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Artistic Identity

          The relationship between
          Illustration and Narrative.
A Definition.
Illustration- to illustrate- verb [with object] provide (a book, newspaper etc.) with
     pictures.
     The origin of the word Illustration is derived from the late Middle English word
     Illumination which refers to a spiritual or intellectual enlightenment.




Gustave Dore
Book Illustration
Book Illustration originated in 15th century block books, in which the
   text and the illustrations were cut from the same block.
   In the late 16th century, Lithography, the art of printing using
   smooth surfaces like stone or a metal plate, greatly influenced the
   production of illustrated books, which was exploited by early
   Illustrators such as Gustave Dore, Honore Daumier and Paul
   Gavarni.
Since this change in the development processes of book production, in
   order to supply much more product for a larger audience,
   Illustration has always closely followed the development of printing
   processes, including copperplate engraving and etching which
   eventually replaced woodcutting techniques.
Gustave Dore
Illumination which refers to a
     spiritual or intellectual
     enlightenment.
During the 15th-19th Century, Artists
     such as Gustave Dore were living
     in a time period, and culture of
     religious authority. Therefore, with
     the help of new printing
     processes, there was a demand
     amongst the new editions of the
     Bible, for illustrations within these
     new versions of scripture, which
     would enlighten the audience
     spiritually and intellectually, in a
     visual manner.
Dore is one of the grand
   masters of illustration, but
   due to the fact that the
   popular narratives in his
   culture were biblical stories
   and historical fables, his
   portfolio of work consisted
   of deep, dark subject
   matter with morbid
   undertones.
   Dores most famous works
   involve the illustrated
   editions of Dantes Divine
   Comedy which frequently
   depicted his drawing
   subjects under profound
   suffering.
The Golden Age of Illustration.
In the late 19th Century, the art of lithography was eventually replaced by
    photomechanical processes which allowed a wide variety of painting and
    drawing techniques for artists such as William Morris and Norman
    Rockwell, who exploited this new printing process to great effect and
    reproduced many of their artworks.

   Thus began The Golden Age of Illustration in America which lasted from
   the late 19th century to the end of WW1, but led to some of the most
   iconic illustrations in recent history. Books, magazines and newspapers
   were then the primary media source for public consumption, which
   required Illustrations to coincide with narratives they contained. This
   increasing demand for more illustration within American culture led to the
   emergence of another grand master of illustration, Norman Rockwell.
Norman Rockwell
One of the most profound
  illustrators and familiar to
  millions through his work for
  The Saturday Evening Post,
  Rockwell perfected the use of oil
  techniques for reproduction. By
  working on relatively large
  surfaces, the almost
  photographic clarity of his work
  could be retained in
  reproduction when it was
  considerably reduced in size, but
  still manages to reflect
  American Culture during that
  time period.
Artistic identity
Contemporary Illustration
British Illustrator Liz Hankins explains that The market is changing.
    Illustration has been out of fashion for years, taking second place to
    photography, but at last illustration is coming back. There is now a serious
    market for purchase and original illustrations as exhibitions, which were
    denigrated as not real art.

   Illustration is now involved in various elements of popular culture, not
   only in books, magazine and newspaper, but it has become increasingly
   popular in the film industry. This billion dollar industry has led to the
   emergence of companies such as Mondo, which highlight the work of a
   diverse range of illustrators who now visually interpret the narratives
   being used, in innovative and interesting ways due to the development of
   computer technologies.
Olly Moss
A contemporary Saul Bass, Olly
   Moss is an Illustrator who
   specializes in both modern and
   traditional movie posters. His
   minimalist style is refreshing,
   and it executes his innovative
   concepts efficiently, as the artist
   experiments with transforming
   negative space into images of
   their own. His work with
   narrative is unparalleled, as he
   enlightens the reader with
   references which offer a brief
   insight into the elements that
   drive the story within the film.
and
Ralph Steadman
Ralph Steadman is a British Illustrator best
   known for his work with Gonzo Journalist
   Hunter S. Thompson. He produced a front
   cover and produced several illustrations
   for his book Fear and Loathing in Las
   Vegas. The book features heavy drug use
   and warped hallucinations that allowed
   Steadman to experiment with his
   illustrations, and offer a visually exciting
   interpretation of the contents of the
   narrative. In contrast to Norman Rockwell,
   who primarily used rosy, cheerful imagery
   when referencing American culture,
   Rockwell was able to connect with Hunter
   S. Thompson more personal experience
   into journalism subjects, which allowed
   Steadman to illustrate more honest
   subjects.
Pre-Production Film Illustration
Concept art is an important process within the film industry, and it has been
   dominated by the medium of digital, tablet art. Concept art allows directors,
   animators and 3D graphic designers to begin to visually map the narrative, and
   base the whole aesthetic upon these initial designs.




