The document discusses key concepts in communication models, including the source, receiver, message, and channel. It covers topics like source credibility, reference groups, opinion leaders, word-of-mouth marketing, and the shift from traditional to nontraditional media. It also addresses designing persuasive communications through message framing, order effects, advertising appeals, and determining effectiveness. The overall content focuses on understanding the basic communication model and factors that influence consumer behavior.
3. The Source as the Initiator
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4. The Source -
Impersonal and Interpersonal Communications
• Source Credibility
• Reference Groups
– Normative
– Comparative
– Membership
– Symbolic
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5. • Informal Sources
– Opinion leaders
• Word of Mouth and
eWOM
– Two-way communication
– Social networks
– Brand communities
– Message boards and
Blogs
5
The Source
Informal Sources and Word of Mouth
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6. • Buzz Agents
• Viral Marketing
• Tackling negative rumors
6
The Source
Word of Mouth – Strategic Applications
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8. Discussion Questions
• Who do you consider to be a credible
spokesperson(s)?
• Why?
• Can you think of certain ads with credible
spokespeople?
• Ads with spokespeople who are NOT credible?
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9. Credibility of Formal Sources
Endorser Effectiveness
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10. 10
Credibility of Formal Sources
Other Credibility Sources
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11. The Receivers as the Target Audience
• Personal characteristics and motives
• Involvement and congruency
• Mood
• Barriers to communication
– Selective exposure to messages
– Psychological noise
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13. Media (Channel)
• Mass Media
• Nontraditional (New) Media is:
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14. The Shift From Traditional
To Nontraditional Advertising Is Growing - Figure 9.5
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15. Nontraditional Media
• Out-of-home and On-the-go
– Advertising screens in buildings and transit
– Digital billboards on roads
– Ambient advertising (in new places)
• Online and Mobile
– Includes consumer-generated media
– Narrowcast messages
• Interactive TV (iTV)
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16. Designing Persuasive Communications
• Resonance
• Message framing
• One-Sided versus Two-
Sided Messages
• Order Effects
• Wordplay
• Used to create a double
meaning when used
with a relevant picture
Message Structure
and Presentation
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17. Ads That Show Resonance
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18. Designing Persuasive Communications
• Resonance
• Message framing
• One-Sided versus Two-
Sided Messages
• Order Effects
• Positive framing
• Negative framing
Message Structure
and Presentation
18Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine ºÝºÝߣ
19. Designing Persuasive Communications
• Resonance
• Message framing
• One-Sided versus Two-
Sided Messages
• Order Effects
Depends on nature of the
audience and nature of
competition
Message Structure
and Presentation
19Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine ºÝºÝߣ
20. Designing Persuasive Communications
• Resonance
• Message framing
• One-Sided versus Two-
Sided Messages
• Order Effects
• Primacy
• Recency
• Order of benefits
• Brand name
Message Structure
and Presentation
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21. Advertising Appeals
• Comparative
• Fear
• Humor
• Abrasive
• Sex
• Audience participation
• Timely
• Celebrities
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22. Comparative - It Has Positive Effects On Brand
Attitudes, Purchase Intentions, and Purchases
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23. Two Advertising Appeals Are Shown
in This Ad-Humor and Fear
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24. Types of Celebrity Appeals
Table 9.6
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27. Chapter 9-1: The Viewer’s Voice
Influences TV Programming
1. Communication Feedback
2. Should programmers and producers consider
the feedback?
3. Source Credibility
4. Compare and contrast Neilsen ratings and
TWOP for a given episode.
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