Case study analysing the audience for my music video to promote jonny Dylan Hughes' 'Bravery', with comparisons to Alanis Morisette's 'Everything' (2004).
The document outlines marketing and PR objectives for relaunching the band Crumple Zone through a "Greatest Hit" tour spanning New Zealand to California over the Christmas holidays. It profiles the band members, now aged 60, and analyzes their core audience of women in their 50s who were fans in the band's heyday in the 1970s. It discusses targeting this audience through TV, radio, magazines, and social media to promote their new album and tour, with the goals of selling 2 million albums and raising awareness. Internal and media motivations for the project focus on reconnecting with loyal fans and generating interest in the band's comeback.
The marketing objectives are to promote Crumple Zone's comeback tour titled "Summon Impossible Dreams: Greatest Hit Tour" through Christmas holidays in locations from New Zealand to California. The tour will feature their previous hit songs and new album to attract both long-time fans and promote their new music. The target audience is women in their 50s who were fans in their youth as they are still interested in the band's music and personalities. The marketing plan involves radio airplay, talk show appearances, and magazine interviews to promote their new album and sell an estimated 2 million copies to gain publicity.
Pop music targets mainly young adults and teenagers aged 16-21. It is the dominant mainstream genre worldwide, with popular artists including Justin Bieber, Katy Perry, and Ed Sheeran. While pop can include many smaller genres, its conventions generally involve upbeat songs with romantic lyrics, hooks that repeat to make songs catchy, and music videos featuring sexual imagery to attract audiences.
Pop rock is a music genre that mixes catchy pop melodies and lyrics with guitar-based rock songs. It has varying definitions but generally refers to a mellower form of rock or a pop subgenre. Pop rock features subgenres like bubblegum pop, glam rock, indie pop, and pop punk. Common instruments are electric guitar, bass, drums, vocals, and keyboards. Pop rock originated in the 1960s UK and US as a softer alternative to rock and roll aimed at youth, characterized by catchy songs and commercial appeal rather than artistic authenticity.
Pop rock mixes catchy pop melodies with guitar-based rock songs, though it is often seen as more commercial than authentic rock. Three Tens was a prominent pop rock band in the 1960s-1970s that sold over 40 million albums, including three US number-one singles. Pop rock appeals to a wide age range and can be seen as either mainstream or niche depending on the artist. Michael Jackson was a mainstream pop rock artist during the 1980s that appealed to people of all ages. The genre continues to develop both commercially and musically through modern artists.
Mumford and Sons are an English folk rock band formed in 2007 that targets audiences aged 16-26. Their 2010 single "The Cave" sold over 1.6 million copies and peaked at #2 on the charts. It was featured in television programs and advertisements targeting this young demographic. Research found the band's audience is 69% male and 31% female, though the videos aim to appeal to both genders. Their social media presence and inclusion in media helps expand their audience reach within this age group.
MOJO is Britain's biggest selling music magazine with over 220,000 readers. It prides itself on delivering insightful journalism and reviews on both iconic and emerging artists across various music genres. The magazine is respected among musicians and readers for its engaging writing on music. In addition to the print magazine, MOJO also has a strong online and events presence to further immerse readers in music.
Plastic Pop refers to a genre of pop music that is stereotypically associated with bubblegum pop and teen pop. It typically features simple love songs and appeals to a young teenage audience through bright colors and themes representing youth. Major television shows like the X Factor and Britain's Got Talent help discover and market new plastic pop artists. Influential figures like Simon Cowell and Tulisa Contostavlos judge on these shows and help propel careers. Examples of iconic plastic pop artists are Britney Spears and Christina Aguilera, who got their start on Disney shows and progressed to more mature personas. New media like YouTube and artist websites also help promote plastic pop.
A2 Media Music Industry & Digital Technologyiangbland
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The document discusses how three musical artists - Arctic Monkeys, Beyonc辿, and Lana Del Rey - have utilized digital technology. It explains that Arctic Monkeys gained early success through the social media site Myspace, while Beyonc辿 leverages YouTube, Instagram, and Tumblr to market herself and foster connections with fans. Lana Del Rey was discovered through blogs and understands how to create content that appeals to online audiences. All three artists stream music online and deploy surprise digital releases and social media campaigns to promote their work in the new music industry landscape.
The document summarizes the target audiences of different radio stations and podcasts based on the music, advertisements, and content played or discussed. National radio station Heart FM targets listeners ages 20-40 with recent hit songs and advertisements about families. Local radio Forest FM aims at an older audience with news, weather, traffic and a 1960s song, advertising housing and nursing homes. BBC Radio 2 has more conversation than music and quizzes on 1990s hits, targeting an older audience. The podcast discussed film reviews at length without ads or music, likely appealing more to an older retirement-aged audience interested in in-depth topics.
This document outlines several conventions and characteristics of pop music. It notes that pop music is usually portrayed through upbeat music videos featuring stylishly dressed, happy people. Pop songs have a consistent beat lasting 3-5 minutes and lyrics about love, and follow a verse-chorus structure. Pop magazines also showcase young, attractive people and have bright, colorful aesthetics. The primary audience for pop is teens and young adults.
