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Shifting Stage Left
Justin Arnold
Content Preview

 PART 1: The Before- My life before drama.
 PART 2: You want me to what? My foray into drama.
 PART 3: The after My life since the shift.
 The moment you doubt whether you can
fly, you cease forever to be able to do it.
J.M. Barrie, Pe te r Pan
(Barrie, Ch. 14.)
Being involved in theatre changed my
life.
I don t mean that in a cheesy  Glee kind
of way.
While being involved, I became a leader.
And an adult.
Part 1
THE
BEFORE
Those old school days
 The corner was my seat.
 My hand was never
raised, but I knew the
answers.
 While I wasnt low in self
confidence, I had the
hunch that my real self
wasnt good enough
Those  Alternate
Old school days
After a while, I found that my
imagination was much more
entertaining than reality.
Remembering what happened on
Nick-At-Night was easier than
remembering the answers to a
science worksheet.
I think back on those days and at
first I recall the illustrations in Peter
Pan, Cinderella, and Little Red
Riding Hood storybooks.
Okay, so I was weird. I have a
feeling I wasnt the only one.
Examples of how quiet I was:
 Teachers sometimes thought Id left the room.
 I wasnt just picked last for teams: I wasnt picked at all.
 Teachers whispered questions to my mother about my
home life (Which was loving) and any past traumas
(There were none.).
Part 2
 You want me to what?
One teacher noticed me...

 In the 5th grade, my Language Arts teacher noticed my developed
imagination and way with written words through the short stories we
were assigned.
 She encouraged me to join her new drama club. I was very timid about
this, but inside it was something I desperately wanted to do.
 I don t get stage fright, and I think maybe one reason is that I
experienced all I needed to the night before our first meeting, when the
 what if s started to haunt me.
 Strong as an ox
is the catch-phrase
 In the clubs first
production, Aesops
Fables, I was cast as an
Ox.
 This was fine, until I
realized I had fifteen
lines to memorize.
 But as soon as
rehearsals began, I was
hooked
Something is Different
On Stage:

Off Stage:

 I started to speak more
loudly and learned how
to project.

 To make friends, I found
pretty quickly that you
have to be more open.

 Soon I found that it was
easy to say lines in
character, and I was
pretty good at making it
sound real.

 Its easier to forget
someone in a theater
than in a classroom.

 People were surprised I
wasnt in the corner.

 There is a heirarchy, a
food chain, and to be on
the top you have to stick
up for yourself.
In  Real-Life
 The friends I made doing drama have become my
friends for life.
 Aesops Fables was the first of many. I began to do as
many plays, musicals, and revues as I could, never
pausing for rest or taking a break from learning how to
be better.
 By honing the craft I made more friends and
connections, which has led to jobs and relationships I
would have never received had I not gained insight to
confidence through the theatre department.
Part 3

The After
After Years of Drama
 I am no longer shy.
 The corner is not my seat of preference.
 My imagination is not kept to myself, and I am not as
timid to share my ideas.
 I am usually the one encouraging people to try things,
not vice versa.
 Self-Doubt is no longer in my vocabulary. If I doubt
myself, then I dont deliver a good product (Whether a
performance, a project, or other endeavor.)
The Full Circle
 I am now having yet
another shift, as I am
directing my own show
for a childrens program
called Stage Left.
 The Jungle Book will
consist of a cast of kids
8-18.
 Some of them are kids I
encouraged to open up,
corner kids like I was.
Shifting at a Glance
Before

After
 Not shy.
 Never in the corner.

 Shy
 In the corner.
 Friendless.
 Closed but vibrant
imagination.

 A strong group of
colleagues.
 Willing to share ideas
and solutions with
confidence.
 A paid directing job.
 The list of benefits goes
on
The life I have no would not be possible if
I hadn t have stepped on stage. I would
probably still be in the corner.
The kids I am directing now would
probably still be in the corner.
There are no corners on stage.
Works Cited
 Barrie, J.M. Chapter 14. Peter Pan. London: Hodder and
Stoughton, 1911. N. pag. Print.
 Digital image. University Primetime. Web.
 http://universityprimetime.com/files/images/uploads/events/soci1.jpg
 Digital image. Classic Broadway. Web.
 http://www.fclo.classicbroadway.org/pictures/c1.jpg
 Digital Image. Caldwell, Jeff. "Georgetown Community
Theatre , Georgetown Community Theatre. Web. 3 Feb.
2014.

