Illustration has evolved from early woodcut prints to keep pace with advances in printing technology. It plays an important role in conveying narratives through books, magazines, films and more. Some key points:
1) Early book illustrators like Gustave Dore helped enlighten audiences through spiritual/intellectual images accompanying texts.
2) Advances like lithography and photomechanical processes expanded illustration's role and reach during the Golden Age of illustrators like Norman Rockwell.
3) Contemporary illustrators use diverse styles/media to interpret narratives, from Olly Moss's minimal posters to Ralph Steadman's experimental work with Hunter S. Thompson.
This document provides a history of comic books, beginning with their origins in newspaper comic strips in the early 20th century in the U.S. and spreading to magazines. It discusses key developments like the establishment of recurring characters, speech bubbles, and early pioneers such as Rodolphe Topffer. By the 1920s-1930s, comic books emerged as a distinct medium, with Superman's debut in 1938 cementing the superhero genre's popularity in America. The history outlines how comics evolved into a global mass media phenomenon across countries.
This document provides information about drawing skeletons, illustration, and character development for stories. It begins with tips for drawing skeletons using charcoal on brown paper. It then discusses what an illustration is and provides a brief history of illustration from prehistoric cave paintings to developments in printing technology. The document also discusses character development for stories, including developing aspects of characters and drawing inspiration from real life. It suggests collecting pictures from magazines to use for reference and provides tips for developing descriptive paragraphs about characters.
The Street of Crocodiles is a 21-minute stop-motion animation from 1986 directed by twin brothers Stephen and Timothy Quay, based on a novel by Polish writer Bruno Schulz. The animation depicts the strange and surreal world of Schulz's stories using puppets made from organic materials to create an eerie atmosphere. The Quay brothers were influenced by Central European artists and the political situation in Poland, creating a dark and mysterious film that reflects the settings and psychology of Schulz's work.
This document provides a brief history of comics and their origins. It traces the earliest sequential visual storytelling back to artifacts like Trajan's Column and Egyptian hieroglyphs. However, comics in their modern form emerged with developments like the printing press, which allowed mass reproduction of images and words. Rodolphe Topffer in the 19th century is credited with being an early pioneer of the comics format. In the 20th century, comics boomed in popularity through newspapers strips and comic books, especially with the rise of the American superhero genre following Superman in 1938. Contemporary comics continue to be a widespread creative medium worldwide.
The document traces the origins of comics from early cave paintings and medieval church art that combined images and words, to the political cartoons of William Hogarth in the 18th century. It discusses how Rodolphe Topffer is widely considered the first to combine sequential images and words to tell narrative stories. In the 19th century, improvements in printing and literacy helped newspapers and magazines expand, including the emergence of penny dreadfuls and humor magazines containing early comic strips. By the early 20th century, comics were being published regularly in newspapers and magazines for both children and adults.
This document provides information about comics, graphic novels, and their history. It discusses the origins and evolution of comic strips from newspapers in the late 1800s to contemporary graphic novels. Key points include:
- Comic strips were originally published in newspapers in 1895 to increase sales and readership. Popular early comic strips included The Yellow Kid and Katzenjammer Kids.
- Comic books became popular in the 1930s-50s with the rise of superhero characters like Superman. However, they faced criticism in the 1950s for supposed negative influences on children.
- The term "graphic novel" was coined in the 1970s and gained prominence with works like Maus, which won a Pulitzer Prize in 1992.
This poster analysis discusses the poster for the film Schindler's List. It summarizes that the poster uses fonts, colors, lighting and photography to convey the historical context and genre of the film without explicitly stating the plot. The serif font reflects the 1940s Polish setting. The red list and sleeves stand out and connote danger and blood. The hands in soft light suggest goodness and want sympathy. Dark backgrounds emphasize the list and hands while reflecting the "evil elements" of the film. Overall, the poster captures attention through emotional and conflictive visual elements, intriguing audiences about the significant aspects of the film without revealing too much through words.
The document provides an overview of American art and visual culture from the 1970s. It discusses prominent artists of the period like Robert Rauschenberg, Jasper Johns, Claes Oldenberg, and Roy Lichtenstein. It also covers various art movements that emerged, such as Pop Art, Conceptualism, Performance Art, Minimalism, Land Art, and Process Art. Additionally, the document presents examples of popular culture and slang from the 1970s decade in America.