Kerrang! is a UK-based magazine devoted to rock music published by Bauer Media Group. Over time, Kerrang! expanded into other areas of media like an annual awards show, a radio station, a TV channel, and live music tours. This allowed Kerrang! to reach more audiences and fans across different platforms. As part of a larger conglomerate, Kerrang! benefited from financial backing and support. In contrast, the magazine Vibe operated as a standalone corporation without the same financial safety net. When Vibe faced difficulties, it had to shut down operations briefly before being purchased and restructured with new ownership.
Kerrang! is a multi-platform brand that includes a magazine, website, TV channel, and radio station focused on rock music. It has been publishing for over 34 years and breaks new rock bands. The magazine has the biggest exclusives and is the highest selling music magazine in the UK. The website attracts millions of monthly visitors and social media followers. Kerrang! TV and radio also have large audiences among youth ages 16-34 who are loyal fans of rock music.
This document provides information about a music magazine called Q and its various brand extensions. It summarizes Q as the UK's number one music magazine that is trusted and influential in the music industry. It has a print circulation of over 61,000 and digital readership of over 377,000 that is younger and more affluent than other music magazines. The document outlines Q's brand extensions including its awards show, radio station, social media presence, and iPad edition to engage readers across multiple platforms. It also describes a campaign partnership with National Express where Q promoted coach transportation to music festivals and a contest for readers to win a private performance by the band The Hives.
The document discusses the state of the pop/adult contemporary Christian music genre. It finds that while album sales were up 28% in 2008, concert ticket sales have not increased at the same rate likely due to economic factors. It recommends new artists use technology and digital platforms to expose themselves to fans. The target market for this genre consists mainly of loyal 25-45 year old women, and they prefer to consume music through digital downloads and albums.
Visible Noise is an independent UK record label founded in 1998 that specializes in rock and metal bands. It is based in London and currently has 9 bands signed, including well-known bands like Lostprophets and Bring Me the Horizon. The label promotes its bands through performances, merchandise, and digital/CD releases. It uses social media like MySpace, Facebook, and Twitter to market bands and interact with fans.
Freedom Radio is a new urban contemporary radio station based in Portsmouth, England. It targets listeners aged 16-25 across southern England. The station's name "Freedom" reflects that it takes requests from listeners on what music to play. It will keep listeners engaged through social media and by interacting with listeners, taking requests, and having games and discussions where listeners can give opinions. The playlist will vary throughout the day, playing mellow electro-pop in the morning, indie rock in the afternoon, and hip hop and R&B in the evenings. The main competition is BBC Radio 1, but Freedom Radio aims to better meet listeners' needs through more interaction.
Youtube is a major platform for marketing music, with over 100 hours of video uploaded per minute, including 49 hours of music. Artists can upload music videos to Youtube to market singles and albums, gaining thousands of views. Social media is also a highly effective way to market music, as artists with millions of followers can promote new releases directly to a large audience. Marketing music through magazines is becoming less common due to a limited readership and the rise of digital media. Music television still reaches millions of viewers per hour and can successfully promote new singles.
Q magazine is the UK's largest music magazine with a circulation of over 88,000. It has a young, affluent readership that it heavily influences with its trusted opinions on music. The magazine prides itself on providing exclusive access and interviews to break new artists and shape readers' views. It also extends its brand through events like the Q Awards and its website, radio show, and TV presence to engage music fans across multiple platforms. Advertisers are attracted to Q to associate with its credible brand and reach its influential readership.
The first music video was Queen's "Bohemian Rhapsody" in 1975, which helped promote the song. In the late 1950s, the first visual jukebox, the Scoptione, was invented in France and showed visual representations of songs. In 1981, The Buggles' "Video Killed the Radio Star" was the first video to air on MTV, launching the 24/7 music video format. By the 2000s, websites like YouTube had made it much easier to view and share music videos online, greatly increasing their viewership and influencing the industry.
This document outlines a pitch for a new music magazine called "Rewind" aimed at 16-30 year olds. The magazine would focus on classic artists from the past who are experiencing a resurgence in popularity, like U2, Kate Bush, and Neil Diamond. It proposes content like top ten lists, tour information, new album reviews, and interviews with both established and up-and-coming artists. The main story in the first issue would be an interview with the singer Jamie about his band Mirage's return with a new album after splitting up in 2004.
The document analyzes 3 different radio stations and a podcast in terms of their intended audiences.
Station 1 plays mainly pop songs, targeting both younger and older audiences. It had several financial adverts, indicating an adult audience.
Station 2 played older songs and had no adverts during the listening period, suggesting it targets older generations rather than younger ones.
Station 3 played mostly older music genres and mentioned "country oldies", also advertising an event on Radio 2, showing it aims for older audiences. However, one newer song was played.
The podcast talks about films in depth without music, interacting more with listeners. The language and films reviewed suggest an adult rather than younger audience.
