際際滷shows by User: placemakersus / http://www.slideshare.net/images/logo.gif 際際滷shows by User: placemakersus / Thu, 19 Mar 2015 11:58:23 GMT 際際滷Share feed for 際際滷shows by User: placemakersus Anne Markusen - How Do We Know Creative Placemaking is Working? /placemakersus/anne-markusen-how-do-we-know-creative-placemaking-is-working isartworkingmarkusenartofplacemakingprovidence110813copy-150319115824-conversion-gate01
Ann Markusen is Director of the Arts Economy Initiative and the Project on Regional and Industrial Economics at the University of Minnesotas Humphrey School of Public Affairs, and Principal of Markusen Economic Research. She is a researcher, frequent public speaker, and advisor to public agencies, policymakers, businesses, economic developers, and nonprofit organizations across the US, in Europe, Japan, Korea, Australia and Brazil. Her expertise is in economic development at the state and local level, where she brings analytical skills to bear on the ways that industries and occupations shape possibilities for creating good work. Markusen is currently serving as research and writing consultant for the Minnesota House of Representatives Select Committee on Living Wage Jobs. Markusens research and policy work has also been directly toward pressing economic development issues at national and local scales, including business tax incentives (Reining in the Competition for Capital, 2007), minimum wage legislation, military industrial conversion (Arming the Future: a Defense Industry for the 20th Century, 1999; Dismantling the Cold War Economy, 1992; The Rise of the Gunbelt, 1991) high tech job growth (High Tech America 1985), energy boomtowns, and state/local public finance. Over the years, her op eds have been published in the New York Times, Los Angeles Times, Chicago Tribune, Christian Science Monitor and many regional dallies, and she has been a frequent radio and television commentator.]]>
Ann Markusen is Director of the Arts Economy Initiative and the Project on Regional and Industrial Economics at the University of Minnesotas Humphrey School of Public Affairs, and Principal of Markusen Economic Research. She is a researcher, frequent public speaker, and advisor to public agencies, policymakers, businesses, economic developers, and nonprofit organizations across the US, in Europe, Japan, Korea, Australia and Brazil. Her expertise is in economic development at the state and local level, where she brings analytical skills to bear on the ways that industries and occupations shape possibilities for creating good work. Markusen is currently serving as research and writing consultant for the Minnesota House of Representatives Select Committee on Living Wage Jobs. Markusens research and policy work has also been directly toward pressing economic development issues at national and local scales, including business tax incentives (Reining in the Competition for Capital, 2007), minimum wage legislation, military industrial conversion (Arming the Future: a Defense Industry for the 20th Century, 1999; Dismantling the Cold War Economy, 1992; The Rise of the Gunbelt, 1991) high tech job growth (High Tech America 1985), energy boomtowns, and state/local public finance. Over the years, her op eds have been published in the New York Times, Los Angeles Times, Chicago Tribune, Christian Science Monitor and many regional dallies, and she has been a frequent radio and television commentator.]]> Thu, 19 Mar 2015 11:58:23 GMT /placemakersus/anne-markusen-how-do-we-know-creative-placemaking-is-working placemakersus@slideshare.net(placemakersus) Anne Markusen - How Do We Know Creative Placemaking is Working? placemakersus Ann Markusen is Director of the Arts Economy Initiative and the Project on Regional and Industrial Economics at the University of Minnesotas Humphrey School of Public Affairs, and Principal of Markusen Economic Research. She is a researcher, frequent public speaker, and advisor to public agencies, policymakers, businesses, economic developers, and nonprofit organizations across the US, in Europe, Japan, Korea, Australia and Brazil. Her expertise is in economic development at the state and local level, where she brings analytical skills to bear on the ways that industries and occupations shape possibilities for creating good work. Markusen is currently serving as research and writing consultant for the Minnesota House of Representatives Select Committee on Living Wage Jobs. Markusens research and policy work has also been directly toward pressing economic development issues at national and local scales, including business tax incentives (Reining in the Competition for Capital, 2007), minimum wage legislation, military industrial conversion (Arming the Future: a Defense Industry for the 20th Century, 1999; Dismantling the Cold War Economy, 1992; The Rise of the Gunbelt, 1991) high tech job growth (High Tech America 1985), energy boomtowns, and state/local public finance. Over the years, her op eds have been published in the New York Times, Los Angeles Times, Chicago Tribune, Christian Science Monitor and many regional dallies, and she has been a frequent radio and television commentator. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/isartworkingmarkusenartofplacemakingprovidence110813copy-150319115824-conversion-gate01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Ann Markusen is Director of the Arts Economy Initiative and the Project on Regional and Industrial Economics at the University of Minnesotas Humphrey School of Public Affairs, and Principal of Markusen Economic Research. She is a researcher, frequent public speaker, and advisor to public agencies, policymakers, businesses, economic developers, and nonprofit organizations across the US, in Europe, Japan, Korea, Australia and Brazil. Her expertise is in economic development at the state and local level, where she brings analytical skills to bear on the ways that industries and occupations shape possibilities for creating good work. Markusen is currently serving as research and writing consultant for the Minnesota House of Representatives Select Committee on Living Wage Jobs. Markusens research and policy work has also been directly toward pressing economic development issues at national and local scales, including business tax incentives (Reining in the Competition for Capital, 2007), minimum wage legislation, military industrial conversion (Arming the Future: a Defense Industry for the 20th Century, 1999; Dismantling the Cold War Economy, 1992; The Rise of the Gunbelt, 1991) high tech job growth (High Tech America 1985), energy boomtowns, and state/local public finance. Over the years, her op eds have been published in the New York Times, Los Angeles Times, Chicago Tribune, Christian Science Monitor and many regional dallies, and she has been a frequent radio and television commentator.
