The "Musico-Linguistics" Meme: Recursion and American Academic Inquiry into Musical Meaning since Bernstein in Boston
Presentation by Jordan Randall Smith
Musician Jordan Smith is a conductor, percussionist, educator, composer, and writer from Dallas, TX currently residing in Baltimore, MD.
Learn more at www.jordanrsmith.com
This 10-minute presentation was originally given to the Musicology Colloquium for Doctor of Musical Arts (DMA) Candidates at the Peabody Conservatory of the Johns Hopkins University, Baltimore, MD, 12.19.2012.
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Bernstein Meme Handout
1. Smith
7
Figure
1.
Sierpinski
triangle.
(fair
use)
A
graphical
variant
would
be
the
well-足known
Sierpinski
triangle
(see
fig.
1),
which
can
itself
be
expressed
as
a
mathematical
algorithm.
All
of
these
examples
help
to
create
a
working
definition
that
cases
of
recursion,
as
Corballis
puts
it,
can
take
its
own
output
as
the
next
input,
a
loop
that
can
be
extended
indefinitely
to
create
sequences
or
structures
of
unbounded
length
or
complexity.
In
practice,
of
course,
we
do
not
get
caught
up
in
infinite
loops-足life
is
simply
too
short
for
that.
For
the
purposes
of
this
book,
then,
we
shall
no
be
interested
so
much
in
the
generation
of
infinite
sequences
as
in
a
definition
that
might
apply
usefully
to
human
thought.
A
definition
that
meets
this
requirement
is
suggested
by
Steven
Pinker
and
Ray
Jackendoff,
who
define
recursion
as
a
procedure
that
calls
itself,
or
a
constituent
that
contains
a
constituent
of
the
same
kind.27
27
Steven
Pinker
and
Ray
Jackendoff,
The
faculty
of
language:
whats
special
about
it?
Michael
C
Corballis,
The
Recursive
Mind:
The
Origins
of
Human
Language,
Thought,
and
Civilization
(Princeton:
Princeton
University
Press,
2011),
2. Smith
8
Reflexively,
in
composing
this
essay,
I
had
originally
intended
to
give
the
earlier
portion
of
that
quote,
and
skip
ahead
to
make
a
segue
back
into
the
scholarly
through-足line
of
Bernsteins
musico-足linguistic
meme
(via
Jackendoff)
as
there
is
no
need
to
include
the
middle
portion
describing
the
outlook
of
the
book.
However,
it
occurred
to
me
while
writing
that
this
in
itself
is
a
perfect
example
of
the
latter
Pinker/Jackendoff
definition:
in
order
to
define
recursion,
a
passage
from
a
source
is
quoted
in
which:
in
order
to
define
recursion,
a
passage
from
another
source
is
quoted.
Further,
the
previous
sentence
itself
is
both
a
description
of
recursion
and
is
itself
recursive.
Lastly,
and
at
the
risk
of
absurdity,
it
is
worth
pointing
out
that
the
very
act
of
composing
this
paragraph
occurred
to
me
as
an
exercise
in
recursion
in
which
I
am
composing
a
paragraph
in
which
I
discuss
the
act
of
writing
that
very
same
paragraph.
This
multivalent
form
of
recursion
is
a
linguistic
analog
of
the
famous
2
Hands
Drawing
by
M.C.
Escher.
However,
in
order
to
proceed,
the
advice
of
Mr.
Corballis
must
be
followed
and
the
essay
must
now
withdraw
from
the
loop
in
order
to
proceed.
Figure
2.
M.C.
Escher,
Drawing
Hands,
1948
(fair
use)