Beyonc辿 has achieved great commercial, critical, and cultural success. Commercially, her most recent album sold over 1 million copies via iTunes in 6 days, making it the fastest selling album ever on the platform. Critically, the album was praised by influential publications and has won 17 Grammys. Culturally, she was the first solo female performer to headline Glastonbury and was chosen by Barack Obama to sing at his inauguration, demonstrating her widespread influence. Arctic Monkeys have also found commercial, critical, and cultural success. Their albums have all debuted at number one in the UK and they continue to tour globally. Critically, their album AM was praised and won a Brit Award. Culturally, they have
Plastic pop refers to a genre of pop music that emphasizes appealing to youth audiences. It uses bright colors and simple love songs along with incorporating influences from other genres like rock and classical. Plastic pop artists are generally portrayed in stereotypical fashions to appeal to their target audiences and are promoted through talent shows on television. Influential figures in plastic pop like Simon Cowell and pop stars who serve as judges further promote new artists and the genre. Examples of successful plastic pop artists are Britney Spears and the Sugababes, who have adapted their image over time to broaden their appeal while maintaining associations with pop music. Plastic pop artists heavily utilize various forms of media to promote themselves and their music to
This is my work where i researched more into radio shows, i look at commercial shows that aren't local, ones that are local but also non commercial radio that is local.
In addition to this i listened to Kermode and mayo's show and i go into detail on why it is different to live radio
The document provides background research on various music genres and demographics of their target audiences to help define the target for a new music video. It analyzes the audiences of drum and bass, pop, and London Grammar/High Contrast. Drum and bass targets younger males into drugs and raves, while pop targets a broader youth audience. A survey found alternative, dance, R&B and dubstep are other genres enjoyed by drum and bass fans. The research determines drum and bass fans are likely to be male, aged 13-21, into exploring new experiences like drugs, and fans of alternative dance music genres.
This document provides research on target audiences for different music genres including drum and bass, pop, and high contrast/London grammar artists.
It summarizes the demographics of drum and bass listeners as predominantly male aged 13-21 from lower socioeconomic classes. Pop music audiences are described as mostly female aged 0-21 from higher classes. Psychographic profiles indicate drum and bass listeners are more likely to be "explorers" or "strugglers".
A survey of drum and bass listeners found alternative, dance, R&B and dubstep were other popular genres. This suggests focusing on music videos from these genres to understand what target audience enjoys.
Plastic Pop refers to a genre of pop music that is stereotypically associated with bubblegum pop and teen pop. It typically features simple love songs and appeals to a young teenage audience through bright colors and themes representing youth. Major television shows like the X Factor and Britain's Got Talent help discover and market new plastic pop artists. Influential figures like Simon Cowell and Tulisa Contostavlos judge on these shows and help propel careers. Examples of iconic plastic pop artists are Britney Spears and Christina Aguilera, who got their start on Disney shows and progressed to more mature personas. New media like YouTube and artist websites also help promote plastic pop.
A2 Media Music Industry & Digital Technologyiangbland
油
The document discusses how three musical artists - Arctic Monkeys, Beyonc辿, and Lana Del Rey - have utilized digital technology. It explains that Arctic Monkeys gained early success through the social media site Myspace, while Beyonc辿 leverages YouTube, Instagram, and Tumblr to market herself and foster connections with fans. Lana Del Rey was discovered through blogs and understands how to create content that appeals to online audiences. All three artists stream music online and deploy surprise digital releases and social media campaigns to promote their work in the new music industry landscape.
The document summarizes the target audiences of different radio stations and podcasts based on the music, advertisements, and content played or discussed. National radio station Heart FM targets listeners ages 20-40 with recent hit songs and advertisements about families. Local radio Forest FM aims at an older audience with news, weather, traffic and a 1960s song, advertising housing and nursing homes. BBC Radio 2 has more conversation than music and quizzes on 1990s hits, targeting an older audience. The podcast discussed film reviews at length without ads or music, likely appealing more to an older retirement-aged audience interested in in-depth topics.
This document outlines several conventions and characteristics of pop music. It notes that pop music is usually portrayed through upbeat music videos featuring stylishly dressed, happy people. Pop songs have a consistent beat lasting 3-5 minutes and lyrics about love, and follow a verse-chorus structure. Pop magazines also showcase young, attractive people and have bright, colorful aesthetics. The primary audience for pop is teens and young adults.
Kerrang! is a UK-based magazine devoted to rock music published by Bauer Media Group. Over time, Kerrang! expanded into other areas of media like an annual awards show, a radio station, a TV channel, and live music tours. This allowed Kerrang! to reach more audiences and fans across different platforms. As part of a larger conglomerate, Kerrang! benefited from financial backing and support. In contrast, the magazine Vibe operated as a standalone corporation without the same financial safety net. When Vibe faced difficulties, it had to shut down operations briefly before being purchased and restructured with new ownership.
Kerrang! is a multi-platform brand that includes a magazine, website, TV channel, and radio station focused on rock music. It has been publishing for over 34 years and breaks new rock bands. The magazine has the biggest exclusives and is the highest selling music magazine in the UK. The website attracts millions of monthly visitors and social media followers. Kerrang! TV and radio also have large audiences among youth ages 16-34 who are loyal fans of rock music.
This document provides information about a music magazine called Q and its various brand extensions. It summarizes Q as the UK's number one music magazine that is trusted and influential in the music industry. It has a print circulation of over 61,000 and digital readership of over 377,000 that is younger and more affluent than other music magazines. The document outlines Q's brand extensions including its awards show, radio station, social media presence, and iPad edition to engage readers across multiple platforms. It also describes a campaign partnership with National Express where Q promoted coach transportation to music festivals and a contest for readers to win a private performance by the band The Hives.
