際際滷shows by User: TWAM / http://www.slideshare.net/images/logo.gif 際際滷shows by User: TWAM / Tue, 03 Dec 2013 03:07:01 GMT 際際滷Share feed for 際際滷shows by User: TWAM Deconstructing the online collection: creatively repurposing museums and archives /slideshow/deconstructing-the-online-collection-creatively-repurposing-museums-and-archives/28834976 nodem2013johncoburn-131203030701-phpapp01
What is the public value of an online collection? Why should museums and archives invite digital artists to deconstruct and rebuild their online collections experience? This paper argues that the traditional online collection- a database of object records- is fundamentally designed for research audiences, and presents very few opportunities for serendipitously engaging the casual browser. It will propose that in order to reach new audiences online, museums and archives should be less concerned with technical innovation and more interested in enabling and publishing creative reuse of collections; they should promote their collection as a resource bank to creative practitioners who design compelling digital experiences; and that designing digital heritage experiences to inspire curiosity and wonder is more important than facilitating learning. This paper will refer to the innovative Half Memory project as a case study. The project, developed by TWAM with Tusk Music and Pixel Palace, invited musicians, sound artists and film makers to use TWAMs collections as a resource for creating engaging (digital) heritage outputs; outputs that recontextualised historical material in order to inspire new audiences. ]]>
What is the public value of an online collection? Why should museums and archives invite digital artists to deconstruct and rebuild their online collections experience? This paper argues that the traditional online collection- a database of object records- is fundamentally designed for research audiences, and presents very few opportunities for serendipitously engaging the casual browser. It will propose that in order to reach new audiences online, museums and archives should be less concerned with technical innovation and more interested in enabling and publishing creative reuse of collections; they should promote their collection as a resource bank to creative practitioners who design compelling digital experiences; and that designing digital heritage experiences to inspire curiosity and wonder is more important than facilitating learning. This paper will refer to the innovative Half Memory project as a case study. The project, developed by TWAM with Tusk Music and Pixel Palace, invited musicians, sound artists and film makers to use TWAMs collections as a resource for creating engaging (digital) heritage outputs; outputs that recontextualised historical material in order to inspire new audiences. ]]> Tue, 03 Dec 2013 03:07:01 GMT /slideshow/deconstructing-the-online-collection-creatively-repurposing-museums-and-archives/28834976 TWAM@slideshare.net(TWAM) Deconstructing the online collection: creatively repurposing museums and archives TWAM What is the public value of an online collection? Why should museums and archives invite digital artists to deconstruct and rebuild their online collections experience? This paper argues that the traditional online collection- a database of object records- is fundamentally designed for research audiences, and presents very few opportunities for serendipitously engaging the casual browser. It will propose that in order to reach new audiences online, museums and archives should be less concerned with technical innovation and more interested in enabling and publishing creative reuse of collections; they should promote their collection as a resource bank to creative practitioners who design compelling digital experiences; and that designing digital heritage experiences to inspire curiosity and wonder is more important than facilitating learning. This paper will refer to the innovative Half Memory project as a case study. The project, developed by TWAM with Tusk Music and Pixel Palace, invited musicians, sound artists and film makers to use TWAMs collections as a resource for creating engaging (digital) heritage outputs; outputs that recontextualised historical material in order to inspire new audiences. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/nodem2013johncoburn-131203030701-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> What is the public value of an online collection? Why should museums and archives invite digital artists to deconstruct and rebuild their online collections experience? This paper argues that the traditional online collection- a database of object records- is fundamentally designed for research audiences, and presents very few opportunities for serendipitously engaging the casual browser. It will propose that in order to reach new audiences online, museums and archives should be less concerned with technical innovation and more interested in enabling and publishing creative reuse of collections; they should promote their collection as a resource bank to creative practitioners who design compelling digital experiences; and that designing digital heritage experiences to inspire curiosity and wonder is more important than facilitating learning. This paper will refer to the innovative Half Memory project as a case study. The project, developed by TWAM with Tusk Music and Pixel Palace, invited musicians, sound artists and film makers to use TWAMs collections as a resource for creating engaging (digital) heritage outputs; outputs that recontextualised historical material in order to inspire new audiences.
