This document appears to be a list of names related to the final drafting of a script called "An Encounter". It includes 6 names that were potentially involved in the final drafting process of this script.
La regla de los tercios divide la escena fotogr叩fica en nueve secciones iguales mediante l鱈neas horizontales y verticales. Colocar el centro de inter辿s en la intersecci坦n de estas l鱈neas evita que quede est叩tico en el centro y genera una composici坦n m叩s atractiva basada en la proporci坦n 叩urea.
El documento presenta una breve introducci坦n a conceptos b叩sicos de dise単o gr叩fico como la ley de los tercios, el uso del color, la resoluci坦n de im叩genes y la importancia de la imaginaci坦n para los dise単adores gr叩ficos. Tambi辿n describe propiedades del color como la saturaci坦n y divide la rueda de colores en c叩lidos y fr鱈os, adem叩s de mencionar significados simb坦licos de diferentes colores.
La regla de los tercios en la fotograf鱈aRuben Rojas
油
La regla de los tercios es una t辿cnica de composici坦n fotogr叩fica y art鱈stica que divide la imagen en nueve partes iguales mediante dos l鱈neas horizontales y dos verticales. Seg炭n esta regla, los objetos principales de la escena deben ubicarse en los puntos de intersecci坦n de estas l鱈neas para crear una composici坦n est辿ticamente agradable. Tambi辿n se aplica la ley del horizonte en paisajes, colocando la l鱈nea del horizonte en el tercio superior o inferior de la imagen.
Este documento presenta varios principios b叩sicos de composici坦n y relaci坦n en la cultura audiovisual como la ley de la balanza, la compensaci坦n de masas, la ley de los tercios y diferentes tipos de ritmo como uniforme y alterno.
La regla de los tercios establece que al dividir una fotograf鱈a en tercios verticales y horizontales se crean puntos de inter辿s donde las l鱈neas se cruzan, colocando el motivo principal cerca de uno de esos puntos para un arreglo asim辿trico m叩s atractivo visualmente. Los retratos tambi辿n se benefician de esta regla al colocar la mirada en la l鱈nea superior. La profundidad de campo, o la zona enfocada de una imagen, depende de factores como el formato, la distancia focal, el n炭mero f y la a
Presentaci坦n elaborada por GUILLERMO CAICEDO en el curso de FOTOGRAFA que adelant坦 en el IPC la cual se est叩 utilizando como elemento instructivo para que los estudiantes de secundaria del EITI "COMUNA 17" desarrollen habilidades en las clases de Educaci坦n Art鱈stica al adentrarse en la practica de captura de im叩genes con c叩mara fotogr叩fica en el m坦dulo de "TALLER DE FOTOGRAFA" dirigido por Henry Hdo. Qui単ones Orejuela docente de la asignatura
The student created several media products including a film trailer, poster, and magazine cover for their film "Enclosed." They aimed to make the products as effective as real media texts through techniques like including production company logos and taglines. Audience feedback indicated the products looked authentic and memorable elements like the "Shhh" scene in the trailer were effective. Overall, the student felt their combination of main and ancillary products along with audience testing showed their media package was an effective representation of real media texts.
The document provides feedback from an audience on a film trailer and film poster. Key points:
- The film trailer audience found certain scenes like the rape scene and hanging scene most memorable. They felt intrigued, on edge of their seat emotionally.
- The audience understood the plot involved a nurse getting raped and her baby being raised in a mental asylum. They correctly identified it as a psychological thriller and said they would be interested in seeing the full film.
- Feedback showed the trailer was aimed at 18+ audiences due to disturbing content like rape. Most said the trailer compared well to real film trailers by being intriguing and gripping.
- For the film poster, the audience said the door knocker
The document provides feedback from an audience on a film trailer and film poster. For the film trailer, the audience was asked 6 questions. Their responses showed that dramatic scenes stood out most in the trailer and that it made them feel intrigued and on edge emotionally. The audience understood the plot involved a nurse who was raped and her baby being raised in a mental asylum. Most said they would be interested in seeing the full film. For the film poster, the door knocker image stood out most and the poster encouraged all respondents to want to see the full film. The feedback helped identify effective elements and opportunities for improvement.