The document discusses the state of the pop/adult contemporary Christian music genre. It finds that while album sales were up 28% in 2008, concert ticket sales have not increased at the same rate likely due to economic factors. It recommends new artists use technology and digital platforms to expose themselves to fans. The target market for this genre consists mainly of loyal 25-45 year old women, and they prefer to consume music through digital downloads and albums.
Visible Noise is an independent UK record label founded in 1998 that specializes in rock and metal bands. It is based in London and currently has 9 bands signed, including well-known bands like Lostprophets and Bring Me the Horizon. The label promotes its bands through performances, merchandise, and digital/CD releases. It uses social media like MySpace, Facebook, and Twitter to market bands and interact with fans.
Freedom Radio is a new urban contemporary radio station based in Portsmouth, England. It targets listeners aged 16-25 across southern England. The station's name "Freedom" reflects that it takes requests from listeners on what music to play. It will keep listeners engaged through social media and by interacting with listeners, taking requests, and having games and discussions where listeners can give opinions. The playlist will vary throughout the day, playing mellow electro-pop in the morning, indie rock in the afternoon, and hip hop and R&B in the evenings. The main competition is BBC Radio 1, but Freedom Radio aims to better meet listeners' needs through more interaction.
Youtube is a major platform for marketing music, with over 100 hours of video uploaded per minute, including 49 hours of music. Artists can upload music videos to Youtube to market singles and albums, gaining thousands of views. Social media is also a highly effective way to market music, as artists with millions of followers can promote new releases directly to a large audience. Marketing music through magazines is becoming less common due to a limited readership and the rise of digital media. Music television still reaches millions of viewers per hour and can successfully promote new singles.
Q magazine is the UK's largest music magazine with a circulation of over 88,000. It has a young, affluent readership that it heavily influences with its trusted opinions on music. The magazine prides itself on providing exclusive access and interviews to break new artists and shape readers' views. It also extends its brand through events like the Q Awards and its website, radio show, and TV presence to engage music fans across multiple platforms. Advertisers are attracted to Q to associate with its credible brand and reach its influential readership.
The first music video was Queen's "Bohemian Rhapsody" in 1975, which helped promote the song. In the late 1950s, the first visual jukebox, the Scoptione, was invented in France and showed visual representations of songs. In 1981, The Buggles' "Video Killed the Radio Star" was the first video to air on MTV, launching the 24/7 music video format. By the 2000s, websites like YouTube had made it much easier to view and share music videos online, greatly increasing their viewership and influencing the industry.
This document outlines a pitch for a new music magazine called "Rewind" aimed at 16-30 year olds. The magazine would focus on classic artists from the past who are experiencing a resurgence in popularity, like U2, Kate Bush, and Neil Diamond. It proposes content like top ten lists, tour information, new album reviews, and interviews with both established and up-and-coming artists. The main story in the first issue would be an interview with the singer Jamie about his band Mirage's return with a new album after splitting up in 2004.
The document analyzes 3 different radio stations and a podcast in terms of their intended audiences.
Station 1 plays mainly pop songs, targeting both younger and older audiences. It had several financial adverts, indicating an adult audience.
Station 2 played older songs and had no adverts during the listening period, suggesting it targets older generations rather than younger ones.
Station 3 played mostly older music genres and mentioned "country oldies", also advertising an event on Radio 2, showing it aims for older audiences. However, one newer song was played.
The podcast talks about films in depth without music, interacting more with listeners. The language and films reviewed suggest an adult rather than younger audience.
Beyonc辿 has achieved great commercial, critical, and cultural success. Commercially, her most recent album sold over 1 million copies via iTunes in 6 days, making it the fastest selling album ever on the platform. Critically, the album was praised by influential publications and has won 17 Grammys. Culturally, she was the first solo female performer to headline Glastonbury and was chosen by Barack Obama to sing at his inauguration, demonstrating her widespread influence. Arctic Monkeys have also found commercial, critical, and cultural success. Their albums have all debuted at number one in the UK and they continue to tour globally. Critically, their album AM was praised and won a Brit Award. Culturally, they have
Plastic pop refers to a genre of pop music that emphasizes appealing to youth audiences. It uses bright colors and simple love songs along with incorporating influences from other genres like rock and classical. Plastic pop artists are generally portrayed in stereotypical fashions to appeal to their target audiences and are promoted through talent shows on television. Influential figures in plastic pop like Simon Cowell and pop stars who serve as judges further promote new artists and the genre. Examples of successful plastic pop artists are Britney Spears and the Sugababes, who have adapted their image over time to broaden their appeal while maintaining associations with pop music. Plastic pop artists heavily utilize various forms of media to promote themselves and their music to
This is my work where i researched more into radio shows, i look at commercial shows that aren't local, ones that are local but also non commercial radio that is local.
In addition to this i listened to Kermode and mayo's show and i go into detail on why it is different to live radio
The document provides background research on various music genres and demographics of their target audiences to help define the target for a new music video. It analyzes the audiences of drum and bass, pop, and London Grammar/High Contrast. Drum and bass targets younger males into drugs and raves, while pop targets a broader youth audience. A survey found alternative, dance, R&B and dubstep are other genres enjoyed by drum and bass fans. The research determines drum and bass fans are likely to be male, aged 13-21, into exploring new experiences like drugs, and fans of alternative dance music genres.