Anne Markusen - How Do We Know Creative Placemaking is Working? from Place Maker
]]> 532 5 https://cdn.slidesharecdn.com/ss_thumbnails/isartworkingmarkusenartofplacemakingprovidence110813copy-150319115824-conversion-gate01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 NEA Update on Creative Placemaking Research and Programs /slideshow/nea-update-on-creative-placemaking-research-and-programs/45228168 riartofcreativeplacemaking11-150227094032-conversion-gate01
Sunil Iyengar, Director, Office of Research and Analysis, National Endowment for the Arts, will present the NEAs latest research and thinking on creative placemaking in America and will be joined by Jason Schupbach, Design Director who will provide and update on NEA creative placemaking programs.]]>
Sunil Iyengar, Director, Office of Research and Analysis, National Endowment for the Arts, will present the NEAs latest research and thinking on creative placemaking in America and will be joined by Jason Schupbach, Design Director who will provide and update on NEA creative placemaking programs.]]> Fri, 27 Feb 2015 09:40:32 GMT /slideshow/nea-update-on-creative-placemaking-research-and-programs/45228168 placemakersus@slideshare.net(placemakersus) NEA Update on Creative Placemaking Research and Programs placemakersus Sunil Iyengar, Director, Office of Research and Analysis, National Endowment for the Arts, will present the NEAs latest research and thinking on creative placemaking in America and will be joined by Jason Schupbach, Design Director who will provide and update on NEA creative placemaking programs. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/riartofcreativeplacemaking11-150227094032-conversion-gate01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Sunil Iyengar, Director, Office of Research and Analysis, National Endowment for the Arts, will present the NEAs latest research and thinking on creative placemaking in America and will be joined by Jason Schupbach, Design Director who will provide and update on NEA creative placemaking programs.
NEA Update on Creative Placemaking Research and Programs from Place Maker
]]> 506 10 https://cdn.slidesharecdn.com/ss_thumbnails/riartofcreativeplacemaking11-150227094032-conversion-gate01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 30 years of Creative Placemaking in Providence /slideshow/30-years-of-creative-placemaking-in-providence/45137874 30years-150225125059-conversion-gate01
Bert Crenca, AS220, Barnaby Evans, WaterFire Providence and Clay Rockefeller,The Steel Yard and Lynne McCormack, Director of Art Culture + Tourism, City of Providence share their experiences in building and supporting creative cultural institutions that helped redefine a city. This panel was moderate by Anne Gadwa Nicodemus.]]>
Bert Crenca, AS220, Barnaby Evans, WaterFire Providence and Clay Rockefeller,The Steel Yard and Lynne McCormack, Director of Art Culture + Tourism, City of Providence share their experiences in building and supporting creative cultural institutions that helped redefine a city. This panel was moderate by Anne Gadwa Nicodemus.]]> Wed, 25 Feb 2015 12:50:58 GMT /slideshow/30-years-of-creative-placemaking-in-providence/45137874 placemakersus@slideshare.net(placemakersus) 30 years of Creative Placemaking in Providence placemakersus Bert Crenca, AS220, Barnaby Evans, WaterFire Providence and Clay Rockefeller,The Steel Yard and Lynne McCormack, Director of Art Culture + Tourism, City of Providence share their experiences in building and supporting creative cultural institutions that helped redefine a city. This panel was moderate by Anne Gadwa Nicodemus. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/30years-150225125059-conversion-gate01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Bert Crenca, AS220, Barnaby Evans, WaterFire Providence and Clay Rockefeller,The Steel Yard and Lynne McCormack, Director of Art Culture + Tourism, City of Providence share their experiences in building and supporting creative cultural institutions that helped redefine a city. This panel was moderate by Anne Gadwa Nicodemus.
