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Some announcements:

                                No class on May 3

                    Next week (April 26) will be our last class
            Well discuss both One Flew Over The Cuckoos Nest and
                        The King of Comedy next Monday.


                                Final Exam May 10
                                     7:30-9:30
                                   Room E-108


Monday, April 19, 2010
Final Exam ID possibilities
              Identify the following by name and contribution to the films we have studied




Monday, April 19, 2010
Final Exam ID possibilities
              Identify the following by name and contribution to the films we have studied




Monday, April 19, 2010
Final Exam ID possibilities
              Identify the following by name and contribution to the films we have studied




Monday, April 19, 2010
Final Exam ID possibilities
              Identify the following by name and contribution to the films we have studied




Monday, April 19, 2010
Final Exam ID possibilities
              Identify the following by name and contribution to the films we have studied




Monday, April 19, 2010
Final Exam ID possibilities
              Identify the following by name and contribution to the films we have studied




Monday, April 19, 2010
Final Exam ID possibilities
              Identify the following by name and contribution to the films we have studied




Monday, April 19, 2010
For next time 4/19: One Flew Over The Cuckoos Nest
                      & The King Of Comedy




Monday, April 19, 2010
1977
                           -----A bittersweet
                           romantic comedy of
                           modern contemporary
                           (at the time) love and
                           urban relationships.



                            ---------Explores the
                            interaction of past
                            and present.



Monday, April 19, 2010
Annie Hall capitalized on many of the ingredients that had been the
  content of Mr. Allens earlier films:
  - anti-Semitism
  -life
  -romantic angst
  -drugs
  -death
  -his obsessive love of New York, his dislike of California (mostly
  L.A.)
  -fads and -intellectual pomposity
  -his introspective neuroses and pessimism
  -his requisite jokes and psychosexual frustration about sex,
  numerous put-downs of his own appearance and personality, and
  distorted memories of his childhood
Monday, April 19, 2010
The film's more sensitive and realistic (still-comical) yet
                         serious-minded tone about an intimate and emotional
                         relationship appealed to all film-goers, not just Woody Allen
                         fans.




Monday, April 19, 2010
With five nominations, the film was a four-time
                    Academy Award winner: Best Actress (Diane Keaton
                    with her sole Oscar win), Best Picture (Charles H.
                    Joffe, producer), Best Director (Woody Allen), and
                    Best Original Screenplay (Woody Allen and Marshall
                    Brickman). It defeated the science-fiction blockbuster
                    Star Wars (1977) for Best Picture.
Monday, April 19, 2010
The film influenced fashion designers (with the
                         masculine, androgynous "Annie Hall" look.)




Monday, April 19, 2010
A theme of the film
                         may be that although
                         there are limitations in
                         life (death and loss are
                         the two most
                         prevalent), art forms
                         (such as the printed
                         word, films, and plays)
                         have the power to
                         reshape reality and
                         provide some
                         measure of control,
                         thereby compensating
                         for life's limitations.

Monday, April 19, 2010
Cinematic technique utilized to communicate
                                 theme

                                                 Direct addresses to the
                                                 camera
                                                 Reminiscent of Ingmar
                                                 Bergman films, and films
                                                 such as Strange
                                                 Interlude (1932), or Alfie
                                                 (1966) with Michael
                                                 Caine




     Memory-flashbacks and other
     flashbacks
     Influenced, in part, by Citizen Kane
     (1941)


Monday, April 19, 2010
Interjections into the scene.
    --Reminiscent of Bergman's
    Persona (1960)
    vignettes
    Adult time-travel back to
    childhood
    Reminiscent of Bergman's
    Wild Strawberries (1957)




                                    The sudden production of a real-
                                    life character ( "Boy, if life were
                                    only like this")
                                    Author Marshall McLuhan
                                    appears, to conveniently settle an
                                    argument
Monday, April 19, 2010
Annie and I broke up. And I still can't get my mind
     around that. You know, I keep sifting the pieces of the
     relationship through my mind, and examining my life and
     trying to figure out where did the screwup come, you
     know. A year ago, we were in love, you know.