This document provides research on target audiences for different music genres including drum and bass, pop, and high contrast/London grammar artists.
It summarizes the demographics of drum and bass listeners as predominantly male aged 13-21 from lower socioeconomic classes. Pop music audiences are described as mostly female aged 0-21 from higher classes. Psychographic profiles indicate drum and bass listeners are more likely to be "explorers" or "strugglers".
A survey of drum and bass listeners found alternative, dance, R&B and dubstep were other popular genres. This suggests focusing on music videos from these genres to understand what target audience enjoys.
The document discusses the content that will be featured on the front cover, table of contents, and double page spread of the magazine "Vinyl Revival".
For the front cover, there will be a masthead, main feature headline and image of two female models holding a vinyl record while making direct eye contact with the camera. The table of contents will feature images from featured articles. The double page spread will show a solo female model listening to music through headphones while laying on a Harley Davidson motorcycle, looking away from the camera to depict music taking her out of reality. Conventional magazine layouts will be used.
The document discusses research into the target audience for independent music. It finds that independent music audiences tend to be 15-34 years old, as popularity of indie music has grown with the internet and music festivals. XFM radio listeners, who like indie/alternative rock, modern alternative, and pop rock, are the target. The target audience enjoys comedy and going to concerts. They may be students and value freedom of expression. While indie music started as anti-mainstream, it is now popular across Europe so the audience includes both mainstream and anti-mainstream individuals aged 13-24.
The document summarizes the target demographic for a music video. It would primarily appeal to youth ages 16-21 who can relate to the 18-year-old actors. The audience would be roughly split 50/50 male and female and attract heterosexual and bisexual viewers. Ethnically, it would mostly attract white British viewers, as well as those living in the locations featured - the Fens and London. The target class is lower middle to working class. Music interests include genres featured and similar artists. Viewers also appreciate art, films, books, fashionable clothing, and body piercings or tattoos to fit certain subcultures.
The document summarizes the target demographic for a music video. It would primarily appeal to youth ages 16-21 who can relate to the 18-year-old actors. The audience would be roughly split 50/50 male and female and attract heterosexual and bisexual viewers. Ethnically, it would mostly attract white British viewers, as well as those living in the locations featured - the Fens and London. The target class is lower middle to working class. Music interests include genres featured in the video as well as hip hop. Viewers would also be interested in art, films, books, and keeping up with fashion through clothing brands.
The document discusses how audiences consumed music in the 2000s through CDs, online music platforms like YouTube, radio stations, and purchasing songs on iTunes. It also summarizes several popular music genres of the time like UK garage, emo, and hip-hop. Popular artists mentioned include Coldplay, Britney Spears, and Wiz Khalifa. New artists were discovered through YouTube and talent shows like The X Factor, then developed using social media platforms. Music was marketed through music video channels, radio, social networks, and distributed in stores, concerts, and online through iTunes.
Pop music originated in the 1920s from the term "popular" music. It is a diverse genre that can include elements of rock, country, dance, and urban music. Pop uses catchy choruses, melodic tunes, and hooks. The target audience is typically younger generations, especially teenage girls who see musicians as idols. Female singers have influenced the industry and audience. Pop is most popular among youth through radio, TV, and social media promotion. Key pop magazines like Billboard, Q Magazine, and Vibe target audiences from 14-35 years old with coverage of artists and genres like pop, hip hop, and R&B.
This document discusses artists and bands that would be featured in a genre magazine focused on pop, indie, and hip-hop music. It provides details on several musical artists including their genres, target audiences, and influences. The genres represented are indie rock, pop, hip-hop, drum and bass, and soul pop. The target audiences for most of the artists are teens and young adults. The document also provides background information on the genre of pop music, describing its origins and popularity as a commercially recorded genre with mass appeal.
Channel U TV is a digital satellite TV channel in the UK focused on urban music genres like grime and UK hip hop. It aims to showcase emerging underground artists not played on other channels. Notable past presenters include Tim Westwood. It holds annual awards and some criticize that it does not sufficiently separate popular and emerging artists. However, others view it as an important platform for new talent in the UK urban music scene.
The document summarizes secondary research conducted to identify the target audience for a pop music video. It finds that the genre of pop is mainstream, appealing to both male and female teenagers and young adults. Research of popular artists on YouTube, social media platforms, music charts, and TV shows demonstrated that pop has a wide reach across demographics but particularly attracts female teenage fans. Research on websites profiling music tastes by age and gender showed that pop appeals most strongly to teenage girls, which the document establishes as the target demographic.
The document summarizes secondary research conducted to identify the target audience for a pop music video. It finds that pop is a mainstream genre that appeals to both male and female teenagers and young adults aged 15-34. Research of social media platforms, music charts, radio stations, and TV shows found that pop artists like Ariana Grande and Bastille have widespread popularity across different countries and genders.
This document provides an overview of the history and genres of rock music, with a focus on alternative rock and indie pop. It discusses the origins and characteristics of alternative rock, with subgenres like indie rock and grunge. Indie pop is described as a more independent genre compared to mainstream pop, originating in the UK in the 1980s. Target audiences and some popular rock magazines are also mentioned, including Kerrang!, Rolling Stone, and NME. Links are included for examples of different rock genres.