This document compares horror movie posters from the 1960s-1970s, 1980s, and 2000s. Early posters from the 1960s-1970s used illustrations instead of photos and lacked billing information. Posters in the 1980s began using techniques like red titles and badges that are still used today. Modern posters from the 2000s typically feature a dark background, one main picture, a billing box, taglines but no actor names.
SHGC The Womens Art Movement (Realism) Part 3rachaelwhare
油
The document discusses the artwork "Untitled (Your Body is a Battleground)" by artist Barbara Kruger. It summarizes that the work critiques modern standards of beauty through a divided photographic image of a model's face with the text "Your body is a battleground." The work was originally intended as a poster for a pro-choice march. It also discusses Kruger's style of incorporating found images with provocative text.
The document provides background information on Giorgio de Chirico, a pioneer of metaphysical painting who was highly influential on the Surrealist movement. It discusses de Chirico's early works from the 1910s that depicted strange, dreamlike cityscapes with sharp contrasts and exaggerated perspectives. These works evoked an ominous, dream-like quality and disoriented the viewer. The document also briefly summarizes some of de Chirico's most famous paintings from this period that illustrated his philosophy of approximating a dream-like state of mind through illogical elements, unexpected perspectives, and strange relationships between objects.
This document outlines Jasper Cheyney's science poster assignment which requires designing a recruitment poster in a retro art style like steampunk or pop art. The objective is to encourage more students, especially females, to choose science for their A-levels. Jasper considers different art styles and decides on a combination of pop art and steampunk for its bright colors and ability to appeal to younger audiences. Brainstorming ideas and examples are provided for each style. The proposal is to create a poster with a pop art color scheme and typography but incorporating steampunk elements to catch students' attention and promote science.
This document outlines Jasper Cheyney's science poster assignment which requires designing a recruitment poster in a retro art style like steampunk or pop art. The objective is to encourage more students, especially females, to choose science for their A-levels. Jasper considers different art styles and decides on a combination of pop art and steampunk for its bright colors and ability to appeal to younger audiences. Brainstorming ideas, Jasper sketches potential designs before proposing a final poster concept using a pop art color palette with darker steampunk-inspired tones, bold sans-serif typography, and catchy slogans to promote science.
This document provides information and inspiration for an art exam on the theme of transformation. It includes examples of artists who have explored transformation in their work related to people, the natural world, and man-made objects. Students are instructed to begin working on the exam immediately and provided with suggestions for initial research over half term, including creating mood boards and researching relevant artists. The exam will take place over four days in May and students must demonstrate their understanding of transformation and the four assessment objectives in their final piece.
This document provides guidance and inspiration for an art exam focusing on the theme of "Beginning and/or End." It lists multiple starting points such as people, places, the natural world, objects, and activities. For each starting point, it profiles several artists and gives brief descriptions of their relevant works. The document emphasizes thinking broadly about possible ideas, looking at other artists for inspiration, and experimenting with media. It advises starting the exam paper straight away and provides exam dates in May.
The document discusses Walter Benjamin's essay "The Work of Art in the Age of Mechanical Reproduction". It summarizes some of Benjamin's key points, including that mechanical reproduction removes the original work of art from its unique time and space. Benjamin argues that this results in the "aura" of the original work being lost. The document also discusses how Benjamin viewed movies as commodities rather than art forms, and how the camera can influence unconscious optics similar to psychoanalysis influencing unconscious impulses.
This document provides an overview of postmodernism across various artistic disciplines from the 1960s onward. It summarizes some of the key characteristics and qualities of postmodernist works, including extreme self-reflexivity, the breakdown of boundaries between high and low cultural forms, a questioning of grand narratives, and a focus on visuality, simulacra, and temporal experimentation. Various postmodern artists and artworks are referenced as examples that demonstrate these postmodern concepts and traits.
This presentation looks at the maybe over used essay by Walter Benjamin, "The Work of Art in The Age of Mechanical Reproduction" and looks at its relevance to digital arts practice.
