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Vera Molnar considered the computer to have four artistic purposes: 1) widening the possibilities of artistic production, 2) aiding artistic production, 3) forcing new ways of thinking about art, and 4) measuring audience reception, perhaps most interestingly. The document discusses how electronic art has become too focused on technology alone rather than relating it to everyday life. Exceptions include works that use electronic systems rather than standalone objects, such as the work of Roy Ascott. The document also lists several artists and their approaches to production, presentation, distribution, and engagement with technology in art.Read less