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Storytelling with Video
         Annex Business Media

     Cambridge, Ontario Nov. 2, 2012
Why video?

 Broaden your storytelling

 Extend your brand (seamlessness between print,
  online and mobile editions)

 Extend to new audiences

 Extend opportunities for advertising (pre-roll,
  sponsored segments)

 Drive traffic to your website stay longer= BOOST
  engagement=Boosts Google SEO
You are already




Doing many things right!
Great story IDEAS

 A series about Canadas safest
           employers
Promos for forums
Tons of product 厩庄糸艶看壊
Showcasing your audience to themselves
Annex Bus Youtube
     channel
Putting Your EditorS on-air
FIRE videos

 http://youtu.be/88ucQzm1RS4
Annex Business Media presentation by Ellin Bessner, Centennial Journalism
Some of you

 Are going GANGBUSTERS

 Others, can certainly improve

 Many are at the same stage as your competitors,
  i.e.Rogers-owned publications: extremely limited
  use of multiplatform storytelling
AWARDS
Annex Business Media presentation by Ellin Bessner, Centennial Journalism
No time for 厩庄糸艶看壊
Need $$ resources




         Lightweight, versatile, cheap
Want training in shooting and
       interviewing




   Tip:keep camera beside you during interviews
Need some training in
      editing
More host/reporters on camera on location
          and more DIY videos
How to shoot a better
    Video story
Think visually
Video storytelling
 FIND A COMPELLING CHARACTER/SUBJECT
 Make us care about them, in the first 20 seconds
 Let us hear from them very soon: min by 20 seconds
 Next, tell us the reason we are doing the story:
  issue/conflict/drama/problem/ over b-roll
 Then add one (or two more) interviews with experts.
 People make the best video BUT not boring talking heads.
  Video works best with Action. Emotion. Natural Lines.
  Movement.
Annex Business Media presentation by Ellin Bessner, Centennial Journalism
How to choose.Different formats


 Steal a lot! Masthead Magazine publisher.

 Experiment!

 Choose a compelling location (get out there)

 Find compelling guests

 Have story meetings about video
So many possibilities
   Vlog : Sean Mallen, GLOBAL NEWS

   Round table with industry leaders; At issue panel on CBC :
    create celebrities that readers wont want to miss (EPIC
    MealtimeBACON STRIPS)

   Discussion with editorial staff: find articulate people

Take a tour with me  Globe and Mails Mississauga story

   Insider subscriber perks eg: different magazine covers/web
    exclusives

   Industry/market updates: as often as daily, weekly, monthly

   Guest features (CAJ does a regular profile of a new member or
    newsroom)
Decide on format      Self
                   contained    Promo for
                   Interview    mag event

                                 Host on
                    Product
                                camera in
                   showcase
                                  studio

                          Host on
                          location
Structure of a Full Video
        package
For a 2 minute story:

 You need lots of different kinds of video shots

 Probably 10-15 different video shots each held for
  between 8 to 10 seconds

 Plus an interview and a stand up (reporter /you on
  camera)
Wide/Establishing Shots

 Tells the viewer Where are you?

 Locates the action for a viewer

 Shoot each shot and hold it for about 8-15 secs

 DONT ZOOM OR PAN in every shot
Annex Business Media presentation by Ellin Bessner, Centennial Journalism
Medium Shots

 More interesting.

 Viewer can detect some specific activity but still not
  100% sure what is happening--this needs
  your/someones narration to help explain it better.

 Shots last approx 8-15 sec each
Annex Business Media presentation by Ellin Bessner, Centennial Journalism
Annex Business Media presentation by Ellin Bessner, Centennial Journalism
Close ups

 Even more interesting visually. You now care about
  the person/thing being shown.

 Usually introduces an SOT(sound byte/excerpt of
  interview)
Annex Business Media presentation by Ellin Bessner, Centennial Journalism
Extreme Close up

 Used to show extreme emotion.

 Not used in every story but good to shoot these just
  in case you need it later for editing purposes.
Annex Business Media presentation by Ellin Bessner, Centennial Journalism
cutaways

 Related to the story but not the main action.

 Often used as reaction shots to action.