        Dylan Cole
In-Film Illustration
A popular aspect of post-modern film making is eclecticism. The variation of
   materials and methods is essential for directors such as Quentin Tarentino.
   The image below is a screenshot of a scene from Kill Bill vol. 1, which uses a
   popular eastern category of illustration called Manga. The type of illustration
   was wisely chosen to tell the story of a Japanese character within the story.
Book Covers
 Right: David Pelhams iconic book
 cover for Anthony Burgess A
 Clockwork Orange

 Left: Sheppard Faireys digital
 illustration. A simple yet effective
 design which highlights the theme
 of the book
Graphic Illustrator Jock, experiments with a variety of materials and
techniques including screen-printing. The demand for illustration for
post-production and advertising elements in the film industry portray
the strong connection between narrative and illustration.
Ken Taylor
Ken Taylor is an illustrator based in
   Melbourne, and is primarily
   known for his work with music.
   However, Taylor also works
   within the film industry, and
   produces a wide range of work
   based on popular television
   shows and blockbuster films.
   Many of his work is used for
   the promotion of the films/ TV
   shows so he uses his skills as
   an illustrator to make the
   narrative more visually
   appealing.
Some of my own Illustration
  work. A prototype film cover
  for Zack Snyders Watchmen,
  orginally a comic book by Alan
  Moore.
  A digital illustration,
  referencing a key event in the
  film, whilst depicting the most
  visually memorable character,
  the anti-hero Rorschach.
Artistic identity
Thank you