                                                       The film searches for his answer to the
                                                       question - Why did they break up? (and by
                                                       implication, why does contemporary love
                                                       die?) 


Monday, April 19, 2010
Introductory shot: Our first look
                at Annie...somewhere in the
                middle of the relationship.




Monday, April 19, 2010
Cinematic approach to contrasting families




   Split-screen conversation
Monday, April 19, 2010
Her mentor:




Monday, April 19, 2010
Another split screen:




                              "Rashomon Effect"
                              Observers of an event are able to produce substantially
                              different but equally plausible accounts of it.
Monday, April 19, 2010
As Annie's singing and talent
    improves, so does her
    confidence, personal strength,
    and independence. She
    ultimately becomes less self-
    conscious and less self-
    effacing. In a performance
    which contrasts sharply with
    her nervous singing debut,
    she confidently sings solo at
    her Manhattan club - it is a
    warm, bluesy, beautiful
    rendition of "Seems Like Old
    Times" that commemorates
    the warmth of their renewed
    relationship....but further
    diminishes Alvys dominance.

Monday, April 19, 2010
California trip




     Voice-over commentary   Their mismatched relationship
                             downturns for many reasons -
                             misunderstandings, possessiveness
                             and jealousy, different goals,
                             interests, hang-ups, and moods, and
                             plain irrationality.

Monday, April 19, 2010
You know how you're always
               trying to get things to come out
               perfect in art because, uh, it's
               real difficult in life.




       Scenes from the
         relationship




      Ends as it began
      with an old joke .




Monday, April 19, 2010
Create a narrative or scene depicting
                                the start, rise, and fall of a
                          contemporary (2010) relationship.
                          Utilize at least one of the cinematic
                             techniques used in Annie Hall.
                         ---direct addresses to the camera
                         --memory-flashbacks
                         --adult time-travel back to childhood
                         --interjections into the scene
                         --the sudden production of a real-life character
                         --split screens
                         --dialogue between two scenes in a split screen.
                         ---introspective voice-overs