 Medium shots and close ups
Annex Business Media presentation by Ellin Bessner, Centennial Journalism
Use varied shot angles

Make your shots visually interesting
Use lines to make it
    interesting
Subjective shots

 What the subject sees
Point of View

 From behind the subjects head
People are most
             interesting
 Medium and close up shots with people are
  engaging for viewers and work best for t.v. esp. on
  the web/mobile phones
Annex Business Media presentation by Ellin Bessner, Centennial Journalism
Interviews (SOTs)
    Framing is important
In interviews

 the reporter IS usually NOT on camera but can be

 We use an interviewees ANSWERS only
Keep the camera behind you/to the side, and at eye level with guest
SOT/Interviews FRAMING
Left side or
Right side
Looking in
How to frame them:
eyes at top third of screen
Framing of the face

Bad            Good
Height of tripod

 Tripod

 At the guests eye level

 Not at Videographer

level
SOT-
                       History/f
            protago
                       acts/stat
            nist/
Best                   s
            Hero       nutgraf
video
            intervie   Voice                                    Your
And
            w          over        SOT s           Your voice
                                                                closing on-
audio :02                                          gives more
                       video       Experts/oppon                camera
sec then                                           info over
                                   ents/witnesse                stand up
Voice                                              video
                                   s
over pix




Start                                        end
Annex Business Media presentation by Ellin Bessner, Centennial Journalism
On Location Dos.


 Use a tripod! Shaky video looks amateur

 Hide the audio mic cable UNDER the persons shirt.
  Loose cables distract the viewer from the content.

 Use an external mic! Poor audio is annoying. They
  will click off.
DO White Balance



                  Good-white balanced
BAD-blue indoor
 Always WHITE BALANCE when changing locations

 the camera needs to reset its white colour in
  different light conditions (daylight, indoor light etc)
Do

 Listen for loud background audio when you are
  shooting (if there is a loud hum from a generator,
  move!)

 Take CLOSE Ups and Medium shots for web video.
  Beautiful wide shots are great for big screen tvs but
  not for mobile screens (IPADS, Phones, Laptops)

 Use video sequencesto tell a story. Video is
  different then photography.
In Post prod: After
 Use Background sound/natural sound on Videos it gives
  the story credibility.

 Adding a musical track can be distracting so do it only
  for a good reason.

 Use TAGS, proper File naming conventions, and make
  the story SEO friendly. People wont click on a file name
  of a video that says Gala Intro.

 Help the viewer know immediately where this video is
  (LOCATION subtitle) and who is speaking (guest and or
  interviewer subtitles)
DONT

 Dont use same shots twice in the video. Viewers
  hate that.

 Dont jump around chronologically. Viewers hate
  that.

Do show one sequence, then move to the next area or
 scene. Dont show snippets of an indoor scene and
 then go outside, and then return to the indoor trade
 show next, 20 seconds later. Viewers get confused.
My Other hats

 Our students make great interns

 Launching 7 new niche and b2b

 magazines in December

 Would love your feedback

Paul Grossingers or mine?
Canadian Association of
     Journalists
  Membership $45 :
  Training, events, advocacy, Media Magazine (needs a home)
  Mags panel at CAJ2013# in Ottawa, want to plan it/sponsor it?
Thank you!

