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A CELEBRATION FOR
THE LIVING
Kendra Harmer
New Orleans
? The?music of New
Orleans?incorporates
various styles of music;
borrowed from earlier
traditions.?
? Universally considered
to be the birthplace of
the jazz genre.
? Jazz in New Orleans has
taken on various forms
that have either
branched out from
original Dixieland or
taken entirely different
paths altogether.
"Music here is as much a part of
death as it is of life."
- Sidney Bechet
History
? The tradition of having
music at funerals comes
from the African pattern of
celebration, which takes
place in most aspects of life.
? 18th century – as brass
bands came into style, they
were called upon to play in
parades and processions.
? They were not frequently
called upon for funerals until
the early 20th century when
the ragtime styled tunes
became more popular.
Jazz Funerals
? This idea caught on among the African-
American population of the deep south
? The tradition was not welcomed by the
Catholic church, and so was restricted largely
to the black Protestants of New Orleans
? Partly because of the Catholic Church’s
disapproval, the idea of the jazz funeral waned
in the early 1950's.
? The wild festivities ignored the attitude about the
required solemnity of the traditional memorial
service.
The Procession
? Begins with a march by
the family, friends, and a
brass band.
? The march starts at the
funeral home or church,
and ends at the
cemetery.
? The mood stays somber
until the deceased has
been laid to rest.
? People on the are
welcome to join in they
are referred to as the
“second line.”
? The music and dancing
encourage a therapeutic
release for mourners as
well as a celebration for
a life well lived.
The music and dancing of the jazz funeral have two purposes:
- Help the deceased find their way to heaven
- Celebrate the final release from the bonds of their earthly life
Music and Dance
Origins
? The tradition combines
African practices
Haitian Voodoo idea of
celebrating after death
? The Celebrating
pleases the spirits of
the after life.
? A proper funeral was
needed for the spirit of
the deceased to move
on
Recent Days
? Over time, the jazz funeral tradition has grown to
become New Orleans’ most honored of funeral
ceremonies.
? They now incorporate horse-drawn hearses and
parades for fallen police officers, well-known
musicians, and other pillars of the community.
? The traditional music of the jazz funeral began to
fuse with influences from the funk and hip-hop
world as street gangs and rappers alike adopted
this style for honoring their dead.
? One of the latest jazz funerals was that of rapper
James “Soulja Slim” Tapp, the service drew a crowd
of thousands
? The tradition of the New Orleans jazz funeral has
dispersed somewhat in the wake of Hurricane
Katrina
? The victims of the Hurricane were given a final
goodbye in the true New Orleans style.
? The New Orleans funeral with music has grown to
achieve its own respected standing among the
many ways to commemorate the passage of a
loved one.
? The New Orleans jazz funeral salutes a life well
lived and the passage of a departed soul into a
better world.
The Jazz Funeral Today
References
? (1989). 1932-1943 The Bluebird Sessions [Web Photo]. Retrieved from
http://www.parisjazzcorner.com/en/dis_fiche.php?ArtNum=3221
? Barker, D. (1973). Bo urbo n Stre e t black. Oxford Univeristy Press. Retrieved from
http://books.google.com/books/about/Bourbon_Street_Black.html?id=FpmfAAAAMAAJ
? Juan, J. (Photographer). (2011, May ). Olympia Brass Band [Web Photo]. Retrieved from
http://trumpetesetrombones.blogspot.com/2011/05/olympia-brass-band-new-orleans-la.html
? Ne w O rle ans ja zz fune ralba nds a nd m usic . (2013). Retrieved from
http://www.jazznotjazz.co.uk/new_orleans_jazz_funeral.asp
? Ne w O rle ans ja zz fune ralcusto m s. (2014). Retrieved from http://www.funeralwise.com/customs/neworleans/
? Piazza, T. (Photographer). (1969). Slowdrag [Web Photo]. Retrieved from
http://coochiecrunch.com/2013/01/27/quote-for-the-week-33/
? Salvatore, S. (Videographer) (2009).?Ne w o rle a ns traditio naljazz a nd fune ralba nd [Web]. Retrieved from
https://www.youtube.com/watch?v=zAH-lE71wE4&list=WL586DC5E65435153F
? Salvatore, S. (Videographer) (2009).?Ne w o rle a ns traditio naljazz a nd fune ralba nd [Web]. Retrieved from
https://www.youtube.com/watch?v=zAH-lE71wE4&list=WL586DC5E65435153F
? Tama, M. (Photographer). (2009). Second Line Parade [Web Photo]. Retrieved from
http://www.examiner.com/slideshow/original-big-7-social-and-pleasure-club-hold-a-traditional-second-line-
parade-the-seventh-ward
? The jazz fune ra l. (1996). Retrieved from
http://www.neworleansonline.com/neworleans/multicultural/multiculturaltraditions/jazzfuneral.html
? The Sidne y be che t so cie ty. (2014). Retrieved from http://www.sidneybechet.org/about-sidney-bechet/
? Thursby, J. S. (2006). Fune ralfe stiva ls in Am e rica: Rituals fo r the living . (p. 39). Lexington, KY: The University
Press of Kentucky.