Monday, April 19, 2010
Time magazine Woody Allen Interview




Monday, April 19, 2010

More Related Content

Annnie Hall Postviewpdf2

  • 1. Some announcements: No class on May 3 Next week (April 26) will be our last class Well discuss both One Flew Over The Cuckoos Nest and The King of Comedy next Monday. Final Exam May 10 7:30-9:30 Room E-108 Monday, April 19, 2010
  • 2. Final Exam ID possibilities Identify the following by name and contribution to the films we have studied Monday, April 19, 2010
  • 3. Final Exam ID possibilities Identify the following by name and contribution to the films we have studied Monday, April 19, 2010
  • 4. Final Exam ID possibilities Identify the following by name and contribution to the films we have studied Monday, April 19, 2010
  • 5. Final Exam ID possibilities Identify the following by name and contribution to the films we have studied Monday, April 19, 2010
  • 6. Final Exam ID possibilities Identify the following by name and contribution to the films we have studied Monday, April 19, 2010
  • 7. Final Exam ID possibilities Identify the following by name and contribution to the films we have studied Monday, April 19, 2010
  • 8. Final Exam ID possibilities Identify the following by name and contribution to the films we have studied Monday, April 19, 2010
  • 9. For next time 4/19: One Flew Over The Cuckoos Nest & The King Of Comedy Monday, April 19, 2010
  • 10. 1977 -----A bittersweet romantic comedy of modern contemporary (at the time) love and urban relationships. ---------Explores the interaction of past and present. Monday, April 19, 2010
  • 11. Annie Hall capitalized on many of the ingredients that had been the content of Mr. Allens earlier films: - anti-Semitism -life -romantic angst -drugs -death -his obsessive love of New York, his dislike of California (mostly L.A.) -fads and -intellectual pomposity -his introspective neuroses and pessimism -his requisite jokes and psychosexual frustration about sex, numerous put-downs of his own appearance and personality, and distorted memories of his childhood Monday, April 19, 2010
  • 12. The film's more sensitive and realistic (still-comical) yet serious-minded tone about an intimate and emotional relationship appealed to all film-goers, not just Woody Allen fans. Monday, April 19, 2010
  • 13. With five nominations, the film was a four-time Academy Award winner: Best Actress (Diane Keaton with her sole Oscar win), Best Picture (Charles H. Joffe, producer), Best Director (Woody Allen), and Best Original Screenplay (Woody Allen and Marshall Brickman). It defeated the science-fiction blockbuster Star Wars (1977) for Best Picture. Monday, April 19, 2010
  • 14. The film influenced fashion designers (with the masculine, androgynous "Annie Hall" look.) Monday, April 19, 2010
  • 15. A theme of the film may be that although there are limitations in life (death and loss are the two most prevalent), art forms (such as the printed word, films, and plays) have the power to reshape reality and provide some measure of control, thereby compensating for life's limitations. Monday, April 19, 2010
  • 16. Cinematic technique utilized to communicate theme Direct addresses to the camera Reminiscent of Ingmar Bergman films, and films such as Strange Interlude (1932), or Alfie (1966) with Michael Caine Memory-flashbacks and other flashbacks Influenced, in part, by Citizen Kane (1941) Monday, April 19, 2010
  • 17. Interjections into the scene. --Reminiscent of Bergman's Persona (1960) vignettes Adult time-travel back to childhood Reminiscent of Bergman's Wild Strawberries (1957) The sudden production of a real- life character ( "Boy, if life were only like this") Author Marshall McLuhan appears, to conveniently settle an argument Monday, April 19, 2010
  • 18. Annie and I broke up. And I still can't get my mind around that. You know, I keep sifting the pieces of the relationship through my mind, and examining my life and trying to figure out where did the screwup come, you know. A year ago, we were in love, you know. The film searches for his answer to the question - Why did they break up? (and by implication, why does contemporary love die?) Monday, April 19, 2010
  • 19. Introductory shot: Our first look at Annie...somewhere in the middle of the relationship. Monday, April 19, 2010
  • 20. Cinematic approach to contrasting families Split-screen conversation Monday, April 19, 2010
  • 22. Another split screen: "Rashomon Effect" Observers of an event are able to produce substantially different but equally plausible accounts of it. Monday, April 19, 2010
  • 23. As Annie's singing and talent improves, so does her confidence, personal strength, and independence. She ultimately becomes less self- conscious and less self- effacing. In a performance which contrasts sharply with her nervous singing debut, she confidently sings solo at her Manhattan club - it is a warm, bluesy, beautiful rendition of "Seems Like Old Times" that commemorates the warmth of their renewed relationship....but further diminishes Alvys dominance. Monday, April 19, 2010
  • 24. California trip Voice-over commentary Their mismatched relationship downturns for many reasons - misunderstandings, possessiveness and jealousy, different goals, interests, hang-ups, and moods, and plain irrationality. Monday, April 19, 2010
  • 25. You know how you're always trying to get things to come out perfect in art because, uh, it's real difficult in life. Scenes from the relationship Ends as it began with an old joke . Monday, April 19, 2010
  • 26. Create a narrative or scene depicting the start, rise, and fall of a contemporary (2010) relationship. Utilize at least one of the cinematic techniques used in Annie Hall. ---direct addresses to the camera --memory-flashbacks --adult time-travel back to childhood --interjections into the scene --the sudden production of a real-life character --split screens --dialogue between two scenes in a split screen. ---introspective voice-overs Monday, April 19, 2010
  • 27. Time magazine Woody Allen Interview Monday, April 19, 2010