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Code4 lib 2015
What is CollectionSpace?
CollectionSpace is a free, web-based, open-source collections
information management system. From cataloging and loans to
inventory and media handling, CollectionSpace is used to manage many
of the day-to-day activities of museum professionals and others who
work with objects, artifacts, specimens, and other types of collections.
A Tough Environment
 Through the 2000s, the museum collections information
management landscape was dominated by several large, commercial
vendors.
 Consequent to initial installation costs, licensing fees, and mandatory
service contracts, the systems provided by these vendors were out of
reach for most small and midsize institutions.
 Many museums chose to stay out of the market altogether, jury-
rigging general purpose DBs such as FileMaker or Access to support
their collections management activities.
We Can Do Better!
A group of museums and universities saw a different path. In 2008 the
CollectionSpace project was launched, with a mission to design,
develop, and share a platform for collections information management
which would: support traditional collections management activities;
enable the integration of emergent and dynamic new technologies into
the information ecologies of museums; and would be an effective and
affordable alternative to one-off applications developed in-house and
proprietary offerings.
Museum Data is a Little Different
Though libraries, museums, and archives all look like similar repositories housing cultural resources, there are
some fundamental differences in mission, in what is collected, in how works are organized, and in how the
institution relates to its users.
The traditional library is based upon the individual item, but it is generally not unique. Archives manage groups
of works and focus on maintaining a particular context for the overall collection. Museums collect specific
objects and provide curatorial context for each of them. These distinctions of the fundamental unit that is
collected and why affect each institutions acquisition policy, cataloging, preservation, and presentation to the
public.
Both libraries and museums are repositories, but libraries are user-driven. The role of the library is to provide
access to a vast amount of material through which the user freely roams, making his/her own connections
between works. The user chooses which items to look at. Museums, on the other hand, are curator-driven.
Historically, they have only provided access to limited holdings, usually exhibited through a particular
interpretation or context, as provided by curatorial and educational staff. The museum provides a framework of
context and interpretation, and the user can navigate within that smaller body.
HOWARD BESSER, 2004
What is it?
Who made it?
How tall is it?
Where is it stored?
Has it been restored?
Where did it come from?
What is it made out of?
Who owned it first?
How much did it cost?
Is it on exhibit?
When did we get it?
Do we have a photo of it?
Have we lent it out?
How much does it weigh?
Is it complete?
Is that plastic?
Was it made in China?Whats the ID number?
How much is it worth?
Is it insured?
Can I play with it?
Why do we have it?
Who is that?
Who cataloged this?
Can we photograph it?
Do people like it?
Is it secure?
How is it stored?
Wheres the blister pack?
Is that Mark Hamill?
Harry Ransom Humanities Center  University of Calgary  New York University 
Phoebe A. Hearst Museum of Archaeology and Anthropology  National
September 11th Memorial and Museum  George Mason University, Center for
History and New Media  American Association of Museums  Morgan Library and
Museum  Gemeentemuseum den Haag  Durst Organization  Walker Art Center
 Institute for Museum and Library Services  Albright-Knox Art Gallery  Princeton
University Art Museum  The New York Public Library  York University  Art
Gallery of Ontario  The Metropolitan Museum of Art  Cleveland Museum of Art 
Deutsche Kinemathek  Centre for Contemporary Canadian Art  American
Museum of Natural History  University of Pennsylvania Museum of Archaeology
and Anthropology  Art Institute of Chicago  Indianapolis Museum of Art 
Universite Libre de Bruxelles  Blithewold Mansion, Gardens, and Arboretum 
Jewish Womens Archive  Tridentino Museo di Scienze Naturali  Cultural Heritage
Netherlands  SUNY Albany  Statens Museums for Kunst  San Francisco Museum
of Modern Art  Canadian Heritage Information Network  Fitzwilliam Museum
The core CollectionSpace data model is based on the
Spectrum Standard, created and maintained by the UKs
Collections Trust. The core CollectionSpace data model
was designed to be as domain-agnostic as possible,
focusing on those things common to all museums.
CollectionSpaces architecture allows users to select the
common installation, choose a template that includes
extensions specific to a particular domain (e.g.
stratigraphy for an anthropology museum or migration
and emulation data for a new media collection), or create
schema extensions specific to their institution.
Common Entity Schema
(common semantics)
Domain-specific Extensions
(common across many institutions)
Deployment-specific Extensions
(specific to one deployment or workflow)
Different Domains / Different Solutions
Things in Common
CollectionSpace Fine Art Botanical Garden Variable Media
Identification number Accession number Accession number Accession number
Production entity Artist Collector Publisher
Object name Prints Tulipa Video game
Location Gallery 7 Northwest perennial bed Main Storage, Shelf 12
Reason for deaccession Duplicate Dead Obsolete
Things that are Different
Extension Fine Art Botanical Garden Variable media
Fine art State identification
Commission cost
Botanical garden Propagation date
Propagation medium
Variable media Programing language
Playback hardware
Common
renamed
relocated
relocated
(some fields removed)
Configured

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Code4 lib 2015

  • 2. What is CollectionSpace? CollectionSpace is a free, web-based, open-source collections information management system. From cataloging and loans to inventory and media handling, CollectionSpace is used to manage many of the day-to-day activities of museum professionals and others who work with objects, artifacts, specimens, and other types of collections.