The document summarizes a film poster design for the psychological thriller "Enclosed." The poster features a door knocker with red eyes and the face of the Head of the Asylum to represent being trapped. The tagline "Discover its secrets" is in red italics to invite viewers. Actors' names are prominently featured in the billing block. The poster draws inspiration from "The Rite" and "The Last House on the Left" in its central face image and element positioning. The designer aimed to appeal to the target audience of psychological thriller fans through these visual and textual design choices.
This document analyzes the cover of a movie magazine. The cover references the magazine being the "world's biggest movie magazine" to appeal to readers. It features an image of actor Gandalf from The Hobbit posing in character to stand out from other elements on the cover. The main colors are black, white, red and gold and it promotes 5 film/TV features to attract a wide audience, though no female-targeted content is mentioned.
This short document promotes an upcoming movie or website called "Enclosed" using a hashtag and website URL. It hints that the content will help the viewer "uncover more" but provides few other details about the topic or release in just a few cryptic words and images.
The poster for Shutter Island uses a dark background and imagery to represent the psychological thriller genre and dark plot of the film. It features the main character prominently to attract audiences' attention as he is a recognizable celebrity. Elements like rain, the text "Someone is missing", and a candlelit lighthouse are intended to create intrigue and suspense for viewers.
The document analyzes the trailer for a 1954 film about detectives. It compares the detectives in the trailer to real-life 1950s detectives, noting their pale skin, lack of hair, and scary eyes. It also discusses the target 18-35 male and female audience who would be drawn to the young, attractive lead actors portraying heroes. Additionally, it outlines details of the trailer's 2 minute and 23 second runtime containing 131 shots, with regular panning shots and fading transitions representing the insanity of patients investigated by the detectives.
The document lists potential names for a mother character in a film: Eloise, meaning a hero; Zelda, meaning one who has battled darkness; Carey, with dark secrets; Gabrielle, meaning angel; and Carmen, meaning saint of prosperity. It was decided to name the mother character Cecilia, as her name has religious meaning and derives from the Latin for "blind," representing the mother being blind to her father's wrongdoings and her son's life when he needed her most.
The document analyzes the trailer for a 1954 film, comparing the detectives portrayed to those of real life in 1950s. It notes the pale skin, lack of hair, and piercing eyes depicted, and that the target audience is 18-35 year old males and females drawn by the A-list actors portraying heroes. It also outlines that there are 131 shots in the 2 minute and 23 second trailer, with regular panning shots and fading transitions representing the insanity of the plot. The detectives are initially shown to have a strong relationship that deteriorates as one becomes untrusting of others.
This document discusses film trailers and movies that have influenced the genre and synopsis for Megan Sanders' film project. It mentions real-life tragedy movies like First Trailer: The Impossible and World Trade Center that start off peacefully but then change dramatically. Other influencing films mentioned are Dear John about a soldier writing home from war, Titanic about the real sinking of the ship, and My Sister's Keeper which is cancer-related. The hand-held camera style of The Blair Witch Project documentary is also noted as an influence.
The document discusses the technologies used to construct a product and what was learned from using each one. Adobe Photoshop was used to crop, adjust grayscale, and saturation on an image of a female model. InDesign CS6 was new to use for magazine design and took time to learn but provided insight into magazine production. PowerPoint was previously used but additional skills like moving pictures forward or backward on slides were learned through the evaluation process.
Megan Sanders used light and neutral colors like purple, peach, blue, and black in her magazine design to attract audiences. She also used red for a passionate quote and easy to read fonts rather than flashy styles. Images of attractive models in neutral clothing were used to draw in the target country music audience while also showing the magazine and genre were not controversial. Up to date country artists and clothing styles were featured to keep the magazine relevant and promote similar items to readers.
