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He’s Blind for a Reason You Know Chapter  22
He’s blind for a Reason You Know Indiana Jones Principle: If there is something important to know about a character, the author will introduce it early.  Works in which blindness is manifested early indicates the author’s intention to link it to plot or character. For example,  Steven Spielberg places a snake in the airplane in the first sequence so that when we  reach the scene with seven thousand snakes we know just how frightened the hero is of snakes. “ When a blind character is introduced, the author has created a minor constellation of difficulties. Every move, every statement by or about the character must accommodate his blindness; every other character has to notice, to behave differently, but  subtly.” Thomas C. Foster,  How to Read Literature Like a Professor When literal blindness, sight, darkness, and light are introduced, the author is indicating to the reader a sign of figurative seeing and blindness at work.  For example: “Araby” by James Joyce  presents a young boy who watches, hides , peeks, and gazes his way through a story, but he is really blinded by love from seeing clearly the shallowness of the girl he idealizes.  The teenager envisions himself as a hero out of a romance. By the end of the story, the hero finally sees the lack of depth in the girl and finally sees himself as the ridiculous creature he is.

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Chapter 22 he’s blind for a reason

  • 1. He’s Blind for a Reason You Know Chapter 22
  • 2. He’s blind for a Reason You Know Indiana Jones Principle: If there is something important to know about a character, the author will introduce it early. Works in which blindness is manifested early indicates the author’s intention to link it to plot or character. For example, Steven Spielberg places a snake in the airplane in the first sequence so that when we reach the scene with seven thousand snakes we know just how frightened the hero is of snakes. “ When a blind character is introduced, the author has created a minor constellation of difficulties. Every move, every statement by or about the character must accommodate his blindness; every other character has to notice, to behave differently, but subtly.” Thomas C. Foster, How to Read Literature Like a Professor When literal blindness, sight, darkness, and light are introduced, the author is indicating to the reader a sign of figurative seeing and blindness at work. For example: “Araby” by James Joyce presents a young boy who watches, hides , peeks, and gazes his way through a story, but he is really blinded by love from seeing clearly the shallowness of the girl he idealizes. The teenager envisions himself as a hero out of a romance. By the end of the story, the hero finally sees the lack of depth in the girl and finally sees himself as the ridiculous creature he is.