Deconstructing the online collection: creatively repurposing museums and archives from Tyne & Wear Archives & Museums
]]> 829 2 https://cdn.slidesharecdn.com/ss_thumbnails/nodem2013johncoburn-131203030701-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 In order that we can all touch our past: Participatory Re-visioning of Discovery Museum /TWAM/rachel-ma-conf-5-10-10 rachelmaconf51010-101110084553-phpapp01
Delivered by Rachel Pain, Durham University, at the Museums Association Conference 5th October 2010.]]>
Delivered by Rachel Pain, Durham University, at the Museums Association Conference 5th October 2010.]]> Wed, 10 Nov 2010 08:45:35 GMT /TWAM/rachel-ma-conf-5-10-10 TWAM@slideshare.net(TWAM) In order that we can all touch our past: Participatory Re-visioning of Discovery Museum TWAM Delivered by Rachel Pain, Durham University, at the Museums Association Conference 5th October 2010. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/rachelmaconf51010-101110084553-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Delivered by Rachel Pain, Durham University, at the Museums Association Conference 5th October 2010.
In order that we can all touch our past: Participatory Re-visioning of Discovery Museum from Tyne & Wear Archives & Museums
]]> 312 2 https://cdn.slidesharecdn.com/ss_thumbnails/rachelmaconf51010-101110084553-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Northern Spirit /slideshow/northern-spirit-2/5726840 northernspirit2-101110084431-phpapp01
'Northern Spirit: 'Tyne & Wear Archives and Museums (Laing Art Gallery) in partnership with the International Centre for Culture and Heritage Studies at Newcastle University. Delivered by Julie Milne, Curator of the Laing Art Gallery, at the Museums Association Conference October 2010.]]>
'Northern Spirit: 'Tyne & Wear Archives and Museums (Laing Art Gallery) in partnership with the International Centre for Culture and Heritage Studies at Newcastle University. Delivered by Julie Milne, Curator of the Laing Art Gallery, at the Museums Association Conference October 2010.]]> Wed, 10 Nov 2010 08:44:28 GMT /slideshow/northern-spirit-2/5726840 TWAM@slideshare.net(TWAM) Northern Spirit TWAM 'Northern Spirit: 'Tyne & Wear Archives and Museums (Laing Art Gallery) in partnership with the International Centre for Culture and Heritage Studies at Newcastle University. Delivered by Julie Milne, Curator of the Laing Art Gallery, at the Museums Association Conference October 2010. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/northernspirit2-101110084431-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> &#39;Northern Spirit: &#39;Tyne &amp; Wear Archives and Museums (Laing Art Gallery) in partnership with the International Centre for Culture and Heritage Studies at Newcastle University. Delivered by Julie Milne, Curator of the Laing Art Gallery, at the Museums Association Conference October 2010.
Northern Spirit from Tyne & Wear Archives & Museums
]]> 429 1 https://cdn.slidesharecdn.com/ss_thumbnails/northernspirit2-101110084431-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Art on Tyneside: Redeveloping a Permanent Display about Art, Place and Identity at the Laing Art Gallery, Newcastle upon Tyne. /slideshow/art-on-tyneside-redeveloping-a-permanent-display-about-art-place-and-identity-at-the-laing-art-gallery-newcastle-upon-tyne/5726301 maconferencemanchester2010-101110081130-phpapp01
Delivered by Dr Rhiannon Mason, Dr Chris Whitehead and Dr Helen Graham from International Centre for Cultural and Heritage Studies, Newcastle University at Museums Association Conference October 2010. ]]>
Delivered by Dr Rhiannon Mason, Dr Chris Whitehead and Dr Helen Graham from International Centre for Cultural and Heritage Studies, Newcastle University at Museums Association Conference October 2010. ]]> Wed, 10 Nov 2010 08:11:22 GMT /slideshow/art-on-tyneside-redeveloping-a-permanent-display-about-art-place-and-identity-at-the-laing-art-gallery-newcastle-upon-tyne/5726301 TWAM@slideshare.net(TWAM) Art on Tyneside: Redeveloping a Permanent Display about Art, Place and Identity at the Laing Art Gallery, Newcastle upon Tyne. TWAM Delivered by Dr Rhiannon Mason, Dr Chris Whitehead and Dr Helen Graham from International Centre for Cultural and Heritage Studies, Newcastle University at Museums Association Conference October 2010. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/maconferencemanchester2010-101110081130-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Delivered by Dr Rhiannon Mason, Dr Chris Whitehead and Dr Helen Graham from International Centre for Cultural and Heritage Studies, Newcastle University at Museums Association Conference October 2010.