30 years of Creative Placemaking in Providence from Place Maker
]]> 216 2 https://cdn.slidesharecdn.com/ss_thumbnails/30years-150225125059-conversion-gate01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 What can cities do and state do to foster creative development? /slideshow/what-can-cities-do-mpls/45135974 whatcancitiesdompls-150225120321-conversion-gate02
Creative communities: what are the ingredients of building a creative community? What can cities and state governments do to encourage creative development? How do we break down the silos and encourage collaborations? Come listen and discuss with a panel of creative placemakers working inside government to connect and navigate the landscape of planning, economic development, education, transportation and the arts. Panel: G端lg端n Kayim, Director of Arts, Culture and Creative Economy, City of Minneapolis; Kip Bergstrom, Deputy Commissioner, Connecticut Department of Economic and Community Development. Marty Pottenger, artist, Portland, ME; Lynne McCormack, Director, Department of Art Culture + Tourism, City of Providence, RI and Erin Williams, Cultural Development Officer for the City of Worcester, MA and Executive Director of the Worcester Cultural Coalition. This session will be moderated by Jack Becker, Publisher, Public Art Review.]]>
Creative communities: what are the ingredients of building a creative community? What can cities and state governments do to encourage creative development? How do we break down the silos and encourage collaborations? Come listen and discuss with a panel of creative placemakers working inside government to connect and navigate the landscape of planning, economic development, education, transportation and the arts. Panel: G端lg端n Kayim, Director of Arts, Culture and Creative Economy, City of Minneapolis; Kip Bergstrom, Deputy Commissioner, Connecticut Department of Economic and Community Development. Marty Pottenger, artist, Portland, ME; Lynne McCormack, Director, Department of Art Culture + Tourism, City of Providence, RI and Erin Williams, Cultural Development Officer for the City of Worcester, MA and Executive Director of the Worcester Cultural Coalition. This session will be moderated by Jack Becker, Publisher, Public Art Review.]]> Wed, 25 Feb 2015 12:03:21 GMT /slideshow/what-can-cities-do-mpls/45135974 placemakersus@slideshare.net(placemakersus) What can cities do and state do to foster creative development? placemakersus Creative communities: what are the ingredients of building a creative community? What can cities and state governments do to encourage creative development? How do we break down the silos and encourage collaborations? Come listen and discuss with a panel of creative placemakers working inside government to connect and navigate the landscape of planning, economic development, education, transportation and the arts. Panel: G端lg端n Kayim, Director of Arts, Culture and Creative Economy, City of Minneapolis; Kip Bergstrom, Deputy Commissioner, Connecticut Department of Economic and Community Development. Marty Pottenger, artist, Portland, ME; Lynne McCormack, Director, Department of Art Culture + Tourism, City of Providence, RI and Erin Williams, Cultural Development Officer for the City of Worcester, MA and Executive Director of the Worcester Cultural Coalition. This session will be moderated by Jack Becker, Publisher, Public Art Review. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/whatcancitiesdompls-150225120321-conversion-gate02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Creative communities: what are the ingredients of building a creative community? What can cities and state governments do to encourage creative development? How do we break down the silos and encourage collaborations? Come listen and discuss with a panel of creative placemakers working inside government to connect and navigate the landscape of planning, economic development, education, transportation and the arts. Panel: G端lg端n Kayim, Director of Arts, Culture and Creative Economy, City of Minneapolis; Kip Bergstrom, Deputy Commissioner, Connecticut Department of Economic and Community Development. Marty Pottenger, artist, Portland, ME; Lynne McCormack, Director, Department of Art Culture + Tourism, City of Providence, RI and Erin Williams, Cultural Development Officer for the City of Worcester, MA and Executive Director of the Worcester Cultural Coalition. This session will be moderated by Jack Becker, Publisher, Public Art Review.
What can cities do and state do to foster creative development? from Place Maker
]]> 504 4 https://cdn.slidesharecdn.com/ss_thumbnails/whatcancitiesdompls-150225120321-conversion-gate02-thumbnail.jpg?width=120&height=120&fit=bounds document Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Putting Creativity to Work: Creative Placemaking with People at the Center /slideshow/putting-creativity-to-work-creative-placemaking-with-people-at-the-center/40974528 aawartofplacemaking2013revised-141031132404-conversion-gate01
Marty Pottenger, director, Art at Work Arts projects that focus on engagement and collaboration outside the arts sector are sometimes the most successful, but are often the most difficult to complete successfully. A practitioners seasoned perspective on creating work that engages and transforms communities, we will learn about projects with New York Citys Department of Environmental Protection/Local 147 Sandhogs Union, a city-wide gathering at Union Square four days after 9/11, and a national arts project with 30 minimum wage workers and 30 multi-millionaires. Presentation will also include Art At Work is a national initiative to improve municipal government and the communities they serve through strategic arts projects with municipal employees, elected officials, residents and artists. Creative Placemaking with people at the center, AAW strengthens community resilience and generates cultural, civic and economic vibrancy by engaging people in making and experiencing art that matters.]]>
Marty Pottenger, director, Art at Work Arts projects that focus on engagement and collaboration outside the arts sector are sometimes the most successful, but are often the most difficult to complete successfully. A practitioners seasoned perspective on creating work that engages and transforms communities, we will learn about projects with New York Citys Department of Environmental Protection/Local 147 Sandhogs Union, a city-wide gathering at Union Square four days after 9/11, and a national arts project with 30 minimum wage workers and 30 multi-millionaires. Presentation will also include Art At Work is a national initiative to improve municipal government and the communities they serve through strategic arts projects with municipal employees, elected officials, residents and artists. Creative Placemaking with people at the center, AAW strengthens community resilience and generates cultural, civic and economic vibrancy by engaging people in making and experiencing art that matters.]]> Fri, 31 Oct 2014 13:24:04 GMT /slideshow/putting-creativity-to-work-creative-placemaking-with-people-at-the-center/40974528 placemakersus@slideshare.net(placemakersus) Putting Creativity to Work: Creative Placemaking with People at the Center placemakersus Marty Pottenger, director, Art at Work Arts projects that focus on engagement and collaboration outside the arts sector are sometimes the most successful, but are often the most difficult to complete successfully. A practitioners seasoned perspective on creating work that engages and transforms communities, we will learn about projects with New York Citys Department of Environmental Protection/Local 147 Sandhogs Union, a city-wide gathering at Union Square four days after 9/11, and a national arts project with 30 minimum wage workers and 30 multi-millionaires. Presentation will also include Art At Work is a national initiative to improve municipal government and the communities they serve through strategic arts projects with municipal employees, elected officials, residents and artists. Creative Placemaking with people at the center, AAW strengthens community resilience and generates cultural, civic and economic vibrancy by engaging people in making and experiencing art that matters. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/aawartofplacemaking2013revised-141031132404-conversion-gate01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Marty Pottenger, director, Art at Work Arts projects that focus on engagement and collaboration outside the arts sector are sometimes the most successful, but are often the most difficult to complete successfully. A practitioners seasoned perspective on creating work that engages and transforms communities, we will learn about projects with New York Citys Department of Environmental Protection/Local 147 Sandhogs Union, a city-wide gathering at Union Square four days after 9/11, and a national arts project with 30 minimum wage workers and 30 multi-millionaires. Presentation will also include Art At Work is a national initiative to improve municipal government and the communities they serve through strategic arts projects with municipal employees, elected officials, residents and artists. Creative Placemaking with people at the center, AAW strengthens community resilience and generates cultural, civic and economic vibrancy by engaging people in making and experiencing art that matters.
