Bof week 7, loan docs
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This document provides information on financing and distribution options for independent filmmakers in New Mexico. It discusses various types of financing like grants, loans, crowdfunding, and tax credits. It outlines the different stages of production and packaging requirements. Marketing should be incorporated throughout development, production and distribution. Checklists are provided to organize financing documents. Distribution opportunities include film festivals, theatrical releases, streaming services and self-distribution.
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The document is a finance guide from Grant Thornton about the UK film industry. It provides an overview of key UK film financing programs like the Enterprise Investment Scheme (EIS) which offers tax reliefs for investors in film companies. The EIS allows for 30% income tax relief, capital gains tax exemption if shares are held over 3 years, and deferral of capital gains tax against EIS investments. It outlines qualifying criteria for investors, companies and business activities. The guide is intended to help clients in the film production and distribution sectors understand their financing and tax options.Indian Film Production Industry Term Paper
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This document provides an overview of key pre-production requirements for feature films, including concept/storyboards, budgeting/financing, logistics/scheduling, facilities/locations, risk assessments, casting, materials, and personnel/regulations. It discusses several aspects in depth, such as financing options like public funding, private investors, crowdfunding; facilities considerations for studios vs. locations; scheduling and risk assessments; casting process; sourcing props/costumes/music; and contingencies if an actor gets sick or funding is not secured. Examples are provided throughout to illustrate key points.Film production stages
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Film finance involves determining the commercial viability of a film project during development prior to production. It is a subset of project finance that relies on the film's revenue rather than external sources to repay investors. Producers assemble a package including the script, budget, and director/cast details to pitch to potential financial backers. If research suggests sufficient audience interest, the film receives funding to proceed to production. Distribution then markets and circulates the completed film to theaters and home viewers to generate returns for the studio, producers, and investors.Presentation. Upload
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This document discusses the film production process. It explains that there are four main stages: pre-production, production, post-production, and distribution. Pre-production involves developing the idea, storyboarding, and budgeting. Production is the filming stage. Post-production is where the film is edited together and promoted. Distribution is getting the film into cinemas by working with film distributors. Short films, foreign films, and independent films are also briefly mentioned.Film institutions and audiences
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The document discusses the film industry process from development through distribution. It begins with the four main stages of a film: production, distribution, marketing, and exhibition. Production includes developing the script, pre-production, shooting, and post-production. Distribution gets the film to audiences through deals with cinemas. Marketing promotes the film. Exhibition is how audiences view the film. The six major Hollywood studios that dominate the industry through ownership are Disney, Warner Bros., Fox, Universal, Sony, and Paramount. Ownership occurs through horizontal integration of acquiring similar companies, and vertical integration of owning all aspects of filmmaking under one parent company.Film production
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There are five key stages of film production: development, pre-production, production, post-production, and distribution. During development, financing is secured from investors by pitching the film's revenue potential and creative team. Pre-production involves finalizing scripts, scheduling, casting, and location scouting. Production is the filming and recording of raw footage. Post-production consists of editing, sound mixing, visual effects, and scoring. Distribution is when the completed film is launched in cinemas, home video, and television markets through a carefully planned release cycle and marketing campaign.12 stages of making a film