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ARNOLD- PowerPoint- Shifting Stage Left

  • 2. Content Preview PART 1: The Before- My life before drama. PART 2: You want me to what? My foray into drama. PART 3: The after My life since the shift.
  • 3. The moment you doubt whether you can fly, you cease forever to be able to do it. J.M. Barrie, Pe te r Pan (Barrie, Ch. 14.)
  • 4. Being involved in theatre changed my life. I don t mean that in a cheesy Glee kind of way. While being involved, I became a leader. And an adult.
  • 6. Those old school days The corner was my seat. My hand was never raised, but I knew the answers. While I wasnt low in self confidence, I had the hunch that my real self wasnt good enough
  • 7. Those Alternate Old school days After a while, I found that my imagination was much more entertaining than reality. Remembering what happened on Nick-At-Night was easier than remembering the answers to a science worksheet. I think back on those days and at first I recall the illustrations in Peter Pan, Cinderella, and Little Red Riding Hood storybooks. Okay, so I was weird. I have a feeling I wasnt the only one.
  • 8. Examples of how quiet I was: Teachers sometimes thought Id left the room. I wasnt just picked last for teams: I wasnt picked at all. Teachers whispered questions to my mother about my home life (Which was loving) and any past traumas (There were none.).
  • 9. Part 2 You want me to what?
  • 10. One teacher noticed me... In the 5th grade, my Language Arts teacher noticed my developed imagination and way with written words through the short stories we were assigned. She encouraged me to join her new drama club. I was very timid about this, but inside it was something I desperately wanted to do. I don t get stage fright, and I think maybe one reason is that I experienced all I needed to the night before our first meeting, when the what if s started to haunt me.
  • 11. Strong as an ox is the catch-phrase In the clubs first production, Aesops Fables, I was cast as an Ox. This was fine, until I realized I had fifteen lines to memorize. But as soon as rehearsals began, I was hooked
  • 12. Something is Different On Stage: Off Stage: I started to speak more loudly and learned how to project. To make friends, I found pretty quickly that you have to be more open. Soon I found that it was easy to say lines in character, and I was pretty good at making it sound real. Its easier to forget someone in a theater than in a classroom. People were surprised I wasnt in the corner. There is a heirarchy, a food chain, and to be on the top you have to stick up for yourself.
  • 13. In Real-Life The friends I made doing drama have become my friends for life. Aesops Fables was the first of many. I began to do as many plays, musicals, and revues as I could, never pausing for rest or taking a break from learning how to be better. By honing the craft I made more friends and connections, which has led to jobs and relationships I would have never received had I not gained insight to confidence through the theatre department.
  • 15. After Years of Drama I am no longer shy. The corner is not my seat of preference. My imagination is not kept to myself, and I am not as timid to share my ideas. I am usually the one encouraging people to try things, not vice versa. Self-Doubt is no longer in my vocabulary. If I doubt myself, then I dont deliver a good product (Whether a performance, a project, or other endeavor.)
  • 16. The Full Circle I am now having yet another shift, as I am directing my own show for a childrens program called Stage Left. The Jungle Book will consist of a cast of kids 8-18. Some of them are kids I encouraged to open up, corner kids like I was.
  • 17. Shifting at a Glance Before After Not shy. Never in the corner. Shy In the corner. Friendless. Closed but vibrant imagination. A strong group of colleagues. Willing to share ideas and solutions with confidence. A paid directing job. The list of benefits goes on
  • 18. The life I have no would not be possible if I hadn t have stepped on stage. I would probably still be in the corner. The kids I am directing now would probably still be in the corner. There are no corners on stage.
  • 19. Works Cited Barrie, J.M. Chapter 14. Peter Pan. London: Hodder and Stoughton, 1911. N. pag. Print. Digital image. University Primetime. Web. http://universityprimetime.com/files/images/uploads/events/soci1.jpg Digital image. Classic Broadway. Web. http://www.fclo.classicbroadway.org/pictures/c1.jpg Digital Image. Caldwell, Jeff. "Georgetown Community Theatre , Georgetown Community Theatre. Web. 3 Feb. 2014.