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corey@exprimamedia.com
www.exprimamedia.com
@exprima
Text
Text
Armchair Astronauts: The PDXDMC Bootcamp
@exprima
@exprima
@exprima
@exprima
@exprima
@exprima
@exprima
@exprima
@exprima
@exprima
@exprima
This is not a book
@exprima
@exprima
@exprima
Wholly new forms of encyclopedias
will appear, ready made with a mesh of
associative trails running through
them There is a new profession of
trail blazers, those who 鍖nd delight in
the task of establishing useful trails
through the enormous mass of the
common record.
@exprima
Man will see around the world.
Persons and things of all kinds will be
brought within focus of cameras
connected electrically with screens at
opposite ends of circuits, thousands
of miles at a span The instrument
bringing these distant scenes to the
very doors of people will be
connected with a giant telephone
apparatus transmitting each
incidental sound in its appropriate
place.
@exprima
@exprima
Whatever they may do, authors do not write
books. Books are not written at all. They are
manufactured by scribes and artisans, by
mechanics and other engineers, and by printing
presses and other machines.
@exprima
Whatever they may do, authors do not write
books. Books are not written at all. They are
manufactured by scribes and artisans, by
mechanics and other engineers, and by printing
presses and other machines.
There is no comprehension of any written
piece that does not at least in part depend upon
the forms in which it reaches its reader.
@exprima
@exprima
01000101 01111000 01110000
01110010 01101001 01101101
01100001 00100000 01001101
01100101 01100100 01101001
@exprima
01000101 01111000 01110000
01110010 01101001 01101101
01100001 00100000 01001101
01100101 01100100 01101001
@exprima
@exprima
@exprima
"More than a boundary or a sealed border, the paratext is, rather, a
threshold." It is "a zone between text and off-text, a zone not only
of transition but also of transaction: a privileged place of
pragmatics and a strategy, of an in鍖uence on the public, an
in鍖uence that ... is at the service of a better reception for the text
and a more pertinent reading of it.
"...a fringe of the printed text which in reality controls one's whole
reading of the text".
@exprima
Print Paratext:
Book covers
Blurbs
Paper weight
Typography
Layout
Conventional punctuation
Illustrations
Footnotes
------
Indexes
Book Stores
Libraries
Digital Paratext:
Use Flow
Wireframes
Visual design
Navigation
Chrome
Typography
Multimedia
Social Media
How To
------
Search
Indexes (!)
Book Stores (!)
Libraries (!)
@exprima
@exprima
@exprima
@exprima
Alphabet, radio, TV all encourage the
dominance of a single sense - a form of
hypnosis.
Media that encourage the interplay of all
senses provide the haptic harmony of
the old days.
...our new electronic culture provides
our lives again with a tribal base.
The Post-Book Era: Armchair Astronauts
The Post-Book Era: Armchair Astronauts
@exprima
The artist is the person who invents the means to bridge
between biological inheritance and the environments
created by technological innovation.
_M.M.
@exprima
The artist is the person who invents the means to bridge
between biological inheritance and the environments
created by technological innovation.
_M.M.
Interaction Design (IxD) de鍖nes the structure and behavior of
interactive products and services. Interaction Designers
create compelling relationships between people and the
interactive systems they use.
_IXDA Website
@exprima
To Publish (v) :
early 14c., "to make public," from M.E. publicen
(c.1300), altered (by in鍖uence of banish, 鍖nish,
etc.) from O.Fr. publier, from L. publicare "make
public," from publicus "public"
@exprima
Marketing:
...the activity, set of institutions, and processes for
creating, communicating, delivering, and
exchanging offerings that have value for
customers, clients, partners, and society at large.
@exprima
Marketing:
Enrolling people to take an active roll in your story.
@exprima
The Post-book Era: Armchair Astronauts
Experiencing multifarious curated content in
intentionally designed containers.
@exprima
Immersive |
Nontrivial
The Post-book Era: Armchair Astronauts
Experiencing multifarious curated content in
intentionally designed containers.
@exprima
The Post-book Era: Armchair Astronauts
Experiencing multifarious curated content in
intentionally designed contexts.
Copy
Interactives
Video
Audio
Notation & Commentary
Highlighting & Marking
Bookmarking
Reading Activity
Social Annotation
Social Activity
Publisher Provided User Generated
@exprima
The Post-book Era: Armchair Astronauts
Experiencing multifarious curated content in
intentionally designed contexts.
curate (n.)
late 14c., "spiritual guide," from Medieval Latin curatus "one responsible for
the care (of souls)," from Latin curatus, past participle of curare "to take
care of" (see cure (v.)). Church of England sense of "paid deputy priest of
a parish" 鍖rst recorded 1550s.
By the 17th century: a manager or steward, an of鍖cer of a university, or a
person in charge of a museum, art gallery, library, or the like.
(v.) to act as curator of (a museum, exhibits, etc.); to look after and
preserve.