Putting Creativity to Work: Creative Placemaking with People at the Center from Place Maker
]]> 701 4 https://cdn.slidesharecdn.com/ss_thumbnails/aawartofplacemaking2013revised-141031132404-conversion-gate01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Measuring What Matters: Sponsorship Research Lessons for the Placemaking World /placemakersus/measuring-what-matters-sponsorship-research-lessons-for-a powerpointcompanionforplacemakingconference2013jjp11-7-2013730pm-140325174831-phpapp01
While its great to attend a conference and hear from all the experts from within your field, it can be even more useful to hear from experts who work in other fields. At The Art of Placemaking conference we invited Jed Pearsall, founder and president of Performance Research, a global leader in marketing and sponsorship research for Fortune 50 brands, to share his experiences in working with companies that sponsor the Arts. Performance Researchs mission is to help clients capture and measure the value of sponsorship and experiential marketing and reveal the essential truth about the impact.]]>
While its great to attend a conference and hear from all the experts from within your field, it can be even more useful to hear from experts who work in other fields. At The Art of Placemaking conference we invited Jed Pearsall, founder and president of Performance Research, a global leader in marketing and sponsorship research for Fortune 50 brands, to share his experiences in working with companies that sponsor the Arts. Performance Researchs mission is to help clients capture and measure the value of sponsorship and experiential marketing and reveal the essential truth about the impact.]]> Tue, 25 Mar 2014 17:48:31 GMT /placemakersus/measuring-what-matters-sponsorship-research-lessons-for-a placemakersus@slideshare.net(placemakersus) Measuring What Matters: Sponsorship Research Lessons for the Placemaking World placemakersus While its great to attend a conference and hear from all the experts from within your field, it can be even more useful to hear from experts who work in other fields. At The Art of Placemaking conference we invited Jed Pearsall, founder and president of Performance Research, a global leader in marketing and sponsorship research for Fortune 50 brands, to share his experiences in working with companies that sponsor the Arts. Performance Researchs mission is to help clients capture and measure the value of sponsorship and experiential marketing and reveal the essential truth about the impact. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/powerpointcompanionforplacemakingconference2013jjp11-7-2013730pm-140325174831-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> While its great to attend a conference and hear from all the experts from within your field, it can be even more useful to hear from experts who work in other fields. At The Art of Placemaking conference we invited Jed Pearsall, founder and president of Performance Research, a global leader in marketing and sponsorship research for Fortune 50 brands, to share his experiences in working with companies that sponsor the Arts. Performance Researchs mission is to help clients capture and measure the value of sponsorship and experiential marketing and reveal the essential truth about the impact.
Measuring What Matters: Sponsorship Research Lessons for the Placemaking World from Place Maker
]]> 683 8 https://cdn.slidesharecdn.com/ss_thumbnails/powerpointcompanionforplacemakingconference2013jjp11-7-2013730pm-140325174831-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Its all about people: Measuring the Social Impact of Creative Placemaking /slideshow/its-all-about-people-measuring-the-social-impact-of-creative-placemaking/32502123 artofplacemakingslides-yazowskiandlee-final-140319133312-phpapp01
Sarah Lee, Vice President for Arts & Culture, Slover Linett Audience Research Sharon Yazowski, Executive Director, Levitt Pavillions Placemaking begins and ends with people. While current creative placemaking vibrancy indicators focus primarily on economic impact, we believe theres more to the story: social impact. Join Sharon Yazowski, Executive Director of Levitt Pavilions, and Sarah Lee, Vice President for Arts & Culture at Slover Linett Audience Research, to learn about how they are working together to develop tools and methodologies to measure the social impact of creative placemaking projects, using Levitt Pavilions as a case study.]]>
Sarah Lee, Vice President for Arts & Culture, Slover Linett Audience Research Sharon Yazowski, Executive Director, Levitt Pavillions Placemaking begins and ends with people. While current creative placemaking vibrancy indicators focus primarily on economic impact, we believe theres more to the story: social impact. Join Sharon Yazowski, Executive Director of Levitt Pavilions, and Sarah Lee, Vice President for Arts & Culture at Slover Linett Audience Research, to learn about how they are working together to develop tools and methodologies to measure the social impact of creative placemaking projects, using Levitt Pavilions as a case study.]]> Wed, 19 Mar 2014 13:33:12 GMT /slideshow/its-all-about-people-measuring-the-social-impact-of-creative-placemaking/32502123 placemakersus@slideshare.net(placemakersus) Its all about people: Measuring the Social Impact of Creative Placemaking placemakersus Sarah Lee, Vice President for Arts & Culture, Slover Linett Audience Research Sharon Yazowski, Executive Director, Levitt Pavillions Placemaking begins and ends with people. While current creative placemaking vibrancy indicators focus primarily on economic impact, we believe theres more to the story: social impact. Join Sharon Yazowski, Executive Director of Levitt Pavilions, and Sarah Lee, Vice President for Arts & Culture at Slover Linett Audience Research, to learn about how they are working together to develop tools and methodologies to measure the social impact of creative placemaking projects, using Levitt Pavilions as a case study. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/artofplacemakingslides-yazowskiandlee-final-140319133312-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Sarah Lee, Vice President for Arts &amp; Culture, Slover Linett Audience Research Sharon Yazowski, Executive Director, Levitt Pavillions Placemaking begins and ends with people. While current creative placemaking vibrancy indicators focus primarily on economic impact, we believe theres more to the story: social impact. Join Sharon Yazowski, Executive Director of Levitt Pavilions, and Sarah Lee, Vice President for Arts &amp; Culture at Slover Linett Audience Research, to learn about how they are working together to develop tools and methodologies to measure the social impact of creative placemaking projects, using Levitt Pavilions as a case study.