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Bof week 7, loan docs
- 1. FINANCE & DISTRIBUTION FOR NEW MEXICO INDEPENDENT FILMMAKERS Increase your chances of having a successful career as a Indie Filmmaker by knowing more about the business side of filmmaking.
- 2. FINANCE WHAT TYPES OF FINANCING ARE OPEN TO FILMMAKERS STAGES OF PRODUCTION AND STEPS TO SECURE FINANCING WHAT IS NEEDED TO FINANCE A FILM (GUIDELINE ONLY) WAYS OF MITIGATING RISK AND WHY SHOULD THE FILMMAKER CARE
- 3. TYPES OF FINANCE FOR FILM GRANTS (DO WHAT YOU AGREE TO DO) DEVELOPMENT FUNDS LOANS PRIVATE CAPITAL PERSONAL FUNDS (OPM) CROWDFUNDING (INDIEGOGO & KICKSTARTER) TAX CREDITS GOVERNMENT PROGRAMS IATSE PROGRAMS OVER TWENTY OTHER TYPES OF FINANCING
- 4. STAGES OF PRODUCTION MARKETING & DEVELOPMENT MARKETING & PRE-PRODUCTION MARKETING & PRODUCTION MARKETING & POST PRODUCTION MARKETING, DISTRIBUTION & EXHIBITION
- 5. DEVELOPMENT FINANCING AN IDEA A LOGLINE A SYNOPSIS A TREATMENT A SCREENPLAY A SERIES BIBLE SOME PIECE OF IP THAT IS WRITTEN OUT ON PAPER
- 6. DEVELOPMENT FINANCING ONCE A PRODUCER BUYS THE IP OR OPTIONS IT TO MOVE FORWARD, INDIE FILMMAKERS COULD FILE A DBA OR LLC IP AND BUSINESS ARE ASSETS (WORTHLESS??) THIS IS VERY SPECULATIVE AND RISKY AS AND INVESTMENT/PARTNERSHIP (OPM) LETTERS OF INTEREST NOT LEGALLY BINDING V. LETTER OF INTENT LEGALLY BINDING LETTERS OF INTENT ARE BANKABLE ASSETS, LETTERS OF INTEREST ARE SPECULATIVE DEFERRED COMPENSATION POINTS, UPON SALE OF FILM
- 7. OPTIONS V. PURCHASE OPTIONS TERMS=AMOUNT ($$ and POINTS) + TIME PERIOD PURCHASE TRANSFER OWNERSHIP MAYBE RE-WRITES POINTS ARE DEPENDENT ON THE BUDGET
- 8. PACKAGING BEGINS REGISTER THE IP LOI'S ARE SIGNED TOP SHEET BUDGET PRESS KITS, BUSINESS PLANS, TALENT BIOS PPM (PRIVATE $$) DPO DIRECT PUBLIC OFFERING PITCH DECKS, CREATE A TRAILER* MOVIE POSTER & LOBBY CARDS, CREATE A WEBSITE FOR THE FILM PRE-SALES, PRODUCT PLACEMENT, DISTRIBUTION AGREEMENTS
- 9. PACKAGING OF A FILM SYNOPSIS OR TREATMENT TOP SHEET BUDGET PROFIT PROJECTIONS (DISTRIBUTION COMPANIES AND ACCOUNTANTS) COMPARABLES SAME SIZE BUDGET SAME GENRE TALENT LEVEL (PRODUCER, DIRECTOR AND CAST) BIOS OF THE ABOVE THE LINE PEOPLE ATTACHED TARGET AUDIENCE SCRIPT COVERAGE
- 10. MARKETING IN ALL STAGES OF THE FILMMAKING PROCESS CONCEPT TESTING, POSITIONING STUDIES, FOCUS GROUP TEST, TEST SCREENINGS, TRACKING SURVEYS, ADVERTISING TESTING, EXIT SURVEYS, FACEBOOK PAGE, TWITTER ACCOUNTS, LOBBY CARDS, MOVIE POSTERS, T- SHIRTS, RELATIONSHIPS WITH BLOGGERS, NEW MEXICO FILM FOUNDATION, KEY PLAYERS, SALES AGENTS, FILM AGGREGATORS & DISTRIBUTORS, FILM FESTIVAL DIRECTORS, ESTABLISH, MAINTAIN AND IMPROVE RELATIONSHIPS,
- 11. FILM PRODUCTION FINANCE CHECKLIST (GUIDELINE) NAME OF THE PROJECT, HOW IS IT INCORPORATED, NAME OF THE RESPONSIBLE PARTY, E-MAIL ADDRESS, PHONE #, PHYSICAL ADDRESS, LOAN AMOUNT, TYPE OF LOAN, DETAILED BUDGET (BROKEN OUT BY DEVELOPMENT, PRE-PRODUCTION, PRODUCTION, POST PRODUCTION, MARKETING & DISTRIBUTION) NAME OF THE PRODUCTION COMPANY/STUDIO, MOVIE TITLE, PROOF OF OWNERSHIP OF THE SCREENPLAY, GENRE, BUDGET TOTAL, BIOS OF PRODUCERS, DIRECTORS AND PRINCIPAL CAST, COMPLETION BOND
- 12. CHECKLIST CONTINUED BUSINESS PLAN SHOWING ROI OR EXIT STRATEGY BANK LETTER OF COMMITMENT NAME OF LOAN OFFICER PHONE # & ADDRESS PRODUCTION STATUS OF FUNDS NAMES OF EQUITY INVESTORS AND POINTS FILMING LOCATIONS (STATE)
- 13. CHECKLIST CONTINUED ROI TAX CREDITS PRODUCT PLACEMENT P & A, FINANCIAL INSTRUMENTS DOCUMENTED SALES ESTIMATE ATTORNEY/ACCOUNTANT W/CONTACT INFORMATION PRIVATE PLACEMENT MEMORANDUM V. DIRECT PUBLIC OFFERING HOLD INVESTMENT V. TRADABLE INVESTMENT ACCREDITED INVESTORS V. NON ACCREDITED INVESTORS
- 14. THEATRICAL DISTRIBUTORS UNITED INTERNATIONAL PICTURES WARNER BROTHERS BUENA VISTA 20TH CENTURY FOX SONY PARAMOUNT PICTURES MANY OTHERS
- 15. OTHER OPPORTUNITIES TUGG.COM AGGREGATORS (THE FILM COLLABORATIVE & DISTRIBBER) HULU, HBO GO, CBS ALL ACCESS, CRACKLE, I-TUNES, YOUTUBE, WATCH ABC, NETFLIX, REDBOX, FOX NOW YOUR OWN WEBSITE DVD'S
- 16. FILM FESTIVALS GET YOUR MOVIE SCENE MEET AND MAKE CONNECTIONS W/FILMMAKERS MEET FINANCE PEOPLE (WHAT'S NEXT) WIN AWARDS GROW YOUR AUDIENCE GET PICKED UP FOR DISTRIBUTION
- 17. SUBMIT TO FESTIVALS WITHOUT A BOX (WAB)