The Beatles formed in 1960 in Liverpool and were one of the most commercially successful and critically acclaimed bands in history. They consisted of John Lennon, Paul McCartney, George Harrison, and Ringo Starr. While their early style was rooted in 1950s rock and roll, they experimented with different genres. They were trendsetters and influenced social and cultural revolutions of the 1960s. After breaking up in 1970, the members pursued successful solo careers.
This document provides background information on the rock music genre, including its origins in the late 1940s and 1950s and evolution through subsequent decades. It lists popular rock bands and artists from the 1950s through 1990s. The genre saw mainstream success in the 1960s led by bands like The Beatles and The Rolling Stones. Rock music diversified in the 1970s with the rise of genres like heavy metal and continued to change in the 1980s-90s with new styles and digital distribution.
Decene is a 22-year-old indie rock band from the UK releasing their debut album "Nothing But Sea". The objectives are to sell 2,000 copies in the UK and target 17-23 year olds interested in indie music and festivals through social media and radio play. Key goals include headlining a small tour, releasing special edition vinyls, and playing smaller stages at festivals. The band would use social media, posters, magazines, and radio to promote the album and connect with their target audience of 17-23 year old indie music fans.
The document discusses the history and characteristics of the pop music genre. It provides definitions of pop music and discusses its origins in the 1920s and development over time by absorbing influences from various other genres. Some key pop artists mentioned include Adele, Jessie J, and Bruno Mars. Pop magazines typically feature images of famous artists on their covers along with articles on celebrities, fashion, music, and competitions to engage readers.
The document discusses the history and characteristics of the pop music genre. It provides definitions of pop music and discusses its origins in the 1920s and development over time by absorbing influences from various other genres. Some key pop artists mentioned include Adele, Jessie J, and Bruno Mars. Pop magazines typically feature images of famous artists on their covers along with articles on celebrities, fashion, music, and competitions to engage readers.
The document discusses the history and characteristics of the pop music genre. It provides definitions of pop music and discusses its origins in the 1920s and development over time by absorbing influences from various other genres. Some key pop artists mentioned include Adele, Jessie J, and Bruno Mars. Pop magazines typically feature images of famous artists on their covers along with articles on celebrities, fashion, music, and competitions to engage readers.
Q1 - In what ways does your music video use, develop or challenge forms and c...jdebenham
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Q1 - In what ways does my music video, to promote Jonny Dylan Hughes' 'Bravery', use, develop or challenge forms and conventions of real media products?
Narrative Theory applied to Enrique Iglesias' Hero (2002)jdebenham
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1) The music video narrative follows Enrique Iglesias as a criminal on the run who is hunted by enemies led by Mickey Rourke.
2) It begins with Iglesias and his love interest Jennifer Love Hewitt content but then disrupted by the gang pursuing them.
3) The video references theories about narrative structure and character archetypes. It features stock characters like the heroic Iglesias and villainous Rourke, and follows a pattern of equilibrium disrupted by outside forces driving the story.
Artwork from Owl City's album cover 'The Midnight station' which I can take inspiration from for my album cover to promote Jonny Dylan Hughe's 'Bravery'.
Genre theory in The Pogues & Kirsty MacColl - The fairytale of New Yorkjdebenham
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The document provides background information on the Pogues and the Celtic punk genre. It discusses how the Pogues helped popularize folk punk in the UK in the 1980s. Celtic punk mixes traditional Celtic music with punk rock styles and commonly addresses themes of politics, alcohol, and working class pride. The music video for "Fairytale of New York" references conventions of the Celtic punk genre, prominently featuring drinking and celebrating working class pride through its portrayal of the protagonist overcoming societal restrictions.
Leftfield were a British electronica band known for their progressive house music. In 1999, they released the song "Afrika Shox" featuring Afrika Bambaataa. The music video for "Afrika Shox" was directed by Chris Cunningham and featured breakdancing in an underground parking garage, reinforcing the electronic music genre. However, Cunningham also depicted a dystopian version of New York City using film noir techniques like black and white cinematography to portray the African main character as alienated. The video draws intertextual connections to depictions of isolated protagonists in films like "The Third Man" and the divided city in the classic science fiction film "Metropolis".
Leftfield were a British electronic music group known for their progressive house style. Their 1999 single "Afrika Shox" featured Afrika Bambaataa and was directed by Chris Cunningham. The music video for "Afrika Shox" reinforces the electronic genre in several ways. It begins with images of a police car's flashing lights that indicate the electronic nature of the track. Scenes of breakdancers in an underground parking garage also demonstrate genre characteristics. The underground location suggests the underground nature of the artist and helps establish the target audience for the video.
This document discusses how the media product uses and develops conventions of real thriller media through its use of locations. It opens in the underground passage of a roundabout in Norwich, drawing on the convention that gritty, unpleasant areas create tension. It also shows the attack on the main character Sam in a suburban area, playing on the idea that quiet suburbs can be associated with crime. The document discusses how these locations draw from other thriller films and their use of claustrophobic, isolated places to build suspense and danger for the characters.