Its all about people: Measuring the Social Impact of Creative Placemaking from Place Maker
]]> 384 4 https://cdn.slidesharecdn.com/ss_thumbnails/artofplacemakingslides-yazowskiandlee-final-140319133312-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Laura Zabel - Change the Narrative: Measuring Placemakings Effect on Neighborhood Narrative /slideshow/change-the-narrative-measuring-placemakings-effect-on-neighborhood-narrative/32040864 zabel-140307095850-phpapp01
Laura Zabel, Executive Director, Springboard for the Arts When you ask Mayors or community organizers what their biggest challenge is, often they say helping people believe that change is possible. This session will use the Irrigate project in St.Paul, Minnesota as a case study to share how many small, locally-grown, creative placemaking projects can contribute to a change in neighborhood narrative and lead to greater agency and equity in the community. Laura Zabel is executive director of Springboard for the Arts, an economic and community development agency based in Minnesota. Springboard provides programs that help artists make a living and a life; and programs that help communities tap into the resource that artists provide. Some of Springboards projects include: Community Supported Art (CSA), which is based on the Community Supported Agriculture model and connects artists directly with patrons; the Artists Access to Healthcare program, which was awarded the 2010 Social Entrepreneurs Cup; and the Irrigate project, a national model for how cities can engage artists to help reframe and address big community challenges. Springboards programs have been replicated in over 40 communities across the country. Laura was recently named one of the 50 most influential people in the nonprofit arts and received the 2012 Visionary Leader award from the MN Council of Nonprofits. She has been one of Minneapolis Business Journals 40 Under Forty and Minnesota Monthlys 12 Minnesotans Who Can See the Future. Laura serves on advisory boards for the Knight Foundation, Twin Cities LISC and the University of Kansas.]]>
Laura Zabel, Executive Director, Springboard for the Arts When you ask Mayors or community organizers what their biggest challenge is, often they say helping people believe that change is possible. This session will use the Irrigate project in St.Paul, Minnesota as a case study to share how many small, locally-grown, creative placemaking projects can contribute to a change in neighborhood narrative and lead to greater agency and equity in the community. Laura Zabel is executive director of Springboard for the Arts, an economic and community development agency based in Minnesota. Springboard provides programs that help artists make a living and a life; and programs that help communities tap into the resource that artists provide. Some of Springboards projects include: Community Supported Art (CSA), which is based on the Community Supported Agriculture model and connects artists directly with patrons; the Artists Access to Healthcare program, which was awarded the 2010 Social Entrepreneurs Cup; and the Irrigate project, a national model for how cities can engage artists to help reframe and address big community challenges. Springboards programs have been replicated in over 40 communities across the country. Laura was recently named one of the 50 most influential people in the nonprofit arts and received the 2012 Visionary Leader award from the MN Council of Nonprofits. She has been one of Minneapolis Business Journals 40 Under Forty and Minnesota Monthlys 12 Minnesotans Who Can See the Future. Laura serves on advisory boards for the Knight Foundation, Twin Cities LISC and the University of Kansas.]]> Fri, 07 Mar 2014 09:58:50 GMT /slideshow/change-the-narrative-measuring-placemakings-effect-on-neighborhood-narrative/32040864 placemakersus@slideshare.net(placemakersus) Laura Zabel - Change the Narrative: Measuring Placemakings Effect on Neighborhood Narrative placemakersus Laura Zabel, Executive Director, Springboard for the Arts When you ask Mayors or community organizers what their biggest challenge is, often they say helping people believe that change is possible. This session will use the Irrigate project in St.Paul, Minnesota as a case study to share how many small, locally-grown, creative placemaking projects can contribute to a change in neighborhood narrative and lead to greater agency and equity in the community. Laura Zabel is executive director of Springboard for the Arts, an economic and community development agency based in Minnesota. Springboard provides programs that help artists make a living and a life; and programs that help communities tap into the resource that artists provide. Some of Springboards projects include: Community Supported Art (CSA), which is based on the Community Supported Agriculture model and connects artists directly with patrons; the Artists Access to Healthcare program, which was awarded the 2010 Social Entrepreneurs Cup; and the Irrigate project, a national model for how cities can engage artists to help reframe and address big community challenges. Springboards programs have been replicated in over 40 communities across the country. Laura was recently named one of the 50 most influential people in the nonprofit arts and received the 2012 Visionary Leader award from the MN Council of Nonprofits. She has been one of Minneapolis Business Journals 40 Under Forty and Minnesota Monthlys 12 Minnesotans Who Can See the Future. Laura serves on advisory boards for the Knight Foundation, Twin Cities LISC and the University of Kansas. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/zabel-140307095850-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Laura Zabel, Executive Director, Springboard for the Arts When you ask Mayors or community organizers what their biggest challenge is, often they say helping people believe that change is possible. This session will use the Irrigate project in St.Paul, Minnesota as a case study to share how many small, locally-grown, creative placemaking projects can contribute to a change in neighborhood narrative and lead to greater agency and equity in the community. Laura Zabel is executive director of Springboard for the Arts, an economic and community development agency based in Minnesota. Springboard provides programs that help artists make a living and a life; and programs that help communities tap into the resource that artists provide. Some of Springboards projects include: Community Supported Art (CSA), which is based on the Community Supported Agriculture model and connects artists directly with patrons; the Artists Access to Healthcare program, which was awarded the 2010 Social Entrepreneurs Cup; and the Irrigate project, a national model for how cities can engage artists to help reframe and address big community challenges. Springboards programs have been replicated in over 40 communities across the country. Laura was recently named one of the 50 most influential people in the nonprofit arts and received the 2012 Visionary Leader award from the MN Council of Nonprofits. She has been one of Minneapolis Business Journals 40 Under Forty and Minnesota Monthlys 12 Minnesotans Who Can See the Future. Laura serves on advisory boards for the Knight Foundation, Twin Cities LISC and the University of Kansas.