  • 3. A Tough Environment Through the 2000s, the museum collections information management landscape was dominated by several large, commercial vendors. Consequent to initial installation costs, licensing fees, and mandatory service contracts, the systems provided by these vendors were out of reach for most small and midsize institutions. Many museums chose to stay out of the market altogether, jury- rigging general purpose DBs such as FileMaker or Access to support their collections management activities.
  • 4. We Can Do Better! A group of museums and universities saw a different path. In 2008 the CollectionSpace project was launched, with a mission to design, develop, and share a platform for collections information management which would: support traditional collections management activities; enable the integration of emergent and dynamic new technologies into the information ecologies of museums; and would be an effective and affordable alternative to one-off applications developed in-house and proprietary offerings.
  • 5. Museum Data is a Little Different Though libraries, museums, and archives all look like similar repositories housing cultural resources, there are some fundamental differences in mission, in what is collected, in how works are organized, and in how the institution relates to its users. The traditional library is based upon the individual item, but it is generally not unique. Archives manage groups of works and focus on maintaining a particular context for the overall collection. Museums collect specific objects and provide curatorial context for each of them. These distinctions of the fundamental unit that is collected and why affect each institutions acquisition policy, cataloging, preservation, and presentation to the public. Both libraries and museums are repositories, but libraries are user-driven. The role of the library is to provide access to a vast amount of material through which the user freely roams, making his/her own connections between works. The user chooses which items to look at. Museums, on the other hand, are curator-driven. Historically, they have only provided access to limited holdings, usually exhibited through a particular interpretation or context, as provided by curatorial and educational staff. The museum provides a framework of context and interpretation, and the user can navigate within that smaller body. HOWARD BESSER, 2004
  • 6. What is it? Who made it? How tall is it? Where is it stored? Has it been restored? Where did it come from? What is it made out of? Who owned it first? How much did it cost? Is it on exhibit? When did we get it? Do we have a photo of it? Have we lent it out? How much does it weigh? Is it complete? Is that plastic? Was it made in China?Whats the ID number? How much is it worth? Is it insured? Can I play with it? Why do we have it? Who is that? Who cataloged this? Can we photograph it? Do people like it? Is it secure? How is it stored? Wheres the blister pack? Is that Mark Hamill?
  • 7. Harry Ransom Humanities Center University of Calgary New York University Phoebe A. Hearst Museum of Archaeology and Anthropology National September 11th Memorial and Museum George Mason University, Center for History and New Media American Association of Museums Morgan Library and Museum Gemeentemuseum den Haag Durst Organization Walker Art Center Institute for Museum and Library Services Albright-Knox Art Gallery Princeton University Art Museum The New York Public Library York University Art Gallery of Ontario The Metropolitan Museum of Art Cleveland Museum of Art Deutsche Kinemathek Centre for Contemporary Canadian Art American Museum of Natural History University of Pennsylvania Museum of Archaeology and Anthropology Art Institute of Chicago Indianapolis Museum of Art Universite Libre de Bruxelles Blithewold Mansion, Gardens, and Arboretum Jewish Womens Archive Tridentino Museo di Scienze Naturali Cultural Heritage Netherlands SUNY Albany Statens Museums for Kunst San Francisco Museum of Modern Art Canadian Heritage Information Network Fitzwilliam Museum
  • 8. The core CollectionSpace data model is based on the Spectrum Standard, created and maintained by the UKs Collections Trust. The core CollectionSpace data model was designed to be as domain-agnostic as possible, focusing on those things common to all museums. CollectionSpaces architecture allows users to select the common installation, choose a template that includes extensions specific to a particular domain (e.g. stratigraphy for an anthropology museum or migration and emulation data for a new media collection), or create schema extensions specific to their institution. Common Entity Schema (common semantics) Domain-specific Extensions (common across many institutions) Deployment-specific Extensions (specific to one deployment or workflow) Different Domains / Different Solutions
  • 9. Things in Common CollectionSpace Fine Art Botanical Garden Variable Media Identification number Accession number Accession number Accession number Production entity Artist Collector Publisher Object name Prints Tulipa Video game Location Gallery 7 Northwest perennial bed Main Storage, Shelf 12 Reason for deaccession Duplicate Dead Obsolete
  • 10. Things that are Different Extension Fine Art Botanical Garden Variable media Fine art State identification Commission cost Botanical garden Propagation date Propagation medium Variable media Programing language Playback hardware