In our thriller opening we have attempted to represent those who live in poverty and are homeless through the storyline of a homeless man named Sam. Sam is presented as emasculated and vulnerable in order to highlight the rising problem of homelessness in the UK. Our thriller opening aims to portray homelessness as an issue that can affect anyone and show how homeless people are often victims of hate crimes. We also represent ethnic minorities as inferior through the protagonist Sam, who is Malaysian, being attacked by the white female character Norma.
This document discusses potential media institutions that might distribute an independent, low-budget British thriller film called "Homeless". It suggests that regional independent cinemas like Picturehouse cinemas would be most likely exhibitors, specifically CinemaCity in Norwich where the film is set. It also argues online streaming services like LoveFilm and Channel 4 or Film4 television would provide good outlets for wider audiences due to their experience distributing similar British films. Mainstream cinema chains and most UK broadcasters are seen as less suitable due to their focus on large, mainstream audiences.
The audience for the thriller film would primarily be 15-24 year olds as the characters are young and deal with issues relevant to that age group like poverty, homelessness, and university fees. Females may be particularly attracted due to the strong female character portrayed in a non-stereotypical way. Ethnic minority groups, especially Malaysian people, would also be part of the target audience as the protagonist is Malaysian and deals with issues like living in poverty as an ethnic minority in Britain. Finally, those interested in gritty thriller genres who enjoy references to other iconic films would appreciate the thriller elements and intertextual references used.
The document discusses how the creators of the thriller opening "Homeless" aimed to attract a target audience of 15-24 year old females. They sought to do this by creating a strong, independent female character named Norma who violently attacks a male, breaking traditional gender conventions. By portraying Norma as a "deviant" yet capable female, they hoped to appeal more to their target audience. Feedback from target audience members, especially young females, was positive about the representations in "Homeless" and their ability to relate to the unconventional female characters.
The document discusses the value of technologies in constructing a media production project. Specifically, it discusses how digital tools were used at various stages:
- An online blog was used to store and share research, plans, and work in progress, allowing for easy access and collaboration.
- Online platforms like YouTube and IMDb provided useful research resources for analyzing films and genres.
- A digital camera captured location scouting photos and practice shots for quick sharing and feedback.
- Mobile phones and Facebook enabled flexible communication between group members.
- Digital cameras and editing software facilitated efficient shooting, review, and construction of the final product.
The document discusses what the author has learned from completing a preliminary task and a larger full product thriller opening task. The author summarizes that they have learned the importance of teamwork, communication, research, identifying camera shots, using genre conventions like cliffhangers, finding suitable soundtracks, and the value of feedback and self-evaluation. The author provides specific examples from their preliminary task and full thriller opening task to demonstrate how their skills and understanding have progressed.
The document discusses targeting a young audience (15-24) for the thriller opening "Homeless" by using a cast of young characters around the same age. This allows the young audience to better relate to the situations portrayed. The theme of homelessness is an issue the target audience can identify with. The main character, Sam, will be particularly appealing as someone suffering similar problems. Referencing real social issues that affect the target audience will create interest and support from them. Choices were also made in costume, lighting, and plot devices to incorporate generic thriller elements and appeal to fans of the genre.
The document discusses the representation of gender and social groups in the author's thriller opening. Contrary to stereotypes, the male character Sam is portrayed as emasculated and the female character Norma is deviant and controlling. Sam represents the rising issue of homelessness in the UK as research shows homelessness can affect anyone. Norma refers to femme fatale characters commonly seen in 1930s film noir. The opening aims to highlight struggles faced by those living in poverty or on the margins of society.
The document discusses the representation of gender, homelessness, and young people in the opening of a thriller film. It aims to challenge stereotypes by portraying the male character Sam as emasculated and the female character Norma as deviant and controlling. It also aims to highlight the real issue of rising homelessness in the UK by portraying Sam, a seemingly ordinary man, becoming homeless. Statistics on homelessness and films depicting real experiences of homeless people informed this realistic portrayal. The opening further comments on the difficulties today's young people face, relating Sam's homelessness to high unemployment rates and costs of living that affect many youths.
An independent, low-budget British film about social issues would likely be distributed by smaller institutions targeting niche audiences, rather than mainstream channels. It would have a limited release in independent cinemas like Picturehouse theaters, rather than large chains. Specifically, the film discussed would plausibly premiere at CinemaCity in Norwich, as the film is set there, just as other locally-set films have premiered in their filming locations to attract local audiences interested in familiar settings. The film would also see distribution on DVD and streaming platforms to expand its audience beyond its theatrical run.
This document discusses how the media product uses and develops conventions of real thriller media through its use of locations. It opens in the underground passage of a roundabout in Norwich, establishing gritty and unpleasant locales associated with crime. It also features a suburban location where the protagonist is attacked, playing on viewer associations between quiet suburbs and criminal acts. The locations aim to create a sense of claustrophobia, fear, isolation and danger for the protagonist in line with conventions from films like The Third Man and Wild at Heart.
1. Age demographic for music
video to promote Jonny Dylan
Hughes' Bravery
Jamie Debenham
2. I used internet shopping website Amazon UK to search for artists similar to Jonny Dylan Hughes. I began by searching for the
album 'The Midsummer Station' by Owl City which I previously identified as similar to my media product due to the similarities
in genre. From this, I could find a list of other products which customer's had also bought, which allowed me to confidently
pinpoint my target audience for my music video.