Art on Tyneside: Redeveloping a Permanent Display about Art, Place and Identity at the Laing Art Gallery, Newcastle upon Tyne. from Tyne & Wear Archives & Museums
]]> 631 3 https://cdn.slidesharecdn.com/ss_thumbnails/maconferencemanchester2010-101110081130-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Knowledge is Key: Using academic research at Discovery Museum /slideshow/knowledge-is-key-using-academic-research-at-discovery-museum/5724995 maconf51010finalhazel-101110054527-phpapp02
Members of staff from Tyne & Wear Archives & Museums attended the annual Museums Association Conference in Manchester in October 2010. Hazel Edwards (Manager, Discovery Museum) presented a paper entitled Knowledge is Key: Using Academic Research at Discovery Museum, which discussed a successful collaboration between Discovery Museum and Durham University. ]]>
Members of staff from Tyne & Wear Archives & Museums attended the annual Museums Association Conference in Manchester in October 2010. Hazel Edwards (Manager, Discovery Museum) presented a paper entitled Knowledge is Key: Using Academic Research at Discovery Museum, which discussed a successful collaboration between Discovery Museum and Durham University. ]]> Wed, 10 Nov 2010 05:45:16 GMT /slideshow/knowledge-is-key-using-academic-research-at-discovery-museum/5724995 TWAM@slideshare.net(TWAM) Knowledge is Key: Using academic research at Discovery Museum TWAM Members of staff from Tyne & Wear Archives & Museums attended the annual Museums Association Conference in Manchester in October 2010. Hazel Edwards (Manager, Discovery Museum) presented a paper entitled Knowledge is Key: Using Academic Research at Discovery Museum, which discussed a successful collaboration between Discovery Museum and Durham University. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/maconf51010finalhazel-101110054527-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Members of staff from Tyne &amp; Wear Archives &amp; Museums attended the annual Museums Association Conference in Manchester in October 2010. Hazel Edwards (Manager, Discovery Museum) presented a paper entitled Knowledge is Key: Using Academic Research at Discovery Museum, which discussed a successful collaboration between Discovery Museum and Durham University.
Knowledge is Key: Using academic research at Discovery Museum from Tyne & Wear Archives & Museums
]]> 712 3 https://cdn.slidesharecdn.com/ss_thumbnails/maconf51010finalhazel-101110054527-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 https://cdn.slidesharecdn.com/profile-photo-TWAM-48x48.jpg?cb=1605787415 Tyne & Wear Archives & Museums is a major regional museum, art gallery and archives service. Tyne & Wear Museums has now merged with Tyne & Wear Archives to create a joint service. Tyne & Wear Archives & Museums manages a collection of 12 museums and galleries across Tyne and Wear, supported by the five local authorities of the area. http://www.twmuseums.org.uk https://cdn.slidesharecdn.com/ss_thumbnails/nodem2013johncoburn-131203030701-phpapp01-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/deconstructing-the-online-collection-creatively-repurposing-museums-and-archives/28834976 Deconstructing the onl... https://cdn.slidesharecdn.com/ss_thumbnails/rachelmaconf51010-101110084553-phpapp01-thumbnail.jpg?width=320&height=320&fit=bounds TWAM/rachel-ma-conf-5-10-10 In order that we can ... https://cdn.slidesharecdn.com/ss_thumbnails/northernspirit2-101110084431-phpapp01-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/northern-spirit-2/5726840 Northern Spirit