@exprima
The Post-book Era: Armchair Astronauts
Experiencing multifarious curated content in
intentionally designed contexts.
@exprima
@exprima
@exprima
corey@exprimamedia.com
www.exprimamedia.com
@exprima
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Armchair Astronauts: The PDXDMC Bootcamp

  • 18. @exprima Wholly new forms of encyclopedias will appear, ready made with a mesh of associative trails running through them There is a new profession of trail blazers, those who 鍖nd delight in the task of establishing useful trails through the enormous mass of the common record.
  • 19. @exprima Man will see around the world. Persons and things of all kinds will be brought within focus of cameras connected electrically with screens at opposite ends of circuits, thousands of miles at a span The instrument bringing these distant scenes to the very doors of people will be connected with a giant telephone apparatus transmitting each incidental sound in its appropriate place.
  • 21. @exprima Whatever they may do, authors do not write books. Books are not written at all. They are manufactured by scribes and artisans, by mechanics and other engineers, and by printing presses and other machines.
  • 22. @exprima Whatever they may do, authors do not write books. Books are not written at all. They are manufactured by scribes and artisans, by mechanics and other engineers, and by printing presses and other machines. There is no comprehension of any written piece that does not at least in part depend upon the forms in which it reaches its reader.
  • 24. @exprima 01000101 01111000 01110000 01110010 01101001 01101101 01100001 00100000 01001101 01100101 01100100 01101001
  • 25. @exprima 01000101 01111000 01110000 01110010 01101001 01101101 01100001 00100000 01001101 01100101 01100100 01101001
  • 28. @exprima "More than a boundary or a sealed border, the paratext is, rather, a threshold." It is "a zone between text and off-text, a zone not only of transition but also of transaction: a privileged place of pragmatics and a strategy, of an in鍖uence on the public, an in鍖uence that ... is at the service of a better reception for the text and a more pertinent reading of it. "...a fringe of the printed text which in reality controls one's whole reading of the text".
  • 29. @exprima Print Paratext: Book covers Blurbs Paper weight Typography Layout Conventional punctuation Illustrations Footnotes ------ Indexes Book Stores Libraries Digital Paratext: Use Flow Wireframes Visual design Navigation Chrome Typography Multimedia Social Media How To ------ Search Indexes (!) Book Stores (!) Libraries (!)
  • 33. @exprima Alphabet, radio, TV all encourage the dominance of a single sense - a form of hypnosis. Media that encourage the interplay of all senses provide the haptic harmony of the old days. ...our new electronic culture provides our lives again with a tribal base.
  • 34. The Post-Book Era: Armchair Astronauts
  • 35. The Post-Book Era: Armchair Astronauts
  • 36. @exprima The artist is the person who invents the means to bridge between biological inheritance and the environments created by technological innovation. _M.M.
  • 37. @exprima The artist is the person who invents the means to bridge between biological inheritance and the environments created by technological innovation. _M.M. Interaction Design (IxD) de鍖nes the structure and behavior of interactive products and services. Interaction Designers create compelling relationships between people and the interactive systems they use. _IXDA Website
  • 38. @exprima To Publish (v) : early 14c., "to make public," from M.E. publicen (c.1300), altered (by in鍖uence of banish, 鍖nish, etc.) from O.Fr. publier, from L. publicare "make public," from publicus "public"
  • 39. @exprima Marketing: ...the activity, set of institutions, and processes for creating, communicating, delivering, and exchanging offerings that have value for customers, clients, partners, and society at large.
  • 40. @exprima Marketing: Enrolling people to take an active roll in your story.
  • 41. @exprima The Post-book Era: Armchair Astronauts Experiencing multifarious curated content in intentionally designed containers.
  • 42. @exprima Immersive | Nontrivial The Post-book Era: Armchair Astronauts Experiencing multifarious curated content in intentionally designed containers.
  • 43. @exprima The Post-book Era: Armchair Astronauts Experiencing multifarious curated content in intentionally designed contexts. Copy Interactives Video Audio Notation & Commentary Highlighting & Marking Bookmarking Reading Activity Social Annotation Social Activity Publisher Provided User Generated
  • 44. @exprima The Post-book Era: Armchair Astronauts Experiencing multifarious curated content in intentionally designed contexts. curate (n.) late 14c., "spiritual guide," from Medieval Latin curatus "one responsible for the care (of souls)," from Latin curatus, past participle of curare "to take care of" (see cure (v.)). Church of England sense of "paid deputy priest of a parish" 鍖rst recorded 1550s. By the 17th century: a manager or steward, an of鍖cer of a university, or a person in charge of a museum, art gallery, library, or the like. (v.) to act as curator of (a museum, exhibits, etc.); to look after and preserve.
  • 45. @exprima The Post-book Era: Armchair Astronauts Experiencing multifarious curated content in intentionally designed contexts.