This document discusses environmental influences on creative work. It references several artists who respond to and are influenced by their environments, including Iosif Kiraly who photographs locations over time, and Sean Hillen who combines images from different places to explore ideas. Students are given tasks to create artworks that incorporate environmental influences, such as making collages set in imaginary locations inspired by Henri Rousseau, or using collage to explore ideas about truth in situations like Sean Hillen.
Israeli illustrator Noma Bar uses negative space in his clever illustrations to convey thought-provoking ideas. His simple yet clever artwork leaves viewers impressed by how he relies on surrounding space, not lines, to provide shape and meaning. Bar has illustrated over 60 magazine covers and published two books exploring negative space and its ability to reference uncomfortable topics.
Modernism was a loose collection of artistic movements and styles in the early 20th century that rejected historical styles and applied ornament. It embraced abstraction and believed that design and technology could transform society. Some key aspects of Modernism included Suprematism's use of basic geometric shapes, Constructivism's view of art as an instrument for social purposes, and the Bauhaus school's goal of combining all the arts in an ideal unity.
The document provides information about cartoons and comics. It discusses different types of cartoons such as fine art cartoons, journalism/print media cartoons, political cartoons, and animated cartoons. It also profiles cartoonist Charles Schulz and his iconic comic strip Peanuts, focusing on key characters like Charlie Brown and Snoopy. The document then examines the production process for comics and influences on Schulz's work.
Gutenberg's invention of movable type in the 15th century allowed for mass book production for the first time. Before, books were hand-copied and not widely accessible. Gutenberg's method used metal moulds and oil-based inks to print books more cheaply and make them available to a wider audience. This helped spread ideas and knowledge to more people.
1) The document includes projects from a photography, marketing, and graphics course.
2) For a photography project, the student created a photo shoot inspired by a sculpture of dragons fighting over a crystal ball, depicting a mysterious woman living alone in the woods.
3) For a marketing project, the student and their team created a marketing campaign to promote a new glitter lipstick product, including designing a logo, planning a pop-up shop installation, and creating invites.
3) For a graphics project, the student screen printed an image and created a fashion and architecture publication inspired by the Bauhaus art movement using three colors.
Postmodernism is difficult to define as it appears across many disciplines like art, music, literature, and more. Jean Baudrillard's concept of hyperreality suggests that in a postmodern world, the distinction between simulations and reality is blurred, as simulations become indistinguishable from what they are simulating. Key postmodern art movements from the 1960s onward include Pop Art, Minimalism, Conceptual Art, and later Neo-Conceptualism. Postmodern artists often play with styles, aesthetics, and pastiche from different eras while questioning notions of originality and reality in a digital age.
Norman Rockwell is beyond doubt the most popular painter of the United States of the 20C, not just in America but elsewhere as well. His popularity probably lies in his ability to tell a story, supported by a wealth of details for viewers to discover and his skill to capture moods and expressions. Often his painting is humorous too, the awkwardness of youth, the embarrassment of courting couples, pride in country, history and heritage, reverence, loyalty and compassion. He painted the American Dream. He also has the skills of accuracy and of observation, as the old masters did. Like the Durer, Titan and the Rubens, he is also very successful commercially. Like Michelangelo throughout all his professional career, awarded with many private and public commissions. Like the Van Dyck, Gainsborough, Holbien, he painted the rich and famous. Because of his longevity, he had painted the Boy Scout movement, the technological advances, social developments, the Civil Rights movement and wars of the 20C. Norman Rockwell was demonized by a generation of critics who not only saw him as an enemy of modern art, but of all art. He was an outside the art establishment. The most common criticism of his works is that he chose to depict only the good side of the American experience. This is not altogether true, his works on the Civil Movement, bear witness to that. At times he acted as a social campaigning artist. His used the ordinary American as his subject. He genuinely like people and painted them with benevolent affection. Today a mosaic of one of his painting (Golden Rule, 1961) is hung at the entrance to the Headquarter of the United Nations, in New York. A recognition of his dream of a peaceful world between all races. Using achievements and compare to those achievements made by the old masters, I come see why Norman Rockwell as the greatest American artist of the 20th Century. Centuries from today, his works will still be remembered while others have long been forgotten. This is part of a Powerpoint series on the American painters.