Megan used various media technologies throughout the construction, research, planning, and evaluation of her country music magazine project. In the planning stage, she used Blogger to understand the project concept and YouTube to research the genre of country music by viewing music videos from Taylor Swift, Brad Paisley, and Eric Church. She then used Survey Monkey to ask people about their knowledge of country music to help structure the magazine content. Photoshop and InDesign were used to edit photos and layout the magazine. Mini Bridge and Word were also used in the production and evaluation stages. Overall, these technologies helped develop both her magazine product and skills in multimedia design.
The document summarizes feedback from a survey about a proposed country music magazine. The survey was distributed to the intended target audience of females aged 18-25 from middle/working class backgrounds. The results confirmed that this target audience was appropriate and would be interested in the magazine. Specifically, respondents agreed that the ratio of female to male country music fans reflected in the magazine was accurate, that the target 18-25 age group would be most likely to purchase the magazine, and that while middle-aged people listen to country music the most, the magazine could still appeal to a wide range of ages. The feedback validated the creator's targeting of their intended young adult female readership.
The media product represents women aged 25-30 and 16-20 who enjoy country music. This social group is depicted as wearing light colored jeans, plaid shirts, cowboy boots and sharing news about upcoming country concerts and artists. While this group is smaller in Britain, country music has a large following among Americans. The magazine targets those who favor country music genres.
The document discusses how the author's country music magazine product uses and develops conventions of real music magazines. Specifically:
- The masthead font, simple title, and plain background images develop conventions commonly found in country music magazines.
- Costumes that depict the models as casual yet wearing jeans reference country music style while challenging stereotypes by including a British Asian model.
- The question-and-answer article format and focus on country music genres, artists, and reviews follow conventions.
- Neutral colors and inclusion of price, plugs, and barcodes on the front page develop conventions found on most magazines.
- The contents page and double-page spread challenge some conventions while still drawing from
The document provides feedback from an audience on a film trailer and film poster. For the film trailer, the audience was asked 6 questions. Their responses showed that dramatic scenes stood out most in the trailer and that it made them feel intrigued and on edge emotionally. The audience understood the plot involved a nurse who was raped and her baby being raised in a mental asylum. Most said they would be interested in seeing the full film. For the film poster, the door knocker image stood out most and the poster encouraged all respondents to want to see the full film. The feedback helped identify effective elements and opportunities for improvement.
The document summarizes a film poster design for the psychological thriller "Enclosed." The poster features a door knocker with red eyes and the face of the Head of the Asylum to represent being trapped. The tagline "Discover its secrets" is in red italics to invite viewers. Actors' names are prominently featured in the billing block. The poster draws inspiration from "The Rite" and "The Last House on the Left" in its central face image and element positioning. The designer aimed to appeal to the target audience of psychological thriller fans through these visual and textual design choices.
This document analyzes the cover of a movie magazine. The cover references the magazine being the "world's biggest movie magazine" to appeal to readers. It features an image of actor Gandalf from The Hobbit posing in character to stand out from other elements on the cover. The main colors are black, white, red and gold and it promotes 5 film/TV features to attract a wide audience, though no female-targeted content is mentioned.
This short document promotes an upcoming movie or website called "Enclosed" using a hashtag and website URL. It hints that the content will help the viewer "uncover more" but provides few other details about the topic or release in just a few cryptic words and images.
The poster for Shutter Island uses a dark background and imagery to represent the psychological thriller genre and dark plot of the film. It features the main character prominently to attract audiences' attention as he is a recognizable celebrity. Elements like rain, the text "Someone is missing", and a candlelit lighthouse are intended to create intrigue and suspense for viewers.
The document analyzes the trailer for a 1954 film about detectives. It compares the detectives in the trailer to real-life 1950s detectives, noting their pale skin, lack of hair, and scary eyes. It also discusses the target 18-35 male and female audience who would be drawn to the young, attractive lead actors portraying heroes. Additionally, it outlines details of the trailer's 2 minute and 23 second runtime containing 131 shots, with regular panning shots and fading transitions representing the insanity of patients investigated by the detectives.
