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A2 30112011

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Willy Temple

The document provides guidance for an A2 level photography class on techniques for still life photography, including compositional rules and the works of notable still life photographers such as Edward Weston, Irving Penn, and Laura Letinsky. Students are assigned to create two still life photos using different lighting techniques and considering compositional elements, and to research notable still life artists.

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Still Life Photography A2 Level Photography 30/11/2011
Still Life Photography Aim: Understand Still Life photography techniques and artists. Learning Objectives To be aware of the principles underpinning composition. To understand the developments in the still life genre. Produce a series of still life photographs inspired from artist research.
Still Life Photography Brainstorm: Compile a list of Still Life photographers and identify compositional techniques used.
Still Life Photography Still Life Photography Still Life images can be just about anything that doesn't move. The definition of a still life subject is an inanimate object but other subjects are loosely termed as still life as well. These include flowers, food, etc. They are life forms but they don't move. Source: http://www.schoolofphotography.com/courses/free-photography-tips-and-articles/19-still-life-photography.html
Still Life Photography Composition Composition, is a key element often used in still life photography, for this reason we will highlight a range of compositional rules applied, these rules are generic and can clearly be used in a wide range of photography genres.
Still Life Photography Composition Composition, is a key element often used in still life photography, for this reason we will highlight a range of compositional rules applied, these rules are generic and can clearly be used in a wide range of photography genres.
Still Life Photography Identify the compositional technique used
Still Life Photography Identify the compositional technique used
Still Life Photography Identify the compositional technique used
Still Life Photography Identify the compositional technique used
Still Life Photography Identify the compositional technique used
Still Life Photography Student task. Construct two still life photographs. Utilise studio lighting for one image and natural lighting for the second Download images and edit in Photoshop Consider compositional techniques in your photography. Complete task and present by 05/12/2011
Still Life Photography Henry Fox Talbot Photograms
Still Life Photography Henry Fox Talbot
Still Life Photography Immogen Cunningham Agave Design 1, 1920s
Still Life Photography Immogen Cunningham Starting in the 1920s, she began making sharply focused, close up studies of plant life and unconventional views of industrial structures and modern architecture. Concerned with light, form, and abstract pattern, these photographs established her as one of the pioneers of modernist photography on the West Coast.
Still Life Photography Immogen Cunningham
Still Life Photography Laura Letinsky The still life genre is unavoidably a commentary on societys material-mindedness and the way images promote a kind of promise of attainability. I am not interested though in the allure of the meal that awaits an unseen viewers consumption. Instead, I photograph the remains of meals and its refuse so as to investigate the relationships between ripeness and decay, delicacy and awkwardness, control and haphazardness, waste and plenitude, pleasure and sustenance. Throughout my long-term photographic practice I wish to engage the photographs transformative qualities, changing what is typically overlooked into something splendid in its resilience. I want to look at what is after the fact, at what (ma)lingers, at what persists, and by inference, at what is gone.
Still Life Photography Laura letinsky
Still Life Photography Laura letinsky
Still Life Photography Edward Weston it strikes me that what he actually did, more often than not, was make the commonplace wondrous and beautiful. In Weston's still lives, for instance, the tonal quality of his black-and-white prints imbue everyday objects, both natural and man-made, with a heightened presence that sometimes makes them seem almost unreal. In his journals, he wrote that his aim was to render "the very substance and quintessence of the thing itself, whether it be polished steel or palpitating flesh". ≒Sean O'Haganguardian.co.uk, Wednesday 18 August 2010 16.49 BST
Still Life Photography Edward Weston Pepper, 1930 Edward Weston negative, Cole Weston print
Still Life Photography Edward Weston
Still Life Photography Ori Gherst Pomegranate, 2006 Using extremely high-speed cameras, Ori Gersht has recreated in the film Pomegranate a Renaissance like still life composition. Whereas such paintings attempted to preserve motionless moments frozen in time, Gershts compositions are obstructed by fast and violent intervention. In Pomegranate, a film that references Juan Sanchez Cotans 17th century still life and Harold Edgertons stroboscopic photography, a high velocity bullet flies across the frame in slow motion and obliterates a suspended pomegranate, bursts it into open and wheels it slowly in the air like a smashed violated mouth spraying seeds. This peaceful image transform into blood shade. In doing so the film establishes a dialogue between stillness and motion, peace and violence.
Still Life Photography Pomegranite 2006.
Still Life Photography. Zachary Zavislak
Still Life Photography Jonathon Knowles
Still Life Photography Jonathon Knowles
Still Life Photography Irving Penn Cigarette 17 New York, 1972
Still Life Photography Cigarette Butts and Sidewalk Debris Not surprisingly, he concentrated on producing photographs intended to be viewed as art. In 1975 the Museum of Modern Art presented a small exhibition of his recent work printed using the platinum process: a series of greatly magnified images of cigarette butts, transformed from gutter discards to near landmark status, and showing Mr. Penns penchant for straying far from the politesse of his fashion and portrait pictures. The cigarette butts were followed by a series focused on other forms of sidewalk debris, Irving Penn, Fashion Photographer, Is Dead at 92. New York Times ANDY GRUNDBERGPublished: October 8, 2009
Still Life Photography Irving Penn After-dinner GamesNew York, 1947
Still Life Photography Macro lens Macro photography is close-up photography of usually very small subjects. A macro lens literally opens up a whole new world of photographic subject matter. It can even cause one to think differently about everyday objects. However, despite these exciting possibilities http://www.cambridgeincolour.com/tutorials /macro-lenses.htm
Still Life Photography Macro lens