This document compares horror movie posters from the 1960s-1970s, 1980s, and 2000s. Early posters from the 1960s-1970s used illustrations instead of photos and lacked billing information. Posters in the 1980s began using techniques like red titles and badges that are still used today. Modern posters from the 2000s typically feature a dark background, one main picture, a billing box, taglines but no actor names.
SHGC The Womens Art Movement (Realism) Part 3rachaelwhare
油
The document discusses the artwork "Untitled (Your Body is a Battleground)" by artist Barbara Kruger. It summarizes that the work critiques modern standards of beauty through a divided photographic image of a model's face with the text "Your body is a battleground." The work was originally intended as a poster for a pro-choice march. It also discusses Kruger's style of incorporating found images with provocative text.
The document provides background information on Giorgio de Chirico, a pioneer of metaphysical painting who was highly influential on the Surrealist movement. It discusses de Chirico's early works from the 1910s that depicted strange, dreamlike cityscapes with sharp contrasts and exaggerated perspectives. These works evoked an ominous, dream-like quality and disoriented the viewer. The document also briefly summarizes some of de Chirico's most famous paintings from this period that illustrated his philosophy of approximating a dream-like state of mind through illogical elements, unexpected perspectives, and strange relationships between objects.
This document outlines Jasper Cheyney's science poster assignment which requires designing a recruitment poster in a retro art style like steampunk or pop art. The objective is to encourage more students, especially females, to choose science for their A-levels. Jasper considers different art styles and decides on a combination of pop art and steampunk for its bright colors and ability to appeal to younger audiences. Brainstorming ideas and examples are provided for each style. The proposal is to create a poster with a pop art color scheme and typography but incorporating steampunk elements to catch students' attention and promote science.
This document outlines Jasper Cheyney's science poster assignment which requires designing a recruitment poster in a retro art style like steampunk or pop art. The objective is to encourage more students, especially females, to choose science for their A-levels. Jasper considers different art styles and decides on a combination of pop art and steampunk for its bright colors and ability to appeal to younger audiences. Brainstorming ideas, Jasper sketches potential designs before proposing a final poster concept using a pop art color palette with darker steampunk-inspired tones, bold sans-serif typography, and catchy slogans to promote science.
This document provides information and inspiration for an art exam on the theme of transformation. It includes examples of artists who have explored transformation in their work related to people, the natural world, and man-made objects. Students are instructed to begin working on the exam immediately and provided with suggestions for initial research over half term, including creating mood boards and researching relevant artists. The exam will take place over four days in May and students must demonstrate their understanding of transformation and the four assessment objectives in their final piece.
This document provides guidance and inspiration for an art exam focusing on the theme of "Beginning and/or End." It lists multiple starting points such as people, places, the natural world, objects, and activities. For each starting point, it profiles several artists and gives brief descriptions of their relevant works. The document emphasizes thinking broadly about possible ideas, looking at other artists for inspiration, and experimenting with media. It advises starting the exam paper straight away and provides exam dates in May.
The document discusses Walter Benjamin's essay "The Work of Art in the Age of Mechanical Reproduction". It summarizes some of Benjamin's key points, including that mechanical reproduction removes the original work of art from its unique time and space. Benjamin argues that this results in the "aura" of the original work being lost. The document also discusses how Benjamin viewed movies as commodities rather than art forms, and how the camera can influence unconscious optics similar to psychoanalysis influencing unconscious impulses.
This document provides an overview of postmodernism across various artistic disciplines from the 1960s onward. It summarizes some of the key characteristics and qualities of postmodernist works, including extreme self-reflexivity, the breakdown of boundaries between high and low cultural forms, a questioning of grand narratives, and a focus on visuality, simulacra, and temporal experimentation. Various postmodern artists and artworks are referenced as examples that demonstrate these postmodern concepts and traits.
This presentation looks at the maybe over used essay by Walter Benjamin, "The Work of Art in The Age of Mechanical Reproduction" and looks at its relevance to digital arts practice.
This document discusses environmental influences on creative work. It references several artists who respond to and are influenced by their environments, including Iosif Kiraly who photographs locations over time, and Sean Hillen who combines images from different places to explore ideas. Students are given tasks to create artworks that incorporate environmental influences, such as making collages set in imaginary locations inspired by Henri Rousseau, or using collage to explore ideas about truth in situations like Sean Hillen.