The document lists potential names for a mother character in a film: Eloise, meaning a hero; Zelda, meaning one who has battled darkness; Carey, with dark secrets; Gabrielle, meaning angel; and Carmen, meaning saint of prosperity. It was decided to name the mother character Cecilia, as her name has religious meaning and derives from the Latin for "blind," representing the mother being blind to her father's wrongdoings and her son's life when he needed her most.
The document analyzes the trailer for a 1954 film, comparing the detectives portrayed to those of real life in 1950s. It notes the pale skin, lack of hair, and piercing eyes depicted, and that the target audience is 18-35 year old males and females drawn by the A-list actors portraying heroes. It also outlines that there are 131 shots in the 2 minute and 23 second trailer, with regular panning shots and fading transitions representing the insanity of the plot. The detectives are initially shown to have a strong relationship that deteriorates as one becomes untrusting of others.
This document discusses film trailers and movies that have influenced the genre and synopsis for Megan Sanders' film project. It mentions real-life tragedy movies like First Trailer: The Impossible and World Trade Center that start off peacefully but then change dramatically. Other influencing films mentioned are Dear John about a soldier writing home from war, Titanic about the real sinking of the ship, and My Sister's Keeper which is cancer-related. The hand-held camera style of The Blair Witch Project documentary is also noted as an influence.
The document discusses the technologies used to construct a product and what was learned from using each one. Adobe Photoshop was used to crop, adjust grayscale, and saturation on an image of a female model. InDesign CS6 was new to use for magazine design and took time to learn but provided insight into magazine production. PowerPoint was previously used but additional skills like moving pictures forward or backward on slides were learned through the evaluation process.
Megan Sanders used light and neutral colors like purple, peach, blue, and black in her magazine design to attract audiences. She also used red for a passionate quote and easy to read fonts rather than flashy styles. Images of attractive models in neutral clothing were used to draw in the target country music audience while also showing the magazine and genre were not controversial. Up to date country artists and clothing styles were featured to keep the magazine relevant and promote similar items to readers.
Megan used various media technologies throughout the construction, research, planning, and evaluation of her country music magazine project. In the planning stage, she used Blogger to understand the project concept and YouTube to research the genre of country music by viewing music videos from Taylor Swift, Brad Paisley, and Eric Church. She then used Survey Monkey to ask people about their knowledge of country music to help structure the magazine content. Photoshop and InDesign were used to edit photos and layout the magazine. Mini Bridge and Word were also used in the production and evaluation stages. Overall, these technologies helped develop both her magazine product and skills in multimedia design.
The document summarizes feedback from a survey about a proposed country music magazine. The survey was distributed to the intended target audience of females aged 18-25 from middle/working class backgrounds. The results confirmed that this target audience was appropriate and would be interested in the magazine. Specifically, respondents agreed that the ratio of female to male country music fans reflected in the magazine was accurate, that the target 18-25 age group would be most likely to purchase the magazine, and that while middle-aged people listen to country music the most, the magazine could still appeal to a wide range of ages. The feedback validated the creator's targeting of their intended young adult female readership.
The media product represents women aged 25-30 and 16-20 who enjoy country music. This social group is depicted as wearing light colored jeans, plaid shirts, cowboy boots and sharing news about upcoming country concerts and artists. While this group is smaller in Britain, country music has a large following among Americans. The magazine targets those who favor country music genres.
The document discusses how the author's country music magazine product uses and develops conventions of real music magazines. Specifically:
- The masthead font, simple title, and plain background images develop conventions commonly found in country music magazines.
- Costumes that depict the models as casual yet wearing jeans reference country music style while challenging stereotypes by including a British Asian model.
- The question-and-answer article format and focus on country music genres, artists, and reviews follow conventions.
- Neutral colors and inclusion of price, plugs, and barcodes on the front page develop conventions found on most magazines.
- The contents page and double-page spread challenge some conventions while still drawing from