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Artistic identity

  • 1. Artistic Identity The relationship between Illustration and Narrative.
  • 2. A Definition. Illustration- to illustrate- verb [with object] provide (a book, newspaper etc.) with pictures. The origin of the word Illustration is derived from the late Middle English word Illumination which refers to a spiritual or intellectual enlightenment. Gustave Dore
  • 3. Book Illustration Book Illustration originated in 15th century block books, in which the text and the illustrations were cut from the same block. In the late 16th century, Lithography, the art of printing using smooth surfaces like stone or a metal plate, greatly influenced the production of illustrated books, which was exploited by early Illustrators such as Gustave Dore, Honore Daumier and Paul Gavarni. Since this change in the development processes of book production, in order to supply much more product for a larger audience, Illustration has always closely followed the development of printing processes, including copperplate engraving and etching which eventually replaced woodcutting techniques.
  • 4. Gustave Dore Illumination which refers to a spiritual or intellectual enlightenment. During the 15th-19th Century, Artists such as Gustave Dore were living in a time period, and culture of religious authority. Therefore, with the help of new printing processes, there was a demand amongst the new editions of the Bible, for illustrations within these new versions of scripture, which would enlighten the audience spiritually and intellectually, in a visual manner.
  • 5. Dore is one of the grand masters of illustration, but due to the fact that the popular narratives in his culture were biblical stories and historical fables, his portfolio of work consisted of deep, dark subject matter with morbid undertones. Dores most famous works involve the illustrated editions of Dantes Divine Comedy which frequently depicted his drawing subjects under profound suffering.
  • 6. The Golden Age of Illustration. In the late 19th Century, the art of lithography was eventually replaced by photomechanical processes which allowed a wide variety of painting and drawing techniques for artists such as William Morris and Norman Rockwell, who exploited this new printing process to great effect and reproduced many of their artworks. Thus began The Golden Age of Illustration in America which lasted from the late 19th century to the end of WW1, but led to some of the most iconic illustrations in recent history. Books, magazines and newspapers were then the primary media source for public consumption, which required Illustrations to coincide with narratives they contained. This increasing demand for more illustration within American culture led to the emergence of another grand master of illustration, Norman Rockwell.
  • 7. Norman Rockwell One of the most profound illustrators and familiar to millions through his work for The Saturday Evening Post, Rockwell perfected the use of oil techniques for reproduction. By working on relatively large surfaces, the almost photographic clarity of his work could be retained in reproduction when it was considerably reduced in size, but still manages to reflect American Culture during that time period.
  • 9. Contemporary Illustration British Illustrator Liz Hankins explains that The market is changing. Illustration has been out of fashion for years, taking second place to photography, but at last illustration is coming back. There is now a serious market for purchase and original illustrations as exhibitions, which were denigrated as not real art. Illustration is now involved in various elements of popular culture, not only in books, magazine and newspaper, but it has become increasingly popular in the film industry. This billion dollar industry has led to the emergence of companies such as Mondo, which highlight the work of a diverse range of illustrators who now visually interpret the narratives being used, in innovative and interesting ways due to the development of computer technologies.
  • 11. A contemporary Saul Bass, Olly Moss is an Illustrator who specializes in both modern and traditional movie posters. His minimalist style is refreshing, and it executes his innovative concepts efficiently, as the artist experiments with transforming negative space into images of their own. His work with narrative is unparalleled, as he enlightens the reader with references which offer a brief insight into the elements that drive the story within the film.
  • 13. Ralph Steadman is a British Illustrator best known for his work with Gonzo Journalist Hunter S. Thompson. He produced a front cover and produced several illustrations for his book Fear and Loathing in Las Vegas. The book features heavy drug use and warped hallucinations that allowed Steadman to experiment with his illustrations, and offer a visually exciting interpretation of the contents of the narrative. In contrast to Norman Rockwell, who primarily used rosy, cheerful imagery when referencing American culture, Rockwell was able to connect with Hunter S. Thompson more personal experience into journalism subjects, which allowed Steadman to illustrate more honest subjects.
  • 14. Pre-Production Film Illustration Concept art is an important process within the film industry, and it has been dominated by the medium of digital, tablet art. Concept art allows directors, animators and 3D graphic designers to begin to visually map the narrative, and base the whole aesthetic upon these initial designs. Dylan Cole
  • 15. In-Film Illustration A popular aspect of post-modern film making is eclecticism. The variation of materials and methods is essential for directors such as Quentin Tarentino. The image below is a screenshot of a scene from Kill Bill vol. 1, which uses a popular eastern category of illustration called Manga. The type of illustration was wisely chosen to tell the story of a Japanese character within the story.
  • 16. Book Covers Right: David Pelhams iconic book cover for Anthony Burgess A Clockwork Orange Left: Sheppard Faireys digital illustration. A simple yet effective design which highlights the theme of the book
  • 17. Graphic Illustrator Jock, experiments with a variety of materials and techniques including screen-printing. The demand for illustration for post-production and advertising elements in the film industry portray the strong connection between narrative and illustration.
  • 18. Ken Taylor Ken Taylor is an illustrator based in Melbourne, and is primarily known for his work with music. However, Taylor also works within the film industry, and produces a wide range of work based on popular television shows and blockbuster films. Many of his work is used for the promotion of the films/ TV shows so he uses his skills as an illustrator to make the narrative more visually appealing.
  • 19. Some of my own Illustration work. A prototype film cover for Zack Snyders Watchmen, orginally a comic book by Alan Moore. A digital illustration, referencing a key event in the film, whilst depicting the most visually memorable character, the anti-hero Rorschach.