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Arc 5701r:


POST GENERIC CITY
Doreen Heng LIU
School of Architecture | CUHK
1.   introduction: identity vs. generic
2.   Statistics
3.   General
4.   Airport
5.   Population
6.   Urbanism
     the great originality is simply to abandon what doesnt work  what has
     outlived its use  to break up the blacktop of idealism with the jackhammers
     of realism and to accept whatever grows in place
     all GCs issue from the tabula rasa; if there is nothing, now they are there; if
     there was something, they have replaced it. They must, otherwise they
     would be historic.
7. Politics
8. Sociology
9. Quarters
     in spite of its absence, history is the major preoccupation, even industry, of
     the GC.
10. Program
11. Architecture
12. Geography
     it is on its way to the south
13. Identity
14. History
15. Infrastructure
16. Culture
17. End: the city is no longer.. We can leave the theater now.
1961: Jane Jacobs: critique of modenism
1956: Harvard Urban Design
1968-70s: Utopia Projects: groups & books
1980s: urban experiments - design competitions
90s-2000s: rapid urbanization & new urban concepts:
     S/M/L/XL
     generic city & what happens to urbanism, & etc.
Now: Post-Generic City: regional study & scenarios
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
Without a comprehensive vision the
reality will appear as a mass of
unrelated phenomena and
meaningless facts, in other words,
chaotic.

There are three basic levels of
comprehending physical phenomena:
first, the exploration of pure physical
facts; second, the psychological impact
on our inner-self; and third, the
imaginative discovery and
reconstruction of phenomena in order
to conceptualize them.
                 O. M. Ungers, City Mataphors
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
Communicating with clarity
clarity of priorities is at the center of
the issue.

Collage
Diagram
Plan
.

           Peter Cook, Drawing: the motive force of architecture
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
090914 Arc5701 Doreenliu
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090914 Arc5701 Doreenliu

  • 1. Arc 5701r: POST GENERIC CITY Doreen Heng LIU School of Architecture | CUHK
  • 2. 1. introduction: identity vs. generic 2. Statistics 3. General 4. Airport 5. Population 6. Urbanism the great originality is simply to abandon what doesnt work what has outlived its use to break up the blacktop of idealism with the jackhammers of realism and to accept whatever grows in place all GCs issue from the tabula rasa; if there is nothing, now they are there; if there was something, they have replaced it. They must, otherwise they would be historic. 7. Politics 8. Sociology 9. Quarters in spite of its absence, history is the major preoccupation, even industry, of the GC. 10. Program 11. Architecture 12. Geography it is on its way to the south 13. Identity 14. History 15. Infrastructure 16. Culture 17. End: the city is no longer.. We can leave the theater now.
  • 3. 1961: Jane Jacobs: critique of modenism 1956: Harvard Urban Design 1968-70s: Utopia Projects: groups & books 1980s: urban experiments - design competitions 90s-2000s: rapid urbanization & new urban concepts: S/M/L/XL generic city & what happens to urbanism, & etc. Now: Post-Generic City: regional study & scenarios
  • 8. Without a comprehensive vision the reality will appear as a mass of unrelated phenomena and meaningless facts, in other words, chaotic. There are three basic levels of comprehending physical phenomena: first, the exploration of pure physical facts; second, the psychological impact on our inner-self; and third, the imaginative discovery and reconstruction of phenomena in order to conceptualize them. O. M. Ungers, City Mataphors
  • 16. Communicating with clarity clarity of priorities is at the center of the issue. Collage Diagram Plan . Peter Cook, Drawing: the motive force of architecture
  • 32. 1 2 3 4 5 6 7 8 9 10 11 12 ? 13 14 15 16 17 18