These other suggestions included albums from artists such as Adam Lambert, Nicki Minaj, Maroon 5, Imagine Dragons and
Carly Rae Jepsen. The most significant thing I can identify here is that all of these artists have music which is currently, or at
least, has very recently been in the UK music charts. If my likely audience is fans of chart music, I can state that my target age
for my music video to promote Jonny Dylan Hughes' 'Bravery' is those of age 16-20 as this is within the typical age
demographic of media promoting music of 'Top 40' genre.
A UK commercial radio station which plays predominantly chart and dance music, Kiss, owned by Bauer media, which would
most likely be the station of choice for my target audience, states on it's website that it's 'audiences are characterised by the
emotional connection they make with the music'. Young people, are in general, the age group who would have any sort of
emotional appeal to pop music. This tells us that it appeals to the young demographic that I am promoting Hughes' Bravery to.
Further to this, data from RAJAR ( Radio Joint Audience Research Limited) Q4 2014, tells us that the audience for Kiss UK is
56.9% female, compared with 43.1% male. This provides some interesting information about my possible audience for my
music video to promote Jonny Dylan Hughes' Bravery. It could suggest that music of the pop/mainstream genre, where interest
for my media text would come from is more appealing to a female demographic. However, it could also be argued that the
male protagonist in the video, alongside the male artist of the song would give it much higher appeal to a male audience.
Alongside this, the data points towards the age demographic of the station to be 15-30 years old. I would suggest that this age
range is too broad to apply to my music video, due to the age of the actor in the music video being 18 years old, thus making
the appeal most predominantly restricted to 16-20, however this data tells us how this age demographic is not wholly inclusive
and that appeal could possibly come from both male and females between 15 and 30 years old, as this audience hold the most
interest in music of the genre.
(Source: http://radio.bauermediaadvertising.com/audience-finder/#results)
Interestingly, BBC Radio 1 which consists of a playlist made up of predominantly new music, has an audience demographic of 33 years old
on average, despite it's target audience being 15-29. This data tells us how far reaching this music genre can be - being mainstream it
could potentially appeal to virtually anyone as it is the music of the time. In the case of Radio 1, there is sometimes added appeal to other
age demographics due to the well known DJs and presenters who work at the station as well as the long running reputation it has as an
institution meaning that even older listeners will stay loyal to it throughout time. As a result, the audience for my music video to promote
Jonny Dylan Hughes' Bravery is not only restricted to the 16-20 age group, although this age group will be the primary audience.
3. The ethnic group of the audience for my music video to promote
Jonny Dylan Hughes' Bravery is going to be made up predominantly
of a mixture of Canadian and British. Due to the artist, Jonny Dylan
Hughes' English Canadian ethnic background, the music video to
promote his track Bravery is going to have strong interest with those
of an English Canadian background. Being based in the province of
British Columbia is only going to add to the interest from this
ethnicity, as the province's population is predominantly made up of
Canadian's who identify themselves as English Canadian.
The diagram on the following slide shows the ethnic groups in Canada.
My music video to promote Jonny Dylan Hughes' Bravery is most likely
to have interest from young English Canadians living in British
Columbia. There may also be strong interest from audiences in Alberta,
Saskatchewan and even possibly a little interest from Manitoba and
Ontario, where there are large and sustained English Canadian
communities.
5. As well as a large Canadian audience, my music video to promote Jonny Dylan Hughes
Bravery will attract huge interest from a British audience. Being a commonwealth realm,
Canada is formally united with the United Kingdom, as well as the other commonwealth realms
such as Australia and New Zealand, in the voluntary sharing of the institution of the British
monarchy. This effectively means that Queen Elizabeth II is ceremonially the head of state of
Canada. This rich and long-standing historical tradition within Canada means that there is
significant interest in British culture and lifestyle, and most especially the royal family. Likewise,
I believe that the artist, Jonny Dylan Hughes Canadian roots, coupled with the English location
which features in the mise en scene will mean that there is strong interest from both British
and Canadian audiences, strengthened and maintained by the poignant cultural connection
between these two commonwealth realms.
The British location used within the music video, Caister-on-Sea seashore (left) and the Edith
Cavell memorial at Norwich Cathedral (right), will add to the interest from a British audience,
particularly those living in the English county of Norfolk, as the entirety of the media product is
filmed here, and so the recognisable location will interest them.
6. Alanis Morisette - Everything
(2004)
Alanis Morisette is a Canadian-American alternative rock singer who released her
first album Jagged Little Pill in 1995. With the artist, Morisette, as well as the
protagonist of the music video to her single 'Everything' being of white Canadian
ethnicity, the media text would attract a largely British Canadian audience, in the
same way that my music video to promote Jonny Dylan Hughes' Bravery would,
due to the artist being of a British Canadian ethnicity. With the singer born in
Ontario, this media text would definitely have wide interest within the province,
as well as with British Canadians in general, with Ontario having a substantial
population of Canadians with British heritage. In contrast to my music video,
'Everything', directed by Meiert Avis, may also have large appeal in the US due to
the artist being granted US citizenship in 2005. As well as this, the pop/rock
genre of the track makes it appealing to a mainstream audience in the US as well
as in the UK at a time when such a music style was largely popular, in the same
way that Dylan Hughes' Bravery taps into a mainstream audience due to it's
hugely popular electro pop style.