Laura Zabel - Change the Narrative: Measuring Placemakings Effect on Neighborhood Narrative from Place Maker
]]> 494 3 https://cdn.slidesharecdn.com/ss_thumbnails/zabel-140307095850-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 Anne Gadwa Nicodemus Indicators, Metrics and Evaluations, Oh My! /slideshow/anne-gadwa-nicodemus-indicators-metrics-and-evaluations-oh-my/31739096 artofplacemakingslides-140227174016-phpapp02
Anne Gadwa Nicodemus, founder, Metris Arts Consulting As a researcher, writer, speaker, and advocate, Anne Gadwa Nicodemus tells stories through narratives and numbers. Her favorite muse is creative placemaking. Shes fascinated by all kinds of placestheir form, their people, their change. A choreographer/arts administrator turned urban planner, Nicodemus is a leading voice in the intersection of arts and community development. Nicodemus co-authored Creative Placemaking, the report for the Mayors Institute of City Design (2010) that defined the field. Her journal article Fuzzy Vibrancy (Cultural Trends, 2013)and forthcoming book, The Creative Placemakers Playbook, look more deeply at creative placemaking as cultural policy and its ethics and practical challenges. Nicodemus has also contributed to the intersection of arts, culture, and community development through other works. Her How Art Spaces Matter reports (for Artspace Projects, 2010 and 2011) reveal the benefits of art spaces to artists careers and communities, including anchoring arts districts, expanding arts access, and boosts to safety, livability, tax rolls and property values. Nicodemus and Ann Marksuens Arts and Culture in Urban and Regional Planning: A Review and Research Agenda (Journal of Planning and Education Research, 2010) was the most downloaded of that journals articles in 2009 and 2010. They also recently contributed a chapter to Creative Communities: Art Works in Economic Development (Brookings Institution Press, 2013). Nicodemus short writings have also appeared in publications including Grantmakers in the Arts: Reader, Createquity.com and Minnesota Public Radio News. Nicodemus speaks widely on creative placemaking and artist spaces, giving frequent talks at universities and professional conferences nationwide, and as far-flung as Macau, China. She was recognized as one of the nations fifty most influential people in the nonprofit arts in 2012 and 2013. Nicodemus holds a Masters of Urban and Regional Planning from the University of Minnesotas Humphrey School of Public Affairs and a B.A. in dance and biology from Oberlin College. Nicodemus grew up in suburban Connecticut; went to college surrounded by the cornfields of Ohio; and lived, danced, and worked in New York City and Minneapolis for years. Her family hails from central Long Islands north shore, where she grew up spending summers on one of its last remaining farms. Recently, shes laid down roots in Pennsylvanias Lehigh Valley. She lives in Easton, PA with her partner Julia Frances Nicodemus, dog Bogart, and cat Phoebe.]]>
Anne Gadwa Nicodemus, founder, Metris Arts Consulting As a researcher, writer, speaker, and advocate, Anne Gadwa Nicodemus tells stories through narratives and numbers. Her favorite muse is creative placemaking. Shes fascinated by all kinds of placestheir form, their people, their change. A choreographer/arts administrator turned urban planner, Nicodemus is a leading voice in the intersection of arts and community development. Nicodemus co-authored Creative Placemaking, the report for the Mayors Institute of City Design (2010) that defined the field. Her journal article Fuzzy Vibrancy (Cultural Trends, 2013)and forthcoming book, The Creative Placemakers Playbook, look more deeply at creative placemaking as cultural policy and its ethics and practical challenges. Nicodemus has also contributed to the intersection of arts, culture, and community development through other works. Her How Art Spaces Matter reports (for Artspace Projects, 2010 and 2011) reveal the benefits of art spaces to artists careers and communities, including anchoring arts districts, expanding arts access, and boosts to safety, livability, tax rolls and property values. Nicodemus and Ann Marksuens Arts and Culture in Urban and Regional Planning: A Review and Research Agenda (Journal of Planning and Education Research, 2010) was the most downloaded of that journals articles in 2009 and 2010. They also recently contributed a chapter to Creative Communities: Art Works in Economic Development (Brookings Institution Press, 2013). Nicodemus short writings have also appeared in publications including Grantmakers in the Arts: Reader, Createquity.com and Minnesota Public Radio News. Nicodemus speaks widely on creative placemaking and artist spaces, giving frequent talks at universities and professional conferences nationwide, and as far-flung as Macau, China. She was recognized as one of the nations fifty most influential people in the nonprofit arts in 2012 and 2013. Nicodemus holds a Masters of Urban and Regional Planning from the University of Minnesotas Humphrey School of Public Affairs and a B.A. in dance and biology from Oberlin College. Nicodemus grew up in suburban Connecticut; went to college surrounded by the cornfields of Ohio; and lived, danced, and worked in New York City and Minneapolis for years. Her family hails from central Long Islands north shore, where she grew up spending summers on one of its last remaining farms. Recently, shes laid down roots in Pennsylvanias Lehigh Valley. She lives in Easton, PA with her partner Julia Frances Nicodemus, dog Bogart, and cat Phoebe.]]