Israeli illustrator Noma Bar uses negative space in his clever illustrations to convey thought-provoking ideas. His simple yet clever artwork leaves viewers impressed by how he relies on surrounding space, not lines, to provide shape and meaning. Bar has illustrated over 60 magazine covers and published two books exploring negative space and its ability to reference uncomfortable topics.
Modernism was a loose collection of artistic movements and styles in the early 20th century that rejected historical styles and applied ornament. It embraced abstraction and believed that design and technology could transform society. Some key aspects of Modernism included Suprematism's use of basic geometric shapes, Constructivism's view of art as an instrument for social purposes, and the Bauhaus school's goal of combining all the arts in an ideal unity.
The document provides information about cartoons and comics. It discusses different types of cartoons such as fine art cartoons, journalism/print media cartoons, political cartoons, and animated cartoons. It also profiles cartoonist Charles Schulz and his iconic comic strip Peanuts, focusing on key characters like Charlie Brown and Snoopy. The document then examines the production process for comics and influences on Schulz's work.
Gutenberg's invention of movable type in the 15th century allowed for mass book production for the first time. Before, books were hand-copied and not widely accessible. Gutenberg's method used metal moulds and oil-based inks to print books more cheaply and make them available to a wider audience. This helped spread ideas and knowledge to more people.
1) The document includes projects from a photography, marketing, and graphics course.
2) For a photography project, the student created a photo shoot inspired by a sculpture of dragons fighting over a crystal ball, depicting a mysterious woman living alone in the woods.
3) For a marketing project, the student and their team created a marketing campaign to promote a new glitter lipstick product, including designing a logo, planning a pop-up shop installation, and creating invites.
3) For a graphics project, the student screen printed an image and created a fashion and architecture publication inspired by the Bauhaus art movement using three colors.
Postmodernism is difficult to define as it appears across many disciplines like art, music, literature, and more. Jean Baudrillard's concept of hyperreality suggests that in a postmodern world, the distinction between simulations and reality is blurred, as simulations become indistinguishable from what they are simulating. Key postmodern art movements from the 1960s onward include Pop Art, Minimalism, Conceptual Art, and later Neo-Conceptualism. Postmodern artists often play with styles, aesthetics, and pastiche from different eras while questioning notions of originality and reality in a digital age.
Norman Rockwell is beyond doubt the most popular painter of the United States of the 20C, not just in America but elsewhere as well. His popularity probably lies in his ability to tell a story, supported by a wealth of details for viewers to discover and his skill to capture moods and expressions. Often his painting is humorous too, the awkwardness of youth, the embarrassment of courting couples, pride in country, history and heritage, reverence, loyalty and compassion. He painted the American Dream. He also has the skills of accuracy and of observation, as the old masters did. Like the Durer, Titan and the Rubens, he is also very successful commercially. Like Michelangelo throughout all his professional career, awarded with many private and public commissions. Like the Van Dyck, Gainsborough, Holbien, he painted the rich and famous. Because of his longevity, he had painted the Boy Scout movement, the technological advances, social developments, the Civil Rights movement and wars of the 20C. Norman Rockwell was demonized by a generation of critics who not only saw him as an enemy of modern art, but of all art. He was an outside the art establishment. The most common criticism of his works is that he chose to depict only the good side of the American experience. This is not altogether true, his works on the Civil Movement, bear witness to that. At times he acted as a social campaigning artist. His used the ordinary American as his subject. He genuinely like people and painted them with benevolent affection. Today a mosaic of one of his painting (Golden Rule, 1961) is hung at the entrance to the Headquarter of the United Nations, in New York. A recognition of his dream of a peaceful world between all races. Using achievements and compare to those achievements made by the old masters, I come see why Norman Rockwell as the greatest American artist of the 20th Century. Centuries from today, his works will still be remembered while others have long been forgotten. This is part of a Powerpoint series on the American painters.
Norman Rockwell - The 20C Great American PainterJerry Daperro
油
Norman Rockwell was one of the most popular American painters of the 20th century. He is best known for his covers for The Saturday Evening Post magazine, which depicted aspects of American culture from 1916 to 1963. Rockwell painted over 300 covers for the magazine, reflecting the changes in American society during his lifetime. He was a skilled observer of human behavior and excelled at characterizing his subjects in a way that conveyed stories.
