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G7 1st Quarter: Music of the lowlands of Luzon

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Andy Macasinag

The document discusses devotional and liturgical music in Lowlands Luzon, including pieces performed as part of the Catholic Mass such as the Kyrie, Sanctus, Gloria, Credo, and Agnus Dei. It then focuses on Marcelo Adonay, a renowned 19th century Filipino composer and conductor considered an icon of church music in the Philippines. Adonay was born into poverty and orphaned at a young age, but showed a talent for music and was trained by priests. He made significant contributions conducting major church works and developing the TIPLES boys' choir. The document concludes that Spanish colonial influence is reflected in the region's devotional music traditions, many

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Music of Lowlands Luzon:Music of Lowlands Luzon: Devotional and Liturgical MusicDevotional and Liturgical Music
Kyrie Sanctus Gloria Credo Agnus Dei
G7 1st Quarter: Music of the lowlands of Luzon
The MassThe Mass (liturgy)--often refers to the entirechurch servicein general, but is specifically thesacramentof theEucharist. Other names for the "Eucharist" are the "Lord's Supper", the "Breaking of Bread", the "Holy Sacrifice", the "Holy and Divine Liturgy" and "Holy Communion".
ADONAY MARCELO ADONAY, ALSO KNOWN AS PALESTRINA OF THE PHILIPPINES, IS REGARDED AS AN ICON OF THE GOLDEN AGE OF CHURCH MUSIC IN THE COUNTRY AND THE TOP REPRESENTATIVE OF CHURCH- TRAINED MUSICIANS OF THE
He was born in Pakil, Laguna on February 6, 1848 to parents Mariano Adonay and Prudencia Quiteria, a peasant couple. Because of poverty, he was entrusted to the priests of San Agustin Church in Manila in 1856. It was there that his innate musical talent was discovered and developed and, at the early age of 8 years old, he started learning music.
Contributions:Contributions: Libe ram e , 1869 Be ne dictus, 1895 Ho sana, 1899 Te De um AAGrand Mass
Contributions:Contributions: Co nducto r o fCo nducto r o f Missa So le m nis in D Majo r in 1887 TIPLES Young Boys Choir (Serves as the choir of the Catholic Church during the mass) Cantico rum Jubilo Da Pace m
Contributions:Contributions: CanticorumJubilo DaPacemDomine.mp4
Synthesis The devotional and liturgical music of the Lowlands of Luzon reflects the impact of the Spanish colonization which lasted for almost more than three centuries on their lives, most especially on the faith aspect. A lot of these are at the verge of disappearing due to modernization and diversity of religion. However, efforts from the youth and education sector are joining forces in reviving long lost traditions, if not in the most traditional way, at least, the remnants of the Hispanic-influenced music survive as they transform into its modern versions.
Thank you! Andy T. Macasinag Andy T. Macasinag

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G7 1st Quarter: Music of the lowlands of Luzon

  • 1. Music of Lowlands Luzon:Music of Lowlands Luzon: Devotional and Liturgical MusicDevotional and Liturgical Music
  • 4. The MassThe Mass (liturgy)--often refers to the entirechurch servicein general, but is specifically thesacramentof theEucharist. Other names for the "Eucharist" are the "Lord's Supper", the "Breaking of Bread", the "Holy Sacrifice", the "Holy and Divine Liturgy" and "Holy Communion".
  • 5. ADONAY MARCELO ADONAY, ALSO KNOWN AS PALESTRINA OF THE PHILIPPINES, IS REGARDED AS AN ICON OF THE GOLDEN AGE OF CHURCH MUSIC IN THE COUNTRY AND THE TOP REPRESENTATIVE OF CHURCH- TRAINED MUSICIANS OF THE
  • 6. He was born in Pakil, Laguna on February 6, 1848 to parents Mariano Adonay and Prudencia Quiteria, a peasant couple. Because of poverty, he was entrusted to the priests of San Agustin Church in Manila in 1856. It was there that his innate musical talent was discovered and developed and, at the early age of 8 years old, he started learning music.
  • 7. Contributions:Contributions: Libe ram e , 1869 Be ne dictus, 1895 Ho sana, 1899 Te De um AAGrand Mass
  • 8. Contributions:Contributions: Co nducto r o fCo nducto r o f Missa So le m nis in D Majo r in 1887 TIPLES Young Boys Choir (Serves as the choir of the Catholic Church during the mass) Cantico rum Jubilo Da Pace m
  • 10. Synthesis The devotional and liturgical music of the Lowlands of Luzon reflects the impact of the Spanish colonization which lasted for almost more than three centuries on their lives, most especially on the faith aspect. A lot of these are at the verge of disappearing due to modernization and diversity of religion. However, efforts from the youth and education sector are joining forces in reviving long lost traditions, if not in the most traditional way, at least, the remnants of the Hispanic-influenced music survive as they transform into its modern versions.