> Thu, 27 Feb 2014 17:40:16 GMT /slideshow/anne-gadwa-nicodemus-indicators-metrics-and-evaluations-oh-my/31739096 placemakersus@slideshare.net(placemakersus) Anne Gadwa Nicodemus Indicators, Metrics and Evaluations, Oh My! placemakersus Anne Gadwa Nicodemus, founder, Metris Arts Consulting As a researcher, writer, speaker, and advocate, Anne Gadwa Nicodemus tells stories through narratives and numbers. Her favorite muse is creative placemaking. Shes fascinated by all kinds of placestheir form, their people, their change. A choreographer/arts administrator turned urban planner, Nicodemus is a leading voice in the intersection of arts and community development. Nicodemus co-authored Creative Placemaking, the report for the Mayors Institute of City Design (2010) that defined the field. Her journal article Fuzzy Vibrancy (Cultural Trends, 2013)and forthcoming book, The Creative Placemakers Playbook, look more deeply at creative placemaking as cultural policy and its ethics and practical challenges. Nicodemus has also contributed to the intersection of arts, culture, and community development through other works. Her How Art Spaces Matter reports (for Artspace Projects, 2010 and 2011) reveal the benefits of art spaces to artists careers and communities, including anchoring arts districts, expanding arts access, and boosts to safety, livability, tax rolls and property values. Nicodemus and Ann Marksuens Arts and Culture in Urban and Regional Planning: A Review and Research Agenda (Journal of Planning and Education Research, 2010) was the most downloaded of that journals articles in 2009 and 2010. They also recently contributed a chapter to Creative Communities: Art Works in Economic Development (Brookings Institution Press, 2013). Nicodemus short writings have also appeared in publications including Grantmakers in the Arts: Reader, Createquity.com and Minnesota Public Radio News. Nicodemus speaks widely on creative placemaking and artist spaces, giving frequent talks at universities and professional conferences nationwide, and as far-flung as Macau, China. She was recognized as one of the nations fifty most influential people in the nonprofit arts in 2012 and 2013. Nicodemus holds a Masters of Urban and Regional Planning from the University of Minnesotas Humphrey School of Public Affairs and a B.A. in dance and biology from Oberlin College. Nicodemus grew up in suburban Connecticut; went to college surrounded by the cornfields of Ohio; and lived, danced, and worked in New York City and Minneapolis for years. Her family hails from central Long Islands north shore, where she grew up spending summers on one of its last remaining farms. Recently, shes laid down roots in Pennsylvanias Lehigh Valley. She lives in Easton, PA with her partner Julia Frances Nicodemus, dog Bogart, and cat Phoebe. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/artofplacemakingslides-140227174016-phpapp02-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> Anne Gadwa Nicodemus, founder, Metris Arts Consulting As a researcher, writer, speaker, and advocate, Anne Gadwa Nicodemus tells stories through narratives and numbers. Her favorite muse is creative placemaking. Shes fascinated by all kinds of placestheir form, their people, their change. A choreographer/arts administrator turned urban planner, Nicodemus is a leading voice in the intersection of arts and community development. Nicodemus co-authored Creative Placemaking, the report for the Mayors Institute of City Design (2010) that defined the field. Her journal article Fuzzy Vibrancy (Cultural Trends, 2013)and forthcoming book, The Creative Placemakers Playbook, look more deeply at creative placemaking as cultural policy and its ethics and practical challenges. Nicodemus has also contributed to the intersection of arts, culture, and community development through other works. Her How Art Spaces Matter reports (for Artspace Projects, 2010 and 2011) reveal the benefits of art spaces to artists careers and communities, including anchoring arts districts, expanding arts access, and boosts to safety, livability, tax rolls and property values. Nicodemus and Ann Marksuens Arts and Culture in Urban and Regional Planning: A Review and Research Agenda (Journal of Planning and Education Research, 2010) was the most downloaded of that journals articles in 2009 and 2010. They also recently contributed a chapter to Creative Communities: Art Works in Economic Development (Brookings Institution Press, 2013). Nicodemus short writings have also appeared in publications including Grantmakers in the Arts: Reader, Createquity.com and Minnesota Public Radio News. Nicodemus speaks widely on creative placemaking and artist spaces, giving frequent talks at universities and professional conferences nationwide, and as far-flung as Macau, China. She was recognized as one of the nations fifty most influential people in the nonprofit arts in 2012 and 2013. Nicodemus holds a Masters of Urban and Regional Planning from the University of Minnesotas Humphrey School of Public Affairs and a B.A. in dance and biology from Oberlin College. Nicodemus grew up in suburban Connecticut; went to college surrounded by the cornfields of Ohio; and lived, danced, and worked in New York City and Minneapolis for years. Her family hails from central Long Islands north shore, where she grew up spending summers on one of its last remaining farms. Recently, shes laid down roots in Pennsylvanias Lehigh Valley. She lives in Easton, PA with her partner Julia Frances Nicodemus, dog Bogart, and cat Phoebe.