This document provides a brief history of the relationship between words and images. It discusses how early written languages evolved from pictographs and ideograms. It then explains how during the Renaissance, words and art diverged as art focused on realistic depictions and literature used more abstract language. However, in the late 19th century, artistic movements like Impressionism, Expressionism, Dadaism and Cubism started incorporating ideas and concepts, bringing images and words back together. Modern art forms like comics, collages, and typographical art fully integrate words and images. The document concludes by having students create an image out of words by selecting inspirational figures and using related text to fill in a posterized photo template.
This document provides background information on graphic designer Milton Glaser, including key facts about his education, career, and notable works. It discusses that Glaser was born in 1929 in New York City and studied at Cooper Union, then later in Italy on a Fulbright scholarship. In 1954, Glaser co-founded the Pushpin Studio and later established Milton Glaser Inc. He has designed many iconic posters and publications throughout his career. The document also notes some of the major awards and recognition Glaser has received for his significant contributions to the field of graphic design.
Munchs The Scream Iconic Masterpiece of Expressionism in Popular Culture...Yaryalitsa
油
Looks at Edvard Munch's THE SCREAM and the impact this piece of art has had and is having on society in all areas as an influence and in terms of POP CULTURE.
Downloading the PowerPoint will show full animation and transition of slides.
O surgimento das hist達続rias em quadrinhos v (1)agaoque
油
The document provides an overview of the emergence and development of comics. It discusses the early creators like Richard Felton Outcault who created Yellow Kid, considered the first comic book character. It also mentions Maxwell Charles Gaines who devised the first four-color comic book format. The document then discusses different terms used for comics in various countries and languages. It examines the genres within comics like cartoons, charges, graphic novels. Finally, it outlines some of the major eras and developments in the comics industry over time.
Pop art emerged in the 1950s-1960s in America and Britain, taking inspiration from popular culture like movies and music. It uses colorful, comic-like fonts and titles that are often rounded in shape. Cartoons are typically humorous drawings seen in newspapers or magazines that symbolize or caricature people or events. They are very colorful graphics aimed at children and seen in TV shows, books, comics, and more. Cartoons introduced the author to colorful, fascinating graphics at a young age.
Norman Rockwell was an American painter and illustrator born in 1894 who is famous for capturing iconic scenes of 20th century American life. He dropped out of high school and studied art, becoming the art director of Boy's Life magazine in 1913 and a major illustrator for The Saturday Evening Post in 1916. Some of his most famous works include the Four Freedoms series during WWII, Rosie the Riveter, and Breaking Home Ties. Rockwell's paintings depicted everyday American scenes in a realistic yet idealized manner, bringing images of family, work, and patriotism into homes across the country.
German Expressionism was an influential but overlooked art movement in early 20th century Germany that explored emotional and psychological themes through distorted and exaggerated settings and characters. It influenced many films, plays, paintings and other artistic mediums. Expressionism grew popular in the 1920s but declined under Nazi rule, as Hitler favored classical styles and Expressionism was deemed anti-German. Many German Expressionist artists fled to America and continued developing the style, which went on to influence later films noir and Hollywood works through immigrant artists and techniques. Key Expressionist films like The Cabinet of Dr. Caligari and Nosferatu helped establish the horror and science fiction genres.
The document discusses Expressionism in Germany in the early 20th century. It began with the artist group Die Br端cke, who were inspired by primitive art and sought an emotional expression of the artist's inner feelings. Key Expressionist artists mentioned include Emil Nolde, Paula Modersohn-Becker, and members of Die Br端cke such as Ernst Kirchner. Expressionism spread to other media like prints and other countries in Europe, including the Der Blaue Reiter group in Germany and Egon Schiele and Oskar Kokoschka in Austria.
Text can be used in images to anchor or direct meaning. Artists embed text to challenge viewers or add deeper meaning. Photographers find text in environments to create tension, humor, or emotional responses in images. Text can also literally form the image.
The document discusses the concept of appropriation art, which involves borrowing or copying elements from other works. Some key aspects covered include:
- Appropriation emerged in the 1960s and involves deliberately reproducing or copying parts of other works for new artistic expression.