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A Celebration for the Living: Jazz funerals of New Orleans

  • 1. A CELEBRATION FOR THE LIVING Kendra Harmer
  • 2. New Orleans ? The?music of New Orleans?incorporates various styles of music; borrowed from earlier traditions.? ? Universally considered to be the birthplace of the jazz genre. ? Jazz in New Orleans has taken on various forms that have either branched out from original Dixieland or taken entirely different paths altogether. "Music here is as much a part of death as it is of life." - Sidney Bechet
  • 3. History ? The tradition of having music at funerals comes from the African pattern of celebration, which takes place in most aspects of life. ? 18th century – as brass bands came into style, they were called upon to play in parades and processions. ? They were not frequently called upon for funerals until the early 20th century when the ragtime styled tunes became more popular.
  • 4. Jazz Funerals ? This idea caught on among the African- American population of the deep south ? The tradition was not welcomed by the Catholic church, and so was restricted largely to the black Protestants of New Orleans ? Partly because of the Catholic Church’s disapproval, the idea of the jazz funeral waned in the early 1950's. ? The wild festivities ignored the attitude about the required solemnity of the traditional memorial service.
  • 5. The Procession ? Begins with a march by the family, friends, and a brass band. ? The march starts at the funeral home or church, and ends at the cemetery. ? The mood stays somber until the deceased has been laid to rest. ? People on the are welcome to join in they are referred to as the “second line.” ? The music and dancing encourage a therapeutic release for mourners as well as a celebration for a life well lived.
  • 6. The music and dancing of the jazz funeral have two purposes: - Help the deceased find their way to heaven - Celebrate the final release from the bonds of their earthly life Music and Dance
  • 7. Origins ? The tradition combines African practices Haitian Voodoo idea of celebrating after death ? The Celebrating pleases the spirits of the after life. ? A proper funeral was needed for the spirit of the deceased to move on
  • 8. Recent Days ? Over time, the jazz funeral tradition has grown to become New Orleans’ most honored of funeral ceremonies. ? They now incorporate horse-drawn hearses and parades for fallen police officers, well-known musicians, and other pillars of the community. ? The traditional music of the jazz funeral began to fuse with influences from the funk and hip-hop world as street gangs and rappers alike adopted this style for honoring their dead. ? One of the latest jazz funerals was that of rapper James “Soulja Slim” Tapp, the service drew a crowd of thousands
  • 9. ? The tradition of the New Orleans jazz funeral has dispersed somewhat in the wake of Hurricane Katrina ? The victims of the Hurricane were given a final goodbye in the true New Orleans style. ? The New Orleans funeral with music has grown to achieve its own respected standing among the many ways to commemorate the passage of a loved one. ? The New Orleans jazz funeral salutes a life well lived and the passage of a departed soul into a better world. The Jazz Funeral Today
  • 10. References ? (1989). 1932-1943 The Bluebird Sessions [Web Photo]. Retrieved from http://www.parisjazzcorner.com/en/dis_fiche.php?ArtNum=3221 ? Barker, D. (1973). Bo urbo n Stre e t black. Oxford Univeristy Press. Retrieved from http://books.google.com/books/about/Bourbon_Street_Black.html?id=FpmfAAAAMAAJ ? Juan, J. (Photographer). (2011, May ). Olympia Brass Band [Web Photo]. Retrieved from http://trumpetesetrombones.blogspot.com/2011/05/olympia-brass-band-new-orleans-la.html ? Ne w O rle ans ja zz fune ralba nds a nd m usic . (2013). Retrieved from http://www.jazznotjazz.co.uk/new_orleans_jazz_funeral.asp ? Ne w O rle ans ja zz fune ralcusto m s. (2014). Retrieved from http://www.funeralwise.com/customs/neworleans/ ? Piazza, T. (Photographer). (1969). Slowdrag [Web Photo]. Retrieved from http://coochiecrunch.com/2013/01/27/quote-for-the-week-33/ ? Salvatore, S. (Videographer) (2009).?Ne w o rle a ns traditio naljazz a nd fune ralba nd [Web]. Retrieved from https://www.youtube.com/watch?v=zAH-lE71wE4&list=WL586DC5E65435153F ? Salvatore, S. (Videographer) (2009).?Ne w o rle a ns traditio naljazz a nd fune ralba nd [Web]. Retrieved from https://www.youtube.com/watch?v=zAH-lE71wE4&list=WL586DC5E65435153F ? Tama, M. (Photographer). (2009). Second Line Parade [Web Photo]. Retrieved from http://www.examiner.com/slideshow/original-big-7-social-and-pleasure-club-hold-a-traditional-second-line- parade-the-seventh-ward ? The jazz fune ra l. (1996). Retrieved from http://www.neworleansonline.com/neworleans/multicultural/multiculturaltraditions/jazzfuneral.html ? The Sidne y be che t so cie ty. (2014). Retrieved from http://www.sidneybechet.org/about-sidney-bechet/ ? Thursby, J. S. (2006). Fune ralfe stiva ls in Am e rica: Rituals fo r the living . (p. 39). Lexington, KY: The University Press of Kentucky.