 Ebessner@gmail.com

 Ebessner@centennialcollege.ca

 @Ebessner on Twitter

 http://ellinbessnersblog.blogspot.ca/

More Related Content

Annex Business Media presentation by Ellin Bessner, Centennial Journalism

  • 1. Storytelling with Video Annex Business Media Cambridge, Ontario Nov. 2, 2012
  • 2. Why video? Broaden your storytelling Extend your brand (seamlessness between print, online and mobile editions) Extend to new audiences Extend opportunities for advertising (pre-roll, sponsored segments) Drive traffic to your website stay longer= BOOST engagement=Boosts Google SEO
  • 3. You are already Doing many things right!
  • 4. Great story IDEAS A series about Canadas safest employers
  • 6. Tons of product 厩庄糸艶看壊
  • 7. Showcasing your audience to themselves
  • 12. Some of you Are going GANGBUSTERS Others, can certainly improve Many are at the same stage as your competitors, i.e.Rogers-owned publications: extremely limited use of multiplatform storytelling
  • 15. No time for 厩庄糸艶看壊
  • 16. Need $$ resources Lightweight, versatile, cheap
  • 17. Want training in shooting and interviewing Tip:keep camera beside you during interviews
  • 18. Need some training in editing
  • 19. More host/reporters on camera on location and more DIY videos
  • 20. How to shoot a better Video story
  • 22. Video storytelling FIND A COMPELLING CHARACTER/SUBJECT Make us care about them, in the first 20 seconds Let us hear from them very soon: min by 20 seconds Next, tell us the reason we are doing the story: issue/conflict/drama/problem/ over b-roll Then add one (or two more) interviews with experts. People make the best video BUT not boring talking heads. Video works best with Action. Emotion. Natural Lines. Movement.
  • 24. How to choose.Different formats Steal a lot! Masthead Magazine publisher. Experiment! Choose a compelling location (get out there) Find compelling guests Have story meetings about video
  • 25. So many possibilities Vlog : Sean Mallen, GLOBAL NEWS Round table with industry leaders; At issue panel on CBC : create celebrities that readers wont want to miss (EPIC MealtimeBACON STRIPS) Discussion with editorial staff: find articulate people Take a tour with me Globe and Mails Mississauga story Insider subscriber perks eg: different magazine covers/web exclusives Industry/market updates: as often as daily, weekly, monthly Guest features (CAJ does a regular profile of a new member or newsroom)
  • 26. Decide on format Self contained Promo for Interview mag event Host on Product camera in showcase studio Host on location
  • 27. Structure of a Full Video package
  • 28. For a 2 minute story: You need lots of different kinds of video shots Probably 10-15 different video shots each held for between 8 to 10 seconds Plus an interview and a stand up (reporter /you on camera)
  • 29. Wide/Establishing Shots Tells the viewer Where are you? Locates the action for a viewer Shoot each shot and hold it for about 8-15 secs DONT ZOOM OR PAN in every shot
  • 31. Medium Shots More interesting. Viewer can detect some specific activity but still not 100% sure what is happening--this needs your/someones narration to help explain it better. Shots last approx 8-15 sec each
  • 34. Close ups Even more interesting visually. You now care about the person/thing being shown. Usually introduces an SOT(sound byte/excerpt of interview)
  • 36. Extreme Close up Used to show extreme emotion. Not used in every story but good to shoot these just in case you need it later for editing purposes.
  • 38. cutaways Related to the story but not the main action. Often used as reaction shots to action. Medium shots and close ups
  • 40. Use varied shot angles Make your shots visually interesting
  • 41. Use lines to make it interesting
  • 42. Subjective shots What the subject sees
  • 43. Point of View From behind the subjects head
  • 44. People are most interesting Medium and close up shots with people are engaging for viewers and work best for t.v. esp. on the web/mobile phones
  • 46. Interviews (SOTs) Framing is important
  • 47. In interviews the reporter IS usually NOT on camera but can be We use an interviewees ANSWERS only
  • 48. Keep the camera behind you/to the side, and at eye level with guest
  • 49. SOT/Interviews FRAMING Left side or Right side Looking in
  • 50. How to frame them: eyes at top third of screen
  • 51. Framing of the face Bad Good
  • 52. Height of tripod Tripod At the guests eye level Not at Videographer level
  • 53. SOT- History/f protago acts/stat nist/ Best s Hero nutgraf video intervie Voice Your And w over SOT s Your voice closing on- audio :02 gives more video Experts/oppon camera sec then info over ents/witnesse stand up Voice video s over pix Start end
  • 55. On Location Dos. Use a tripod! Shaky video looks amateur Hide the audio mic cable UNDER the persons shirt. Loose cables distract the viewer from the content. Use an external mic! Poor audio is annoying. They will click off.
  • 56. DO White Balance Good-white balanced BAD-blue indoor
  • 57. Always WHITE BALANCE when changing locations the camera needs to reset its white colour in different light conditions (daylight, indoor light etc)
  • 58. Do Listen for loud background audio when you are shooting (if there is a loud hum from a generator, move!) Take CLOSE Ups and Medium shots for web video. Beautiful wide shots are great for big screen tvs but not for mobile screens (IPADS, Phones, Laptops) Use video sequencesto tell a story. Video is different then photography.
  • 59. In Post prod: After Use Background sound/natural sound on Videos it gives the story credibility. Adding a musical track can be distracting so do it only for a good reason. Use TAGS, proper File naming conventions, and make the story SEO friendly. People wont click on a file name of a video that says Gala Intro. Help the viewer know immediately where this video is (LOCATION subtitle) and who is speaking (guest and or interviewer subtitles)
  • 60. DONT Dont use same shots twice in the video. Viewers hate that. Dont jump around chronologically. Viewers hate that. Do show one sequence, then move to the next area or scene. Dont show snippets of an indoor scene and then go outside, and then return to the indoor trade show next, 20 seconds later. Viewers get confused.
  • 61. My Other hats Our students make great interns Launching 7 new niche and b2b magazines in December Would love your feedback Paul Grossingers or mine?
  • 62. Canadian Association of Journalists Membership $45 : Training, events, advocacy, Media Magazine (needs a home) Mags panel at CAJ2013# in Ottawa, want to plan it/sponsor it?
  • 63. Thank you! Ebessner@gmail.com Ebessner@centennialcollege.ca @Ebessner on Twitter http://ellinbessnersblog.blogspot.ca/

Editor's Notes

  • #5: CANADAs safest employersgreat web series..should be highly promoted
  • #6: Key words, tags, links and sharing
  • #7: Products and KEN DRYDENS MASK!
  • #10: Personality journalism gives credibility