- Notable artists who pioneered appropriation include Picasso, Duchamp, Warhol, Sherrie Levine, and Richard Prince.
- Postmodern appropriation questions ideas of originality and authorship in art, arguing that nothing is truly original given our lifetime of experiences with representations.
This document provides a brief history of graphic design from 15,000 BC to present day, highlighting some key developments, movements, and influential designers. It notes early visual symbols in cave paintings from 15,000 BC, the earliest known combination of words and images in 3600 BC, the invention of paper in 105 AD, advances in printing technology like movable type in the 1450s and early book illustrations in the 1460s, and the creation of one of the first sans serif typefaces in the late 18th century. It then discusses influential art movements in the early 20th century like Dada, De Stijl, Constructivism, Bauhaus, and Pop Art. Later developments included important typefaces like Times
Jerry Uelsmann pioneered the art of photomontage in the 20th century in America. He is known for his black and white images that combine multiple prints to create surreal scenes. One iconic work shows hands emerging from a pavement holding a bird's nest, combining natural elements in an impossible way through traditional darkroom techniques. Uelsmann was influenced by photographers like Harry Callahan and explored surrealism through meticulously layered prints before the era of digital editing.
The POPaganda of Ron English - The Godfather of Street Art (PowerPoint)Yaryalitsa
油
Focus on Ron English - an contemporary artist with a twist. Displays some of his work in the area of POP CULTURE and his POPaganda technique of taking 'popular' images and relaying his message.
Downloading the PowerPoint will show full animation and transition of slides.
The document discusses the concept of 'Detournement' and how it relates to postmodernism. The author aims to study Detournement by investigating the work of artists from different periods, including Marcel Duchamp and Hirohiko Araki, and how they took existing ideas and warped them into original or bizarre depictions. The author hopes this study will help them better understand postmodernism and how to successfully create Detournement in their own art.
There are many starting points for exploring order and disorder in art, including people, places, the natural world, objects, activities, and imagination. The document provides examples of artists who have worked with these themes, such as Picasso's Guernica which shows the tragedies of war, Andy Goldsworthy who incorporates natural materials, and M.C. Escher who created impossible structures. The goal is to think broadly about possible ideas and be open-minded when considering how different artists have interpreted order and disorder through their work.
Art and Psychological Well-Being: Linking the Brain to the Aesthetic Emotion. Empirical studies suggest that art improves health and well-being among individuals. However, how aesthetic appreciation affects our cognitive and emotional states to promote physical and psychological well-being is still unclear.
1. Artistic Identity
The relationship between
Illustration and Narrative.
2. A Definition.
Illustration- to illustrate- verb [with object] provide (a book, newspaper etc.) with
pictures.
The origin of the word Illustration is derived from the late Middle English word
Illumination which refers to a spiritual or intellectual enlightenment.
Gustave Dore
3. Book Illustration
Book Illustration originated in 15th century block books, in which the
text and the illustrations were cut from the same block.
In the late 16th century, Lithography, the art of printing using
smooth surfaces like stone or a metal plate, greatly influenced the
production of illustrated books, which was exploited by early
Illustrators such as Gustave Dore, Honore Daumier and Paul
Gavarni.
Since this change in the development processes of book production, in
order to supply much more product for a larger audience,
Illustration has always closely followed the development of printing
processes, including copperplate engraving and etching which
eventually replaced woodcutting techniques.
4. Gustave Dore
Illumination which refers to a
spiritual or intellectual
enlightenment.
During the 15th-19th Century, Artists
such as Gustave Dore were living
in a time period, and culture of
religious authority. Therefore, with
the help of new printing
processes, there was a demand
amongst the new editions of the
Bible, for illustrations within these
new versions of scripture, which
would enlighten the audience
spiritually and intellectually, in a
visual manner.
5. Dore is one of the grand
masters of illustration, but
due to the fact that the
popular narratives in his
culture were biblical stories
and historical fables, his
portfolio of work consisted
of deep, dark subject
matter with morbid
undertones.
Dores most famous works
involve the illustrated
editions of Dantes Divine
Comedy which frequently
depicted his drawing
subjects under profound
suffering.