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A2 30112011

  • 1. Still Life Photography A2 Level Photography 30/11/2011
  • 2. Still Life Photography Aim: Understand Still Life photography techniques and artists. Learning Objectives To be aware of the principles underpinning composition. To understand the developments in the still life genre. Produce a series of still life photographs inspired from artist research.
  • 3. Still Life Photography Brainstorm: Compile a list of Still Life photographers and identify compositional techniques used.
  • 4. Still Life Photography Still Life Photography Still Life images can be just about anything that doesn't move. The definition of a still life subject is an inanimate object but other subjects are loosely termed as still life as well. These include flowers, food, etc. They are life forms but they don't move. Source: http://www.schoolofphotography.com/courses/free-photography-tips-and-articles/19-still-life-photography.html
  • 5. Still Life Photography Composition Composition, is a key element often used in still life photography, for this reason we will highlight a range of compositional rules applied, these rules are generic and can clearly be used in a wide range of photography genres.
  • 6. Still Life Photography Composition Composition, is a key element often used in still life photography, for this reason we will highlight a range of compositional rules applied, these rules are generic and can clearly be used in a wide range of photography genres.
  • 7. Still Life Photography Identify the compositional technique used
  • 8. Still Life Photography Identify the compositional technique used
  • 9. Still Life Photography Identify the compositional technique used
  • 10. Still Life Photography Identify the compositional technique used
  • 11. Still Life Photography Identify the compositional technique used
  • 12. Still Life Photography Student task. Construct two still life photographs. Utilise studio lighting for one image and natural lighting for the second Download images and edit in Photoshop Consider compositional techniques in your photography. Complete task and present by 05/12/2011
  • 13. Still Life Photography Henry Fox Talbot Photograms
  • 16. Still Life Photography Immogen Cunningham Starting in the 1920s, she began making sharply focused, close up studies of plant life and unconventional views of industrial structures and modern architecture. Concerned with light, form, and abstract pattern, these photographs established her as one of the pioneers of modernist photography on the West Coast.
  • 18. Still Life Photography Laura Letinsky The still life genre is unavoidably a commentary on societys material-mindedness and the way images promote a kind of promise of attainability. I am not interested though in the allure of the meal that awaits an unseen viewers consumption. Instead, I photograph the remains of meals and its refuse so as to investigate the relationships between ripeness and decay, delicacy and awkwardness, control and haphazardness, waste and plenitude, pleasure and sustenance. Throughout my long-term photographic practice I wish to engage the photographs transformative qualities, changing what is typically overlooked into something splendid in its resilience. I want to look at what is after the fact, at what (ma)lingers, at what persists, and by inference, at what is gone.
  • 21. Still Life Photography Edward Weston it strikes me that what he actually did, more often than not, was make the commonplace wondrous and beautiful. In Weston's still lives, for instance, the tonal quality of his black-and-white prints imbue everyday objects, both natural and man-made, with a heightened presence that sometimes makes them seem almost unreal. In his journals, he wrote that his aim was to render "the very substance and quintessence of the thing itself, whether it be polished steel or palpitating flesh". ≒Sean O'Haganguardian.co.uk, Wednesday 18 August 2010 16.49 BST
  • 22. Still Life Photography Edward Weston Pepper, 1930 Edward Weston negative, Cole Weston print
  • 24. Still Life Photography Ori Gherst Pomegranate, 2006 Using extremely high-speed cameras, Ori Gersht has recreated in the film Pomegranate a Renaissance like still life composition. Whereas such paintings attempted to preserve motionless moments frozen in time, Gershts compositions are obstructed by fast and violent intervention. In Pomegranate, a film that references Juan Sanchez Cotans 17th century still life and Harold Edgertons stroboscopic photography, a high velocity bullet flies across the frame in slow motion and obliterates a suspended pomegranate, bursts it into open and wheels it slowly in the air like a smashed violated mouth spraying seeds. This peaceful image transform into blood shade. In doing so the film establishes a dialogue between stillness and motion, peace and violence.
  • 29. Still Life Photography Irving Penn Cigarette 17 New York, 1972
  • 30. Still Life Photography Cigarette Butts and Sidewalk Debris Not surprisingly, he concentrated on producing photographs intended to be viewed as art. In 1975 the Museum of Modern Art presented a small exhibition of his recent work printed using the platinum process: a series of greatly magnified images of cigarette butts, transformed from gutter discards to near landmark status, and showing Mr. Penns penchant for straying far from the politesse of his fashion and portrait pictures. The cigarette butts were followed by a series focused on other forms of sidewalk debris, Irving Penn, Fashion Photographer, Is Dead at 92. New York Times ANDY GRUNDBERGPublished: October 8, 2009
  • 31. Still Life Photography Irving Penn After-dinner GamesNew York, 1947
  • 32. Still Life Photography Macro lens Macro photography is close-up photography of usually very small subjects. A macro lens literally opens up a whole new world of photographic subject matter. It can even cause one to think differently about everyday objects. However, despite these exciting possibilities http://www.cambridgeincolour.com/tutorials /macro-lenses.htm
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