The document provides a profile of artist Georgia O'Keeffe, including biographical details and examples of her artwork. It discusses how she studied art in Chicago and New York and was influenced by Arthur Wesley Dow's ideas about expression and arrangement of visual elements. It describes her marriage to photographer Alfred Stieglitz and how living in Lake George inspired her interest in abstracting nature. Later, she moved to New Mexico and incorporated the landscape into her figural and abstract flower paintings. The profile includes examples of her paintings from different periods of her career focusing on nature and landscape.
2. ARTIST PROFILE: GEORGIA OKEEFFE
INFORMATION FROM: HTTP://WWW.OKEEFFEMUSEUM.ORG/ABOUT-GEORGIA-OKEEFFE.HTML
BORN IN 1887 IN SUN PRAIRIE, WISCONSIN
SHE STUDIED ART AT THE SCHOOL OF THE
ART INSTITUTE OF CHICAGO (SAIC) AND THE
ART STUDENTS LEAGUE IN NEW YORK
SHE LATER STUDIED TO BECOME AN ART
TEACHER AT THE TEACHERS COLLEGE IN
VIRGINIA SHE STUDIED THE IDEAS OF
ARTHUR WESLEY DOW WHO BELIEVED THE
GOAL OF ART WAS THE EXPRESSION OF THE
ARTIST'S PERSONAL IDEAS AND FEELINGS
AND THAT SUCH SUBJECT MATTER WAS
BEST REALIZED THROUGH HARMONIOUS
ARRANGEMENTS OF LINE, COLOR, AND
NOTAN (THE JAPANESE SYSTEM OF LIGHTS
AND DARKS).
Early Life:
3. ARTIST PROFILE: GEORGIA OKEEFFE
STIEGLITZ WAS AN AMERICAN PHOTOGRAPHER
AND GALLERY OWNER WHO FIRST INTRODUCED
OKEEFFES WORK TO THE PUBLIC AT HIS
GALLERY 291
STIEGLITZ LEFT HIS WIFE AND FAMILY TO MARRY
OKEEFFE
STIEGLITZ AND OKEEFFE LIVED IN NEW YORK
CITY AND VISITED THE STIEGLITZ FAMILY HOME IN
LAKE GEORGE (UPSTATE NEW YORK)
DURING THEIR TIME IN LAKE GEORGE, GEORGIA
OKEEFFE DISCOVERED HER INTEREST IN
ABSTRACTING NATURE BY TAKING SCENES FROM
REAL-LIFE AND ZOOMING IN OR SIMPLIFYING
HER SUBJECT
AS OKEEFFES MARRIAGE TO STIEGLITZ CAME TO
AN END, OKEEFFE REALIZED SHE NEEDED TO
STEP OUT OF HIS ARTISTIC SHADOW
Marriage to Alfred Stieglitz:
INFORMATION FROM: HTTP://WWW.OKEEFFEMUSEUM.ORG/ABOUT-GEORGIA-OKEEFFE.HTML
4. ARTIST PROFILE: GEORGIA OKEEFFE
AFTER SEPARATING FROM HER HUSBAND
ALFRED STIEGLITZ, OKEEFFE RELOCATED
HER LIFE AND ARTISTIC PRACTICE TO TAOS,
NEW MEXICO IN 1930
THE NEW MEXICO LANDSCAPE BECAME A
IMPORTANT PART OF HER ARTWORK
SHE CONTINUED TO WORK BETWEEN
FIGURATION AND ABSTRACTION WHILE
USING NATURAL FORMS LIKE ANIMAL BONES
AND FLOWERS AS HER POINT OF
REFERENCE
OKEEFFE CONTINUED PAINTING
THROUGHOUT THE 1950S, 60S AND 70S
UNTIL SHE STARTED TO LOSE HER SIGHT
OKEEFFE DIED IN 1986 AT THE AGE OF 98
Later Life
INFORMATION FROM: HTTP://WWW.OKEEFFEMUSEUM.ORG/ABOUT-GEORGIA-OKEEFFE.HTML
14. ABSTRACTING NATURE
ART 2 ASSIGNMENT OVERVIEW
ESSENTIAL QUESTION: USING THE ARTWORK OF GEORGIA OKEEFFE, HOW CAN
YOU USE ELEMENTS FROM NATURE AND THE LANDSCAPE TO CREATE ARTWORK
THAT USES VISUAL METAPHOR AND ORGANIC ABSTRACTION?
VISUAL METAPHOR ORGANIC ABSTRACTION
USING ELEMENTS FROM NATURE TO
SYMBOLIZE SOMETHING FROM YOUR LIFE,
OR A MOOD, OR FEELING
TAKING ELEMENTS FROM NATURE AND
ZOOMING IN, SIMPLIFYING OR ALTERING TO
MAKE THEM LESS RECOGNIZABLE
15. FIGURATIVE ABSTRACT
ELEMENTS WITHIN THE PICTURE
ARE RECOGNIZABLE FROM LIFE
ELEMENTS WITHIN THE PICTURE
NOT RECOGNIZABLE AS SOMETHING
SPECIFIC
ARTIST USES OPTICAL, LINEAR OR
ATMOSPHERIC PERSPECTIVE TO
CREATE A SENSE OF DEPTH
ARTIST PLACES AN EMPHASIS ON
COLOR, SHAPE AND TEXTURE
COMMUNICATING A GESTURE OR
MOOD
ARTIST USES RENDERING TO
DESCRIBE FORM
EXPRESSION MAY BE MORE
IMPORTANT THAN RENDERING
16. ABSTRACTING NATURE
ART 2 ASSIGNMENT OVERVIEW
MINI PORTFOLIO
1. OUTDOOR CLASSWORK: Three gesture sketches (quick
sketchbook drawings that focus on observing the natural
landscape around Skylines campus
2. SKETCHBOOK HOMEWORK: Create a drawing that
abstracts one of your gesture studies done in class
3. VISUAL METAPHOR PIECE: Create a figurative
drawing or painting that demonstrates a personal visual
metaphor
4. ORGANIC ABSTRACTION: Create an abstract drawing
or painting that alters or simplifies something from nature