-of-art-uc-thought/41313778 Theory of art (Unifica...