6. The Golden Age of Illustration.
In the late 19th Century, the art of lithography was eventually replaced by
photomechanical processes which allowed a wide variety of painting and
drawing techniques for artists such as William Morris and Norman
Rockwell, who exploited this new printing process to great effect and
reproduced many of their artworks.
Thus began The Golden Age of Illustration in America which lasted from
the late 19th century to the end of WW1, but led to some of the most
iconic illustrations in recent history. Books, magazines and newspapers
were then the primary media source for public consumption, which
required Illustrations to coincide with narratives they contained. This
increasing demand for more illustration within American culture led to the
emergence of another grand master of illustration, Norman Rockwell.
7. Norman Rockwell
One of the most profound
illustrators and familiar to
millions through his work for
The Saturday Evening Post,
Rockwell perfected the use of oil
techniques for reproduction. By
working on relatively large
surfaces, the almost
photographic clarity of his work
could be retained in
reproduction when it was
considerably reduced in size, but
still manages to reflect
American Culture during that
time period.
9. Contemporary Illustration
British Illustrator Liz Hankins explains that The market is changing.
Illustration has been out of fashion for years, taking second place to
photography, but at last illustration is coming back. There is now a serious
market for purchase and original illustrations as exhibitions, which were
denigrated as not real art.
Illustration is now involved in various elements of popular culture, not
only in books, magazine and newspaper, but it has become increasingly
popular in the film industry. This billion dollar industry has led to the
emergence of companies such as Mondo, which highlight the work of a
diverse range of illustrators who now visually interpret the narratives
being used, in innovative and interesting ways due to the development of
computer technologies.
11. A contemporary Saul Bass, Olly
Moss is an Illustrator who
specializes in both modern and
traditional movie posters. His
minimalist style is refreshing,
and it executes his innovative
concepts efficiently, as the artist
experiments with transforming
negative space into images of
their own. His work with
narrative is unparalleled, as he
enlightens the reader with
references which offer a brief
insight into the elements that
drive the story within the film.
13. Ralph Steadman is a British Illustrator best
known for his work with Gonzo Journalist
Hunter S. Thompson. He produced a front
cover and produced several illustrations
for his book Fear and Loathing in Las
Vegas. The book features heavy drug use
and warped hallucinations that allowed
Steadman to experiment with his
illustrations, and offer a visually exciting
interpretation of the contents of the
narrative. In contrast to Norman Rockwell,
who primarily used rosy, cheerful imagery
when referencing American culture,
Rockwell was able to connect with Hunter
S. Thompson more personal experience
into journalism subjects, which allowed
Steadman to illustrate more honest
subjects.
14. Pre-Production Film Illustration
Concept art is an important process within the film industry, and it has been
dominated by the medium of digital, tablet art. Concept art allows directors,
animators and 3D graphic designers to begin to visually map the narrative, and
base the whole aesthetic upon these initial designs.
Dylan Cole
15. In-Film Illustration
A popular aspect of post-modern film making is eclecticism. The variation of
materials and methods is essential for directors such as Quentin Tarentino.
The image below is a screenshot of a scene from Kill Bill vol. 1, which uses a
popular eastern category of illustration called Manga. The type of illustration
was wisely chosen to tell the story of a Japanese character within the story.
16. Book Covers
Right: David Pelhams iconic book
cover for Anthony Burgess A
Clockwork Orange
Left: Sheppard Faireys digital
illustration. A simple yet effective
design which highlights the theme
of the book
17. Graphic Illustrator Jock, experiments with a variety of materials and
techniques including screen-printing. The demand for illustration for
post-production and advertising elements in the film industry portray
the strong connection between narrative and illustration.
18. Ken Taylor
Ken Taylor is an illustrator based in
Melbourne, and is primarily
known for his work with music.
However, Taylor also works
within the film industry, and
produces a wide range of work
based on popular television
shows and blockbuster films.
Many of his work is used for
the promotion of the films/ TV
shows so he uses his skills as
an illustrator to make the
narrative more visually
appealing.
19. Some of my own Illustration
work. A prototype film cover
for Zack Snyders Watchmen,
orginally a comic book by Alan
Moore.
A digital illustration,
referencing a key event in the
film, whilst depicting the most
visually memorable character,
the anti-hero Rorschach.