Anne Gadwa Nicodemus Indicators, Metrics and Evaluations, Oh My! from Place Maker
]]> 537 3 https://cdn.slidesharecdn.com/ss_thumbnails/artofplacemakingslides-140227174016-phpapp02-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 ArtPlace America: Updates and Lessons from the Field /slideshow/artplace-america-updates-and-lessons-from-the-field/31738993 apwaterfireall-140227172829-phpapp01
ArtPlace America was formed three years ago as a collaboration of foundations, federal agencies, and banks to accelerate the creative placemaking movement. This session will explore lessons and ideas captured in that time and also provide an update on ArtPlace America and where we think the movement is headed. Lyz Crane of ArtPlace America will be joined by representatives from two grantee projects sharing their own ideas and experiences with the initiative: Kimberly Driggins from the Office of Planning of the District of Columbia discussing the Arts & Culture Temporiums project; and Lori Lobenstine from the Design Studio for Social Intervention and Max MacCarthy from the Uphams Corner Main Street discussing work in Uphams Corner, Boston.]]>
ArtPlace America was formed three years ago as a collaboration of foundations, federal agencies, and banks to accelerate the creative placemaking movement. This session will explore lessons and ideas captured in that time and also provide an update on ArtPlace America and where we think the movement is headed. Lyz Crane of ArtPlace America will be joined by representatives from two grantee projects sharing their own ideas and experiences with the initiative: Kimberly Driggins from the Office of Planning of the District of Columbia discussing the Arts & Culture Temporiums project; and Lori Lobenstine from the Design Studio for Social Intervention and Max MacCarthy from the Uphams Corner Main Street discussing work in Uphams Corner, Boston.]]> Thu, 27 Feb 2014 17:28:29 GMT /slideshow/artplace-america-updates-and-lessons-from-the-field/31738993 placemakersus@slideshare.net(placemakersus) ArtPlace America: Updates and Lessons from the Field placemakersus ArtPlace America was formed three years ago as a collaboration of foundations, federal agencies, and banks to accelerate the creative placemaking movement. This session will explore lessons and ideas captured in that time and also provide an update on ArtPlace America and where we think the movement is headed. Lyz Crane of ArtPlace America will be joined by representatives from two grantee projects sharing their own ideas and experiences with the initiative: Kimberly Driggins from the Office of Planning of the District of Columbia discussing the Arts & Culture Temporiums project; and Lori Lobenstine from the Design Studio for Social Intervention and Max MacCarthy from the Uphams Corner Main Street discussing work in Uphams Corner, Boston. <img style="border:1px solid #C3E6D8;float:right;" alt="" src="https://cdn.slidesharecdn.com/ss_thumbnails/apwaterfireall-140227172829-phpapp01-thumbnail.jpg?width=120&amp;height=120&amp;fit=bounds" /><br> ArtPlace America was formed three years ago as a collaboration of foundations, federal agencies, and banks to accelerate the creative placemaking movement. This session will explore lessons and ideas captured in that time and also provide an update on ArtPlace America and where we think the movement is headed. Lyz Crane of ArtPlace America will be joined by representatives from two grantee projects sharing their own ideas and experiences with the initiative: Kimberly Driggins from the Office of Planning of the District of Columbia discussing the Arts &amp; Culture Temporiums project; and Lori Lobenstine from the Design Studio for Social Intervention and Max MacCarthy from the Uphams Corner Main Street discussing work in Uphams Corner, Boston.
ArtPlace America: Updates and Lessons from the Field from Place Maker
]]> 394 4 https://cdn.slidesharecdn.com/ss_thumbnails/apwaterfireall-140227172829-phpapp01-thumbnail.jpg?width=120&height=120&fit=bounds presentation Black http://activitystrea.ms/schema/1.0/post http://activitystrea.ms/schema/1.0/posted 0 https://cdn.slidesharecdn.com/profile-photo-placemakersus-48x48.jpg?cb=1736282481 placemakers.us https://cdn.slidesharecdn.com/ss_thumbnails/isartworkingmarkusenartofplacemakingprovidence110813copy-150319115824-conversion-gate01-thumbnail.jpg?width=320&height=320&fit=bounds placemakersus/anne-markusen-how-do-we-know-creative-placemaking-is-working Anne Markusen - How Do... https://cdn.slidesharecdn.com/ss_thumbnails/riartofcreativeplacemaking11-150227094032-conversion-gate01-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/nea-update-on-creative-placemaking-research-and-programs/45228168 NEA Update on Creative... https://cdn.slidesharecdn.com/ss_thumbnails/30years-150225125059-conversion-gate01-thumbnail.jpg?width=320&height=320&fit=bounds slideshow/30-years-of-creative-placemaking-in-providence/45137874 30 years of Creative P...